what are the rules for essay writing

Essay Writing: A complete guide for students and teachers

P LANNING, PARAGRAPHING AND POLISHING: FINE-TUNING THE PERFECT ESSAY

Essay writing is an essential skill for every student. Whether writing a particular academic essay (such as persuasive, narrative, descriptive, or expository) or a timed exam essay, the key to getting good at writing is to write. Creating opportunities for our students to engage in extended writing activities will go a long way to helping them improve their skills as scribes.

But, putting the hours in alone will not be enough to attain the highest levels in essay writing. Practice must be meaningful. Once students have a broad overview of how to structure the various types of essays, they are ready to narrow in on the minor details that will enable them to fine-tune their work as a lean vehicle of their thoughts and ideas.

In this article, we will drill down to some aspects that will assist students in taking their essay writing skills up a notch. Many ideas and activities can be integrated into broader lesson plans based on essay writing. Often, though, they will work effectively in isolation – just as athletes isolate physical movements to drill that are relevant to their sport. When these movements become second nature, they can be repeated naturally in the context of the game or in our case, the writing of the essay.

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Planning an essay

The Boys Scouts’ motto is famously ‘Be Prepared’. It’s a solid motto that can be applied to most aspects of life; essay writing is no different. Given the purpose of an essay is generally to present a logical and reasoned argument, investing time in organising arguments, ideas, and structure would seem to be time well spent.

Given that essays can take a wide range of forms and that we all have our own individual approaches to writing, it stands to reason that there will be no single best approach to the planning stage of essay writing. That said, there are several helpful hints and techniques we can share with our students to help them wrestle their ideas into a writable form. Let’s take a look at a few of the best of these:

BREAK THE QUESTION DOWN: UNDERSTAND YOUR ESSAY TOPIC.

Whether students are tackling an assignment that you have set for them in class or responding to an essay prompt in an exam situation, they should get into the habit of analyzing the nature of the task. To do this, they should unravel the question’s meaning or prompt. Students can practice this in class by responding to various essay titles, questions, and prompts, thereby gaining valuable experience breaking these down.

Have students work in groups to underline and dissect the keywords and phrases and discuss what exactly is being asked of them in the task. Are they being asked to discuss, describe, persuade, or explain? Understanding the exact nature of the task is crucial before going any further in the planning process, never mind the writing process .

BRAINSTORM AND MIND MAP WHAT YOU KNOW:

Once students have understood what the essay task asks them, they should consider what they know about the topic and, often, how they feel about it. When teaching essay writing, we so often emphasize that it is about expressing our opinions on things, but for our younger students what they think about something isn’t always obvious, even to themselves.

Brainstorming and mind-mapping what they know about a topic offers them an opportunity to uncover not just what they already know about a topic, but also gives them a chance to reveal to themselves what they think about the topic. This will help guide them in structuring their research and, later, the essay they will write . When writing an essay in an exam context, this may be the only ‘research’ the student can undertake before the writing, so practicing this will be even more important.

RESEARCH YOUR ESSAY

The previous step above should reveal to students the general direction their research will take. With the ubiquitousness of the internet, gone are the days of students relying on a single well-thumbed encyclopaedia from the school library as their sole authoritative source in their essay. If anything, the real problem for our students today is narrowing down their sources to a manageable number. Students should use the information from the previous step to help here. At this stage, it is important that they:

●      Ensure the research material is directly relevant to the essay task

●      Record in detail the sources of the information that they will use in their essay

●      Engage with the material personally by asking questions and challenging their own biases

●      Identify the key points that will be made in their essay

●      Group ideas, counterarguments, and opinions together

●      Identify the overarching argument they will make in their own essay.

Once these stages have been completed the student is ready to organise their points into a logical order.

WRITING YOUR ESSAY

There are a number of ways for students to organize their points in preparation for writing. They can use graphic organizers , post-it notes, or any number of available writing apps. The important thing for them to consider here is that their points should follow a logical progression. This progression of their argument will be expressed in the form of body paragraphs that will inform the structure of their finished essay.

The number of paragraphs contained in an essay will depend on a number of factors such as word limits, time limits, the complexity of the question etc. Regardless of the essay’s length, students should ensure their essay follows the Rule of Three in that every essay they write contains an introduction, body paragraphs, and a conclusion.

Generally speaking, essay paragraphs will focus on one main idea that is usually expressed in a topic sentence that is followed by a series of supporting sentences that bolster that main idea. The first and final sentences are of the most significance here with the first sentence of a paragraph making the point to the reader and the final sentence of the paragraph making the overall relevance to the essay’s argument crystal clear. 

Though students will most likely be familiar with the broad generic structure of essays, it is worth investing time to ensure they have a clear conception of how each part of the essay works, that is, of the exact nature of the task it performs. Let’s review:

Common Essay Structure

Introduction: Provides the reader with context for the essay. It states the broad argument that the essay will make and informs the reader of the writer’s general perspective and approach to the question.

Body Paragraphs: These are the ‘meat’ of the essay and lay out the argument stated in the introduction point by point with supporting evidence.

Conclusion: Usually, the conclusion will restate the central argument while summarising the essay’s main supporting reasons before linking everything back to the original question.

ESSAY WRITING PARAGRAPH WRITING TIPS

●      Each paragraph should focus on a single main idea

●      Paragraphs should follow a logical sequence; students should group similar ideas together to avoid incoherence

●      Paragraphs should be denoted consistently; students should choose either to indent or skip a line

●      Transition words and phrases such as alternatively , consequently , in contrast should be used to give flow and provide a bridge between paragraphs.

HOW TO EDIT AN ESSAY

Students shouldn’t expect their essays to emerge from the writing process perfectly formed. Except in exam situations and the like, thorough editing is an essential aspect in the writing process. 

Often, students struggle with this aspect of the process the most. After spending hours of effort on planning, research, and writing the first draft, students can be reluctant to go back over the same terrain they have so recently travelled. It is important at this point to give them some helpful guidelines to help them to know what to look out for. The following tips will provide just such help: 

One Piece at a Time: There is a lot to look out for in the editing process and often students overlook aspects as they try to juggle too many balls during the process. One effective strategy to combat this is for students to perform a number of rounds of editing with each focusing on a different aspect. For example, the first round could focus on content, the second round on looking out for word repetition (use a thesaurus to help here), with the third attending to spelling and grammar.

Sum It Up: When reviewing the paragraphs they have written, a good starting point is for students to read each paragraph and attempt to sum up its main point in a single line. If this is not possible, their readers will most likely have difficulty following their train of thought too and the paragraph needs to be overhauled.

Let It Breathe: When possible, encourage students to allow some time for their essay to ‘breathe’ before returning to it for editing purposes. This may require some skilful time management on the part of the student, for example, a student rush-writing the night before the deadline does not lend itself to effective editing. Fresh eyes are one of the sharpest tools in the writer’s toolbox.

Read It Aloud: This time-tested editing method is a great way for students to identify mistakes and typos in their work. We tend to read things more slowly when reading aloud giving us the time to spot errors. Also, when we read silently our minds can often fill in the gaps or gloss over the mistakes that will become apparent when we read out loud.

Phone a Friend: Peer editing is another great way to identify errors that our brains may miss when reading our own work. Encourage students to partner up for a little ‘you scratch my back, I scratch yours’.

Use Tech Tools: We need to ensure our students have the mental tools to edit their own work and for this they will need a good grasp of English grammar and punctuation. However, there are also a wealth of tech tools such as spellcheck and grammar checks that can offer a great once-over option to catch anything students may have missed in earlier editing rounds.

Putting the Jewels on Display: While some struggle to edit, others struggle to let go. There comes a point when it is time for students to release their work to the reader. They must learn to relinquish control after the creation is complete. This will be much easier to achieve if the student feels that they have done everything in their control to ensure their essay is representative of the best of their abilities and if they have followed the advice here, they should be confident they have done so.

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How to Write an Essay

Last Updated: April 2, 2024 Fact Checked

This article was co-authored by Christopher Taylor, PhD and by wikiHow staff writer, Megaera Lorenz, PhD . Christopher Taylor is an Adjunct Assistant Professor of English at Austin Community College in Texas. He received his PhD in English Literature and Medieval Studies from the University of Texas at Austin in 2014. There are 18 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 7,929,738 times.

An essay is a common type of academic writing that you'll likely be asked to do in multiple classes. Before you start writing your essay, make sure you understand the details of the assignment so that you know how to approach the essay and what your focus should be. Once you've chosen a topic, do some research and narrow down the main argument(s) you'd like to make. From there, you'll need to write an outline and flesh out your essay, which should consist of an introduction, body, and conclusion. After your essay is drafted, spend some time revising it to ensure your writing is as strong as possible.

Understanding Your Assignment

• The compare/contrast essay , which focuses on analyzing the similarities and differences between 2 things, such as ideas, people, events, places, or works of art.
• The narrative essay , which tells a story.
• The argumentative essay , in which the writer uses evidence and examples to convince the reader of their point of view.
• The critical or analytical essay, which examines something (such as a text or work of art) in detail. This type of essay may attempt to answer specific questions about the subject or focus more generally on its meaning.
• The informative essay , that educates the reader about a topic.

• How long your essay should be
• Which citation style to use
• Formatting requirements, such as margin size , line spacing, and font size and type

Christopher Taylor, PhD

Christopher Taylor, Professor of English, tells us: "Most essays will contain an introduction, a body or discussion portion, and a conclusion. When assigned a college essay, make sure to check the specific structural conventions related to your essay genre , your field of study, and your professor's expectations."

• If you're doing a research-based essay , you might find some inspiration from reading through some of the major sources on the subject.
• For a critical essay, you might choose to focus on a particular theme in the work you're discussing, or analyze the meaning of a specific passage.

• If you're having trouble narrowing down your topic, your instructor might be able to provide guidance or inspiration.

Planning and Organizing Your Essay

• Academic books and journals tend to be good sources of information. In addition to print sources, you may be able to find reliable information in scholarly databases such as JSTOR and Google Scholar.
• You can also look for primary source documents, such as letters, eyewitness accounts, and photographs.
• Always evaluate your sources critically. Even research papers by reputable academics can contain hidden biases, outdated information, and simple errors or faulty logic.

Tip: In general, Wikipedia articles are not considered appropriate sources for academic writing. However, you may be able to find useful sources in the “References” section at the end of the article.

• You might find it helpful to write your notes down on individual note cards or enter them into a text document on your computer so you can easily copy, paste , and rearrange them however you like.
• Try organizing your notes into different categories so you can identify specific ideas you'd like to focus on. For example, if you're analyzing a short story , you might put all your notes on a particular theme or character together.

• For example, if your essay is about the factors that led to the end of the Bronze Age in the ancient Middle East, you might focus on the question, “What role did natural disasters play in the collapse of Late Bronze Age society?”

• One easy way to come up with a thesis statement is to briefly answer the main question you would like to address.
• For example, if the question is “What role did natural disasters play in the collapse of Late Bronze Age society?” then your thesis might be, “Natural disasters during the Late Bronze Age destabilized local economies across the region. This set in motion a series of mass migrations of different peoples, creating widespread conflict that contributed to the collapse of several major Bronze Age political centers.”

• When you write the outline, think about how you would like to organize your essay. For example, you might start with your strongest arguments and then move to the weakest ones. Or, you could begin with a general overview of the source you're analyzing and then move on to addressing the major themes, tone, and style of the work.
• Introduction
• Point 1, with supporting examples
• Point 2, with supporting examples
• Point 3, with supporting examples
• Major counter-argument(s) to your thesis
• Your rebuttals to the counter-argument(s)

Drafting the Essay

• For example, if you're writing a critical essay about a work of art, your introduction might start with some basic information about the work, such as who created it, when and where it was created, and a brief description of the work itself. From there, introduce the question(s) about the work you'd like to address and present your thesis.
• A strong introduction should also contain a brief transitional sentence that creates a link to the first point or argument you would like to make. For example, if you're discussing the use of color in a work of art, lead-in by saying you'd like to start with an overview of symbolic color use in contemporary works by other artists.

Tip: Some writers find it helpful to write the introduction after they've written the rest of the essay. Once you've written out your main points, it's easier to summarize the gist of your essay in a few introductory sentences.

• For example, your topic sentence might be something like, “Arthur Conan Doyle's Sherlock Holmes stories are among the many literary influences apparent in P. G. Wodehouse's Jeeves novels.” You could then back this up by quoting a passage that contains a reference to Sherlock Holmes.
• Try to show how the arguments in each paragraph link back to the main thesis of your essay.

• When creating transitions, transitional phrases can be helpful. For example, use words and phrases such as “In addition,” “Therefore,” “Similarly,” “Subsequently,” or “As a result.”
• For example, if you've just discussed the use of color to create contrast in a work of art, you might start the next paragraph with, “In addition to color, the artist also uses different line weights to distinguish between the more static and dynamic figures in the scene.”

• For example, if you're arguing that a particular kind of shrimp decorates its shell with red algae to attract a mate, you'll need to address the counterargument that the shell decoration is a warning to predators. You might do this by presenting evidence that the red shrimp are, in fact, more likely to get eaten than shrimp with undecorated shells.

• The way you cite your sources will vary depending on the citation style you're using. Typically, you'll need to include the name of the author, the title and publication date of the source, and location information such as the page number on which the information appears.
• In general, you don't need to cite common knowledge. For example, if you say, “A zebra is a type of mammal,” you probably won't need to cite a source.
• If you've cited any sources in the essay, you'll need to include a list of works cited (or a bibliography ) at the end.

• Keep your conclusion brief. While the appropriate length will vary based on the length of the essay, it should typically be no longer than 1-2 paragraphs.
• For example, if you're writing a 1,000-word essay, your conclusion should be about 4-5 sentences long. [16] X Research source

Revising the Essay

• If you don't have time to spend a couple of days away from your essay, at least take a few hours to relax or work on something else.

• Excessive wordiness
• Points that aren't explained enough
• Tangents or unnecessary information
• Unclear transitions or illogical organization
• Spelling , grammar , style, and formatting problems
• Inappropriate language or tone (e.g., slang or informal language in an academic essay)

• You might have to cut material from your essay in some places and add new material to others.
• You might also end up reordering some of the content of the essay if you think that helps it flow better.

• Read over each line slowly and carefully. It may be helpful to read each sentence out loud to yourself.

Tip: If possible, have someone else check your work. When you've been looking at your writing for too long, your brain begins to fill in what it expects to see rather than what's there, making it harder for you to spot mistakes.

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• ↑ https://www.yourdictionary.com/articles/essay-types
• ↑ https://students.unimelb.edu.au/academic-skills/resources/essay-writing/six-top-tips-for-writing-a-great-essay
• ↑ https://owl.purdue.edu/owl/general_writing/common_writing_assignments/research_papers/choosing_a_topic.html
• ↑ https://writingcenter.fas.harvard.edu/tips-reading-assignment-prompt
• ↑ https://library.unr.edu/help/quick-how-tos/writing/integrating-sources-into-your-paper
• ↑ https://advice.writing.utoronto.ca/researching/notes-from-research/
• ↑ https://writingcenter.fas.harvard.edu/pages/developing-thesis
• ↑ https://writingcenter.fas.harvard.edu/pages/outlining
• ↑ https://lsa.umich.edu/sweetland/undergraduates/writing-guides/how-do-i-write-an-intro--conclusion----body-paragraph.html
• ↑ https://owl.purdue.edu/owl/general_writing/academic_writing/essay_writing/argumentative_essays.html
• ↑ https://writingcenter.unc.edu/tips-and-tools/transitions/
• ↑ https://lsa.umich.edu/sweetland/undergraduates/writing-guides/how-do-i-incorporate-a-counter-argument.html
• ↑ https://www.plagiarism.org/article/how-do-i-cite-sources
• ↑ https://writingcenter.unc.edu/tips-and-tools/conclusions/
• ↑ https://www.utsc.utoronto.ca/twc/sites/utsc.utoronto.ca.twc/files/resource-files/Intros-Conclusions.pdf
• ↑ https://owl.purdue.edu/owl/general_writing/the_writing_process/proofreading/steps_for_revising.html
• ↑ https://open.lib.umn.edu/writingforsuccess/chapter/8-4-revising-and-editing/
• ↑ https://writing.ku.edu/writing-process

About This Article

If you need to write an essay, start by gathering information from reputable sources, like books from the library or scholarly journals online. Take detailed notes and keep track of which facts come from which sources. As you're taking notes, look for a central theme that you're interested in writing about to create your thesis statement. Then, organize your notes into an outline that supports and explains your thesis statement. Working from your outline, write an introduction and subsequent paragraphs to address each major point. Start every paragraph with a topic sentence that briefly explains the main point of that paragraph. Finally, finish your paper with a strong conclusion that sums up the most important points. For tips from our English Professor co-author on helpful revision techniques, keep reading! Did this summary help you? Yes No

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13 Rules for Writing Good Essays

To write a good essay, you have to make your message clear..

Posted March 7, 2018 | Reviewed by Jessica Schrader

To write a good university essay you have to make your message clear. This means organizing your key points, supporting them with a series of evidence-based arguments, and wrapping it all up at the end so the reader knows what they've learned. To do this well, you need to take the reader's perspective. If you can see what might trip them up as they read your work, then you can avoid pitfalls that will confuse or bore them. Here are some tips to help you avoid the easy pitfalls. Once understood, these rules can be broken. But if you're unclear on how to approach your writing, these tips can help.

1. Your opening paragraph should clearly describe what you are going to discuss in the essay. These three things are vital: What’s the thesis (or problem), why is it important, and how are you going to address it? If you have each of those items in your opening paragraph your reader will know what they are reading, why they are reading it, and what they can expect to get out of it.

2. Organize the essay so that it covers a set list of subtopics that each support your main thesis. If it's a long essay, you should break it up into sections with headings that focus on specific subtopics. Introduce these topics in the opening paragraph of the essay (see 1 above). Overall, you want to organize information so it is easy to understand and remember.

3. Start paragraphs with opening sentences that explain what the paragraph is going to say. Then write sentences that follow one from the other and are easy to read. Avoid paragraphs that are too long, that read like lists, or that have no main thesis. Summarize complex paragraphs with concise sentences that explain what the paragraph said.

4. Create transitions between paragraphs so that one paragraph follows from the next. You are trying to make it all easy to understand for your reader. The more organized your writing, the more clearly you will understand and communicate your own ideas.

5. Make your sentences work. Avoid long sentences. When in doubt, break long sentences into smaller sentences. Avoid sentences that are repetitive and don't provide new information. Throw away weak and empty sentences ("Angioplasty is an important procedure." "Emotions are a central element in people's lives."). Sentences also need to be crystal clear. You can check for clarity by making sure they read well. Read them out loud to yourself or have someone else read them out loud to you.

6. Explain novel terms (jargon) when you introduce them . Don’t assume your reader knows what terms mean. Avoid jargon except where it communicates key concepts. Imagine the reader knows less about the topic than you do.

7. In science writing, you can use synonyms for key concepts only when you are first explaining them. After that, use the same word every time to refer to the idea. For example, you might want to write, 'affect,' and then 'emotions,' and then 'feelings.' If you use different words every time you refer to an idea, your reader will get confused. Define a term and then use it consistently.

8. Be careful when you use words like ‘this’ or ‘that’ or ‘their’ or ‘those’ or 'these' or 'they.' These words are often not as tightly connected to what they reference as you think. Check every one of them and see if you can rewrite it more clearly. When you use *these* words carelessly, your reader will need to think more to understand what you are referring to. *That* will break the flow and make it harder to understand what you're actually try to say. *They* (the readers) won't know who you're referring to. By simply stating what you are referring to specifically, you make your writing clear. It is better to be repetitive than unclear.

9. Use concrete information. Concrete information is powerful, is appealing, it is easier to understand, and it sticks in people's memory . Concrete information includes things like examples, statistics, quotes, facts, and other details. The more sentences that go by without communicating new concrete information or ideas that develop your thesis, the more likely your reader is to get bored .

10. If you have an interesting idea, check to see if someone else has already had it. If they have, cite them. Chances are someone has at least hinted at your clever insight, and you can use them as a springboard to say something even more interesting. This will demonstrate scholarship and an understanding of the broader context.

11. Make sure everything is relevant. Don’t include random facts that are not relevant. Don't include extra words that you don't need ("actually," "very," "in many ways," "the fact that"). Don't include paragraphs that have lots of cool facts if they aren't related to your central thesis. These slow down your reader and confuse them because they expect to hear content that is related to your theme. After you write a first draft (where you are just trying to get ideas down on paper), see what you can cut out to focus your argument on what matters.

12. The very best essays provide their own critique. End with something like this before the final summary: Provide criticism of your key point (appropriately referenced). Then provide criticism of the criticizer that you referenced (with another reference). If you can do this well, then in most instances you will have demonstrated thorough understanding of the issues. After this, provide your conclusion.

13. In the conclusion, take a position, make a prediction, or propose some future actions (an experiment, an implication, a new question to be addressed, etc). Summarize your thesis and the evidence you’ve provided in a concise way without being wishy-washy.

You might also be interested in my top 10 job interview tips or top 10 science-based study skills.

Follow me on Twitter .

Thomas T. Hills, Ph.D. , is a professor of psychology at University of Warwick.

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The Seven Essay Writing Rules

Essays have different rules than do stories, letters, poems, or journal writing. Essays respond to a writing prompt or writing topic. The writer is required to develop a thesis statement in the introductory paragraph, then follow with at least two body paragraphs which address the thesis statement, then end with a concluding paragraph.

The Common Core Writing Standards divides essays into argumentative and informational/explanatory. Argumentative essays argue a position or point of view; informational/ explanatory essays explain and analyze. Each of these types of essays focuses on the subject of the writing prompt and follows the following essay writing rules.

Keep in mind that essays are a very formal type of writing. Although they may certainly express opinions, essays present evidence in a fair and balanced manner. Think of presenting evidence in an essay as an attorney would present evidence in a court of law. All of the traditional rituals have to be followed. The attorney (writer) has introductory remarks (introductory paragraph) in which a verdict (think thesis statement) is stated. Next, the attorney (writer) presents the main points of the case and the evidence that supports them (body paragraphs). Finally, the attorney (writer) presents the closing arguments (conclusion paragraph).

Here are the seven essay writing rules:

1. Write in complete sentences. Intentional fragments, such as “Right?” don’t belong in essays.

2. Write in third person. Talk about the subject of the essay. Don’t personalize with first person pronouns such as I, me, my, mine, we, us, our, ours, ourselves. Don’t talk to the reader with second person pronouns such as you, your, yours, yourself, yourselves. The essay is to be objective (fair and balanced), not subjective (personalized). Rid essays of “I think,” “I believe,” and “In my opinion.”

3. Do not abbreviate. Abbreviations are informal and serve as short-cuts, so they don’t belong in essays. So write United States , not U.S. in essays.

4. Do not use slang, such as kids . Use official, or formal, words, such as children .

5. Do not use contractions. Again, essays are very formal, so write “do not” rather than “don’t.”

6. Do not use figures of speech. Be direct and precise in essay writing. Essays do not use poetic devices or idiomatic expressions. For example, don’t write “He let the cat out of the bag.” Instead, say “He shared a secret.”

7. Do not over-use the same words or phrases. For example, avoid over-use of the “to-be” verbs : is, am, are, was, were, be, being, been.

TEACHING ESSAYS BUNDLE

The author’s  TEACHING ESSAYS BUNDLE   includes the three printable and digital  resources students need to master  the  CCSS W.1 argumentative and W.2 informational/explanatory essays. Each  no-prep  resource allows students to work at their own paces via mastery learning. How to Teach Essays  includes 42 skill-based essay strategy worksheets (fillable PDFs and 62 Google slides), beginning with simple 3-word paragraphs and proceeding step-by-step to complex multi-paragraph essays. One skill builds upon another. The Essay Skills Worksheets include 97 worksheets (printables and 97 Google slides) to help teachers differentiate writing instruction with both remedial and advanced writing skills. The  Eight Writing Process Essays  (printables and 170 Google slides) each feature an on-demand diagnostic essay assessment, writing prompt with connected reading, brainstorming, graphic organizer, response, revision, and editing activities. Plus, each essay includes a detailed analytical (not holistic) rubric for assessment-based learning.

Writing essay , essay program , essay rules , essay strategies , essay worksheets , five paragraph essay , Mark Pennington , Teaching Essay Strategies , writing rules

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Tips for Online Students , Tips for Students

How To Write An Essay: Beginner Tips And Tricks

Updated: July 11, 2022

Published: June 22, 2021

Many students dread writing essays, but essay writing is an important skill to develop in high school, university, and even into your future career. By learning how to write an essay properly, the process can become more enjoyable and you’ll find you’re better able to organize and articulate your thoughts.

When writing an essay, it’s common to follow a specific pattern, no matter what the topic is. Once you’ve used the pattern a few times and you know how to structure an essay, it will become a lot more simple to apply your knowledge to every essay. 

No matter which major you choose, you should know how to craft a good essay. Here, we’ll cover the basics of essay writing, along with some helpful tips to make the writing process go smoothly.

Photo by Laura Chouette on Unsplash

Types of Essays

Think of an essay as a discussion. There are many types of discussions you can have with someone else. You can be describing a story that happened to you, you might explain to them how to do something, or you might even argue about a certain topic. 

When it comes to different types of essays, it follows a similar pattern. Like a friendly discussion, each type of essay will come with its own set of expectations or goals. 

For example, when arguing with a friend, your goal is to convince them that you’re right. The same goes for an argumentative essay. 

Here are a few of the main essay types you can expect to come across during your time in school:

Narrative Essay

This type of essay is almost like telling a story, not in the traditional sense with dialogue and characters, but as if you’re writing out an event or series of events to relay information to the reader.

Persuasive Essay

Here, your goal is to persuade the reader about your views on a specific topic.

Descriptive Essay

This is the kind of essay where you go into a lot more specific details describing a topic such as a place or an event. 

Argumentative Essay

In this essay, you’re choosing a stance on a topic, usually controversial, and your goal is to present evidence that proves your point is correct.

Expository Essay

Your purpose with this type of essay is to tell the reader how to complete a specific process, often including a step-by-step guide or something similar.

Compare and Contrast Essay

You might have done this in school with two different books or characters, but the ultimate goal is to draw similarities and differences between any two given subjects.

The Main Stages of Essay Writing

When it comes to writing an essay, many students think the only stage is getting all your ideas down on paper and submitting your work. However, that’s not quite the case. 

There are three main stages of writing an essay, each one with its own purpose. Of course, writing the essay itself is the most substantial part, but the other two stages are equally as important.

So, what are these three stages of essay writing? They are:

Preparation

Before you even write one word, it’s important to prepare the content and structure of your essay. If a topic wasn’t assigned to you, then the first thing you should do is settle on a topic. Next, you want to conduct your research on that topic and create a detailed outline based on your research. The preparation stage will make writing your essay that much easier since, with your outline and research, you should already have the skeleton of your essay.

Writing is the most time-consuming stage. In this stage, you will write out all your thoughts and ideas and craft your essay based on your outline. You’ll work on developing your ideas and fleshing them out throughout the introduction, body, and conclusion (more on these soon).

In the final stage, you’ll go over your essay and check for a few things. First, you’ll check if your essay is cohesive, if all the points make sense and are related to your topic, and that your facts are cited and backed up. You can also check for typos, grammar and punctuation mistakes, and formatting errors.  

The Five-Paragraph Essay

We mentioned earlier that essay writing follows a specific structure, and for the most part in academic or college essays , the five-paragraph essay is the generally accepted structure you’ll be expected to use. 

The five-paragraph essay is broken down into one introduction paragraph, three body paragraphs, and a closing paragraph. However, that doesn’t always mean that an essay is written strictly in five paragraphs, but rather that this structure can be used loosely and the three body paragraphs might become three sections instead.

Let’s take a closer look at each section and what it entails.

Introduction

As the name implies, the purpose of your introduction paragraph is to introduce your idea. A good introduction begins with a “hook,” something that grabs your reader’s attention and makes them excited to read more. 

Another key tenant of an introduction is a thesis statement, which usually comes towards the end of the introduction itself. Your thesis statement should be a phrase that explains your argument, position, or central idea that you plan on developing throughout the essay. 

You can also include a short outline of what to expect in your introduction, including bringing up brief points that you plan on explaining more later on in the body paragraphs.

Here is where most of your essay happens. The body paragraphs are where you develop your ideas and bring up all the points related to your main topic. 

In general, you’re meant to have three body paragraphs, or sections, and each one should bring up a different point. Think of it as bringing up evidence. Each paragraph is a different piece of evidence, and when the three pieces are taken together, it backs up your main point — your thesis statement — really well.

That being said, you still want each body paragraph to be tied together in some way so that the essay flows. The points should be distinct enough, but they should relate to each other, and definitely to your thesis statement. Each body paragraph works to advance your point, so when crafting your essay, it’s important to keep this in mind so that you avoid going off-track or writing things that are off-topic.

Many students aren’t sure how to write a conclusion for an essay and tend to see their conclusion as an afterthought, but this section is just as important as the rest of your work. 

You shouldn’t be presenting any new ideas in your conclusion, but you should summarize your main points and show how they back up your thesis statement. 

Essentially, the conclusion is similar in structure and content to the introduction, but instead of introducing your essay, it should be wrapping up the main thoughts and presenting them to the reader as a singular closed argument. 

Photo by AMIT RANJAN on Unsplash

Steps to Writing an Essay

Now that you have a better idea of an essay’s structure and all the elements that go into it, you might be wondering what the different steps are to actually write your essay. 

Don’t worry, we’ve got you covered. Instead of going in blind, follow these steps on how to write your essay from start to finish.

Understand Your Assignment

When writing an essay for an assignment, the first critical step is to make sure you’ve read through your assignment carefully and understand it thoroughly. You want to check what type of essay is required, that you understand the topic, and that you pay attention to any formatting or structural requirements. You don’t want to lose marks just because you didn’t read the assignment carefully.

Research Your Topic

Once you understand your assignment, it’s time to do some research. In this step, you should start looking at different sources to get ideas for what points you want to bring up throughout your essay. 

Search online or head to the library and get as many resources as possible. You don’t need to use them all, but it’s good to start with a lot and then narrow down your sources as you become more certain of your essay’s direction.

Start Brainstorming

After research comes the brainstorming. There are a lot of different ways to start the brainstorming process . Here are a few you might find helpful:

• Think about what you found during your research that interested you the most
• Jot down all your ideas, even if they’re not yet fully formed
• Create word clouds or maps for similar terms or ideas that come up so you can group them together based on their similarities
• Try freewriting to get all your ideas out before arranging them

Create a Thesis

This is often the most tricky part of the whole process since you want to create a thesis that’s strong and that you’re about to develop throughout the entire essay. Therefore, you want to choose a thesis statement that’s broad enough that you’ll have enough to say about it, but not so broad that you can’t be precise. 

Write Your Outline

Armed with your research, brainstorming sessions, and your thesis statement, the next step is to write an outline. 

In the outline, you’ll want to put your thesis statement at the beginning and start creating the basic skeleton of how you want your essay to look. 

A good way to tackle an essay is to use topic sentences . A topic sentence is like a mini-thesis statement that is usually the first sentence of a new paragraph. This sentence introduces the main idea that will be detailed throughout the paragraph. 

If you create an outline with the topic sentences for your body paragraphs and then a few points of what you want to discuss, you’ll already have a strong starting point when it comes time to sit down and write. This brings us to our next step… 

Write a First Draft

The first time you write your entire essay doesn’t need to be perfect, but you do need to get everything on the page so that you’re able to then write a second draft or review it afterward. 

Everyone’s writing process is different. Some students like to write their essay in the standard order of intro, body, and conclusion, while others prefer to start with the “meat” of the essay and tackle the body, and then fill in the other sections afterward. 

Make sure your essay follows your outline and that everything relates to your thesis statement and your points are backed up by the research you did. 

Revise, Edit, and Proofread

The revision process is one of the three main stages of writing an essay, yet many people skip this step thinking their work is done after the first draft is complete. 

However, proofreading, reviewing, and making edits on your essay can spell the difference between a B paper and an A.

After writing the first draft, try and set your essay aside for a few hours or even a day or two, and then come back to it with fresh eyes to review it. You might find mistakes or inconsistencies you missed or better ways to formulate your arguments.

Add the Finishing Touches

Finally, you’ll want to make sure everything that’s required is in your essay. Review your assignment again and see if all the requirements are there, such as formatting rules, citations, quotes, etc. 

Go over the order of your paragraphs and make sure everything makes sense, flows well, and uses the same writing style . 

Once everything is checked and all the last touches are added, give your essay a final read through just to ensure it’s as you want it before handing it in. 

A good way to do this is to read your essay out loud since you’ll be able to hear if there are any mistakes or inaccuracies.

Essay Writing Tips

With the steps outlined above, you should be able to craft a great essay. Still, there are some other handy tips we’d recommend just to ensure that the essay writing process goes as smoothly as possible.

• Start your essay early. This is the first tip for a reason. It’s one of the most important things you can do to write a good essay. If you start it the night before, then you won’t have enough time to research, brainstorm, and outline — and you surely won’t have enough time to review.
• Don’t try and write it in one sitting. It’s ok if you need to take breaks or write it over a few days. It’s better to write it in multiple sittings so that you have a fresh mind each time and you’re able to focus.
• Always keep the essay question in mind. If you’re given an assigned question, then you should always keep it handy when writing your essay to make sure you’re always working to answer the question.
• Use transitions between paragraphs. In order to improve the readability of your essay, try and make clear transitions between paragraphs. This means trying to relate the end of one paragraph to the beginning of the next one so the shift doesn’t seem random.
• Integrate your research thoughtfully. Add in citations or quotes from your research materials to back up your thesis and main points. This will show that you did the research and that your thesis is backed up by it.

Wrapping Up

Writing an essay doesn’t need to be daunting if you know how to approach it. Using our essay writing steps and tips, you’ll have better knowledge on how to write an essay and you’ll be able to apply it to your next assignment. Once you do this a few times, it will become more natural to you and the essay writing process will become quicker and easier.

If you still need assistance with your essay, check with a student advisor to see if they offer help with writing. At University of the People(UoPeople), we always want our students to succeed, so our student advisors are ready to help with writing skills when necessary. 

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Ultimate Guide to Writing Your College Essay

Tips for writing an effective college essay.

College admissions essays are an important part of your college application and gives you the chance to show colleges and universities your character and experiences. This guide will give you tips to write an effective college essay.

Want free help with your college essay?

UPchieve connects you with knowledgeable and friendly college advisors—online, 24/7, and completely free. Get 1:1 help brainstorming topics, outlining your essay, revising a draft, or editing grammar.

Writing a strong college admissions essay

Learn about the elements of a solid admissions essay.

Avoiding common admissions essay mistakes

Learn some of the most common mistakes made on college essays

Brainstorming tips for your college essay

Stuck on what to write your college essay about? Here are some exercises to help you get started.

How formal should the tone of your college essay be?

Learn how formal your college essay should be and get tips on how to bring out your natural voice.

Taking your college essay to the next level

Hear an admissions expert discuss the appropriate level of depth necessary in your college essay.

Student Stories

Student Story: Admissions essay about a formative experience

Get the perspective of a current college student on how he approached the admissions essay.

Student Story: Admissions essay about personal identity

Get the perspective of a current college student on how she approached the admissions essay.

Student Story: Admissions essay about community impact

Student story: admissions essay about a past mistake, how to write a college application essay, tips for writing an effective application essay, sample college essay 1 with feedback, sample college essay 2 with feedback.

This content is licensed by Khan Academy and is available for free at www.khanacademy.org.

H 1 . Introduction

This handbook is a brief yet comprehensive reference for you to consult as you write papers and other assignments for a college course. You can refer to it as you draft paragraphs and polish sentences for clarity, conciseness, and point of view. You can read it to learn how to identify and revise common sentence errors and confused words. You can use it to help you edit your writing and fine-tune your use of verbs, pronouns, punctuation, and mechanics. And you can have it open as you integrate and cite quotations as well as other source material in your papers in MLA or APA style.

Designed as a reference tool, the handbook is organized to help you get answers to your questions. You do not need to read the entire handbook to get helpful information from it. For example, if your instructor has noted that you need to work on comma splices, you can refer to Sentence Errors , before you turn in a final draft of your writing. If you know you frequently misuse commas, refer to Punctuation , and check your sentences against the advice there. And if you, like many writers, can’t remember which punctuation marks go inside and outside quotation marks, refer to Quotations . Becoming familiar with the handbook and the various topics will allow you to use it efficiently.

H 2 . Paragraphs and Transitions

Paragraphs help readers make their way through prose writing by presenting it in manageable chunks. Transitions link sentences and paragraphs so that readers can clearly understand how the points you are making relate to one another. (See Editing Focus: Paragraph and Transitions for a related discussion of paragraphs and transitions. See Evaluation: Transitions for a related discussion of transitions in multimodal compositions.)

Effective Paragraphs

Paragraphs are guides for readers. Each new paragraph signals either a new idea, further development of an existing idea, or a new direction. An effective paragraph has a main point supported by evidence, is organized in a sensible way, and is neither too short nor too long. When a paragraph is too short, it often lacks enough evidence and examples to back up your claims. When a paragraph is too long, readers can lose the point you are making.

Developing a Main Point

A paragraph is easier to write and easier to read when it centers on a main point. The main point of the paragraph is usually expressed in a topic sentence . The topic sentence frequently comes at the start of the paragraph, but not always. No matter the position, however, the other sentences in the paragraph support the main point.

Supporting Evidence and Analysis

All the sentences that develop the paragraph should support or expand on the main point given in the topic sentence. Depending on the type of writing you are doing, support may include evidence from sources—such as facts, statistics, and expert opinions—as well as examples from your own experience. Paragraphs also may include an analysis of your evidence written in your own words. The analysis explains the significance of the evidence to the reader and reinforces the main point of the paragraph.

In the following example, the topic sentence is underlined. The supporting evidence discussed through cause-and-effect reasoning comes in the next three sentences. The paragraph concludes with two sentences of analysis in the writer’s own words.

underline Millions of retired Americans rely on Social Security benefits to make ends meet after they turn 65. end underline According to the Social Security Administration, about 46 million retired workers receive benefits, a number that reflects about 90 percent of retired people. Although experts disagree on the exact numbers, somewhere between 12 percent and 40 percent of retirees count on social security for all of their income, making these benefits especially important (Konish). These benefits become more important as people age. According to Eisenberg, people who reach the age of 85 become more financially vulnerable because their health care and long-term care costs increase at the same time their savings have been drawn down. It should therefore come as no surprise that people worry about changes to the program. Social Security keeps millions of retired Americans out of poverty.

Opening Paragraphs

Readers pay attention to the opening of a piece of writing, so make it work for you. After starting with a descriptive title, write an opening paragraph that grabs readers’ attention and alerts them to what’s coming. A strong opening paragraph provides the first clues about your subject and your stance. In academic writing, whether argumentative, interpretative, or informative, the introduction often ends with a clear thesis statement , a declarative sentence that states the topic, the angle you are taking, and the aspects of the topic the rest of the paper will support.

Depending on the type of writing you’re doing, you can open in a variety of ways.

• Open with a conflict or an action. If you’re writing about conflict, a good opening may be to spell out what the conflict is. This way of opening captures attention by creating a kind of suspense: Will the conflict be resolved? How will it be resolved?
• Open with a specific detail, statistic, or quotation. Specific information shows that you know a lot about your subject and piques readers’ curiosity. The more dramatic your information, the more it will draw in readers, as long as what you provide is credible.
• Open with an anecdote. Readers enjoy stories. Particularly for reflective or personal narrative writing, beginning with a story sets the scene and draws in readers. You may also begin the anecdote with dialogue or reflection.

The following introduction opens with an anecdote and ends with the thesis statement, which is underlined.

Betty stood outside the salon, wondering how to get in. It was June of 2020, and the door was locked. A sign posted on the door provided a phone number for her to call to be let in, but at 81, Betty had lived her life without a cell phone. Betty’s day-to-day life had been hard during the pandemic, but she had planned for this haircut and was looking forward to it: she had a mask on and hand sanitizer in her car. Now she couldn’t get in the door, and she was discouraged. In that moment, Betty realized how much Americans’ dependence on cell phones had grown in the months she and millions of others had been forced to stay at home. underline Betty and thousands of other senior citizens who could not afford cell phones or did not have the technological skills and support they needed were being left behind in a society that was increasingly reliant on technology end underline .

Closing Paragraphs

The conclusion is your final chance to make the point of your writing stick in readers’ minds by reinforcing what they have read. Depending on the purpose for your writing and your audience, you can summarize your main points and restate your thesis, draw a logical conclusion, speculate about the issues you have raised, or recommend a course of action, as shown in the following conclusion:

Although many senior citizens purchased and learned new technologies during the COVID-19 pandemic, a significant number of older people like Betty were unable to buy and/or learn the technology they needed to keep them connected to the people and services they needed. As society becomes increasingly dependent on technology, social service agencies, religious institutions, medical providers, senior centers, and other organizations that serve the elderly need to be equipped to help them access and become proficient in the technologies essential to their daily lives.

Transitions

Transitional words and phrases show the connections or relationships between sentences and paragraphs and help your writing flow smoothly from one idea to the next.

A paragraph flows when ideas are organized logically and sentences move smoothly from one to the next. Transitional words and phrases help your writing flow by signaling to readers what’s coming in the next sentence. In the paragraph below, the topic sentence and transitional words and phrases are underlined.

underline Some companies court the public by mentioning environmental problems and pointing out that they do not contribute to these problems. end underline underline For example end underline , the natural gas industry often presents natural gas as a good alternative to coal. underline However end underline , according to the Union of Concerned Scientists, the drilling and extraction of natural gas from wells and transporting it through pipelines leaks methane, a major cause of global warming (“Environmental Impacts”). underline Yet end underline leaks are rarely mentioned by the industry. By taking credit for problems they don’t cause and being silent on the ones they do, companies present a favorable environmental image that often obscures the truth.

Transitional Words and Phrases

Following are some transitional words and phrases and their functions in paragraphs. Use this list when drafting or revising to help guide readers through your writing. (See Editing Focus: Paragraphs and Transitions for another discussion on transitions.)

H 3 . Clear and Effective Sentences

This section will help you write strong sentences that convey your meaning clearly and concisely. See Editing Focus: Sentence Structure for a related discussion and practice on effective sentences.

The most emphatic place in a sentence is the end. To achieve the strongest emphasis, end with the idea you want readers to remember. Place introductory, less important, or contextual information earlier in the sentence. Consider the differences in these two sentences.

Less Emphatic Angel underline needs to start now end underline if he wants to have an impact on his sister’s life. More Emphatic If Angel wants to have an impact on his sister’s life, he underline needs to start now end underline .

Concrete Nouns

General nouns name broad classes or categories of things ( man, dog, city ); concrete nouns refer to particular things ( Michael, collie, Chicago ). Concrete nouns provide a more vivid and lively reading experience because they create stronger images that activate readers’ senses. The examples below show how concrete nouns, combined with specific details, can make writing more engaging.

All General Nouns Approaching the library, I see underline people end underline and underline dogs end underline milling about underline outside end underline , but no subjects to write about. I’m tired from my underline walk end underline and go inside. Revised with Concrete Nouns Approaching underline Brandon Library end underline , I see underline skateboarders end underline and underline bikers end underline weaving through underline students end underline who talk in underline clusters end underline on the underline library steps end underline . A friendly underline collie end underline waits for its owner to return. Subjects to write about? Nothing strikes me as especially interesting. Besides, my heart is still pounding from the walk up the hill. I wipe my sweaty underline forehead end underline and go inside.

Active Voice

Active voice refers to the way a writer uses verbs in a sentence. Verbs have two “voices”: active and passive. In the active voice , the subject of the sentence acts—the subject performs the action of the verb. In the passive voice , the subject receives the action, and the object actually becomes the subject. Although some passive sentences are necessary and clear, a paper full of passive-voice constructions lacks vitality and becomes wordy.

Active-voice verbs make something happen. By using active verbs wherever possible, you will create stronger, clearer, and more concise sentences.

Passive Voice On the post-training survey, the anti-harassment tutorial underline was rated end underline highly informative underline by end underline employees. Revised in Active Voice On the post-training survey, underline employees end underline underline rated end underline the anti-harassment tutorial highly informative.

Conciseness

Concise writing considers the importance of every word. Editing sentences for emphasis, concrete nouns, and active voice will help you write clearly and precisely, as will the following strategies. To be concise, eliminate wasted words and filler— not ideas, information, description, or details that will interest readers or help them follow your thoughts. (For more on conciseness, see Editing Focus: Sentence Structure .)

Use Action Verbs

Using action verbs is one of the most direct ways to cut unneeded words. Whenever you find a phrase like the ones below, consider substituting an action verb.

Cut Unnecessary Words and Phrases

Eliminate words and phrases that do not add meaning. Consider the following sentences, which say essentially the same thing.

Wordy In almost every situation that I can think of, with few exceptions, it will make good sense for you to look for as many places as possible to cut out needless, redundant, and repetitive words and phrases from the papers, reports, paragraphs, and sentences you write for college assignments. (49 words) Concise Whenever possible, cut needless words and phrases from your college writing. (11 words)

The wordy sentence is full of early-draft language in three chunks. The first chunk comes at the beginning of the sentence. Notice how In almost every situation that I can think of, with few exceptions, it will make good sense for you to look for as many places as possible is reduced to Whenever possible in the concise sentence.

The second chunk of the wordy sentence is needless, redundant, and repetitive. The concise version reduces those four words to needless because the words have the same meaning. The third chunk of the wordy sentence comes at the end. Notice how papers, reports, paragraphs, and sentences you write for college assignments is reduced to your college writing. The meaning, although expanded to all writing, remains the same.

The following phrases are common fillers that add nothing to meaning. They should be avoided.

• a person by the name of
• for all intents and purposes
• in a manner of speaking
• more or less

Some common filler phrases have single-word alternatives, which are preferable.

Avoid there is/there are and it is

Starting a sentence with there is, there are, or it is can be useful to draw attention to a change in direction. However, starting a sentence with one of these phrases often forces you into a wordy construction. Wordiness means the presence of verbal filler; it does not mean the number of words, the amount of description, or the length of a composition. (For more on these constructions, see Editing Focus: Sentence Structure .)

Wordy underline There is often uncertainty about whether or not employees end underline are required to turn on their cameras during online meetings, and underline there are end underline some employees underline who end underline don’t. However, underline it is the expectation of employers end underline that cameras underline be end underline turned on. Concise underline Employees are often uncertain whether they end underline must turn on their cameras during online meetings, and underline some don’t end underline . However, underline employers expect end underline cameras to be turned on.

Parallelism

Within a sentence, parallelism —the repetition of a word or grammatical construction— creates symmetry and balance, makes an idea easier to remember, and sounds pleasing to the ear. In the first example below, the parallelism is established by the repetition of the phrase beginning with who . In the second example, the parallelism is created by the underlined nouns.

Unparallel After 25 years, the battle over the reintroduction of wolves continues between environmental activists, underline who support it end underline , and underline hunters and people who own cattle ranches and are opposed end underline . Parallel After 25 years, the battle over the reintroduction of wolves continues between environmental activists, underline who support it end underline , and cattle ranchers and hunters, underline who oppose it end underline . Unparallel Exercises that improve core strength include underline crunches end underline , underline leg lifts end underline , and underline when you do push-ups and planks end underline . Parallel Exercises that improve core strength include underline crunches end underline , underline leg lifts end underline , underline push-ups end underline , and underline planks end underline .

Varying the length and structure of sentences makes your writing more interesting to read.

Simple Sentences

A simple sentence has one idea expressed in a single main clause (also known as an independent clause). A main clause contains a subject and a predicate and can stand alone as a sentence. A simple sentence can be short or long, as shown in the examples below. The phrases in the long sentence add information, but the sentence remains a simple sentence nonetheless because it has only one clause.

The underline coronavirus end underline double underline spread end double underline around in the world in 2020. School-age underline children end underline and college underline students end underline double underline were pushed end double underline into virtual learning environments in March 2020, with schools closing for unspecified lengths of time.

Compound Sentences

A compound sentence contains two or more main clauses that are equally important to the meaning of the sentence. (A main clause contains a subject and a predicate and can stand alone as a sentence.) You can create compound sentences in the following ways:

Compound Sentence Using a Coordinating Conjunction

Create a compound sentence by using a coordinating conjunction — for, and, nor, but, or, yet, or so (fanboys)— to join main clauses . To remember the coordinating conjunctions, use the mnemonic device fanboys.

underline Restaurants end underline and small underline retailers end underline double underline experienced end double underline steep drops in revenue during the pandemic, and underline many end underline double underline were forced end double underline to close. underline Restaurants end underline and small underline retailers end underline double underline experienced end double underline steep drops in revenue during the pandemic, yet underline many end underline double underline survived end double underline the downturn.

Compound Sentence Using a Semicolon

A semicolon can join two main clauses that are closely related in meaning. When using a semicolon, you must have a complete sentence before and after it.

underline Restaurants end underline and small underline retailers end underline double underline experienced end double underline steep drops in revenue during the pandemic ; underline many end underline double underline were forced end double underline to close.

Compound Sentence Using a Semicolon and Transitional Word or Phrase

A transitional words or phrases such as however, in fact, meanwhile, therefore, consequently, as a result, instead, or furthermore indicates the relation of two or more equally important ideas in the main clauses.

underline Restaurants end underline and small underline retailers end underline double underline experienced end double underline steep drops in revenue during the pandemic ; however , underline many end underline double underline survived end double underline the downturn.

Complex Sentences

A complex sentence contains one main clause (a clause that contains a subject and a predicate and can stand alone as a sentence) and one or more subordinate clauses (also known as dependent clauses). Subordinate clauses begin with a subordinating word or phrase such as although, because, even if, when, whenever, since, as though, whether, as long as, until, or while. The main clause expresses the main idea of the sentence, and the subordinate clause expresses the less important idea. Like a main clause, a subordinate clause has a subject and verb; however, unlike a main clause, it cannot stand alone as a sentence. A subordinate clause punctuated as a sentence is a type of sentence fragment. The subordinate clauses in the following sentences are underlined.

underline Although the federal government provided financial assistance end underline , the money came too late for many businesses. underline When schools and universities shut down in March of 2020 end underline , students had to learn at home, underline a situation that proved challenging for many households end underline .

Compound-Complex Sentences

A compound-complex sentence contains two or more main clauses (clauses that contain subjects and predicates and can stand alone as sentences) and one or more subordinate clauses (clauses that begin with a subordinating word such as although, because, even if, when, whenever, since, as though, whether, as long as, until, and while ). A compound-complex sentence is an effective structure to use when you want to express three or more ideas in a single sentence. The example sentence has two main clauses (double underline) and three subordinate clauses (single underline).

underline When school districts reopened end underline , double underline parents had to decide end double underline underline whether they wanted their children to attend classes in person end underline , double underline and they had to be ready for classes to move online end double underline underline if there were outbreaks of the coronavirus in their community. end underline

H 4 . Sentence Errors

These four common sentence errors can make your writing hard to read: fragments, comma splices, run-on sentences, and mixed constructions.

Sentence Fragments

A sentence fragment is a group of words that lacks a subject, a verb, or both, or it is a subordinate clause (a clause that begins with a subordinating word such as although, because, since, and so on) punctuated as though it were a sentence by itself. Although most are grammatical errors, sentence fragments can be used judiciously in conventional writing so long as the purpose is clear to readers and the fragment is clearly intended.

Unintentional Sentence Fragments

Often a sentence fragment follows a complete sentence and expands on it, as illustrated in the examples below (fragments are underlined). You can correct most fragment errors by attaching the fragment to the sentence to which it belongs or by rewriting the fragment as a complete sentence.

Sentence Fragment People think that they will be happy if they are well off. underline That money will make everything better. end underline Revised by Attaching the Fragment to a Complete Sentence People think that they will be happy if they are well off underline and end underline that money will make everything better. Sentence Fragment Psychologist David Myers explains how students have increasingly chosen to attend college to make more money. Thus underline further explaining his point of people’s desire to use money to gain happiness. end underline Revised by Attaching the Fragment to a Complete Sentence Psychologist David Myers explains how students have increasingly chosen to attend college to make more money, underline thus further explaining his point of people’s desire to use money to gain happiness. end underline Sentence Fragment Although income grew, people’s happiness did not. underline With rich people reporting that even though they had plenty of money, their happiness had not changed much. end underline Revised by Adding a Verb Although income grew, people’s happiness did not. underline Rich people reported end underline that even though they had plenty of money, their happiness had not changed much. Sentence Fragment For many people, increased income is being spent on the things that people are unable to pay less for. underline Things like taxes, childcare, transportation, and housing. end underline Revised by Adding a Subject and a Verb For many people, increased income is being spent on things that people are unable to pay less for. underline These include end underline taxes, childcare, transportation, and housing.

Intentional Sentence Fragments

Intentional sentence fragments force quick reading, inviting readers to stitch meaning to together. Intentional fragments are most common in creative writing and advertising.

The rabbit darted out of the shadows. underline A flash of movement. end underline The dog lunged and strained at the leash.

Comma Splices

A comma splice is a common error that occurs when two complete sentences are joined by a comma. You can correct a comma splice by adding a coordinating conjunction ( for, and, nor, but, or, yet, or so), adding a period and creating two sentences, adding a coordinating conjunction and creating a compound sentence, or subordinating one clause and creating a complex sentence.

Comma Splice The author sheds light on the financial sacrifice many mothers make , they take care of their children without compensation and often lose professional status. Revised with a Coordinating Conjunction The author sheds light on the financial sacrifice many mothers make, underline for end underline they take care of their children without compensation and often lose professional status.

Comma Splice Many college students see their education as the way to become wealthy , some are sacrificing happiness to pursue high-paying careers. Revised with a Period Many college students see their education as the way to become wealthy . S ome are sacrificing happiness to pursue high-paying careers.

Comma Splice Psychologist David Myers conducted multiple surveys asking people about their attitudes about money , the results revealed that people felt they needed more regardless of how much they had. Revised with a Semicolon Psychologist David Myers conducted multiple surveys asking people about their attitudes about money ; the results revealed that people felt they needed more regardless of how much they had.

Comma Splice Love cannot be paid for , it is a gift that parents give because they love their children. Revised with a Semicolon and Transitional Word or Phrase Love cannot be paid for ; underline indeed end underline , it is a gift that parents give because they love their children.

Comma Splice Students are choosing majors to enable them to earn more money , they are under the misconception that earning money guarantees happiness. Revised with a Subordinate Clause Students are choosing majors to enable them to earn more money underline because end underline they are under the misconception that earning money guarantees happiness.

Run-on Sentences

In a run-on sentence , two or more complete sentences are not separated by any punctuation. Like comma splices, most run-on sentences can be revised in one or more of the following ways: adding a coordinating conjunction ( for, and, nor, but, or, yet, or so ), adding a period and creating two sentences, separating the sentences with a semicolon, separating the sentences with a semicolon and transitional word or phrase (such as on the other hand, however, consequently, and so on), or turning the less important sentence into a subordinate clause starting with a subordinating word such as although, because, if, when, since , and so on.

Run-on Sentence The DNR eventually designated the area as crucial habitat the protection came too late to save the nesting birds. Revised with a Comma and a Coordinating Conjunction The DNR eventually designated the area as crucial habitat , underline but end underline the protection came too late to save the nesting birds. Run-on Sentence Most people realize that being wealthy won’t just happen many college students choose a major that will ensure they make money. Revised with a Period Most people realize that being wealthy won’t just happen . Many college students choose a major that will ensure they make money. Run-on Sentence Parents do not expect any financial reward they care for their children out of love and responsibility. Revised with a Semicolon Parents do not expect any financial reward ; they care for their children out of love and responsibility. Run-on Sentence The average American family’s expenses have risen faster than incomes they have saved less than prior generations. Revised with a Semicolon and Transitional Word or Phrase The average American family’s expenses have risen faster than incomes ; underline as a result end underline , they have saved less than prior generations. Run-on Sentence College students have the opportunity to choose any major they tend to choose those that offer immediate opportunities to earn money when they graduate. Revised with a Subordinate Clause underline Although end underline college students have the opportunity to choose any major underline , end underline they tend to choose those that offer immediate opportunities to earn money when they graduate.

Mixed Sentence Constructions

A mixed sentence contains parts that do not fit together because of grammar or meaning. In the following example, the writer needs to revise either the second part to fit with the first part or the first part to fit with the second. (See Editing Focus: Mixed Sentence Constructions for more on mixed sentence constructions.)

Mixed Sentence underline By starting my general studies classes last semester end underline underline gave me the opportunity to take classes in my major this fall end underline . Second Part Revised By starting my general studies classes last spring, underline I had end underline the opportunity to take classes in my major this fall. First Part Revised underline Starting end underline my general studies classes last spring gave me the opportunity to take classes in my major this fall.

Just because . . . doesn’t mean Constructions. Just because . . . doesn’t mean constructions are common in speech but should be avoided in writing.

Just because underline Just because end underline I want to be a doctor underline doesn’t mean end underline I will get into medical school. Revised Simply wanting to be a doctor doesn’t guarantee admission to medical school. Revised Although I want to be a doctor, I will need to work hard to get into medical school.

H 5 . Words and Language

The English language is rich and always evolving, offering you many ways and words to express yourself in writing and speech.

Language Varieties

English is not one language but many, made up of regional and social dialects. In addition, groups speak using specialized language among themselves that can be difficult for outsiders to understand. As a writer, be aware of the audience for your writing. Use language that your readers will understand directly or from context.

English dialects are distinctive versions of the language used in geographical regions and/or by particular social or ethnic groups. Standard American English, the English spoken by newscasters, is one such dialect, as are African American Vernacular English, Creole, Appalachian English, and others. English dialects have many features in common, but each has particulars of grammar, vocabulary, and pronunciation. (For an in-depth discussion of dialects and academic writing, see Spotlight on … Variations of English .)

Groups of people with similar skills and interests often develop slang that allows them to express ideas quickly and vividly. Slang also signals knowledge about a particular topic, such as meme culture, music, sports, and more. Slang is generally considered too casual for most academic writing, but it may be appropriate for personal essays. In your papers, be aware of your purpose and audience when choosing to use slang. Avoid using slang that your readers are unlikely to understand.

Technical Expressions

Experts in many professional fields use specialized and technical expressions that allow them to communicate efficiently and clearly with each other. Such language is often incomprehensible for nonexperts and should be avoided in writing for general readers. (For tips on writing about a technical topic for an audience of nonspecialists, see Spotlight on … Discipline-Specific and Technical Language .)

Biased Language

Biased words and expressions exclude or demean people on the basis of gender, sex, sexual orientation, age, ethnicity, social class, or physical or mental traits.

Biased Language Based on Sex and Gender

English includes words and expressions that are considered biased based on sex and gender, such as mankind, businessman, chairman, fireman, and so on. These are commonly replaced by gender-neutral words such as humanity, businessperson, chair or chairperson, and firefighter. (See Spotlight on … Bias in Language and Research for more on language bias.)

In addition, the English pronoun he has traditionally been used as the gender-neutral pronoun. For example, the construction A underline doctor end underline should have a caring attitude toward underline his end underline patients was once common but is now widely viewed as gender biased because many doctors are not men. For a discussion of the pronoun he used as the gender-neutral pronoun, see Pronouns .

Labels and Stereotypes

Be sensitive to labels and stereotypes that may insult a group of people you are writing about. Avoid labels that don’t put people first, such as cancer victim and wheelchair-bound. Don’t make assumptions about entire groups of people that promote stereotypes, such as teenagers are rebellious, elderly people don’t hear well, conservatives are rich, or women are more emotional than men . (See Spotlight on … Bias in Language and Research for more on language bias.)

Exact Words

As a general rule, use plain, direct words in your writing. Avoid reaching for a word that sounds fancy or impressive, especially if you are unsure about the meaning. If you use a word that is only vaguely familiar to you, look it up in a dictionary to ensure you are using it correctly. (You can type the word and “def” to get a definition.) Doing so has the added benefit of building your vocabulary.

Words Commonly Confused

The words in the following list are commonly confused or misused by writers. As you write, consult this list or use a reliable online tool, such as Merriam-Webster , to check the meanings and usage of words you’re unsure of. Keep a list of words that cause you trouble as you become aware of them. Then, after you draft a document, do a search for the words on your list. (For a discussion of homonyms, homographs, and homophones, see Editing Focus: Words Often Confused .)

H 6 . Point of View

Point of view refers to the vantage point from which a story, event, report, or other written work is told. The point of view in which you write depends on the genre in which you are writing. For example, you will likely use first person in personal narrative writing. For most academic writing, you’ll use third person. (See Editing Focus: Characterization and Point of View for a related discussion of point of view in narrative writing.)

First Person

In the first-person point of view, the writer or narrator ( I, we ) is present in the writing. First person is commonly used in personal writing genres, such as literacy narratives, memoirs, and profiles, as well as in fiction.

After midnight—my paper started, my exam studied for—I leave the library and head back to my apartment. In the dark, I listen closely when I hear footsteps behind me, and I step to the edge of the sidewalk to let a man pass. At my door, I fumble for my key, open the door, turn on the light, and step inside. I am safe, ready to eat, read a bit, and return to my paper.

Second Person

Second-person point of view is used occasionally when an outsider ( you ) becomes part of a story. It should not be confused with a writer or speaker using “you” when directly addressing an audience ( you ). Nor should it be confused with giving instructions ( drive forward, add one cup of brown sugar, close the door ) or with its similar use in textbooks such as this one. However, second person is not considered appropriate in most academic writing.

Writers often slip into second person when they intend to write in third person. In the example below, the writer starts in third person and shifts by accident to second person. To check your sentences for second person, search your documents for you , and revise as needed.

Shift from Third Person to Second Person The federal government should raise the minimum wage because it has the responsibility to ensure underline people end underline earn a wage underline you end underline can live on. The current minimum wage, $7.25 per hour, is not enough to pay underline rent end underline , let alone support a family. Many people cannot lift themselves out of poverty. A higher minimum wage can help you. Revised The federal government should raise the minimum wage because it has the responsibility to ensure underline workers end underline earn a wage underline they end underline can live on. The current minimum wage, $7.25 per hour, is not enough to pay underline a single person’s end underline rent, let alone support a family. Many people cannot lift themselves out of poverty. A higher minimum wage can help them.

Third Person

The third-person point of view ( he, she, it, they ) is customary for fiction and for academic writing, such as research papers, reports, visual and textual analysis papers, argumentative essays, and the like. Third-person point of view emphasizes the information instead of the writer.

The hikers and other passive trail users argue that mountain bikes should not be allowed on narrow trails traditionally traveled by foot and horse. underline They end underline point out that the bikes’ wide, treaded tires cause erosion, that the bikers’ high speeds startle hikers and horses, and that underline their end underline presence on trails disrupts the tranquility that hikers and bird watchers seek.

H 7 . Verbs

In a sentence, a verb expresses an action, an occurrence, or a state of being.

Subject-Verb Agreement

In many sentences, making the verb agree with the subject is straightforward: underline I end underline underline run end underline every day. My underline sister end underline underline runs end underline every other day. Sometimes our underline brother end underline underline joins end underline us, and underline all end underline of us underline run end underline together. However, subject-verb agreement gets tricky in the following circumstances. (See Editing Focus: Subject-Verb Agreement for more on subject-verb agreement.)

Agreement with Compound Subjects

Two or more subjects joined by and take a plural verb in most sentences:

underline Yoga and meditation end underline double underline are end double underline effective activities for relieving stress.

However, when the parts of the subject form a single idea or unit, the verb is singular:

underline Macaroni and cheese end underline double underline is end double underline my favorite meal.

When compound subjects are joined by or or nor, the verb agrees with the word closest to it:

Either your aunts or your underline mother end underline double underline remembers end double underline where your great-grandmother’s grave is located. Neither the image nor the underline words end underline double underline convey end double underline the message of the advertisement clearly.

Agreement When Words Come between Subject and Verb

The verb must agree with the subject even when words and phrases come between them:

The underline cost end underline of the flights double underline is end double underline prohibitive. A underline box end underline of invitations with stamps and return addresses double underline was end double underline on the desk.

Agreement When the Verb Comes Before the Subject

The verb must agree with the subject, even when it comes before the subject:

double underline Are end double underline underline James and Tamara end underline at the front of the line? There double underline were end double underline three underline people end underline ahead of us in line. Under the table double underline are end double underline a underline newspaper end underline and a underline magazine end underline .

Agreement with Everyone and Other Indefinite Pronouns

An indefinite pronoun is general; it does not refer to a specific person, place, or thing. Most indefinite pronouns take a singular verb, but not all. Those that take a singular verb include anybody, anyone, anything, each, everybody, everyone, everything, nobody, no one, nothing, one, somebody, someone, and something .

underline Everyone end underline in the class double underline has prepared end double underline a research proposal. underline Nobody end underline among the accused suspects double underline admits end double underline to the crime.

The following indefinite pronouns take a plural verb: both, few many, others, and several.

underline Several end underline of the students in the class double underline have proposed end double underline researching hurricanes. underline Both end underline of the suspects double underline deny end double underline committing the crime.

Several indefinite pronouns take a singular or plural verb depending on whether the word they refer to is singular or plural. These include all, any, enough, more, most, neither, none, and some.

underline Most end underline of the class double underline has proposed end double underline researching a topic related to climate change. ( Most refers to class. ) underline Most end underline of the students in the class double underline have proposed end double underline researching a topic related to climate change. ( Most refers to students. ) underline Neither end underline the students underline nor end underline the teachers double underline have proposed end double underline a field trip. ( Neither/nor refers to students and teachers .)

Agreement with Collective Nouns

Collective nouns such as audience, band, class, crowd, family, group, or team can take a singular or a plural verb depending on the context. When the group acts as a single unit, which is the most common construction, use a singular verb:

The underline band end underline double underline rehearses end double underline every day.

When the group acts individually, use a plural verb, or to avoid confusion, add the word members and use a plural verb.

The underline jury end underline double underline do not agree end double underline on a verdict. The underline jury end underline members double underline do not agree end double underline on a verdict.

Agreement with Words Such as News and Statistics

Some nouns that end in -s , such as athletics, economics, measles, news, physics, politics, and statistics seem plural but are usually regarded as singular in meaning. In most situations, these words take a singular verb:

Day after day, the underline news end underline double underline was end double underline bad. underline Statistics end underline double underline fulfills end double underline a math requirement for many college majors.

When a word like economics, politics, or statistics refers to a specific situation, use a plural verb:

The underline economics end underline of the situation double underline are end double underline hard to comprehend.

Agreement with Titles and Words Used as Words

Whether singular or plural in form, titles and words used as words take singular verbs:

Directed by Spike Lee, underline Da 5 Bloods end underline double underline centers end double underline around four veterans returning to Vietnam to find the remains of their squad leader and the fortune they hid together. underline Children end underline double underline is end double underline the plural form of child .

Tense expresses the time of a verb’s action—the past, present, or future. Tense comes naturally in speech, but it can be tricky to control in writing. The following guidelines will help you choose the appropriate tense for your writing and use it consistently. (See Editing Focus: Verb Tense Consistency for a related discussion of consistent verb tense.)

Verb Tense in Narrative Writing

Personal experience stories, such as literacy narratives, memoirs, personal essays, or profiles, can be written in either the past or the present tense. Although the most natural way to tell a story about a past experience is to write in the past tense, the present tense can draw readers into the story and give the illusion that the experience is happening as they are reading it. In the following examples, the writer describes driving with her Native American grandfather to a tribal conference. Notice the difference between the past and present tense.

Narrative Writing Using Past Tense I double underline sat end double underline silently next to Grandfather and double underline watched end double underline him slowly tear the thin white paper from the tip of the cigarette. He double underline gathered end double underline the tobacco in one hand and double underline drove end double underline the van with the other. I double underline memorized end double underline his every move as he double underline went end double underline through the motions of the prayer, which double underline ended end double underline when he double underline blew end double underline the tobacco out the window and into the wind. Narrative Writing Using Present Tense I double underline sit end double underline silently next to Grandfather and double underline watch end double underline him slowly tear the thin white paper from the tip of the cigarette. He double underline gathers end double underline the tobacco in one hand and double underline drives end double underline the van with the other. I double underline memorize end double underline his every move as he double underline goes end double underline through the motions of the prayer, which double underline ends end double underline when he double underline blows end double underline the tobacco out the window and into the wind.

Verb Tense in Academic Writing

Academic disciplines differ in their tense preferences for signal phrases used in formal essays and reports to introduce and discuss evidence. A signal phrase is a verb that tells readers the words or ideas that follow come from another source. Signal phrases include words such as argues, asserts, claims, comments, denies, discusses, implies, proposes, says, shows, states, and suggests. (For more discussion and a more extensive list of signal phrases, see Editing Focus: Integrating Sources and Quotations .)

If you are writing for a course in English, a foreign language, or a related discipline and using MLA documentation style, you generally will use the present tense or the present perfect tense in signal phrases.

Present Tense The film critic Manohla Dargis double underline claims end double underline that . . . Present Perfect Tense The film critic Manohla Dargis double underline has claimed end double underline that . . .

When you are analyzing a work of literature, common practice is to use the literary present tense in discussing both the work of the author and the action that occurs in the work:

Being cool double underline is end double underline key to the lives of the speakers in “We Real Cool,” a poem by Gwendolyn Brooks. Brooks double underline uses end double underline short lines and stanzas in which speakers double underline list end double underline what it means to be cool: dropping out of school, staying out late, playing pool, drinking, carousing, and so on. Being cool double underline unites end double underline the speakers, and they double underline celebrate end double underline their lifestyle, even as they double underline acknowledge end double underline in the final line of the poem that their coolness double underline may cause end double underline them to die young.

(For more on literary present tense, see Editing Focus: Literary Works Live in the Present .)

If you are writing for a course in history, art history, philosophy, religion, or a related discipline in the humanities, you generally will use the present tense or the present perfect tense in signal phrases.

Present Tense The historian Eduardo Galeano double underline argues end double underline that . . . Present Perfect Tense The historian Eduardo Galeano double underline has argued end double underline that . . .

On the other hand, if you are writing for a course in the social sciences, such as psychology, political science, or economics; a course in the natural sciences, such as biology, chemistry, or physics; or a technical field such as engineering, you will generally use past tense or present perfect tense for most signal phrases.

Past Tense The study double underline found end double underline that individuals who identify as transgender . . . (past tense) Present Perfect Tense: Several recent studies double underline have found end double underline that individuals who identify as transgender . . .

Verb Tense Consistency

Whichever tense you choose, be consistent throughout a piece of writing. You may need to shift tenses to indicate actual changes in time, but the governing tense should remain constant. (See Editing Focus: Verb Tense Consistency for a related discussion of consistent verb tense.)

Inconsistent Blinking back tears, I double underline clutched end double underline my two-year-old son to my chest, double underline kiss end double underline his forehead, and double underline will gather end double underline my things. It double underline is end double underline 2003, and I double underline was end double underline headed to active duty in Iraq with the National Guard. I double underline hug end double underline my spouse, my mom, my dad, my brothers, and my grandma. Then I double underline turn end double underline and double underline climbed end double underline on the bus that double underline takes end double underline me to a future that, in all honesty, double underline was end double underline terrifying to me. Consistent Blinking back tears, I double underline clutched end double underline my two-year-old son to my chest, double underline kissed end double underline his forehead, and double underline gathered end double underline my things. It double underline was end double underline 2003, and I double underline was end double underline headed to active duty in Iraq with the National Guard. I double underline hugged end double underline my spouse, my mom, my dad, my brothers, and my grandma. Then I double underline turned end double underline and double underline climbed end double underline on the bus that double underline would take end double underline me to a future that, in all honesty, double underline was end double underline terrifying to me.

Irregular Verbs

Most verbs are regular and form the past tense and past participle forms by adding -d or -ed.

• I bake/I baked/I have baked
• She discovers/she discovered/she has discovered
• They shovel/they shoveled/they have shoveled

Some verbs, however, are irregular and form the past tense and participle in another way. Below are a few of the approximately 200 irregular verbs in English. For a comprehensive list of irregular verbs, see this list .

• begin/began/begun
• bring/brought/brought
• buy/bought/bought
• do/did/done
• drive/drove/driven
• fall/fell/fallen
• go/went/gone
• have/had/had
• is/was/been
• lead/led/led
• hide/hid/hidden
• ring/rang/rung
• run/ran/run
• see/saw/seen
• sing/sang/sung
• sit/sat/sat
• shake/shook/shaken
• speak/spoke/spoken
• take/took/taken
• wear/wore/worn
• write/wrote/written

Verbs have three moods: indicative, imperative, and subjunctive. Mood can be said to indicate a speaker’s attitude or intention.

Indicative Mood

Use the indicative mood to state a fact or an opinion or to ask a question:

Thousands of women currently double underline serve end double underline in the military. I double underline think end double underline college tuition double underline is end double underline expensive. The weather double underline was end double underline awful for much of the winter but double underline will improve end double underline soon. double underline Have end double underline you double underline submitted end double underline your request for time off?

Imperative Mood

Use the imperative mood to give instructions and commands. The subject, you , is often implied but not stated:

double underline (You) Use end double underline the online form to request time off. double underline (You) Submit end double underline your request for time off by Friday. double underline You must submit end double underline your request on time.

Subjunctive Mood

Use the subjunctive mood to express wishes, suggestions, or requirements or to state hypothetical or unlikely conditions:

The rules state that every member double underline be end double underline present for the vote. I wish you double underline were end double underline here to see the exhibition. The governing board could be more effective if all members double underline were end double underline active. Students who failed the class would have passed double underline had end double underline they double underline completed end double underline all assignments.

H 8 . Pronouns

A Pronouns is a word used in place of a noun. Some pronouns are I, you, he, she, we, they, who, and everyone . The noun a pronoun replaces or refers to is its antecedent . (See Editing Focus: Pronouns for a related discussion of pronouns.)

Pronoun Reference

A pronoun should refer to a clear and specific antecedent.

Clear Antecedent All nine underline members end underline of the school board voted in favor of changing the district’s mascot. underline They end underline explained their reasoning during the meeting. ( They refers clearly to members. ) Unclear Antecedent In Smith’s essay, underline she end underline explains why many American families have less money saved and more debt than families in the 1970s. Revised In underline her end underline essay, underline Smith end underline explains why many American families have less money saved and more debt than families in the 1970s.

Problems with pronoun reference occur in the following situations:

Vague this, that, which, or it . The pronouns this, that, which, and it should not refer to words expressing an idea, an event, or a situation.

Vague Reference The school board voted to change the district’s mascot without holding special meetings with the public. underline This end underline made some community members angry. ( Are community members angry about the vote or about the lack of special meetings? ) Revised The school board voted to change the district’s mascot without holding special meetings with the public. underline Their decision to avoid public discussion before the vote end underline made some community members angry.

Indefinite it, they, or you . The pronouns it, they, and you should have a definite antecedent in a sentence.

Indefinite it Crittenden explains that mothers are taken for granted and disrespected, even though our society calls underline it end underline the most important job in the world. Revised Crittenden explains that mothers are taken for granted and disrespected, even though our society calls underline motherhood end underline the most important job in the world. Indefinite they Japan has considerable wealth compared to Ireland, but underline they end underline have a low subjective well-being index. Revised Japan has considerable wealth compared to Ireland, but underline Japanese citizens end underline have a low subjective well-being index. Indefinite you The federal government should raise the minimum wage to ensure underline you end underline earn a wage underline you end underline can live on. Revised The federal government should raise the minimum wage to ensure underline workers end underline earn a wage underline they end underline can live on.

Pronoun-Antecedent Agreement

In many sentences, making a pronoun agree with its antecedent is straightforward: My underline neighbors end underline gave me the keys to underline their end underline apartment. However, pronoun-antecedent agreement gets tricky in the following circumstances.

Agreement with Generic Nouns and Indefinite Pronouns

Generic nouns refer to a type of person or job someone performs, such as athlete, child, scientist, doctor, or hairdresser. Indefinite pronouns include words such as anyone, each, everyone, everything, many, most, and none.

All generic nouns and most indefinite pronouns are singular in meaning. Traditionally, these words took the singular pronouns he/him/his because English does not have a gender-neutral third-person pronoun that refers to people: Everyone has his own opinion or A doctor needs to show that he cares about his patients.

More recently, writers have been replacing he/him/his or his/her with they/them/their when the person’s gender is unknown or unimportant or when the person has indicated a preference for non-gendered pronouns:

Everyone has underline their end underline own opinion. A doctor needs to show that underline they end underline care about underline their end underline patients.

These plural pronouns are increasingly accepted and intentionally used by writers, teachers, and editors. Many prominent publications and style guides indicate that the plural pronoun should replace binary or singular ones in most cases. If using a plural pronoun does not fit the situation (such as in a paragraph where the pronoun they is also used several times to indicate a group), try rewriting the sentence in either of these ways:

Remove the pronoun. Everyone has underline an end underline opinion. Make the antecedent plural. underline People end underline have their own opinions. underline Doctors end underline need to show that they care about their patients.

Collective nouns such as audience, band, class, crowd, family, group, or team can take a singular or plural pronoun depending on the context. When the group acts as a single unit, which is the most common construction, use a singular pronoun. When the group members act individually, use a plural pronoun. If using the plural sounds awkward, add the word members so that the plural is clear.

The band went through underline its end underline complete playlist. The band loaded underline their end underline instruments on the bus. The band underline members end underline loaded underline their end underline instruments on the bus.

Pronoun Case

Pronouns have three cases: subjective, objective, and possessive. Pronouns change case according to their function in a sentence.

Subjective case pronouns function as subjects: I, we, you, he/she/it, they, who/whoever :

Antonio and underline I end underline share an apartment downtown in a neighborhood underline we end underline like.

Objective case pronouns function as objects: me, us, you, him/her/it, them, whom/whomever :

The manager gave underline us end underline a tour of the building.

Possessive case pronouns show ownership: my/mine, our/ours, your/yours, his/her/hers/its, their/theirs, whose :

underline Our end underline friends live in the building too.

Pronoun case gets tricky in the circumstances explained below.

Case in Compound Structures

Compound subjects use subjective case pronouns. Compound objects use objective case pronouns.

Subjective Case underline Antonio end underline and underline I end underline have occasional disagreements about the dishes. Objective Case Occasional disagreements about the dishes come up between underline Antonio end underline and underline me end underline .

Case After than or as

In a comparison, the case of the pronoun indicates which words have been left out:

Antonio cares more about having a clean kitchen than underline I end underline [do]. Sometimes I think Antonio cares more about a clean kitchen than [he cares about] underline me end underline .

Who or Whom

Use the subjective case who in place of a subject—whether it is the subject of the sentence or the subject of a clause:

underline Who end underline is going to the concert? (subject of sentence) Give the tickets to underline whoever end underline can use them. (subject of clause) She is the person underline who end underline is best qualified for the job. (subject of clause) She is the person underline who end underline I think is best qualified for the job. (subject of clause; the intervening words “I think” don’t change the subject or verb of the clause)

Use the objective case whom in place of an object, whether it is the object of a verb, preposition, or clause:

I don’t know underline whom end underline to ask. (object of verb) To underline whom end underline should I give the extra concert tickets? (object of preposition) Give the tickets to underline whomever end underline you choose. (object of clause)

We or us with a Noun

Use we with a subject. Use us with an object.

underline We end underline citizens must vote in order to make our voices heard. (subject) Legislators need to hear from underline us end underline citizens. (object)

Case Before or After an Infinitive

Use the objective case before and after an infinitive (the to form of a verb: to run, to walk, to eat ):

The agent asked Antonio and underline me end underline to write a review. We agreed to give underline him end underline a positive review.

Case Before a Gerund

Generally, use the possessive case of a pronoun before a gerund (the -ing form of a verb used as a noun: gentle underline snoring end underline , elegant underline dining end underline ):

He grew tired of underline their end underline partying late into the night. The rental agreement depends on underline your end underline approving the lease terms.

H 9 . Punctuation

This section covers the major marks of punctuation: commas, apostrophes, semicolons, colons, periods, question marks, exclamation points, dashes, and parentheses. (For using brackets and ellipses, see Quotations .)

Commas alert readers to brief pauses within sentences.

Commas with Main Clauses

Use a comma before a coordinating conjunction ( for, and, nor, but, or, yet, or so) joining main clauses:

Businesses in the metropolitan area are growing underline , and end underline unemployment is down. Many job seekers use online sites like Indeed.com underline , but end underline a few still send traditional cover letters and résumés through the mail. A solution must be determined soon underline , or end underline the problem will continue.

Commas with Introductory Information

Use a comma after an introductory element at the start of a sentence:

underline After class is over , end underline we should get lunch and review our notes. underline Shuffling his feet nervously , end underline he waited for the train. underline However end underline , the circumstances have not changed.

Commas with Nonessential and Essential Information

(See Editing Focus: Commas with Nonessential and Essential Information for a related discussion of commas.)

Nonessential information refers to information that is usually not necessary to the basic meaning of a sentence. Nonessential information is set off by commas. In the following sentence, the word original tells readers which labs no longer meet the needs of the teachers and students. The underlined information adds information but does not change the meaning of the sentence and thus is nonessential to the basic meaning:

The original technical education labs underline , which were installed 50 years ago , end underline no longer meet the needs of the teachers and students.

Essential information , on the other hand, is necessary to the meaning of the sentence. In following example, the word original is no longer part of the sentence; the underlined words convey necessary information about the labs:

The technical education labs underline that were installed 50 years end underline ago no longer meet the needs of the teachers and students.

You can test whether information is nonessential by removing the information. If the meaning of the sentence is unchanged, the information is nonessential. If the meaning becomes too general or changes, the information is essential. In the sentence above, only the labs installed 50 years ago, as opposed to other labs, no longer meet the needs of teachers and students. Note, also, the use of which with nonessential information and that with essential information.

Commas Around Nonessential Information

Place commas around information that is not essential to the meaning of a sentence:

The entire technology department underline , which consists of nine teachers and five staff members , end underline has contributed to a report on the needed updates to the technical education labs. The technology department chair underline , who teaches welding , end underline wrote the final report. Updates to the labs will begin in June underline , when school is not in session end underline .

No Commas Around Essential Information

Do not place commas around essential information:

According to the technical education teachers, the labs need equipment underline that students are likely to encounter in the workplace end underline . Faculty underline who teach auto mechanics end underline have requested updates to their lab. The teachers are concerned about the labs underline because students are not learning the skills they need end underline . The amount of lab space underline that needs to be updated end underline is substantial. The department has consulted the industry expert underline Stacy James end underline .

Serial (Oxford or Harvard) Commas

For clarity, use a comma between items in a series:

He studied all the notes , emails , memos , and reports related to the data breach.

Be aware, however, that certain style manuals, such as the AP Stylebook, do not use the serial comma, also called the Oxford or Harvard comma.

Commas with Numbers, Dates, Titles with Names, and Addresses

The sign gave the city’s population as 122 , 887. Nobel Prize winner Toni Morrison died on August 5 , 2019. Diana Wong , M.D. , is a practicing obstetrician. The mailing address for the Smithsonian Institution is 600 Maryland Avenue SW , Washington , D.C. , 20002.

Common Comma Errors

Misplaced commas can make sentences choppy and obscure the intended meaning.

No Comma after a Subject or a Verb

Anyone who was still at the party underline , end underline left when the band stopped playing. The party ended underline , end underline after the band stopped playing.

No Comma after a Conjunction Connecting Parts of a Compound Subject, Verb, or Object

Some musicians in the band underline , end underline and many of the guests danced until midnight. (compound subject) The band stopped after two hours underline , end underline and took a well-deserved break. (compound verb) Guests enjoyed the music underline , end underline and the dancing. (compound object)

No Comma after a Series

The band played 80s rock underline , end underline punk , and new wave , all night long.

No Comma before an Indirect Quotation

Online reviews say underline , end underline that the band is the best in the area.

Apostrophes

An apostrophe has two functions. It indicates possession, and it forms contractions.

Apostrophes to Show Possession

Use an apostrophe and -s to indicate possession with a singular noun or an indefinite pronoun:

underline Jack ’ s end underline brother is my underline sister ’ s end underline coworker. In their family, underline everyone ’ s end underline favorite dessert is ice cream.

If the ’s in a singular noun is pronounced, add apostrophe -s :

The underline business ’ s end underline inconsistent hours caused customers to go elsewhere. Los underline Angeles ’ s end underline airport, LAX, is one of the busiest in the United States.

If the ’s is not pronounced in a singular noun, some writers choose to add an apostrophe alone; however, MLA, APA, and Chicago use the apostrophe and s in these cases:

David underline Myers ’ end underline book, The Pursuit of Happiness , was published in 1992. David underline Myers ’s end underline book, The Pursuit of Happiness , was published in 1992.

When the noun is plural and ends in -s , place the apostrophe after the final -s :

American underline households ’ end underline incomes have grown since the 1970s because more women have entered the workforce. These underline families ’ end underline expenses have risen too.

When the noun is plural and does not end in -s, add an apostrophe and -s:

Social underline media ’ s end underline effect on contemporary life cannot be underestimated. During the pandemic, parents’ stress grew as they helped with their underline children ’ s end underline schooling.

Apostrophes to Form Contractions

Contractions are common in speech and in informal writing. Use an apostrophe in contractions:

When I say I underline can ’ t end underline , I mean I underline won ’ t end underline . underline It ’ s end underline the best option under the circumstances. “ underline You ’ re end underline the best friend anyone can have,” Mikayla said. underline They ’ re end underline driving to their favorite hangout spot.

Common Apostrophe Errors

Apostrophes are not used to form plural nouns, singular verbs, or personal or relative pronouns.

Not in Plural Nouns

How many hotel underline rooms end underline [not room’s ] should be reserved for the wedding? The Lewises and the Riveras [not Lewis’s and Rivera’s or Lewis’ and Riveras’ ] have confirmed their reservations.

Not with Verbs Ending in -s

Nikki underline runs end underline [not run’s ] every day. Jamal underline walks end underline [not walk’s ] to work.

Not with Possessive Personal Pronouns or Relative Pronouns

The book is underline yours end underline [not your’s ]. The dog was barking and wagging underline its end underline [not it’s ] tail. underline Whose end underline [not who’s ] apartment is this?

Other Punctuation

The semicolon joins main clauses (a clause that contains a subject and a predicate and can stand alone as a sentence). A semicolon is also used to separate items in a series that contain commas.

Use a semicolon to join main clauses that are closely related in meaning and that are not joined by a coordinating conjunction ( for, and, nor, but, or, yet, or so ).

Originally built in 1928, the school had been remodeled multiple times underline ; end underline the result was an architectural mashup.

Use a semicolon to join main clauses that are connected by a transitional word or phrase such as for example, however, therefore, indeed, or after all :

The governor has proposed increased funding to K-12 public schools underline ; however, end underline the legislature must approve the budget.

Use a semicolon between items in a series that contain internal commas:

The candidates for the award are Michael, who won the essay competition ; Sasha, the top debater; and Giselle, who directed several student productions.

A colon introduces lists, summaries, and quotations. A colon also separates titles from subtitles.

A colon can introduce a list:

Successful athletes have the following qualities underline : physical ability, mental toughness, commitment, and optimism end underline .

A colon can also introduce a summary or an explanation, which may or may not be a main clause (a clause that contains a subject and a predicate and can stand alone as a sentence):

The team had one goal left before the end of the season underline : to win the state championship end underline .

Book titles often include a subtitle. A colon separates the subtitle from the title:

Forcing the Spring : Inside the Fight for Marriage Equality

End Punctuation

A sentence ends with a period, a question mark, or an exclamation point.

A period ends declarative (statement) and imperative (command) sentences:

The administration canceled classes . Do not attempt to drive to school this morning .

A question mark ends a direct question and indicates uncertainty in dates:

Where is Times Square ? She asked, “What time is it ? ”

An exclamation point ends an emphatic or emotional sentence:

“What a mess ! ” she blurted out. “Stop ! That hurts ! ” he shouted.

Dashes and Parentheses

Dashes and parentheses enclose nonessential information in a sentence.

Use a dash or dashes to set off nonessential information, to indicate a contrast or a pause, or to mark a change of direction.

We did not notice the rain at first — it began so softly — but soon we were soaked. Nothing is as exciting as seeing a snowy owl in a winter farm field — except maybe seeing two snowy owls.

Use parentheses to enclose nonessential information such as explanations, asides, examples, and dates.

He graduated with high honors ( magna cum laude ) and found a job immediately. The city of Madison ( home of the University of Wisconsin ) is the state capital of Wisconsin.

H 10 . Mechanics

Capital letters.

Use capital letters in the following situations.

• Capitalize the first word of a sentence: The weather is rainy today.
• Capitalize proper nouns and proper adjectives: Monday, New Orleans, Mexico, Florida, Halloween, United States Constitution, Department of Education, University of Texas, Native American, Islam, Italian, Freudian.
• Capitalize titles that precede a person’s name: Dr. Atul Gawande, Senator Tammy Baldwin. [But: Atul Gawande, a doctor; Tammy Baldwin, a senator]

Many online resources, such as this one , list words that should be capitalized. You can also consult a dictionary, such as Merriam-Webster , to determine whether to capitalize a word.

Titles of Works

Titles of books, articles, stories, plays, poems, films, and other works are handled differently depending on the documentation style you are using. The guidelines here follow MLA style.

Capitalization in Titles and Subtitles

Capitalize the first and last words in a title and subtitle and other important words. Do not capitalize articles ( a, an, the ), coordinating conjunctions ( for, and, nor, but, or, yet, or so ), or prepositions ( above, with, of, in, through, beyond, under ) unless they are the first or last words in the title or subtitle.

• Forcing the Spring: Inside the Fight for Marriage Equality (book)
• Judas and the Black Messiah (film)
• “American Military Performance in Vietnam: Background and Analysis” (article)

Italics for Titles of Long Works

Use italics for long works that are published, produced, or released separately from other works. These include books, long poems, plays, movies, videos, published speeches, periodicals (newspapers, magazines, and academic and professional journals), websites, long musical works, works of visual art, computer software, TV or radio programs and series, and pamphlets.

• Four Fish: The Future of the Last Wild Food (book)
• The New Yorker (periodical)
• The Los Angeles Times (newspaper)
• American Idiot (album)
• Parasite (film)
• Saturday Night Live (TV program)

Quotation Marks for Titles of Shorter Works

Put quotation marks around the titles and subtitles of individual shorter works or those that are published or released within larger works. These include articles in periodicals (newspapers, magazines, and academic and professional journals), pages or works on a website, short stories, short poems, essays, songs, episodes of TV or radio programs and series, book chapters, and unpublished speeches.

• “Living with a Visionary” (article in a magazine)
• “A World of Fields and Fences” (work on a website)
• “New York Day Women” (short story)
• “Corson’s Inlet” (short poem)
• “Return from ISIS” (TV episode)

H 11 . Quotations

A quotation reproduces the exact written or spoken words of a person or an author, which may include a group. (See Editing Focus: Quotations for a related discussion of direct quotations and Editing Focus: Integrating Sources and Quotations for help with integrating quotations from sources.)

Quotations from Written or Spoken Sources

Put quotation marks around quotations from a written or spoken source.

Quoting a Source

When quoting the words of a source, introduce quoted material with a signal phrase so that readers know the source and purpose of the quotation. Place the quotation inside double quotation marks. When using parenthetical citations, note that the sentence period comes after the parentheses. If you include the author’s name in your signal phrase, give only the page number in parentheses (first example). If you do not give the author’s name in your signal phrase, give the name in parentheses (second example):

In Walden , Thoreau sets forth one individual’s antidote against the “ lives of quiet desperation ” led by the working class in mid-nineteenth-century America (5).

Walden sets forth one individual’s antidote against the “ lives of quiet desperation ” led by the working class in mid-nineteenth-century America (Thoreau 5).

Abraham Lincoln wrote “ that government of the people, by the people, for the people, shall not perish from the earth ” in his Gettysburg Address.

Quoting or Writing Dialogue

When quoting or writing dialogue between speakers, including characters in a fictional work, place their words in double quotation marks, and start a new paragraph for each speaker:

“ It’s good to see you—I guess, ” Brayden said, as Christopher walked up to the door. “ I thought you were gone for good. ” “ I missed you too much, ” Christopher said, looking down at his feet.

Single and Double Quotation Marks

Put single quotation marks around a quotation within a quotation, using double quotation marks around the full quotation:

Kennedy writes that after a year of teambuilding work, including improvements in communication, evaluation, and small-group quarterly meetings, morale among staff members “ improved from ‘ average ’ to ‘ excellent ’ ” (17).

Long Quotations

Introduce a long quotation (four typed lines in MLA style; 40 or more words in APA style) with a signal phrase that names the author and ends with a colon. Indent this entire block quotation one-half inch. If you quote more than one paragraph, indent the first line of each subsequent paragraph one-half inch. Do not use quotation marks. Note that the sentence period comes before the parenthetical citation:

In her memoir, Twenty Years at Hull-House , reformer Jane Addams recounts vivid stories of child labor:

public domain text The visits we made in the neighborhood constantly discovered women sewing upon sweatshop work, and often they were assisted by incredibly small children. I remember a little girl of four who pulled out basting threads hour after hour, sitting on a stool at the feet of her Bohemian mother, a little bunch of human misery. For even for that there was no legal redress, for the only child labor law in Illinois, with any provision for enforcement, had been secured by the coal miners’ unions, and was confined to the children employed in the mines. (199) end public domain text

Poetry Quotations

When you quote one, two, or three lines from a poem, use the following format, putting quotation marks around the line or group of lines and separating the lines with a slash:

The 17th-century writer Aphra Behn (1640–1689) wrote humorous poems about love and heartbreak, including “Love’s Power,” which opens with “ Love when he Shoots abroad his Darts / Regards not where they light ” (1-2).

When you quote more than three lines from a poem, set them off from your text. Indent the quotation one-half inch, and do not use quotation marks. Note that the sentence period comes before the parenthetical citation.

In the poem “The Character,” Aphra Behn (1640–1689) uses the familiar alternate rhyme scheme, also known as ABAB: Such Charms of Youth, such Ravishment Through all her Form appear’d, As if in her Creation Nature meant, She shou’d a-lone be ador’d and fear’d. (1-4)

Altering Quotations

When you alter a quotation to fit into your sentence, you must indicate the change you made.

An ellipsis [. . .] indicates that you have omitted words from a quotation. In the example below, the writer omitted words from the middle of the sentence.

In her memoir, Twenty Years at Hull-House , reformer Jane Addams explains that there were no enforceable laws against small children helping their mothers with sweatshop sewing work, and that “the only child labor law in Illinois . . . had been secured by the coal miners’ unions, and was confined to the children employed in the mines” (199).

If you omit the end of a sentence or a complete sentence, include the sentence period:

The author explains as follows: “Damage to the Broca’s area of the brain can affect a person’s ability to comprehend spoken language . . . . A person may understand speech relatively well when the sentence grammar is simple and the content familiar but may struggle when the grammar and content are more complex” (Hollar-Zwick 45).

Use brackets [ ] to indicate a change you have made to a quotation:

Abruzzi cited the study, noting that “ [ t ] he results provide hope to patients [ with muscular dystrophy ] .”

Punctuating Quotations

Place the period inside quotation marks if no source is cited:

The meteorologist said, “ Today’s weather will be sunny and mild .”

If you are citing a source in parentheses, place the quotation marks at the end of the quotation, followed by the citation and the sentence period:

In Twenty Years at Hull-House , Jane Addams recalls vivid images of child labor: “ I remember a little girl of four who pulled out basting threads hour after hour, sitting on a stool at the feet of her Bohemian mother, a little bunch of human misery ” (199) .

(See Long Quotations and Poetry Quotations above for exceptions to this rule.)

Commas go inside quotation marks:

“ Tomorrow’s weather will be cool and rainy ,” the meteorologist said.

Colons and Semicolons

Colons and semicolons go outside quotation marks:

The sign read “ Closed ”: No more films would be shown at the theater. (Note: Use a capital letter if a complete sentence follows the colon.)

Question Marks and Exclamation Points

Question marks and exclamation points go inside quotation marks if they are part of the quotation:

“ Would you like a sandwich ?” asked Adelaide.

Question marks and exclamation points go outside quotation marks if they are not part of the quotation:

“I can’t believe you haven’t read “ The Lottery ”!

H 12 . Index and Guide to Documentation

Although formal differences exist among the conventions for documenting sources, the underlying principle of all documentation systems is the same: When borrowing words, facts, or ideas from someone else, writers must indicate that the material is borrowed. They do this by providing a citation in the text of their paper that points readers to detailed publication information about the source of the material, usually at the end of the paper but sometimes in footnotes. The following examples are in MLA style:

Citation in the Text Describing Martin Luther King, Jr.’s visit to India, underline Isabel Wilkerson end underline notes that King was taken aback by the suggestion that Black Americans were the equivalent of the Dalits in the Indian caste system underline (22) end underline . Works-Cited Entry Wilkerson, Isabel. Caste: The Origins of Our Discontents. Penguin, 2020.

Documentation Styles by Discipline

Each discipline has its own authority or authorities that provide rules about issues such as spelling of technical terms, preferred punctuation, and editing mechanics, as well as documentation style. In addition, if you write for publication in a magazine, professional journal, book, or website, the publisher will have a “house” style, which may vary in some details from the conventions listed in the authoritative guidelines for the discipline in which you are writing. Below are the sources of style manuals for various disciplines. Always check with your instructor about which style to use in a class.

Index to MLA Documentation Models

The models, listed numerically, provide examples of in-text citations and works-cited entries (MLA). The models themselves are located in Handbook Section 13 (H13).

In-Text Citation Models

• Two or more works by the same author
• Two authors
• Three or more authors
• Authors with the same last name
• Organization, government, corporation, or association as author
• Unknown author
• Work in more than one volume
• Work with no page or other reference numbers
• One-page or entire work
• Source quoted in another source (indirect quotation)

Poetry and verse plays

Fiction and prose plays

• Two or more works in the same citation
• Sacred text

Endnotes and Footnotes (MLA)

Format of the list of works cited (mla), authors and contributors (mla).

• Book: one author
• Book: two authors
• Book: three or more authors
• Book: two or more works by the same author
• Author and editor
• Author and translator
• Author and illustrator
• Work by an organization, a government, a corporation, or an association

Articles in Journals, Magazines, and Newspapers (MLA)

• Basic format for a journal article in a database
• Editorial or letter to the editor

Books and Parts of Books (MLA)

• Basic entry for a book
• Book, anthology, or collection with an editor
• Work in an anthology or chapter in an edited collection
• Two or more works in an anthology or edited collection
• Revised or later edition
• Multivolume work
• One volume of a multivolume work
• Book in a series
• Republished work
• Introduction, preface, foreword, or afterword
• Published letter
• Conference paper

Websites and Parts of Websites (MLA)

• Basic format for a short work or page on a website
• Short work or page on a website
• Entire website

Social Media (MLA)

• Basic format for a social media post
• Social media post
• Online forum post
• Online comment

Personal Communication (MLA)

• Text message
• Personal letter

Video, Audio, and Other Media Sources (MLA)

• Online video

Original work

Reproduction

Personal interview

• Video game, software, or app

Other Sources (MLA)

• Live lecture, speech, address, or reading
• Live performance
• Letter in an archive
• Dissertation

Index to APA Documentation Models

The models, listed numerically, provide examples of in-text citations and reference entries (APA). The models themselves are located in Handbook Section 14 (H14).

In-Text Citation Models (APA)

• Work with no page numbers
• Entire work
• Personal communication

Format of the References List (APA)

Authors (apa).

• Three to twenty authors

Articles in Journals, Magazines, and Newspapers (APA)

• Basic format for an article in an academic journal

Without DOI or URL

Database or print

• Published interview

Books and Parts of Books (APA)

• Print book or e-book
• Article in an edited book, anthology, or collection
• Translated or reprinted book
• Revised edition
• Report or publication by a government agency or other organization

Web Sources (APA)

• Basic format for a page or work on a website
• Page or work on a website

Social Media (APA)

Video, audio, and other media sources (apa).

• Music recording
• Painting or other visual artwork
• Map, photograph, or other visual

H 13 . MLA Documentation and Format

MLA style is the preferred form for documenting research sources in English and other humanities disciplines. The following are general features of MLA style:

• All material borrowed from sources is cited in the text of a paper by the author’s name and page number (if available).
• A works-cited list at the end of a paper provides full publication data for each source cited in the text of the paper.
• Additional explanatory information provided by the writer (but not from external sources) goes in either footnotes or endnotes. These notes are optional.

The instruction in this section follows the MLA Handbook , 8th edition (2016). For more information on MLA style, see this site . For examples of student papers in the textbook using MLA documentation style, see Section 4 in Chapters 5, 7, 9, 12, and 16.

MLA In-Text Citations

In-text citations feature author names, page numbers, and sometimes titles, depending on what information is available. The Index located in H12 provides a listing of the models that are included below.

1. One author

When you quote, paraphrase, or summarize a source, include the last name of the source’s author, if known, in a signal phrase or in parentheses at the end of your sentence. Provide the page or pages on which the original material appeared. Do not include the word page or the abbreviations p. or pp. Use a hyphen [-] to indicate a number range (See Spotlight on … Citation for more on quoting, paraphrasing, and summarizing sources):

Becker points out that Joe Biden’s views on same-sex marriage changed during a personal visit to a family while he was vice president (285-86). While he was vice president, Joe Biden’s views on same-sex marriage changed during a personal visit with a family (Becker 285-86).

2. Two or more works by the same author

If you cite two or more works by the same author in your paper, give the title of the specific work in your sentence or a short version of the title in parentheses:

According to Lewis Thomas in Lives of a Cell , many bacteria become dangerous only if they manufacture exotoxins (76). According to Lewis Thomas, many bacteria become dangerous only if they manufacture exotoxins ( Lives 76). Many bacteria become dangerous only if they manufacture exotoxins (Thomas, Lives 76).

See Model 18 for how to cite two works by the same author in the works-cited list.

3. Two authors

If you cite a work with two authors, include both authors’ names in a signal phrase or in parentheses:

In the preface to Half the Sky , Kristof and WuDunn explain their focus on the issues of sex trafficking and sex work, violence against women, and maternal mortality (xxi). In the preface to Half the Sky , the authors explain their focus on the issues of sex trafficking and sex work, violence against women, and maternal mortality (Kristof and WuDunn xxi).

4. Three or more authors

For works with more than two authors, give the last name of the first author followed by “et al.”:

Of the survey respondents, twenty-two percent described themselves as concerned about future job prospects (Pronkowski et al. 9).

5. Authors with the same last name

When authors of different sources have the same last name, include their initials:

Since the legalization of marijuana for recreational use, frequent use among adults has risen (J. T. Greene 21; M. Greene 30).

6. Organization, government, corporation, or association as author

When no author is given for a work published by a corporation, a government, an organization, or an association, indicate the group’s name in a signal phrase or in parentheses:

The United States Forest Service describes its mission as “sustain[ing] the health, diversity, and productivity of the nation’s forests and grasslands to meet the needs of present and future generations” (8).

7. Unknown author

When the author of a work is unknown, use the work’s title in a signal phrase or a shortened version of the title in parentheses and a page number if available. Put quotation marks around article titles, and put book or journal titles in italics:

In a pointed 2020 editorial, “Don’t Let the Games Begin,” The New York Times argued that college athletic departments should support public health by canceling sports seasons until athletes and the public were vaccinated. In a pointed 2020 editorial, The New York Times argued that college athletic departments should support public health by canceling sports seasons until athletes and the public were vaccinated (“Don’t Let”).

8. Work in more than one volume

If you cite only one volume of a multivolume work, give the page number in parentheses. If you cite more than one volume of a multivolume work, give the volume number for each citation before the page number, and follow it with a colon and one space:

Hill notes that Sir Arthur Conan Doyle’s The Adventure of the Dancing Men was first published in the Strand Magazine and later in Collier’s Weekly (1: 332).

9. Work with no page or other reference numbers

When the work has no page numbers, give the author’s name in a signal phrase or in parentheses. If the source has paragraph, chapter, or section numbers, use them with the abbreviations par., ch., or sec. :

Chen reports that the number of Americans seeking help with mental health rose during the pandemic that began in 2020. (ch. 2) The number of Americans seeking help with mental health rose during the pandemic that began in 2020 (Chen, ch. 2).

For an audio or a video recording, give the start and stop times for the segment you are citing shown on the player in hours (if available), minutes, and seconds:

It is well known that maternity leave is available in countries around the world, including Norway, which popularized its policy in a comic YouTube video showing a pregnant woman on skis announcing the start of her one-year paid leave (01:48-02:07).

10. One-page work or entire work

When you cite a work that is one page long or an entire work, such as a book, website, single-page article, tweet, video, or film, you do not need to cite a page or give a reference number:

In Da 5 Bloods, director Spike Lee connects the Civil Rights movement to the war in Vietnam through the music, montages of the era, and characters’ stories.

11. Source quoted in another source (indirect quotation)

When a quotation or any information in your source is originally from another source, try to track down the original source. If you cannot find it, use the abbreviation “qtd. in”:

The group, which has researched global health including access to food, sounded the alarm about a potential “worldwide food crisis” in the early 2000s (qtd. in Sing 32).

12. Literary works

For poems, provide line numbers for reference, and include line or lines in the first reference:

In “The Character,” Aphra Behn describes a lovely young woman, starting with her eyes: “Her Eyes all sweet, and languishingly move” (line 4).

Cite verse plays using act, scene, and line numbers, separated by periods: ( Hamlet 4.4.31-39)

When citing a prose literary work available in various editions, provide additional information after the page number, such as the chapter, act, or scene number, for readers who may be consulting a different edition. Use a semicolon to separate the page number from this additional information: (331; ch. 5) or (78; act 2).

13. Two or more works in the same citation

When you cite more than one work in parentheses, use a semicolon between them:

Americans who resisted or ignored civil defense are often portrayed as heroic people who chose not to build fallout shelters or as marginalized people who could not afford them (Garrison 57; Mechling and Mechling 109).

14. Sacred text

When you cite passages from the Bible or another sacred text such as the Qur’an, give the title of the edition you are consulting the first time you refer to it. Then give the book (abbreviate the title if it is longer than four letters), chapter, and verse, separated by periods:

Several times in the New Testament of the Bible, Jesus comments on wealth, telling his disciples, “And again I say unto you, It is easier for a camel to go through the eye of a needle, than for a rich man to enter into the kingdom of God” ( King James Version, Matt. 19.24).

Endnotes and Footnotes

Writers use notes to offer comments, explanations, or additional information that cannot easily be integrated into the rest of a paper. Use notes to cite several sources within a single context if a series of in-text citations will detract from the readability of the text.

Text with Superscript

The standard ingredients for guacamole include avocados, lemon juice, onion, tomatoes, coriander, salt, and pepper. 1 Hurtado’s poem, however, gives this traditional dish a whole new twist.

1. For variations see Beard 314, Egerton 197, Eckhardt 92, and Kafka 26. Beard’s version, which includes olives and green peppers, is the most unusual.

A note may be placed as a footnote at the bottom of the page on which the in-text citation appears or on a separate page of endnotes at the end of the paper. This should be titled “Notes” or “Endnotes” and appear between the last page of the paper and the works-cited list. Include all sources given in notes in the works-cited list.

MLA Works Cited

Each source cited in the text of your paper refers readers to the list of works cited, a complete list of all the sources you quoted, paraphrased, or summarized. Every source cited in the text of your paper must be included in the works-cited list, and every source in the works-cited list must be cited in the text of your paper.

After the last page of the paper, start a new page with the centered title “Works Cited” at the top. Create an entry for each source using the following guidelines and examples:

• Begin each entry at the left margin, and indent subsequent lines one-half inch. (In Microsoft Word, you can also highlight the entire page when you are finished and select “Hanging” from the Special options on the Indentation section of the Paragraph menu.)
• Alphabetize the entries according to authors’ last names. If two or more authors have the same last name, alphabetize by first name or initial. Alphabetize sources with unknown authors by the first word of the title, excluding a, an, or the.
• Double-space the entire page.

Core Elements (MLA)

Each entry in the list of works cited consists of core elements:

• Author. Who is responsible for the work?
• Title. What is the work called?

Publication information. Where can the work be found so that others can consult it? Publication information includes the date of publication and any larger work, which MLA calls a “container,” in which a shorter work is published, such as a journal, magazine, newspaper, database, streaming service, and so on.

A note on access dates. Although access dates for online sources are not required, MLA acknowledges that an access date can indicate the version of a source you consulted. If you add an access date, place it at the end of the works-cited entry in this format: “Accessed 4 Apr. 2020.” Ask your instructors whether they require access dates.

Authors and Contributors for Books and Articles (MLA)

• Authors. Give the author’s last name, a comma, the author’s first name and any middle name or middle initial, and then a period. For works with more than one author, an organization as an author, or an unknown author, see the models below.
• Contributors. People who contributed to the work in addition to the author are called contributors. Refer to them by their role in a phrase such as “adapted by,” “directed by,” “edited by,” “illustrated by,” “introduction by,” “narrated by,” “performance by,” and “translated by.” (See Models 19, 20, 21, 30, and 58 for examples.)

15. Book: one author

Sotomayor, Sonia. My Beloved World. Vintage Books, 2013.

16. Book: two authors

Kristoff, Nicholas D., and Sheryl WuDunn. Half the Sky: Turning Oppression into Opportunity for Women Worldwide. Alfred A. Knopf, 2009.

17. Book: three or more authors

Barlow, David H., et al. Abnormal Psychology: An Integrative Approach. 8th ed., Cengage Learning, 2017.

18. Book: two or more works by the same author

When you cite two works by the same author, use three hyphens in place of the author’s name, and alphabetize the works by title:

Trethewey, Natasha. Memorial Drive: A Daughter’s Memoir. Ecco, 2020.

---. Native Guard: Poems. Mariner Books, 2007.

19. Book author and editor

Add the editor’s name after the title:

Hemingway, Ernest. Conversations with Ernest Hemingway , edited by Matthew J. Bruccoli, UP of Mississippi, 1986.

20. Book author and translator

Add the translator’s name after the title:

Ferrante, Elena. My Brilliant Friend. Translated by Ann Goldstein, Europa Editions, 2012.

If you are citing the work of the translator, place the translator’s name in the author position:

Goldstein, Ann, translator. My Brilliant Friend. By Elena Ferrante, Europa Editions, 2012.

21. Book author and illustrator

Add the illustrator’s name after the title. If you are citing the work of the illustrator, place the illustrator’s name in the author position, as shown in the preceding example:

Fasler, Joe. Light in the Dark: Writers on Creativity, Inspiration, and the Artistic Process. Illustrated by Doug McLean, Penguin Books, 2017.

22. Work by an organization, a government, a corporation, or an association

If the author and publisher are not the same, start with the author:

United States Department of Veterans Affairs, Veterans Health Administration. Healthy Living Resource Guide. Government Printing Office, 2020.

If the author and the publisher are the same, give the title of the work in place of the author, and list the organization as the publisher:

MLA Handbook. 8th ed., Modern Language Association of America, 2016.

“This Is Who We Are.” U.S. Forest Service, United States Department of Agriculture, Mar. 2019, www.fs.usda.gov/sites/default/files/This-is-Who-We-Are.pdf.

23. Unknown author

If no author is given, start with the title.

“The Most Beautiful Battalion in the Army.” Grunt Magazine , 1968, pp. 12-15.

Articles, reviews, editorials, and other short works are published in journals, newspapers, and magazines. They appear in print, on databases, and on websites (though often through a paywall). As a student, you are likely to access many articles and other short research sources primarily through databases available through your library.

24. Basic format for a journal article in a database

Author’s Last Name, First Name. “Title of Article.” Title of Journal , volume number, issue number, Date of Publication, page numbers. Title of Database , DOI or URL.

• Author. Give the last name, a comma, the first name, and any middle name or initial. Do not list an author’s professional title, such as Dr . or PhD . End with a period.
• Title of the article. Give the full title and any subtitle, separating them with a colon. Capitalize all significant words in the title. Put the title of the article in quotation marks. End with a period inside the closing quotation mark.
• Title of the journal. Put the title of the journal in italics. Capitalize all significant words in the title. End the title with a comma.
• Volume and issue numbers. Use the abbreviations vol. and no. followed by the number and a comma.
• Publication date. Give the month or season and the year of publication, if available. Use the following abbreviations for months: Jan., Feb., Mar., Apr., Aug., Sept., Oct., Nov., and Dec. Do not abbreviate May, June, or July.
• Page numbers. Give p . (singular) or pp. (plural) and the page number or numbers of the article, followed by a period.
• Title of the database. Put the database title in italics, followed by a comma.
• Location. Give a DOI if available, and end with a period. If there is no DOI, give a URL, preferably a permalink, without http://.

25. Article in an academic journal

Daddis, Gregory A. “Out of Balance: Evaluating American Strategy in Vietnam, 1968–72.” War & Society, vol. 32, no. 3, Oct. 2013, pp. 252-70. EBSCOhost, doi:10.1179/0729247313Z.00000000026.

Daddis, Gregory A. “Out of Balance: Evaluating American Strategy in Vietnam, 1968–72.” War & Society, vol. 32, no. 3, Oct. 2013, pp. 252-70.

Squires, Scot. “Do Generations Differ When It Comes to Green Values and Products?” Electronic Green Journal, no. 42, 2019, escholarship.org/uc/item/6f91213q.

The journal in the example numbers issues only, so no volume number is given.

26. Article in a weekly or biweekly magazine

To cite an article in a weekly or biweekly magazine, give the author, title of the article, title of the magazine, publication date (day, month, year), and page numbers. If you found the article through a database, add the title of the database and a DOI or URL. If you found the article online, add the URL.

Sanneh, Kelefa. “The Color of Money.” The New Yorker, 8 Feb. 2021, pp. 26-31. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&AuthType=aph&AN=148411685&site=ehost-live&scope=site.

Sanneh, Kelefa. “The Color of Money.” The New Yorker, 8 Feb. 2021, pp. 26-31.

Ferrer, Ada. “My Brother’s Keeper.” The New Yorker, 22 Feb. 2021, www.newyorker.com/magazine/2021/03/01/my-brothers-keeper.

27. Article in a monthly or bimonthly magazine

To cite an article in a monthly or bimonthly magazine, give the author, title of the article, title of the magazine, publication month and year, and page numbers. If you found the article through a database, add the title of the database and a DOI or URL. If you found the article online, add the URL.

Sneed, Annie. “Giant Shape-Shifters.” Scientific American, Sept. 2017, pp. 20-22. EBSCOhost, doi:10.1038/scientificamerican1017-20.

Sneed, Annie. “Giant Shape-Shifters.” Scientific American, Sept. 2017, pp. 20-22.

Stewart, Jamila. “A Look Inside the Black Designers of Canada Initiative.” Essence, July 2020, www.essence.com/fashion/black-designers-of-canada-digital-index/.

To cite a comment on an article, see Model 54.

28. Article in a newspaper

To cite an article in a newspaper, give the author, title of the article, title of the newspaper, publication date (day, month, year), and the page numbers. If you found the article through a database, add the title of the database and a DOI or a URL. If you found the article online, add the URL.

Krueger, Alyson. “When Mom Knows Best, on Instagram.” The New York Times, 27 Nov. 2019, pp. B1-B4. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&AuthType =aph&AN=139891108&site=ehost-live&scope=site.

Krueger, Alyson. “When Mom Knows Best, on Instagram.” The New York Times, 27 Nov. 2019, pp. B1-B4.

Smith, Doug. “They’re Building Affordable Housing for the Homeless—Without Government Help.” Los Angeles Times, 10 Feb. 2021, www.latimes.com/california/story/2021-02-10/theyre-building-affordable-housing-for-the-homeless-without-government-help.

29. Editorial or letter to the editor

An editorial may or may not have an author’s name attached to it. If it does, give the author’s name first. If it does not, start with the title. In both situations, add the designation Editorial or Letter to the Editor after the title.

“For Better Elections, Copy the Neighbors.” Editorial. The Wall Street Journal, 16 Feb. 2021, www.wsj.com/articles/for-better-elections-copy-the-neighbors-11613518448.

To cite a review of a book, film, television show, or other work, give the name of the reviewer and title of the review, add Review of before the title of work being reviewed, and give the name of the work’s author, director, or creator after the title.

Girish, Devika. “Refocusing the Lens on Race and Gender.” Review of Test Pattern, directed by Shatara Michelle Ford. The New York Times, 18 Feb. 2021, www.nytimes.com/2021/02/18/movies/test-pattern-review.html.

Use the following guidelines for books and parts of books, such as a selection from an anthology, an article in a collection, a published letter, and so on.

31. Basic entry for a book

Author’s Last Name, First Name. Title of Book. Publisher, Year of Publication.

• Author. Give the last name, a comma, the first name, and any middle name or initial. Do not list an author’s professional title, such as Dr. or PhD. End with a period.
• Title of the book. Put the book’s title in italics. Give the full title and any subtitle, separating them with a colon. Capitalize all significant words in the title, even if the book’s cover does not use conventional capitalization. End the title with a period.
• Publisher. List the publisher’s name without words such as “Inc.” or “Company.” Shorten “University Press” to “UP.” End with a comma.
• Year of publication. Provide the publication date, and end with a period.

32. Print book

Wilkerson, Isabel. The Warmth of Other Suns: The Epic Story of America’s Great Migration. Vintage Books, 2010.

33. E-book formatted for a specific reader device or service

Wilkerson, Isabel. The Warmth of Other Suns: The Epic Story of America’s Great Migration. Kindle ed., Vintage Books, 2010.

34. Book, anthology, or collection with an editor

Add the abbreviation ed. or eds. (if more than one) after the editor’s first name:

Lunsford, Andrea, ed. Reclaiming Rhetorica: Women in the Rhetorical Tradition. U of Pittsburgh P, 1995.

35. Work in an anthology or chapter in an edited collection

After the author and title of the work, give the title of the anthology or edited collection, name of the editor, publication information, and page numbers of the work:

Royster, Jacqueline Jones. “To Call a Thing by Its True Name: The Rhetoric of Ida B. Wells.” Reclaiming Rhetorica: Women in the Rhetorical Tradition, edited by Andrea Lunsford, U of Pittsburgh P, 1995, pp. 167-84.

36. Two or more works in an anthology or edited collection

When you cite two or more selections from the same anthology or edited collection, list the anthology separately under the editor’s name. In the entries for the selections you cite, include the editor’s name and the page numbers on which the selections appear:

Lipscomb, Drema R. “Sojourner Truth: A Practical Public Discourse.” Lunsford, pp. 227-46.

Royster, Jacqueline Jones. “To Call a Thing by Its True Name: The Rhetoric of Ida B. Wells.” Lunsford, pp. 167-84.

37. Revised or later edition

For a book published in an edition other than the first, give the edition number after the title:

Strunk, William, Jr., and E. B. White. The Elements of Style, 4th ed., Pearson, 2019.

38. Multivolume work

For a book published in more than one volume, give the total number of volumes after the title:

Klinger, Leslie S. The New Annotated Sherlock Holmes. 2 vols., W. W. Norton, 2005.

39. One volume of a multivolume work

Klinger, Leslie S. The New Annotated Sherlock Holmes. Vol. 2, W. W. Norton, 2005.

When each volume of a multivolume set has an individual title, list the volume’s full publication information first, followed by series information (number of volumes, dates). When separate volumes were published in different years, give inclusive dates:

Churchill, Winston S. Triumph and Tragedy. Houghton Mifflin, 1953. Vol. 6 of The Second World War. 6 vols. 1948-53.

However, if the volume you are using has its own title, you may cite the book without referring to the other volumes as if it were an independent publication.

40. Book in a series

Add the title of the series at the end of the entry:

Thaiss, Christopher. Language across the Curriculum in the Elementary Grades. WAC Clearinghouse, 2011, wac.colostate.edu/books/landmarks/thaiss/. Landmark Publications in Writing Studies.

41. Republished book

Give the original publication date after the title and the date the book was republished after the publisher:

Evans, Elizabeth E. G. The Abuse of Maternity. 1875. Arno, 1974.

42. Sacred text

Give the complete title of the version you consulted followed by the name of the editor and/or translator, the edition, the publisher, and the publication date:

The Bible. Authorized King James Version . Edited by Robert Carroll and Stephen Prickett, Oxford UP, 2008.

The Koran. Translated by N. J. Dawood, rev. ed., Penguin Books, 2015.

43. Introduction, preface, foreword, or afterword

Start with the author of the introduction, preface, foreword, or afterword, followed by a description of the work you are citing, such as “Foreword.” Give the author of the work after the title:

Offill, Jenny. Foreword. Mrs. Dalloway, by Virginia Woolf, Penguin Classics, 2021, pp. vii-xiv.

44. Published letter

Roosevelt, Theodore. Letter to Upton Sinclair. 15 Mar. 1906. Theodore Roosevelt: Letters and Speeches, edited by Louis Auchincloss, 2004, pp. 310-11.

45. Conference paper

Killi, Stainer, and Andrew Morrison. “Could the Food Market Pull 3D Printing Appetites Further?” Industry 4.0—Shaping the Future of the Digital World: Proceedings of the 2nd International Conference on Sustainable & Smart Manufacturing, edited by Paulo Bartolo et al., CRC Press, 2021, pp. 197-203.

Use the following guidelines for works that are published only online and do not have an overarching publication, such as a journal, newspaper, magazine, or database.

46. Basic format for a short work or page on a website

Author’s Last Name, First Name. “Title of Short Work.” Title of Website, Publisher, Publication Date, URL.

• Author. Give the last name, a comma, the first name, and any middle name or initial. Do not list an author’s professional title, such as Dr . or PhD. End with a period.
• Title of the short work. Put the title in quotation marks. Give the full title and any subtitle, separating them with a colon. Capitalize all significant words in the title. End with a period inside the closing quotation mark.
• Title of the website. Put the title of the website in italics. Capitalize all significant words in the title. End the title with a comma.
• Publisher. If the publisher of the website is different from the title of the website (as shown in Model 48), give it next, followed by a comma. If they are the same (as shown in Model 47), give only the title of the website.
• Publication date. Give the day, month, and year the work was posted, if available. Use the following abbreviations for months: Jan., Feb., Mar., Apr., Aug., Sept., Oct., Nov., and Dec. Do not abbreviate May, June, and July.
• URL. Give the URL, without “http://.”

47. Short work or page on a website

Shetterly, Margot Lee. “Katherine Johnson Biography.” NASA , 24 Feb. 2020, www.nasa.gov/content/katherine-johnson-biography.

If the source you are citing has no author listed, start with the title. If the page has no title, give the name of the site and a descriptive label, such as “Home page” or “Blog post.”

48. Blog post

Blazich, Frank A. “The Cold Morning of the Day After.” Smithsonian Voices , Smithsonian Magazine, 5 Feb. 2021, www.smithsonianmag.com/blogs/national-museum-american-history/2021/02/05/cold-morning-day-after/.

49. Entire website

Beinecke Rare Book and Manuscript Library. Yale U, 2021, beinecke.library.yale.edu/.

If the website lists an editor, give the person’s name as you would an author, followed by a comma and ed.

“Coronavirus.” Wikipedia. Wikimedia Foundation, 22 Feb. 2021, en.wikipedia.org/wiki/Coronavirus.

Social media include posts made to various platforms and forums, comments made by individuals to posts, and online articles.

51. Basic format for a social media post

Author. “Text of untitled post” or “Title of post” or Descriptive label. Title of Site , Date of Post, Time of Post, URL.

• Author. Give the author’s handle and name. End with a period.
• Text, title, or description of post. Match the capitalization exactly, add quotation marks, and end with a period inside the closing quotation mark.
• Title of the social media site. Put the title of the site in italics, ending with a comma.
• Publication date and time. Give the day, month, year, and time of the post. Use the following abbreviations for months: Jan., Feb., Mar., Apr., Aug., Sept., Oct., Nov., and Dec. Do not abbreviate May, June, and July.

52. Social media post

@Holleratcha (James Holler). “People go out and vote tomorrow!” Twitter, 2 Nov. 2020, 2:08 p.m., twitter.com/holleratcha/status/1270432672544784384.

Death Valley National Park. “What does it mean to protect something you love?” Facebook, 23 Feb. 2021, 5:01 p.m., www.facebook.com/DeathValleyNPS/posts/4108808255810092.

See Model 54 for how to cite a comment.

53. Online forum post

@Duckpond318. “Turkeys in the arboretum.” Reddit, 15 Mar. 2021, 11:22 a.m., www.reddit.com/r/Wildlife/comments/lqlbo3/turkeys_in_the_arboretum/. Accessed 4 Feb. 2021.

54. Online comment

AKJersey. Comment on “Can We Stop Fighting about Charter Schools?” The New York Times, 22 Feb. 2021, www.nytimes.com/2021/02/22/opinion/charter-schools-democrats.html#commentsContainer.

Use the following guidelines to cite email, text messages, and letters that you sent or received.

Roberts, Jeffrey. “Study results.” Received by Kenneth Berg, 21 Oct. 2020.

56. Text message

Igoe, Beverlee. Text message. Received by Alison McGrath, 2 Apr. 2020.

57. Personal letter

Atwood, Margaret. Letter to the author. 11 Mar. 2007.

Use the following guidelines to cite various media sources.

Begin with the title, followed by the director, the studio, and the year released.

Casablanca. Directed by Michael Curtiz, Warner Brothers, 1942.

You may also cite other contributors and their roles after the title (as illustrated below). If your paper is concerned with a particular person’s work on a film, such as the director, an actor, or someone else, begin with that person’s name and arrange all other information accordingly. For a film you stream, add the title of the streaming service and the URL:

Moonlight. Directed by Barry Jenkins, performances by Mahershala Ali, Naomie Harris, and Trevante Rhodes. A24, 2016. Netflix, www.netflix.com/watch/80121348?trackId=13752289&tctx=8%2C.

59. Online video

NASA. “Apollo 11 Moonwalk – Original NASA EVA Mission Video.” 20 July 1969. YouTube, 17 July 2014, www.youtube.com/watch?v=S9HdPi9Ikhk.

60. Television series or episode

The Good Place. Michael Schur, creator. NBC, 2016-20.

Streamed TV episode

“Jason Mendoza.” The Good Place, season 1, episode 4, NBC, 2016. Netflix, www.netflix.com/watch/80191852?trackId=13752289&tctx=%2C%2C.

61. Advertisement

XOFLUZA. Flu medication advertisement. The New Yorker, 8. Feb. 2021, pp. 5-6.

General Motors. “Will Ferrell Super Bowl Ad.” YouTube, 3 Feb. 2021, www.youtube.com/watch?v=mdsPvbSpB2Y&t=24s.

62. Cartoon or comic

Davis, Jim. “Garfield.” Cartoon. Courier [Findlay, OH], 17 May 1996, p. 18.

If the source you cite appears in a local newspaper, as it does here, give the city and state in brackets after the name of the newspaper if the city is not part of the newspaper’s name.

Gauld, Tom. “Waiting for Godot to Join the Zoom Meeting.” You’re All Just Jealous of My Jetpack, 31 Jan. 2021, myjetpack.tumblr.com/.

63. Painting or other visual artwork

Rivera, Diego. Detroit Industry Murals. 1932-33. Detroit Institute of Art.

If the city is not part of the name of the museum, add it after museum. For example, if the work you viewed was at the Museum of Modern Art in New York City, you would end the entry as follows: Museum of Modern Art, New York.

Neel, Alice. Elenka. 1936. Alice Neel: People Come First, by Kelly Baum and Randall Griffey, The Metropolitan Museum of Art, 2021, p. 142.

Basquiat, Jean-Michel. Untitled. 1983. Museum of Modern Art, www.moma.org/collection/works/63997?artist_id=370&page=1&sov_referrer=artist. Accessed 24 Sept. 2020.

64. Map, chart, or diagram

Everglades National Park. National Geographic Society Maps, 2019.

“Map: Expedition of Lewis and Clark.” National Park Service, 2 Jan. 2018, nps.gov/subjects/travellewisandclark/map.htm.

65. Sound recording

Sound recordings include songs, albums, and spoken word. If you stream a sound recording or watch a performance online, add the name of the streaming service, such as Spotify, Apple Music, or Amazon Music, after the date. If you access the recording online, add the name of the website and the URL after the date.

Prince. Purple Rain. Warner Brothers, 1984.

The Supremes. “Baby Love.” Where Did Our Love Go, Motown, 1964. Spotify.

Gorman, Amanda. “The Hill We Climb.” 20 Jan. 2021, YouTube, www.youtube.com/watch?v=LZ055ilIiN4.

The Road to Higher Ground. Hosted by Jonathan Overby. WPR, 9 Jan. 2021.

If you listened to the radio program online, add the URL after the date.

67. Podcast

McEvers, Kelly, host. “This Is Not a Joke.” Embedded, season 9, episode 2, NPR, 7 Nov. 2019, Apple Podcasts.

If you listened to the podcast on the web, add the URL instead of the podcast service.

68. Interview

Wilkerson, Isabel. Interview. Fresh Air, NPR, 4 Aug. 2020.

Sowell, Thomas. Interview. Hoover Institution , 3 Jan. 2015, www.wsj.com/video/uncommon-knowledge-thomas-sowell-basic-economics/51837CB6-9FF2-305AE55D179A.html.

Wong, Diana. Personal interview. 12 Sept. 2020.

69. Video game, software, or app

Houser, Dan, et al., writers. Grand Theft Auto V. Rockstar Games, 2013. Xbox 360.

70. Live lecture, speech, address, or reading

Diaz, Shanna. “Your Dazzling Brain: The Symphony of Sleep.” Community Lecture Series, University of New Mexico Health Science and the City of Albuquerque, 13 Mar. 2018, Albuquerque Academy.

71. Live performance

Hamilton. By Lin-Manuel Miranda, directed by Thomas Kail, 11 Mar. 2018, CIBC Theater, Chicago.

If you watch a video of a performance online, cite it as you would cite an online video.

72. Letter in an archive

Mucklestone, Ada. Letter to Maj. Gen. Ralph J. Olson. 6 Nov. 1958. Wisconsin Historical Society, Madison, Alphabetical Subject File, 1950-66, 1715, Box 13.

73. Dissertation

Park, Eun Jung. Korean American Artists and the 1992 Los Angeles Riots. 2013. U of California, San Diego, PhD dissertation. ProQuest, www.proquest.com/doc-view/1425303659.

Boothby, Daniel W. The Determinants of Earnings and Occupation for Young Women. 1978. U of California, Berkeley, PhD dissertation.

74. Pamphlet

“Facts about Fallout.” Civil Defense Administration, 1961.

MLA Paper Format

Follow your instructor’s formatting guidelines or those indicated here. For sample papers with MLA format and works-cited pages, visit this site .

• Margins. Use one-inch margins on all sides.
• Spacing. Double-space throughout the paper, including the works-cited page.
• Paragraph format. Indent paragraphs one-half inch.
• Page numbers. Start numbering on the first page of your paper and continue to the end of the works-cited page. Place page numbers in the upper-right corner, and add your last name before the page number: “Coleman 3.”
• Identifying information. Put your name, your instructor’s name, the course title, and the date in the left corner of the first page of the body of the paper, not in the header. Double-space this information.
• Title. Center the title on the first page. Do not use italics, boldface, all capitals, or quotation marks. Do not add extra space below the title.
• Long quotations and quotations from poetry. See Quotations for how to cite long quotations and poetry quotations.

H 14 . APA Documentation and Format

Disciplines in the social sciences—psychology, sociology, anthropology, political science, economics, social work, and often education—use the APA name-and-date system of documentation. APA style highlights authors and dates of publication because timeliness of published material is of primary importance in these disciplines. The following are general features of APA style:

• All material borrowed from sources is cited in the text of a paper by the author’s name, date of publication, and page numbers (if available).
• A list of references at the end of a paper provides full publication data for each source cited in the text of the paper.

The instruction in this section follows the Publication Manual of the American Psychological Association, 7th edition (2020). For more information on APA style, visit this site . For examples of student papers in the textbook using APA documentation style, see Section 4 in Chapters 6, 8, and 15.

In-text citations feature author names, dates of publication, and page numbers, depending on what information is available. The Index located in H12 provides a listing of the models that are included below.

75. One author

When you quote, paraphrase, or summarize a source, include the last name of the source’s author, if known, in a signal phrase or in parentheses at the end of your sentence. Give the publication date after the author’s name. Provide the page or pages on which the original material appeared preceded by p. or pp. See Spotlight on … Citation .

According to Thomas (1974), many bacteria become dangerous only if they manufacture exotoxins (p. 76). Many bacteria become dangerous only if they manufacture exotoxins (Thomas, 1974, p. 76).

If you cite two or more works by the same author, published in the same year, use letters after the year to distinguish them: (Gallivan, 2019a, 2019b, 2019c).

76. Two authors

Smith and Hawkins (1990) confirmed that bacteria producing exotoxins are harmful to humans (p. 17). The study confirmed that bacteria producing exotoxins are harmful to humans (Smith & Hawkins, 1990, p. 17).

77. Three or more authors

The results indicate that alcohol use rose during the period of the study (Dominic et al., 2021, p. 16).

78. Authors with the same last name

When authors of different sources have the same last name, include their initials: Since the legalization of marijuana for recreational use, frequent use among adults has risen (J. T. Greene, 2019, p. 21; M. Greene, 2020, p. 30).

When authors of the same source have the same name, do not include their initials: (Kim & Kim, 2018, p. 47).

79. Organization, government, corporation, or association as author

When citing a well-known organization, government agency, corporation, or association, introduce an abbreviation of the name in the first reference and use it in subsequent references:

On multiple occasions, the Department of Veterans Affairs (VA, 2018) reported that formal efforts to reintegrate combat veterans into civilian life were beneficial.

80. Unknown author

When the author of a work is unknown, use the work’s title in a signal phrase, or put the title in parentheses. Put quotation marks around article titles, and put book or journal titles in italics:

In a pointed editorial, The New York Times argued that college athletic departments should support public health by canceling sports seasons until athletes and the public were vaccinated (”Don’t Let the Games Begin,” 2020). In its pointed editorial, “Don’t Let the Games Begin” (2020), The New York Times argued that college athletic departments should support public health by canceling sports seasons until athletes and the public were vaccinated.

81. Two or more works in the same citation

When you cite more than one work in parentheses, put the works in the same order that they appear in your list of references, and use a semicolon between them:

Americans who resisted or ignored civil defense were later cast as heroic people who chose not to build fallout shelters or as marginalized people who could not afford them (Garrison, 2006; Mechling & Mechling, 1991).

82. Work with no page numbers

If the work you are citing has no page numbers, help readers find the quotation by providing a heading, a section name, and/or a paragraph number (using the abbreviation para. or paras. ):

According to the National Institute of Mental Health (NIMH, 2019), research on PTSD includes gene research and brain imaging technologies (Next Steps for PTSD Research section, para. 6).

For audio or visual works, give the time stamp of the beginning of the source: (Wong, 2020, 34:16).

83. Source quoted in another source (indirect quotation)

When a quotation or any information in your source is originally from another source, try to track down the original source. If you cannot find the original, use the words “as cited in”:

The research collective, which has studied global health including access to food, sounded the alarm about a potential “worldwide food crisis” in the early 2000s (as cited in Sing, 2018, p. 32).

84. Entire work

When you cite an entire work, you do not need to give a page number. See Models 79 and 80. When you mention an entire website, link to the website directly or give the URL. You do not need to include the website in the references list:

The Department of Veterans Affairs maintains a website for PTSD, which contains resources and help for families and healthcare providers as well as veterans (https://www.ptsd.va.gov/).

85. Personal communication

Because personal communications such as emails, letters, personal interviews, and the like cannot be found by other researchers, cite them in the text only:

During our interview, Morales explained that she had quit her job to help her children with their schooling (personal communication, January 4, 2021).

APA References

Each source cited in the text of your paper refers readers to the list of references, a complete list of all the sources you quoted, paraphrased, or summarized. Every source cited in the text of your paper must be included in the references list, and every source in the references list must be cited in the text of your paper.

After the last page of your paper, start a new page with the centered, boldfaced title References at the top. Create an entry for each source using the following guidelines and examples.

• Alphabetize the entries according to authors’ last names. If two or more authors have the same last name, alphabetize by the initials of their first and middle names. Alphabetize sources with unknown authors by the first word of the title, excluding a, an, or the.

Core Elements (APA)

Each entry in the list of references consists of core elements:

• Date of publication. When was the work published?
• Publication information. Where can the work be found so that others can consult it?

Sometimes core elements are unknown or missing. In such cases, the entry in the reference list entry must be adapted:

• No author? If the source has no known author, cite it by the title. See Models 90 and 98.
• No date of publication? If the source has no publication date, write n.d . instead of the publication date. See Model 110.
• No title? If the work has no title, put a brief description in square brackets.
• No publication information? If the source is a personal communication that only you have a record of, cite the source in your text, not in the references, because it cannot be retrieved by other readers. See “Personal communication” above.

A note on retrieval dates: APA recommends adding a retrieval date for sources that are not archived or are likely to change over time, such as a developing news story. If you add a retrieval date, place it at the end of the references entry in this format: “Retrieved April 4, 2020, from https://www.nytimes.com.” Ask your instructors if they require retrieval dates.

Give the author’s last name, comma, and first and middle initials if available. For works with more than one author, put a comma and an ampersand (&) before the final author’s name, even when there are two authors.

86. One author

Milanovic, B. (2016). Global inequality: A new approach for the age of globalization. Harvard UP.

87. Two authors

Kristoff, N. D., & WuDunn, S. (2009). Half the sky: Turning oppression into opportunity for women worldwide. Alfred A. Knopf.

88. Three to twenty authors

Provide last names and initials for up to and including 20 authors.

Barlow, D. H., Durand, V. M., & Hofmann, S. G. (2017). Abnormal psychology: An integrative approach. Cengage Learning.

For more than 20 authors, include the first 19 authors’ names, insert an ellipsis, and then add the final author’s name.

89. Work by an organization, a government, a corporation, or an association

Works published by organizations often have the same author and publisher, which is frequently the title of a website. When the author and publisher are not the same, give the author and the title of the website:

National Institute of Mental Health. (2020). Post-traumatic stress disorder. U.S. Department of Health and Human Services, National Institutes of Health. https://www.nimh.nih.gov/health/publications/post-traumatic-stress-disorder-ptsd/index.shtml.

When the author and the publisher or title of the website are the same, omit the latter:

Centers for Disease Control and Prevention. (2021, February 17). Variants of the virus. https://www.cdc.gov/coronavirus/2019-ncov/variants/index.html.

90. Unknown author

If no author is given, start with the title:

The most beautiful battalion in the army. (1968). Grunt magazine, 12-15.

91. Two or more works by the same author

List two or more works by the same author (or the same author team listed in the same order) chronologically by year in the reference list, with the earliest first. Arrange works published in the same year alphabetically by title, placing lowercase letters after the publication dates:

Bandura, A. (1969). Principles of behavior modification. Holt, Rinehart, and Winston.

Bandura, A. (1977a). Self-efficacy: Toward a unifying theory of behavioral change. Psychological Review, 84, 191-215.

Bandura, A. (1977b). Social learning theory. Prentice Hall.

Articles, reviews, editorials, and other short works are published in journals, newspapers, and magazines, and they appear in print, on databases, and on websites (though often through a paywall). As a student, you are likely to access many articles and other short research sources primarily through databases available through your library.

92. Basic format for an article in an academic journal

Author’s Last Name, Initials. (Date of Publication). Title of article. Title of Journal, Volume (number), Pages. DOI or URL.

• Author. Give the last name, a comma, and the initials of the first name and middle name (if available). Do not list an author’s professional title, such as Dr. or PhD. End with a period.
• Date of Publication. In parentheses, give the year of publication, a comma, and the month or season of publication. End with a period outside the closing parentheses.
• Title of the article. Give the full title and any subtitle, separating them with a colon. For articles and book chapters, do not use quotation marks or italicize the title. Capitalize only the first word of the title and the first word of a subtitle and any proper nouns.
• Title of the journal. Put the journal title in italics. Capitalize all significant words in the title. End the title with a comma.
• Volume and issue numbers. Italicize the volume number, and follow it with the issue number in parentheses (not italicized). End with a comma.
• Page numbers. Give inclusive page numbers without p. or pp . End with a period.
• DOI or URL. Provide a DOI (if available) or a URL. Include “http://,” and do not add a period at the end. The preferred format for a DOI is “https://doi.org/” followed by the number. You may encounter older formats for DOI; if so, change them to this format. If the article is online and does not have a DOI, give the URL instead.

93. Article in an academic journal

Gawande, A. A. (2017, April). It’s time to adopt electronic prescriptions for opioids. Annals of Surgery, 265 (4), 693-94. https://doi.org/10.1097/SLA.0000000000002133

Squires, S. (2019). Do generations differ when it comes to green values and products? Electronic Green Journal, 42 . http://escholarship.org/uc/item/6f91213q

The online journal in the example numbers issues only, so no volume number or page numbers are given.

Lowther, M. A. (1977, Winter). Career change in mid-life: Its impact on education. Innovator, 8 (7), 9-11.

An older journal article you consult in print may not have a DOI. In that case, end with the page numbers.

94. Article in a magazine

For a magazine article you read on a database or online, give the DOI if the article has one; otherwise give the URL. For a magazine article you consulted in print, end the entry after the page number unless a DOI is provided.

Sneed, A. (2017, September 19). Giant shape-shifters. Scientific American, 317 (4), 20. https://doi.org/10.1038/scientificamerican1017-20

Sneed, A. (2017, September 19). Giant shape-shifters. Scientific American, 317 (4), 20.

Myszkowski, S. (2018, October 10). On the trail of missing American Indian women. The Atlantic. https://www.theatlantic.com/health/archive/2018/10/trail-missing-american-indian-women/571657/

95. Article in a newspaper

For a newspaper article that you read on a database or in print, end the entry after the page numbers. For a newspaper article that you read online, give the URL instead of page numbers.

Krueger, A. (2019, November 27). When mom knows best, on Instagram. The New York Times, B1-B4.

Healy, J. (2021, January 12). Tribal elders are dying from the pandemic, causing a cultural crisis for American Indians. The New York Times. https://www.nytimes.com/2021/01/12/us/tribal-elders-native-americans-coronavirus.html

96. Blog post

Blazich, F. A. (2021, February 5). The cold morning of the day after. Smithsonian Voices. https://www.smithsonianmag.com/blogs/national-museum-american-history/2021/02/05/cold-morning-day-after/

97. Published interview

Beard, A. (2013, May). Life’s work: An interview with Maya Angelou. Harvard Business Review. https://hbr.org/2013/05/maya-angelou

98. Editorial or letter to the editor

An editorial may or may not have an author’s name attached to it. If it does, give the author’s name first. If it does not, start with the title. In both situations, add Editorial or Letter to the Editor in square brackets after the title.

For better elections, copy the neighbors [Editorial]. (2021, February 16). The Wall Street Journal. https://www.wsj.com/articles/for-better-elections-copy-the-neighbors-11613518448

To cite a review of a book, film, television show, or other work, begin with the reviewer’s last name, followed by the first and middle (if any) initials. In parentheses, add the year, followed by the title, month, and day of the review. Then in square brackets, add Review of the and the type of work being reviewed, followed by the title and the name of the author, director, or creator and their role. Then give the publication in which the review appeared, ending with a period, and the URL:

Girish, D. (2021, February 18). Refocusing the lens on race and gender [Review of the film Test Pattern, by S. M. Ford, Dir.]. The New York Times. https://www.nytimes.com/2021/02/18/movies/test-pattern-review.html

Use the following guidelines for books and parts of books, such as a selection from an anthology, a chapter in a collection, a published conference paper, and so on.

100. Basic entry for a book

Author’s Last Name, Initials. (Year of Publication). Title of book. Publisher.

• Author. Give the last name, a comma, and the initials of the first name and middle name (if available). Do not list an author’s professional title, such as Dr . or PhD . End with a period.
• Year of publication. In parentheses, give the year of publication, ending with a period outside the closing parentheses.
• Title of the book. Put the book’s title in italics. Give the full title and any subtitle, separating them with a colon. Capitalize only the first word of the title and the first word of a subtitle and any proper nouns.
• Publisher. Give the publisher’s name as shown on the work, omitting words such as Inc. or Company.

101. Print book or e-book

Aronson, L. (2019). Elderhood: Redefining aging, transforming medicine, reimagining life. Bloomsbury Publishing.

Use the same format for an e-book when the content is the same. If you consult a book that has a DOI, provide it after the publisher, using the format “https://doi.org/” followed by the number. (If you encounter older formats for DOI, change them to this format.) If you read a book online, give the URL.

102. Book, anthology, or collection with an editor

Schaefer, C. E., & Reid, S. E. (Eds.). (2001). Game play: Therapeutic use of childhood games (2nd ed.) . Wiley.

103. Article or chapter in an edited book, an anthology, or a collection

Burks, H. F. (2001). Using the imagine game as a projective technique. In C. E. Schaefer & S. E. Reid (Eds.), Game play: Therapeutic use of childhood games (2nd ed., pp. 39-66). Wiley.

104. Translated or reprinted book

Freud, S. (1950). The interpretation of dreams (A. A. Brill, Trans.). Modern Library. (Original work published 1900)

105. Revised edition

Strunk, W., Jr., & White, E. B. (2019). The elements of style (4th ed.). Pearson.

106. One volume of a multivolume work

Waldrep, T. (Ed.). (1988). Writers on writing (Vol. 2). Random House.

107. Report or publication by a government agency or other organization

National Institute of Mental Health. (2020). Post-traumatic stress disorder. U.S. Department of Health and Human Service, National Institutes of Health.

If you consulted the publication online, include the URL after the publisher. See Model 89.

108. Conference paper

Killi, S., & Morrison, A. (2021). Could the food market pull 3D printing appetites further? In J.D. da Silva Bartolo, F. M. da Silva, S. Jaradat, & H. Bartolo (Eds.), Industry 4.0—shaping the future of the digital world: Proceedings of the 2nd International Conference on Sustainable & Smart Manufacturing (pp. 197-203). CRC Press.

Use the following guidelines for works published only online that do not have an overarching publication, such as a journal, newspaper, or magazine.

109. Basic format for a page or work on a website

Author’s Last Name, Initials. (Publication Date). Title of work. Title of website. URL.

• Author. Give the last name, a comma, and the initials of the first name and middle name (if available). Do not list an author’s professional title, such as Dr. or PhD . End with a period.
• Date of publication. In parentheses, give the year of publication and a comma, followed by the month and the day. End with a period outside the closing parentheses.
• Title of the work. Put the title of the work in italics. Give the full title and any subtitle, separating them with a colon. Capitalize only the first word of the title and the first word of a subtitle and any proper nouns.
• Title of the website. Give the title of the website and end with a period. If the author and the website title are the same, you can omit the title of the site.
• URL. Copy and paste the URL from your browser window.

110. Page or work on a website

Shetterly, M. L. (2020, February 24). Katherine Johnson biography. NASA. https://www.nasa.gov/content/katherine-johnson-biography

U.S. Department of Veterans Affairs. (n.d.). What is PTSD? National Center for PTSD. https://www.ptsd.va.gov/understand/what/index.asp

If the source you are citing has no author listed, start with the title. See Model 90.

Coronavirus. (2021, February 22). In Wikipedia. https://en.wikipedia.org/wiki/Coronavirus

When you cite a social media post as a source, use labels in square brackets to indicate the type of post and whether images were attached to it.

112. Social media post

Holler, J. [@holleratcha]. (2020, November 2). Everyone get out and vote tomorrow! [Tweet]. Twitter. http://twitter.com/holleratcha/status/1270432672544784384

Death Valley National Park. (2021, February 23). What does it mean to protect something you love? [Images attached] [Status update]. Facebook. www.facebook.com/DeathValleyNPS/posts/4108808255810092.

113. Online forum post

National Aeronautics and Space Administration [NASA]. (2020, November 14). We’re engineers, astronaut trainers, and other specialists working to launch humans on commercial spacecraft from U.S. soil! Ask us anything about the NASA SpaceX Crew-1 mission! [Online forum post]. Reddit. https://www.reddit.com/r/space/comments/jsx91g/were_engineers_astronaut_trainers_and_other/

When you cite nonprint sources, such as visual and multimedia sources, use labels in square brackets to indicate the type of source, such as a film, a TV episode, a song, a painting, a photograph, and so on.

When you cite a film that you saw in a theater or streamed, you do not need to specify how you watched it.

Jenkins, B. (Director). (2016). Moonlight [Film]. A24.

115. Online video

For an online video, give the name of the person or organization that uploaded it as the author:

TED. (2017, February 27). Sue Klebold: My son was a Columbine shooter. This is my story [Video]. YouTube. https://www.youtube.com/watch?v=BXlnrFpCu0c

116. Television program

Schur, M., Miner, D., Sackett, M., & Goddard, D. (Executive Producers). (2016-20). The good place [TV series]. Fremulon; 3 Arts Entertainment; Universal Television; NBC.

Mande, J. (Writer), & Benz, P. (Director). (2016, September 29). Jason Mendoza (Season 1, Episode 4) [TV series episode]. In M Schur, D. Miner, M. Sackett, & D. Goddard (Executive Producers), The good place. Fremulon; 3 Arts Entertainment; Universal Television; NBC.

117. Music recording

For an artist whose music is available only through a website, include the URL. If the artist’s music is available on multiple platforms, you do not need to specify how you accessed it.

Prince. (1984). Purple rain [Album]. Warner Brothers.

The Supremes. (1964). Baby love [Song]. On Where did our love go. Motown.

Overby, J. (Host). (2021, January 9). The road to higher ground: World music with African roots and more. WPR.

119. Podcast

McEvers, K. (Host). (2019, November 7). This is not a joke (Season 9, Episode 9) [Audio podcast episode]. In Embedded. NPR.

120. Painting or other visual artwork

For a work of visual art, give the location of the museum or gallery. If you saw the work online, add the URL after the location:

Rivera, D. (1932-33). Detroit industry murals [Painting]. Detroit Institute of Art, Detroit, MI, United States.

Basquiat, J-M. (1983). Untitled [Painting]. Museum of Modern Art, New York, NY, United States. https://www.moma.org/collection/works/63997?artist_id=370&page=1&sov_referrer=artist

121. Map, photograph, infographic, or other visual

If the work you consulted names an author, start with the author. If there is no author, start with the title and a description of the work in square brackets, such as [Map], [Photograph], [Infographic], [Diagram], or another appropriate descriptor:

Expedition of Lewis and Clark [Map]. (2018). National Park Service. http://nps.gov/subjects/travellewisandclark/map.htm

122. Video game, software, or app

Benzies, L., & Sarwar, I. (2017). Grand theft auto V [Video game]. Rockstar Games. https://www.rockstargames.com/games/V

APA Paper Format

Follow your instructor’s formatting guidelines or those indicated here. For sample papers showing APA paper format, see this site .

• Title page. Give the title of the paper in bold, centered. Then, on separate lines and not boldfaced, give your name, academic department, name of your college or university, course number and name, instructor’s name, and the due date, all centered. Repeat only the title on the first page of the text of your paper.
• Spacing. Double-space throughout the paper, including the references page.
• Headings. Give headings for the major sections of your paper, such as Method, Results or Findings, and Discussion . Put the headings in bold and center them on the page. Put the next level of headings in bold and place them flush left.
• Page numbers. Start numbering on the title page of your paper and continue to the end of the references page. Place page numbers in the upper-right corner.
• Long quotations. See Quotations for how to cite long quotations.

H 15 . Further Reading

MLA Handbook , 8th ed., Modern Language Association of America, 2016.

MLA Handbook, 9 th ed., Modern Language Association of America, 2020.

Publication Manual of the American Psychological Association , 7th ed., American Psychological Association, 2020.

H 16 . Works Cited

Addams, Jane. Twenty Years at Hull-House. Digital Public Library of America , 1910, dp.la/primary-source-sets/theodore-dreiser-s-sister-carrie-and-the-urbanization-of-chicago/.

Becker, Jo. Forcing the Spring: Inside the Fight for Marriage Equality. Penguin Press, 2014.

Behn, Aphra. “The Character.” The Works of Aphra Behn. Edited by Montague Summers, vol. 6, Project Gutenberg , 2014, www.gutenberg.org/files/45777/45777-h/45777-h.htm#Page_113.

Behn, Aphra. “Love’s Power.” The Works of Aphra Behn. Edited by Montague Summers, vol. 6, Project Gutenberg, 2014, www.gutenberg.org/files/45777/45777-h/45777-h.htm#Page_113.

Brooks, Gwendolyn. “We Real Cool.” Blacks , Third World Press, 1994.

Da 5 Bloods. Directed by Spike Lee. Netflix, 2020.

Eisenberg, Richard. “How to Fix Social Security for Vulnerable Americans.” Forbes , 5 July 2018, www.forbes.com/sites/nextavenue/2018/07/05/how-to-fix-social-security-for-vulnerable-americans/.

“Environmental Impacts of Natural Gas.” Union of Concerned Scientists, 19 June 2014, www.ucsusa.org/resources/environmental-impacts-natural-gas.

Garrison, Dee. Bracing for Armageddon: Why Civil Defense Never Worked. Oxford UP, 2006.

Hollar-Zwick, Carol. Me, Hemorrhage: Recovery from a Ruptured Arteriovenous Malformation. Amazon, 2020.

The King James Bible. Project Gutenberg, 1989, www.gutenberg.org/files/10/10-h/10-h.htm#The_Gospel_According_to_Saint_Matthew.

Konish, Lorie. “Some Retirees Get by on Just Social Security. Experts Disagree on How Many.” CNBC, 10 Feb. 2020, www.cnbc.com/2020/02/10/some-retirees-live-on-social-security-experts-disagree-on-how-many.html.

Mechling, Elizabeth Walker, and Jay Mechling. “The Campaign for Civil Defense and the Struggle to Naturalize the Bomb.” Western Journal of Speech Communication, vol. 55, no. 2, Spring 1991, pp. 105-33.

Myers, David. “The Funds, Friends, and Faith of Happy People.” American Psychologist , vol. 55, no. 1, Jan. 2000, pp. 56-67.

“This Is Who We Are.” U.S. Forest Service, United States Department of Agriculture, Mar. 2019, http://www.fs.usda.gov/sites/default/files/This-is-Who-We-Are.pdf.

Thomas, Lewis. Lives of a Cell: Notes of a Biology Watcher. Penguin Books, 1978.

Thoreau, Henry David. Walden. Project Gutenberg, 1995, http://www.gutenberg.org/files/205/205-h/205-h.htm.

University of Agder. “Sorry (not sorry).” YouTube , 6 Feb. 2021, http://www.youtube.com/watch?v=Mi3JQa1ynDw.

Wilkerson, Isabel. Caste: The Origins of Our Discontents. Random House, 2020.

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A clear, arguable thesis will tell your readers where you are going to end up, but it can also help you figure out how to get them there. Put your thesis at the top of a blank page and then make a list of the points you will need to make to argue that thesis effectively.

For example, consider this example from the thesis handout : While Sandel argues persuasively that our instinct to “remake”(54) ourselves into something ever more perfect is a problem, his belief that we can always draw a line between what is medically necessary and what makes us simply “better than well”(51) is less convincing.

To argue this thesis, the author needs to do the following:

• Show what is persuasive about Sandel’s claims about the problems with striving for perfection.
• Show what is not convincing about Sandel’s claim that we can clearly distinguish between medically necessary enhancements and other enhancements.

Once you have broken down your thesis into main claims, you can then think about what sub-claims you will need to make in order to support each of those main claims. That step might look like this:

• Evidence that Sandel provides to support this claim
• Discussion of why this evidence is convincing even in light of potential counterarguments
• Discussion of cases when medically necessary enhancement and non-medical enhancement cannot be easily distinguished
• Analysis of what those cases mean for Sandel’s argument
• Consideration of counterarguments (what Sandel might say in response to this section of your argument)

Each argument you will make in an essay will be different, but this strategy will often be a useful first step in figuring out the path of your argument.  

Strategy #2: Use subheadings, even if you remove them later  

Scientific papers generally include standard subheadings to delineate different sections of the paper, including “introduction,” “methods,” and “discussion.” Even when you are not required to use subheadings, it can be helpful to put them into an early draft to help you see what you’ve written and to begin to think about how your ideas fit together. You can do this by typing subheadings above the sections of your draft.

If you’re having trouble figuring out how your ideas fit together, try beginning with informal subheadings like these:

• Introduction  
• Explain the author’s main point  
• Show why this main point doesn’t hold up when we consider this other example  
• Explain the implications of what I’ve shown for our understanding of the author  
• Show how that changes our understanding of the topic

For longer papers, you may decide to include subheadings to guide your reader through your argument. In those cases, you would need to revise your informal subheadings to be more useful for your readers. For example, if you have initially written in something like “explain the author’s main point,” your final subheading might be something like “Sandel’s main argument” or “Sandel’s opposition to genetic enhancement.” In other cases, once you have the key pieces of your argument in place, you will be able to remove the subheadings.  

Strategy #3: Create a reverse outline from your draft  

While you may have learned to outline a paper before writing a draft, this step is often difficult because our ideas develop as we write. In some cases, it can be more helpful to write a draft in which you get all of your ideas out and then do a “reverse outline” of what you’ve already written. This doesn’t have to be formal; you can just make a list of the point in each paragraph of your draft and then ask these questions:

• Are those points in an order that makes sense to you?  
• Are there gaps in your argument?  
• Do the topic sentences of the paragraphs clearly state these main points?  
• Do you have more than one paragraph that focuses on the same point? If so, do you need both paragraphs?  
• Do you have some paragraphs that include too many points? If so, would it make more sense to split them up?  
• Do you make points near the end of the draft that would be more effective earlier in your paper?  
• Are there points missing from this draft?  
• picture_as_pdf Tips for Organizing Your Essay

Writing Guide with Handbook

(11 reviews)

Michelle Bachelor Robinson, Spelman College

Maria Jerskey, City University of New York

Toby Fulwiller, University of Vermont

Copyright Year: 2021

ISBN 13: 9781951693473

Publisher: OpenStax

Language: English

Formats Available

Conditions of use.

Learn more about reviews.

Reviewed by Sarah Summers, Associate Dean for Academic Affairs, Franklin College on 1/8/24

The text does a nice job of covering both rhetorical theory and various genres common in first-year writing, including personal essays, a variety of analytical genres, and research essays. There is also a strong focus on process. The handbook is... read more

Comprehensiveness rating: 5 see less

The text does a nice job of covering both rhetorical theory and various genres common in first-year writing, including personal essays, a variety of analytical genres, and research essays. There is also a strong focus on process. The handbook is an excellent addition to the text and would be useful both as a reference for students and for short readings for targeted revisions throughout a course. The handbook is also linked back to the main text, reinforcing the connections between the two.

Content Accuracy rating: 5

The text is accurate, particularly in its inclusion of rhetorical terms.

Relevance/Longevity rating: 4

The text uses very relevant themes including digital writing/social media, diversity, and identity. There are several contemporary examples (e.g., Selena Gomez and Kevin Hart) that will potential read as outdated quickly. That said, I like the balance between traditional/canonical texts (e.g., Du Bois) and more contemporary examples and topics like climate change and sustainability. One of my favorite features of this text is the use of annotations embedded in readings and student examples, which I think helps students see the relevance of readings.

Clarity rating: 5

Very clear in its writing and explanation of terms. The text uses a straightforward tone that I think would be appealing to students.

Consistency rating: 5

The text is consistent in its terminology, and each section is organized in roughly the same way.

Modularity rating: 5

The text is very modular with short, focused sections within each chapter. It would be easy to pick and choose sections of the text for a course and use the sections that most align with the assigned writing. There's also a portfolio thread that weaves throughout every chapter. It could build across the semester but would also be easy to use those sections together in a stand-alone assignment.

Organization/Structure/Flow rating: 4

The text is well organized and the section titles are easy to navigate and find relevant topics. One potential drawback is that the rhetorical terms and concepts are introduced throughout the text. I tend to frontload that material. For example, ethos/pathos/logos are cover in 9.1 as part of the rhetorical analysis assignment, but I would be likely to pull those out and cover them early in the course and not necessarily tied to a specific assignment.

Interface rating: 5

No problems with either the online version or the .pdf.

Grammatical Errors rating: 5

Cultural Relevance rating: 5

The book is culturally responsive and includes a diverse range of authors and topics including racial equity, poverty, and climate action. It also includes a section on pronouns that specifically addresses equity for gender non-binary and transgender people.

Many of the sections have templates for students to use to jump start writing as well as suggested activities and questions, which I found useful and very like the kinds of activities I would design for first-year writing.

Reviewed by Justin Young, Associate Professor of English, Metropolitan State University of Denver on 12/8/23

The text effectively covers all of genres that are commonly assigned in first-year college writing courses. read more

The text effectively covers all of genres that are commonly assigned in first-year college writing courses.

I don't have any concerns about the text's accuracy.

Relevance/Longevity rating: 5

This is a particularly relevant writing textbook because of it's focus on inclusiveness and equity, and it effectively addresses the relationship between writing and intersectional identities, as well as academic writing and diverse personal literacies.

The text is clearly written and new terms are consistently defined throughout.

The structure of the text is very consistent, as each chapter follows the same format.

Modularity rating: 4

It is very easy to pull out and use individual whole chapters of the text. However, it is more of a challenge to pull out parts of chapters. Another issue to note is that the text is very "wordy." In other words, chapters are organized around long chunks of text that I worry can be intimidating to students.

The text is organized in an effective and coherent manner, although it may take users a bit of time to understand the logic of the organization.

It's very easy to navigate and use the text online.

I have no concerns about grammatical errors in the text.

As I noted above, one of the strengths of the text is that it focused- in terms of both content (readings) and theme on issues of equity, diversity, and inclusion. Many of the readings are by diverse authors and about topics of diversity and equity.

Overall, this is a high quality textbook that is similar in quality to many non-OER first-year composition texts.

Reviewed by Jason Meier, English Instructor, Rochester Community & Technical College on 6/26/23

Writing Guide is very comprehensive, comparable to expensive texts with combined reader, rhetoric, and handbook. This text contains all of the assignments I currently use in my college composition class (narrative, problem-solution, rhetorical... read more

Writing Guide is very comprehensive, comparable to expensive texts with combined reader, rhetoric, and handbook. This text contains all of the assignments I currently use in my college composition class (narrative, problem-solution, rhetorical analysis, annotated bibliography, and argument) and much more, a total of twelve commonly assigned college essays. Both MLA and APA documentation are covered, and I appreciate how Database, Print, and Online source examples are shown side-by-side so that students can better understand the differences without having to flip through multiple pages.

The content is accurate. Much of the content is presented in the way that I have presenting writing content for years.

In general, writing textbooks do not age quickly, so this isn't as big of an issue as, let's say, fields like nursing. That being said, this text does contain up-to-date subjects such as social media. The MLA documentation section does present the 8th edition of MLA, rather than the newer 9th edition; however, I've continued to allow my students to use the 8th edition of MLA since there were not that many changes. As for APA, the current 7th edition is presented.

As a person who detests jargon-filled overly complex academic prose, I can attest that this text is accessible to a wide audience.

I do not see any problems with consistency.

The reader and rhetoric sections of the text are well divided into manageable parts that can be easily linked.

However, the handbook sections could use more divisions. For example, the section on punctuation contains all punctuation lumped together. While I can certainly understand why the author would not want too many hyperlinks in the text, my preference is for more so that I can provide students with more focused links so they do not also need to scroll to find the information I want them to concentrate on.

Well organized. My only problem has been with Unit 2, the rhetoric section, which is labeled "Bridging the Divide between Personal Identity and Academia." I have sometimes had to spend a bit more time digging to find the assignments/modes I'm looking for because it's not apparent that this is the rhetoric section of the text. Of course, I may be illustrated my own impatience since my digging probably takes up no more than 30 additional seconds.

I have not had any problems with interface.

I have not found significant grammatical errors.

With readings and/or spotlights by/on authors such as Selena Gomez, Cathy Park Hong, W.E.B. Du Bois, Atul Gawande, and Ta-Nehisi Coates and subjects such as multilingual writers; language, identity, and culture; and antiracism and inclusivity, this text is certainly inclusive.

Reviewed by Alicia Conroy, Faculty of English, Normandale Community College on 4/2/23

As a book primarily focused on genre-specific writing situations for well-prepared college students, this book is very comprehensive, offering 12 genres plus additional chapters related to research-supported writing and the handbook component.... read more

As a book primarily focused on genre-specific writing situations for well-prepared college students, this book is very comprehensive, offering 12 genres plus additional chapters related to research-supported writing and the handbook component. These options include more conventional first-year writing purposes such as proposals, evaluations, and position arguments. A strength is the additional and culturally responsible sections on "language, identity and culture" and "bridging the divide between personal identity and academia", which have models and critical frameworks to help students explore and value their own culture and languages and to write with respect and openness about others' experiences.

Practices and terms are generally "standard" and consistent with current nomenclature, including those related rhetoric and writing process, digital literacy, and inclusion and diversity. Selected readings are identified responsibly and annotations of such readings faithfully summarize and analyze the content without distortion.

This book may need to be updated within three to five years as needed due to changes in the fields of digital literacy, documentation styles and requirements (i.e. APA and MLA), cultural studies and inclusion, (Culturally Relevant Pedagogy, etc.), neuroscience related to learning and language processes, and legislation impacting or limiting what can be taught in various states in the U.S. The text is aimed at students entering college who are well-prepared with basic writing and 12-grade reading skills. The loss of college placement processes, teach-to-test practices in high school, and learning losses during the Covid-19 pandemic mean that this book has weaker relevance to students who struggle with completing basic essays and need more instruction on basics of writing process, paragraphing, and sentence control.

This text is accessible to students with 11-12 grade reading level and includes good lists of relevant terminology for varied rhetorical structures, writing strategies, critical thinking, etc. Annotations of some readings further aid clarity for students. The language & style are academic but not dismissive or condescending, although occasionally I felt it could be more student-centered and less directive.

This book's voice, organization method, and means of scaffolding major points and supporting details is very consistent throughout each unit.

The modules are fairly good in terms of being able to stand alone, though there are some chapters that build on terms and concepts introduced in earlier chapters. In at least one case, the order of chapters puts summary of an issue before the details of that issue; i.e., the specifics on a particular writing issue (stages of writing process and related strategies) appear in ch. 3 but the stages are discussed in a minimal way and without depth in ch. 2. The different writing genre info stands alone and some of the writing process and broad strategies used for multiple genres could be broken out in a separate chapter of as part of the handbook instead, to improve modularity. An advantage would be allowing instructors to choose or ignore some such chapters depending on the range and level of student competencies.

Organization overall is good, with a framework within units and chapters used consistently. As noted above, some issues in ordering and introduction of certain writing-related taks and processes good be better organized to facilitate modularity. The research-related genres and skills are grouped together in the outline.

This is an area of strength, with the hyper links I tested functioning. One bug or failing is that table of contents for some early chapters stops after Unit I - chapter 3, and only upon going back to the Home page and re-choosing the table of contents does the reader see and access the whole list of chapters.

This appears to have been well edited.

The tone and word choice as well as variety of text examples shows sensitivity and up-to-date nomenclature for people of various cultures, ethnicities, abilities, and sexual orientation/ gender status. Furthermore the text often discusses alternative terms and language and points out debates about how people speak about varied identities and groups; the language remains neutral and explanatory and encourages growth mindset and curiosity about perspectives and differences. The one weak spot was the framework for an assignment aimed at explaining culture to someone of a different culture. Some of the assumptions and descriptions could be seen as "othering" students of nondominant groups (whether racial, neuroatypical, etc.) - who are often asked or required to defend or validate their identities as part of being determined outside the white, heteronormative, male-centered dominant culture.

I would consider adopting part or all of this book, though to fit my current student population of first-year writing students at a community college without reading and writing placement requirement and a rigorous common course outline, I'd need also more supporting chapters to use for students who are not optimally prepared in reading and basic writing process and strategy skills.

Reviewed by Aimee Taylor, Assistant Professor, Clarke University on 1/9/23

This guide is appropriately comprehensive for first year and developing college writers. It covers, most importantly, the writing process. It also engages students in thought work about rhetorical effectiveness, information literacy, and... read more

This guide is appropriately comprehensive for first year and developing college writers. It covers, most importantly, the writing process. It also engages students in thought work about rhetorical effectiveness, information literacy, and argumentation. The included handbook makes it helpful and easy to incorporate. Students will not have to access two separate texts to have a guide and handbook. This is great for planning and streamlining.

From my understanding of the topic, this text is highly accurate.

This text deals with contemporary issues that students will find valuable and important, like social media, demystifying college writing, cultural awareness, decolonization, antiracism, and multimodality. These are topics that are not only relevant today, but they will be persistent issues for years to come. The topics covered are in line with the themes and topics I frequently cover in my own classes, so I wouldn't need to supplement so much.

The text is clear and appropriate for first year college students (and anyone new to academic writing). One of the highlights of this book is that it does spend time explaining and clarifying typically challenging concepts, like rhetoric and argument. This will be helpful for not only students but for new faculty who are teaching writing for the first time.

This text appears consistent. The units have similar structures and features, "editing," "spotlight on...," and "glance at genre." I like this because it shows students that they can methodically look at writing in this kind of way.

The text is divided into modules already, which could be beneficial for new faculty teaching writing for the first time.

Organization/Structure/Flow rating: 5

Organization is the best quality of this text. They offer a helpful introduction, and subsequent units build up to more complicated writing processes. Again, for first time writing faculty, which can provide just as much help as the text does for the students.

I appreciate that this text has instructor and student resources. The text easily navigable, the images are clear (not distracting), and students will not have to scroll through a ton of text (they can easily navigate from the left table of contents or the "next" button at the bottom of each section).

I didn't see any errors.

This text is quite the opposite of insensitive or offensive. It includes discussions of antiracism and decoloniality, which are important and urgent cultural issues that teachers and students alike to begin engaging with.

I look forward to implementing this text into my course. I am glad to have an open access text that does what I need it to do.

Reviewed by Sarah Lacy, Lecturer, Old Dominion University on 1/6/23

There are lessons on rhetoric, research, portfolios, as well as genre specific readings which does make this a relatively comprehensive Rhetoric and Composition text. I believe the title, "Writing Guide with Handbook" does not do the... read more

Comprehensiveness rating: 4 see less

There are lessons on rhetoric, research, portfolios, as well as genre specific readings which does make this a relatively comprehensive Rhetoric and Composition text. I believe the title, "Writing Guide with Handbook" does not do the comprehensiveness of the text enough justice, as this is much more than what I imagine a "writing guide" to be. I specifically like the "Spotlight on..." sections at the end of each chapter/section, as it allows the authors of the book to bring specific lessons to the students that appear to be new and relevant to our cultural conversation (for example, "Spotlight on... Technical Writing as a Career" and "Spotlight on... Bias in Language and Research" each enhance the other readings in their section which highlighting current issues in the field).

However, while this is a fairly comprehensive text, and I appreciate that it uses various perspectives on writing and academia, I do not believe there are enough writing process specific readings to be the only text for a First Year Writing course. However, it is an excellent resource in helping students understand the complexity of writing, and to envision how they will use writing outside of the composition classroom.

The authors' use of various writers in using their text as examples allows this text to work from an unbiased standpoint. The information provided in these sections reflects accurate depiction of the subject matter, and follows the necessary lessons for a writing class, specifically one concerned with rhetorical lessons.

This textbook has included relevant readings on current issues in the field of writing studies, specifically in potential bias in writing and research, as well as issues in language studies. The supplemental readings in this text are very current (Selena Gomez and Ta-Nehisi Coates for example), but also include classic readings (Mark Twain for example) that show the variety of voices that the authors of this text have considered. The social media based readings may need to be updated from time to time, but I think that is a benefit of providing such of-the-moment readings. The base of this text, however, is in the study of rhetoric and college writing which will remain relevant and useful to students and instructors.

The writing is clear and concise, and is written with undergraduate students in mind. I specifically like that in many sections there are reflection questions offered which help students engage more deeply with the subject matter.

Each page is clearly from the same textbook, and each is given the "Learning Outcomes" at the top box which is one of my favorite features of this text. Additionally, there are often references to other sections of the book which shows that there are common themes and topics throughout. I believe the goal of this text is to help students understand the value in the development or personality and voice in writing, as well as lessons in genre and type; though this was not what I expected when reading the title and synopsis, this consistent theme would be beneficial for college writing students.

Modularity rating: 3

This is the section in which I encountered the main issue I have with this book, and that in some of the pages the structure of the prose and space between text is relatively non-existent, and often close together. The information of the text is helpful and insightful, but some sections are very text-heavy, with very little breaks for the reader. While there are other pages that have images, more breaks, and referential questions and links, this is not consistent throughout each page. Additionally, the numerical breakdown within the sections in the left-hand tool bar was a little confusing when i first began reading through, but if you were able to simply share each page link with students, rather than asking them to navigate the book on their own this shouldn't be an issue. Though the navigation tool took some getting used to, once I got the hang of it navigating the organization of the sections was decent.

The section titles are, however, cleverly titled and would intrigue students, as they both list what the section is about, and restate in a creative way. For example, section 16 "Print or Textual Analysis: What You Read" has several subsections such as "An Author's Choices: What Text Says and How it Says it" and "Editing Focus: Literary Works Live in the Present" that provide insight into the purpose of the section as well as an easy to identify personal purpose.

One portion of this text that I admire is that each section begins with a "Learning Outcomes" box, which is written is short, easy to digest prose in bulleted form, and serve very well to provide a preview of what the reader will encounter, to make working through the text more enlightening. In pages that do contain images, they are clear and there do not appear to be any major issues from a technical standpoint. As discussed in the Modularity section of this review, however, I did find navigation with the Contents Toolbar to be a bit perplexing, but I do believe this would not be as much of an issue if this book were in PDF or even print form.

In terms of interface issues, I did not notice any glaring problems. My issues is mainly with modularity and the tool bar, but they worked as they were intended.

The text of these chapters is well written and as I read through the different sections I did not encounter any issues.

I specifically like that this text has sections written by BIPOC authors such as bell hooks, Ta-Nehisi Coates, as well as specific sections on multilingual writers, which is in part why I chose to review this book. Additionally there are sections that explore the use of social media and other virtual forms of communications to make the text relatable to students. These readings, in particular section "1.2 Social Media Trailblazer: Selena Gomez," relate rhetoric specific lessons to individuals and modalities that students will be familiar with, and I believe is in part what helps to "demystify" the university for students.

This text would certainly serve well to provide supplemental readings in a First Year Writing Course, as it offers both textbook style lessons, as well as supplement essays. There are great readings on revising and editing, as well as active reading which I greatly admire. The readings are from a variety of cultural and language specific backgrounds which is increasingly important for any college students and instructor. However, the title of the book is "Writing Guide with Handbook," so I was expecting a lot more writing specific readings. While there are certainly some of those, this text reads more like a compilation of supplementary readings and lessons in writing types/genres, not so much quick referential selections (which is fine by me, but I was a bit confused by the title).

This text would be an excellent part of any curriculum, though perhaps would not be my only textbook choice. The information is valuable and would certainly aid any student in their composition classroom, but as today's students tend to read their work on their phone or tablets, some of the sections which contain only heavy text with very little breaks at times would make navigation difficult. That is not to say that I would not assign this text, in fact I intend to assigned several readings in my next college writing course. But, I do believe that there are some readings that could do well to include more images and breaks between text to make the more text-heavy sections more manageable.

Reviewed by Lisa Kern-Lipscomb, Instructor, Tidewater Community College on 12/30/22

OED offers a free textbook that covers the writing process, vocabulary building, practices for writers, and many instructive lessons. Writing Guide with Handbook is a comprehensive textbook that aligns with my course syllabus throughout the... read more

OED offers a free textbook that covers the writing process, vocabulary building, practices for writers, and many instructive lessons. Writing Guide with Handbook is a comprehensive textbook that aligns with my course syllabus throughout the semester, so students can click a link to take them to valuable learning content.

Content Accuracy rating: 4

Content is readable and accurate without errors.

Guidance formulas for composing both working thesis statements and argumentative thesis statements are relevant writing skills that are beneficial for most students.

Clarity rating: 4

From organizing an essay to integrating documentation to composing an MLA Works Cited page, learning content is engaging while providing clear and concise information.

Consistency rating: 4

While many consistencies exist for each chapter, Editing Focus and Annotated Student Samples are important for composition students. Editing Focus provides novice writers specific learning for challenging writing skills, such as commas and sentence structures. Annotated Student Samples demonstrate annotated models for students to review before starting a writing assignment.

Chapters are outlined with links to specific, up-to-date content that aligns with my course syllabus, which makes finding learning content easy for students.

Learning content is organized logically, which helps students understand the notion of logical organization, especially novice writers.

Interface rating: 4

While navigating the textbook, all links worked properly, images downloaded, and content viewed correctly.

Grammatical Errors rating: 4

While navigating the book, I did not encounter grammatical errors.

Cultural Relevance rating: 4

Multiple chapters highlight cultural backgrounds and provide engaging activities for students to grasp the understanding of various cultural perspectives.

Writing Guide with Handbook is a textbook I hope my students appreciate as it will not cost them anything. This free textbook is just what I need to help place my students on a successful learning pathway. Thank you OER.

Reviewed by Lisa Whalen, Professor, North Hennepin Community College on 12/7/22

I was thrilled to find this textbook because I've been looking for an OER that covers how to write a narrative, profile, visual evaluation, and rhetorical analysis of argument, and I hadn't seen one anywhere. This one covers each module I teach in... read more

I was thrilled to find this textbook because I've been looking for an OER that covers how to write a narrative, profile, visual evaluation, and rhetorical analysis of argument, and I hadn't seen one anywhere. This one covers each module I teach in first-year writing classes in an engaging format with examples that are much more current and sample essays that are much more relevant to students' lives than the costly textbook I've been using reluctantly for several years.

I didn't see any errors in accuracy. My only complaint about the book is its bias in pushing a specific political angle. I prefer textbooks that are politically neutral or at least politically balanced, but those are nearly impossible to find in recent publications. This one confines most of its political bias to specific sections I can skip fairly easily when using it in my classes.

The examples and societal references are very current and relevant to students' lives. A few, like the section on Selena Gomez, will go out of date quickly, but they're are minimal, and even going out of date won't negate the content associated with them. The other cultural references and example essays are universal enough to be relevant for many years.

Style, word choice, and layout are engaging and accessible. I really like the introduction to rhetoric and key terms at the front. Definitions throughout are concise yet complete. Chapter sections are kept short for readability in an online format.

Concepts introduced in early chapters are applied throughout the later chapters. The whole book builds nicely from beginning to end, and the transitions are seamless.

Yes! Among the things I like best about this book are its logical layout, clear chapter and section headings, and differentiation of genres and skills. The way sections and chapters are set up makes it easy to pick and choose which fit my class and assign them without worrying that skipping around might confuse students.

As stated earlier, the book builds logically from beginning to end while allowing for easy a la cart selection of individual chapters.

It's very easy to navigate. My only criticism is that the PDF page numbers differ from the displayed textbook page numbers. No matter how clearly and often I explain the difference, students get confused by the differing page number designations, especially in classes that are wholly online (versus face-to-face or hybrid). The differing page numbers will cause problems when students want to print pages they are assigned to read. More "digital natives" than I would suspect prefer to print pages they are assigned to read than to read them in an electronic format, and many students aren't aware that printers default to the PDF page numbers.

I didn't notice any grammatical errors or typos.

The book reflects the spectrum of human diversity well.

I'm thrilled to have found this book and plan to use it in my first-year writing sections.

Reviewed by Patricia Jordan, Academic Director, Online Training and Technology, Spartanburg Community College on 9/22/22

There are a lot of great ideas for classroom activities, but it doesn’t really cover the concepts of writing. The handbook portion is better but could be expanded. The table of contents is good. The index is confusing. Word like “Caesar,”... read more

Comprehensiveness rating: 3 see less

There are a lot of great ideas for classroom activities, but it doesn’t really cover the concepts of writing. The handbook portion is better but could be expanded. The table of contents is good. The index is confusing. Word like “Caesar,” “Country Music,” “vulnerability,” and “yearbook” are included, but I am not sure why.

The content seems to be accurate, error-free and unbiased.

Content is up-to-date, but makes use of such pop-culture topics that it feels like it will get out of date very quickly. It isn’t just in sections that would be easy to up date, but seems to be throughout the entire text.

The text is written clearly in an easy-to-understand way.

The text is internally consistent in terms of terminology and framework.

The text is divided into chapters and the chapters into sections. The sections are in easy to read chunks. The sections are hyperlinked.

Organization/Structure/Flow rating: 3

There does seem to be some repetition in the way the chapters are organized. Concepts seem to be repeated. The organization of the handbook is good.

The text seems to be free of significant interface issues. The online version uses Openstax which has a table of contents on the left and text on the right. There are advertisements from Kinetic by OpenStax to purchase a print copy that distracts from reading.

The text does not seem to have any grammatical errors .

The text goes out of its way to be culturally relevant and to include examples that are inclusive of a variety of races, ethnicities, and backgrounds.

It has good information. I think it would be useful to incorporate parts of this into teaching but not use this as a stand alone textbook.

Reviewed by Tara Montague, Part-time instructor, Portland Community College on 7/1/22

This text, Writing Guide with Handbook, is comprehensive. It includes more content than I could cover in one term; I can see using it to cover both a pre-transfer-level course and a basic transfer-level course. Though it is guided by a writing to... read more

This text, Writing Guide with Handbook, is comprehensive. It includes more content than I could cover in one term; I can see using it to cover both a pre-transfer-level course and a basic transfer-level course. Though it is guided by a writing to learn and communicate approach, each chapter includes appropriate writing instruction. The index is thorough and useful; it includes the chapter and section numbers and links to the appropriate content.

The content strikes me as accurate and error-free. This text was a collaborative effort between more than ten authors.

The content is current and engaging; it approaches a variety of relevant social issues and invites the reader to engage with current topics, yet it will certainly remain relevant. The writing models can easily be updated as necessary without changing the overall structure of the text.

The prose is clear and instructive, yet engaging. It doesn’t read like a handbook, and I think students will appreciate that. It is a little less simplistic than other texts I’ve considered from a pre-transfer-level course, but even though some of the concepts and discussions are sophisticated, the commentary provided makes them accessible.

The overall progression from personal narrative to exposition to persuasion includes a loose repetition of structure from chapter to chapter. The framework is coherent and engaging.

The text is completely modular, making it easy to assign small sections. It is well organized, with each chapter broken down into smaller sections, minimizing pages that have multiple screens’ worth of reading.

This text is comprised of twenty chapters that are organized into three larger units; there’s also a brief “handbook” that deals with additional composition elements (e.g. pronouns, MLA documentation, clear and effective sentences) and an Index. Each chapter is divided into eight or so pages or subsections, and the loose repetition of structure between chapters is helpful, but not confining. Each page/section within each chapter has a Learning Outcomes box.

The OpenStax interface makes it easy for users to download the text, view it online, or order a print copy through Amazon.com. The online text is well organized and easy to navigate. As I mentioned above, the Index is impressively functional. The OpenStax interface has a search box that I found useful. The “handbook” is one continuous page and has anchors for navigation, but it is a brief handbook, so this is not a big deal.

I didn’t notice any grammatical errors; the text is clean and well edited.

This text was explicitly designed to provide a culturally responsive and inclusive textbook option; the authors set out to offer “an inviting and inclusive approach to students of all intersectional identities.” The examples of writing are far-ranging and diverse and include writers from history and current writers.

Writing Guide with Handbook stands out because it is organized in a more student-centered way than many introductory composition texts. This text would work well for someone looking to almost ready-to-go course, rather than using a text to supplement their existing course. I am considering using the first half of the text for a pre-transfer-level course; I think it would work well (if not better) for a transfer-level course. I am excited by this text as it really invites users to engage in important issues and explore in writing their relationship to the world around them.

Reviewed by Brenda Coston, Assistant Professor, Honolulu Community College on 2/2/22

The Writing Guide with Handbook, is a text for writers who are beyond the basics of essay structure and who wish to develop more with writing in terms of culture and rhetoric for real life situations. read more

The Writing Guide with Handbook, is a text for writers who are beyond the basics of essay structure and who wish to develop more with writing in terms of culture and rhetoric for real life situations.

The content of the book is truly one of exploration and appreciation for other cultures . Other issues regarding oppression, bias, and objective writing are discussed in terms of how identity is constructed through writing.

This text, hands-down, is on the cutting edge of curranacy and relevance. Exploring hot topics facing society is a great way to engage student writers and get them thinking about the world around them.

Any relevant vocabulary is thoroughly and mindfully explained with examples given. For example, in Chapter 2.3, "Glance at the Issues: Oppression and Reclamation," the term bias and how it affects writing is completley investigated.

Any significant terms are defined before any development of ideas is given. This tactic helps the student to understand throroughly what is being explained in the text.

The authors have done a superb job of organizing ideas and breaking down sections. For instance, in Chapter Two, "Language, Identity, and Culture: Exploring, Employing, Embracing," the main ideas: language, identity, and so on, are broken down in to smaller areas devoted to them and are explored regarding the effects on the writing process.

Topics, are, indeed, presented in a clear manner, beginning with what the writer may already be aware of with writing, such as "The Digital World: Building on What You Already Know to Respond Critically" and moving to "Bridging the Divide Between Personal Identity and Academia."

The book is cearly laid out with photos that enhance the subject matter and provide a clear undernstaning for the reader.

No grammatical errors were noted.

This text makes a point to engage readers from all walks of life with varying cultural backgrounds. By undertsanding how others think, the student has a deeper perspective when writing and produces an essay with substance.

The Handbook, located in the back of the text, is phenomenal. It is more that just grammar. It touches on on proofreading the essay for clear and effective sentences, beneficial transitional expressions, mechanics, point of view, and MLA. The explanations are clear and relevant and very relatable for college students.

Table of Contents

• Chapter 1  The Digital World: Building on What You Already Know to Respond Critically
• Chapter 2  Language, Identity, and Culture: Exploring, Employing, Embracing
• Chapter 3  Literacy Narrative: Building Bridges, Bridging Gaps
• Chapter 4  Memoir or Personal Narrative: Learning Lessons from the Personal
• Chapter 5  Profile: Telling a Rich and Compelling Story
• Chapter 6  Proposal: Writing About Problems and Solutions
• Chapter 7  Evaluation or Review: Would You Recommend It?
• Chapter 8  Analytical Report: Writing from Facts
• Chapter 9  Rhetorical Analysis: Interpreting the Art of Rhetoric
• Chapter 10  Position Argument: Practicing the Art of Rhetoric
• Chapter 11  Reasoning Strategies: Improving Critical Thinking
• Chapter 12  Argumentative Research: Enhancing the Art of Rhetoric with Evidence
• Chapter 13  Research Process: Accessing and Recording Information
• Chapter 14  Annotated Bibliography: Gathering, Evaluating, and Documenting Sources
• Chapter 15  Case Study Profile: What One Person Says About All
• Chapter 16  Print or Textual Analysis: What You Read
• Chapter 17  Image Analysis: What You See
• Chapter 18  Multimodal and Online Writing: Creative Interaction between Text and Image
• Chapter 19  Scripting for the Public Forum: Writing to Speak
• Chapter 20  Portfolio Reflection: Your Growth as a Writer

Ancillary Material

About the book.

Writing Guide with Handbook  aligns to the goals, topics, and objectives of many first-year writing and composition courses. It is organized according to relevant genres, and focuses on the writing process, effective writing practices or strategies—including graphic organizers, writing frames, and word banks to support visual learning—and conventions of usage and style. The text includes an editing and documentation handbook, which provides information on grammar and mechanics, common usage errors, and citation styles.

Writing Guide with Handbook  breaks down barriers in the field of composition by offering an inviting and inclusive approach to students of all intersectional identities. To meet this goal, the text creates a reciprocal relationship between everyday rhetoric and the evolving world of academia.  Writing Guide with Handbook  builds on students’ life experiences and their participation in rhetorical communities within the familiar contexts of personal interaction and social media. The text seeks to extend these existing skills by showing students how to construct a variety of compelling compositions in a variety of formats, situations, and contexts.

The authors conceived and developed  Writing Guide with Handbook  in 2020; its content and learning experiences reflect the instructional, societal, and individual challenges students have faced. The authors invite students and instructors to practice invitational, rather than confrontational, discussions even as they engage in verbal and written argument. Instructors will be empowered to emphasize meaning and voice and to teach empathy as a rhetorical strategy. Students will be empowered to negotiate their identities and their cultures through language as they join us in writing, discovering, learning, and creating.

About the Contributors

Michelle Bachelor Robinson , Spelman College

Dr. Michelle Bachelor Robinson directs the Comprehensive Writing Program and is an assistant professor of writing and rhetoric at Spelman College. For five weeks each summer, she also serves as faculty for the Middlebury College Bread Loaf School of English, a summer residential graduate program for secondary educators. Her research and teaching focus on community engagement, historiography, African American rhetoric and literacy, composition pedagogy and theory, and student and program assessment. She is the coeditor of the Routledge Reader of African American Rhetoric and has published articles in WPA: Writing Program Administration, Peitho: Journal of the Coalition of Feminist Scholars in the History of Rhetoric and Composition, the Alabama Humanities Review, and the Journal of Social Work Education. Her early career was spent as a secondary educator, teaching high school students in the subjects of writing, literature, reading, debate, and drama. Dr. Robinson currently serves as the higher-education cochair of the College Board test development committee for the Advanced Placement (AP) English Language Exam, as well as a member of the test development committee for the College Level Examination Program (CLEP) for College Composition. Dr. Robinson also served on the executive committee for the Conference on College Composition and Communication (CCCC) from 2017 to 2020 and is still actively involved in that national work.

Maria Jerskey , City University of New York

Dr. Maria Jerskey is a professor of education and language acquisition at the City University of New York (CUNY), where she teaches courses in ESL, linguistics, bilingualism, and French to community college students and academic writing to graduate students. She is the founder and director of the Literacy Brokers Program, which supports and promotes the publishing practices of multilingual scholars. Dr. Jerskey has 4 Preface Access for free at openstax.org. published widely and been involved in national professional committees and organizations that focus on bringing current research and scholarship to bear on institutionalized practices that disenfranchise multilingual writers in order to design and implement equitable teaching and learning practices and professional development. She has authored college writing handbooks, including Globalization: A Reader for Writers and, with Ann Raimes, Keys for Writers, 6th edition. In her teaching and professional committee work, Dr. Jerskey problematizes and challenges the value and status of Standard Written English by applying critical research and scholarship in the fields of education, linguistics, and composition. Her current research and activism focus on identifying institutional barriers to linguistic justice and cultivating sustainable practices that recognize, encourage, and value the use of each person’s full linguistic repertoire.

Toby Fulwiler , Emeritus, University of Vermont

Dr. Toby Fulwiler is an emeritus professor in the Department of English at the University of Vermont. The author of numerous professional texts, student textbooks, chapters, and articles, Dr. Fulwiler graciously provided The Working Writer as inspiration for Writing Guide with Handbook.

Contribute to this Page

El Paso Libraries hosting writing competition, sponsored by the Great Khalid Foundation

W riters, get your pens ready. The City of El Paso Public Libraries is returning the Mother’s and Father’s Day essay competition, sponsored by the Great Khalid Foundation.

According to the City of El Paso, the contest is free to enter for local students ages 5 to 18. The topic is “I love my mom/dad because…”

Students may enter both contests, but the entries must be submitted separately. All entries must be original and not made using third-party apps such as ChatGPT. According to the City, any plagiarized work will be disqualified.

Winners from both categories will win prizes for their mom or dad on Mother’s Day and Father’s Day.

Where to enter, entry deadlines, and contest rules visit the El Paso Public Libraries  here .

For the latest news, weather, sports, and streaming video, head to KTSM 9 News.

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Language Rules to Improve Your Academic Writing

Following the rules of grammar, punctuation, sentence structure, and word choice can make your writing clearer, more fluent, and ultimately more convincing.

In every kind of writing, make sure to leave plenty of time for editing and proofreading (or try the Scribbr Grammar Checker ). This article takes you through some common mistakes to look out for.

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Table of contents

Punctuation, capitalization, sentence structure, word choice.

Punctuation marks signal the structure of a text, showing where each idea begins and ends and how they relate to one another. Some of the most common grammatical mistakes can be fixed by simply adding, removing, or moving a punctuation mark.

Learn when to use commas and when a colon or semicolon is a more appropriate choice.

Dashes and hyphens  look similar, but they have different functions – avoid mixing them up and check that you’ve been consistent.

In academic writing, it’s important to avoid plagiarism , so make sure to use quotation marks every time you use someone else’s words. Check that you’ve used the right form of quotation marks, put other punctuation in the right place, and properly integrated the quote into your own text.

Make sure you correctly use apostrophes to form the possessive with singular and plural nouns.

And if you’re still having a hard time with all these punctuation marks, try out Scribbr’s free punctuation checker .

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Capitalization rules in English require you to understand the difference between common and proper nouns. In academic writing, some of the most frequent errors relate to capitalizing models, theories, and disciplines.

You should also make sure you use a consistent style of capitalization for titles and headings .

Basic word order rules in English require a subject to be followed by a verb. Learn about how to avoid common sentence structure mistakes, such as fragments and run-ons. You should also try to write sentences of varying length and structure.

To ensure the different elements of your sentences are properly balanced, follow the rules of parallel structure .

Avoid confusingly structured sentences by learning how to fix dangling and misplaced modifiers .

Verbs are the action words that tell us what happens in a sentence.  Subject-verb agreement is important to make it clear who or what is doing an action.

Verb tenses locate an action in time. Make sure you use tenses correctly and consistently. The appropriate tense depends on whether you’re stating facts, making generalizations, describing the content of a text, reporting completed actions, or discussing events with ongoing relevance.

Phrasal verbs  combine two or more words to create an entirely new meaning. They can be tricky to use, and they’re sometimes too informal for academic writing, so consider replacing them with one-word alternatives .

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There are some types of words that students often misuse or confuse.

The two types of articles in English are definite ( the ) and indefinite ( a /an ). It’s important to choose the right one to pair with a noun. The rules are different for single, plural, and uncountable nouns.

Prepositions

Prepositions express relationships between different elements of a sentence (e.g. in, on, to, by, of, since ). They can describe relationships of time, space, direction, and many types of abstract or logical connection.

There are many different prepositions in English, and they often have more than one meaning. The only way to learn them all is through reading and practice .

Pronouns are words that stand in for nouns (e.g.  they, it, him, this ). Make sure it’s always clear what noun you are referring back to.

Avoid second-person pronouns ( you,  yours ) in academic writing. First-person pronouns ( I , we ) are sometimes acceptable depending on the discipline and type of document.

Conjunctions

Conjunctions are words that connect different parts of a sentence. There are different types of conjunctions with different functions and rules.

Commonly confused words

Some words are commonly confused or misused, including this/that, which/that,  who vs whom ,  affect vs effect , then vs than , and different forms of the word research. Learn more about how to tell the difference between them .

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