summer courses creative writing

Explore summer courses and register.

Offered in collaboration with the School of the Arts, the Writing Department at Columbia University offers summer workshops and craft seminars in fiction, nonfiction, and poetry designed by acclaimed writers and editors. Hone your craft in courses that cater to a wide variety of writing styles, from comedy writing to travel writing, children's books, YA, art writing, and everything in between. Students can apply to take individual courses listed below as a Visiting Student or as a part of the Arts in Summer program .

For questions about specific courses, contact the department.

FICTION WORKSHOP WRIT1001S001 3 pts

The Fiction Writing Workshop is designed for students who have little or no experience writing imaginative prose. Students are introduced to a range of craft concerns through exercises and discussions, and eventually produce their own writing for the critical analysis of the class. Outside readings supplement and inform the exercises and longer written projects. Enrollment limited to 15.

Course Number

Summer 2024, times/location, section/call number, fiction workshop writ1001s002 3 pts, nonfiction writing workshop writ1101s001 3 pts.

The Nonfiction Writing Workshop is designed for students new to the practice of such genres as reportage, criticism, biography and memoir. Various techniques are explored through exercises and other assignments. Critique of student work is supplemented by outside readings.

NONFICTION WRITING WORKSHOP WRIT1101S002 3 pts

Poetry writing workshop writ1201s001 3 pts.

The Poetry Writing Workshop is designed for all students with a serious interest in poetry writing, from those who lack significant workshop experience or training in the craft of poetry to seasoned workshop participants looking for new challenges and perspectives on their work. Students will be assigned writing exercises emphasizing such aspects of verse composition as the poetic line, the image, rhyme and other sound devices, verse forms, repetition, collage, and others. Students will also read an variety of exemplary work in verse, submit brief critical analyses of poems, and critique each others original work.

POETRY WRITING WORKSHOP WRIT1201S002 3 pts

Writing about art writ3215w001 3 pts.

Prerequisites: No prerequisites. Department approval NOT required. 

This course will introduce students to writing about visual art. We will take our models from art history and contemporary art discourse, and students will be prompted to write with and about current art exhibitions and events throughout the city. The modes of art writing we will encounter include: the practice of ekphrasis (poems which describe or derive their inspiration from a work of art); writers such as John Ashbery, Gary Indiana, Eileen Myles, and others who for periods of their life held positions as art critics while composing poetry and works of fiction; writers such as Etel Adnan, Susan Howe, and Renee Gladman who have produced literature and works of art in equal measure. We will also look at artists who have written essays and poetry throughout their careers such as Robert Smithson, Glenn Ligon, Gregg Bordowitz, Moyra Davey, and Hannah Black, and consider both the visual qualities of writing and the ways that visual artists have used writing in their work. Lastly, we will consider what it means to write through a “milieu” of visual artists, such as those associated with the New York School and Moscow Conceptualism. Throughout the course students will produce original works and complete a final writing project that enriches, complicates, and departs from their own interests and preoccupations.

WRITING CHILDREN'S BOOKS WRIT4313S001 3 pts

Travel writing writ4320s001 3 pts, writing the young adult novel writ4323s001 3 pts.

The Young Adult (YA) publishing boom has changed the way we read—and write—coming-of-age stories. This course will introduce students to the elements that shape YA novels, and explore the fiction writing techniques needed for long projects, including narrative arcs, character construction, worldbuilding, and scene work. We’ll study work from a wide range of YA genres and authors, including Angie Thomas, Elana K. Arnold, Leigh Bardugo, Jason Reynolds, A.S. King, Elizabeth Acevedo, and more.

Students will begin to write and outline their own YA novel, and a variety of in-class writing exercises will support the development of each project. All students will workshop their own writing and respond to the work of others. By the end of class, students will have a portfolio of materials to draw from, and a richer understanding of the YA landscape and its possibilities.

HOW TO WRITE FUNNY WRIT4810S001 3 pts

Course details

Creative writing summer school.

Immerse yourself in your writing over three intensive weeks spent in Oxford. 

This unique summer school offers opportunities for writers at both intermediate and advanced levels to work under the guidance of experienced tutors.

You will write, develop your technique, sharpen your critical faculties and discuss your work in small, focused seminars. Each weekday you will attend a talk given by an author, publisher, agent, or editor. You will live and work in beautiful Exeter College, the environment that nurtured J R R Tolkien, Philip Pullman, Martin Amis, William Morris, and many others.

At the end of your three weeks, you will have acquired new skills, made new friends, and developed a fresh portfolio of creative writing.

• A three-week residential summer school.
• Take part in interactive seminars featuring writing exercises and group discussion.
• Benefit from guidance by tutors who are both published authors and experienced teachers.
• Attend daily talks given by established authors, agents, editors and others.

Participate in open mic nights and peer-led workshop sessions.

• Study and live at Exeter College, founded 1314 - one of Oxford University's oldest colleges.
• Enjoy a range of social events, including walking tours and excursions.

What is meant by intermediate and advanced?

The intermediate strand of the summer school is open access; it is for keen readers aged 18 and over who have written regularly and read widely over a sustained period. Students on the intermediate programme take two seminars, one in fiction and one in creative non-fiction. Applications for the intermediate strand do not require samples of written work.

The advanced strand of the summer school is an intensive programme which is suitable for writers who have completed or nearly completed a single-honours degree in Creative Writing or English Literature, or who have taken a significant number of courses in creative writing or English literature. Students on the advanced strand are likely to have developed specialisms in their work; they choose two from seven available seminars: creative non-fiction, fiction (two options), middle-grade and teen/young adult fiction, poetry, scriptwriting, and short story. Applications for the advanced strand include a statement of purpose and samples of written work.

Both strands live and work in beautiful Exeter College, socialising, dining and attending plenary lectures together.

All of the seminars involve writing exercises, group discussion, and the development of a portfolio of creative writing.

Each seminar has two two-hour meetings per week. Classes typically contain no more than 15 students.

(See "Programme details", below, for seminar descriptions.)

Contact hours

The programme provides you with a minimum of 46.5 contact hours, comprising:

• 24 hours of seminar meetings (12 hours per seminar); and
• 22.5 hours of talks (15 sessions, each lasting 1.5 hours).

Social programme

You can enjoy optional social events throughout the summer school. These may include a walking tour of Oxford, after-dinner talks and weekend excursions to sites of literary and/or historical interest. Most of these activities incur additional costs.

You will have an opportunity to share ideas and work with your fellow students at open mic nights (one per week) and informal peer-led workshop sessions (two per week).

Beyond the summer school, Oxford is a vibrant and cosmopolitan city with a busy cultural and social scene offering a wide variety of plays and shows, concerts, films and exhibitions.

Programme details

Intermediate-level seminars.

Click here to download the intermediate-level seminar timetable .

Creative Non-Fiction

Writing about real lives and experiences – your own, or someone else’s – is rewarding but also daunting. What if you have too much information, or your story involves other people? How do you fill the gaps? How do you keep the reader reading? What if your core purpose is to write creatively not about a life, but about a specific place or time, journey or sickness, idea or vocation? And when does storytelling tip over into fiction? In this course we will use practical exercises, examples, discussion and the sharing of writing to explore ways of imagining, researching, developing, shaping and voicing real-life material to form a narrative.

Tutor: Dr Emma Darwin’s memoir,  This is Not a Book About Charles Darwin  (Holland House Books, 2019), explores her disastrous attempt to write a novel about her family. Her debut novel,  The Mathematics of Love  (Headline Review, 2006), was nominated for the Commonwealth Writers’ and other awards; her second,  A Secret Alchemy  (Headline Review, 2009), was a  Sunday Times  bestseller;  Get Started in Writing Historical Fiction  (John Murray Learning) was published in 2016. She has a PhD in Creative Writing (London) and was an Associate Lecturer at the Open University; she blogs at  This Itch of Writing .

In this course you will explore who you are as a writer, reflecting on the stories that you see and hear in the stuff of everyday life and thinking about what you, uniquely, can bring to those stories that you choose to tell. We will discover how to depict fictional worlds, characters, relationships, situations and sequences of events so that they seem ‘real’ but at the same time sing on the page and make for compelling reading. To this end, we will be spending our time on writing exercises and discussion - sharing our work, ideas and experiences as and when we are comfortable to do so.

Tutor: Suzannah Dunn has published two collections of short fiction and twelve novels, seven of them historical, one of which,  The Confession of Katherine Howard,  was a Richard and Judy Pick. Her thirteenth novel,  Levitation for Beginners , will be published by Little, Brown in 2024. She has decades of experience as a tutor of creative writing in all kinds of settings with writers of all levels of confidence and skills. For five years she was Director of Manchester University’s MA in Novel Writing, and is now a tutor and mentor at Curtis Brown Creative.

Advanced-level seminar options

Click here to view the advanced-level seminar timetable .

We tell stories about ourselves and others every day. Taking a close look at autobiography, memoir, and biography, we will discuss how these stories are told and the extent to which this influences what we think we know about our own lives and those of others. The course will focus on narrative prose. It will provide an opportunity for students to work on an idea for a life story or an existing project. Students will be encouraged to work on their own writing during the course. We will discuss the challenges we all face as writers and how to address them. There will be opportunities to explore contemporary examples of life-writing that challenge traditional autobiographical and biographical narratives and the boundaries between fiction and non-fiction. We will address questions about form and style that help us to decide what kind of narrative we want to write, whether it be a book, an article, or a short life story.

Tutor: Rebecca Abrams is the author of Touching Distance , which won the MJA Open Book Award for Fiction and was shortlisted for the McKitterick Prize for Literature, The Playful Self ,   Woman in a Man's World , and Licoricia of Winchester: Power and Prejudice in Medieval England .  She is the editor of Out of Exodus , two anthologies of new fiction, and Jewish Treasures of Oxford Libraries , which was long-listed for the 2021 Wingate Literary Prize.  A journalist of many years standing, Rebecca is a regular literary critic for the Financial Times , a former columnist for the Daily Telegraph , and the recipient of an Amnesty International Press Award for Journalism.

Fiction: Turning Ideas Into Narratives

This course is aimed at those who are starting to write prose but do not yet feel fully confident. Using a variety of exercises and some examples from literature, we shall investigate the formation of character, and develop character arcs. Then we shall develop story and plot outlines together, planning scenes. Finally, we shall attempt to identify and discuss your unique strengths and preferences with a view to finding your USP - unique selling point.

Tutor: Dr Rachel Bentham has been Royal Literary Fellow at Bath University, and teaches for both Bristol and Bath Spa Universities. Her plays and short stories have been regularly broadcast on BBC Radio 4, and her poetry is internationally published. She has recently completed a novel set in nineteenth-century Tahiti. A recent collection of haiku was called  Let All Tongues Flower  (Firewater Press, 2013); and her most recent collection, also of haiku, is titled  Other Roads North  (2019) and reached number one on Amazon.

Fiction: Fine-Tuning Your Writing

This course is designed to help you hone your craft as a writer and see your project through to its completion. We shall start by examining your aims and motivation, troubleshooting any problems you are having in maintaining commitment and progress. We shall explore how to give your writing maximum resonance and power, analysing how you can use voice and point of view, give your characters extra depth and weave together story strands, themes and images. Finally, we shall look at sending your work out into the world, with workshopping and advice on editing and pitching.

Tutor: Lorna Fergusson is a writing coach, editor and speaker. She runs Fictionfire Literary Consultancy and has taught on various Oxford University writing programmes since 2002. She is the author of The Chase and An Oxford Vengeance . Her stories have won an Ian St James Award and the Historical Novel Society’s Short Story Award, as well as being shortlisted for the Bridport Prize and Pan Macmillan’s Write Now prize. In both 2021 and 2022 she was runner-up for the Mogford Prize. She is developing one of the Mogford stories into a novel, and is working on poetry, a collection of short stories and a book on mindset for writers.

Middle-Grade and Teen/Young Adult Fiction

The middle grade and teen/young adult fiction markets are exciting, and rewarding, areas of publishing. This course, run by an established novelist, will look at the way successful writers have chosen subjects and themes, explored fantasy and/or social realism, and found exactly the right voice to appeal to younger readers. It will also explore such key topics as planning, plot development and perspective. Students will be guided in the development of a story of their own, and there will be plenty of opportunities to workshop ideas and get feedback on stories as they progress.

Tutor: Julie Hearn is the critically acclaimed author of a number of novels for young adults, all published by Oxford University Press. Included are:  Follow Me Down,  shortlisted for the Branford Boase First Novel Award , The Merrybegot,  shortlisted for the  Guardian  Children’s Fiction Prize and the Highland Children’s Book Award ,  and  Rowan the Strange,  shortlisted for the Carnegie Medal and described by  The Guardian  as “nothing short of extraordinary”. Her eighth novel,  I am NOT adorable,  written for younger children, was published by Jolly Heron in 2018 and a collection of short stories,  The Princess Thing,  is in the pipeline.

Poetry may well be 'a pheasant disappearing in the brush', as Wallace Stevens quipped, but on this course we will carefully and cunningly follow that pheasant into the underwood. In this series of workshops, we will go in deep and examine new and old examples of poetry, to figure out how it can be made. You can write poetry in so many ways these days, and you will experiment with traditional and avant-garde methods of writing poems, learning not only how to write different kinds of metrical lines but also accomplished free verse, among other things. Ben Jonson knew that 'a good poet's made, as well as born', and on this course you will be made into one through continual practice, innovative imitation, and workshop discussion.

Tutor: Dr Edward Clarke teaches English literature and art history at various colleges and the Department for Continuing Education, Oxford University. He is the author of two books of criticism, The Later Affluence of W. B. Yeats and Wallace Stevens and The Vagabond Spirit of Poetry , and he has edited a selection of poems by Henry Vaughan and George Herbert, Divine Themes and Celestial Praise . His collection of poems, A Book of Psalms , was published 2020. ‘Clarke’s Psalter’, the documentary he presented about writing these poems, was broadcast on BBC Radio 4. His latest collection of poems is called Cherubims . A selection of his poems, The Voice inside Our Home , was recently published.

Scriptwriting

This course is based on the study and creation of scripts for stage, screen and radio and on helping aspiring dramatists to develop a practice to engage with a golden age of script writing. Convincing characters in coherent plots, with a keen awareness of genre, is the basis of all good fiction. We shall explore such core elements, culminating in the submission of a short script. In the third week, students can workshop a script begun outside the course. Dramaturgy will be strictly focused to help writers to develop individual writing for performance projects, using processes that are ‘industry standard’.

Tutor: Shaun McCarthy has had over a dozen stage plays professionally produced and a range of radio dramas broadcast. His adaptations include J.M. Synge’s  The Aran Islands  (BBC R4 Classic Serial), a stage version of  A Christmas Carol  that was a critique of David Cameron’s ‘big society’ and had a happy, unexpected ending; and a re-set of Strindberg’s  Miss Julie  to Oxford 1963. He teaches a range of creative writing courses for OUDCE, runs Hooligan Theatre Productions to develop his new plays and co-runs the writing events and residential writers’ retreats company ‘Stage and Page' in the UK and Italy.

The Short Story

This course encourages you to become a braver, more vital writer by experimenting with the short story form. As close to poetry as it is to prose, the short story is ideal for testing uncommon characters and situations, innovative structures and syntax. Unlock voices and creative techniques that will transform your writing practise. In the final week we will focus on intensive self-editing and how to transform a saggy, weak story into a powerful, shapely narrative, through close examination of language, rhythm, energy and pace. Perfecting short fiction is a great way to build your track record through publication in literary journals and entry to awards judged by agents and publishers.

Tutor: Susannah Rickards' collection of short fiction,  Hot Kitchen Snow,  drawn from experiences of growing up in North East England and working in East Africa, won the international Scott Prize in for best debut fiction collection in 2010, and is published by Salt. Her writing regularly appears in journals and anthologies and has been broadcast on BBC radio. She read English at Oxford University and now lives in Surrey, UK, where she writes and mentors new and established authors.

Recommended reading

Each seminar has its own requirements for preparatory reading.

Students will be enrolled as readers at Oxford University's main reference library, the Bodleian. They will also have access to the Continuing Education Library.

Certification

All students who complete the programme will receive an attendance certificate.

Those seeking credit at their home institution may request a detailed certificate which lists contact hours (for seminars and talks), an assessment of their contribution to seminar discussions, grades achieved for written work, and the number of private study hours required. Certificates will usually be sent to students' home institutions within a month of the end of the summer school.

As Oxford University does not offer credit for this summer school, those wishing to obtain credit from their home institution for attending this programme must make appropriate arrangements with that institution in advance.

Residential: Standard (shared bathroom) - £4,380; Residential: En suite (private bathroom facilities) - £4,765; Non-residential (no accommodation; limited meals) - £2,255

Programme fees

Residential: Standard (shared bathroom facilities) - £4,380 Fees include tuition (2 seminars and the daily programme of talks); access to IT facilities and libraries; accommodation in a standard single room with shared bathroom facilities for the nights of Sunday 21 July to Friday 9 August 2024 inclusive; meals in hall from dinner on Sunday 21 July to breakfast on Saturday 10 August 2024 (except lunch on Saturdays and Sundays).

Residential: En suite (private bathroom facilities) - £4,765 Fees include tuition (2 seminars and the daily programme of talks); access to IT facilities and libraries; accommodation in a single en suite room with private shower and toilet for the nights of Sunday 21 July to Friday 9 August 2024 inclusive; meals in hall from dinner on Sunday 21 July to breakfast on Saturday 10 August 2024 (except lunch on Saturdays and Sundays).

Non-residential - £2,255 Fees include tuition (2 seminars and the daily programme of talks); access to IT facilities and libraries; no accommodation; lunch Monday-Friday, and the programme`s formal opening and closing dinners on Sunday 21 July and Friday 9 August 2024, respectively.

There are no sources of funding (scholarships, bursaries, etc) available for applicants.

Invoicing and payment

Successful applicants who accept their offer of a place on the summer school will be invoiced for the appropriate programme fee once they have been formally enrolled on the programme.

Invoices will be emailed to students together with full instructions for payment. Fees may be paid online with a credit or debit card, or by bank transfer.

Students are required to pay the full fee within 30 days of the date on which their invoice was issued. Late applicants (see "Apply for this course", below) are required to pay the full fee within 7 days of their invoice date.

Please note that:

• students need to purchase travel insurance to cover the programme fee, travel costs, and any other expenses incurred (see "Cancellations", below);
• a student's place on the summer school is not confirmed until their fees have been paid in full;
• places will not be held for students whose fees are not paid in full by the due date; and
• in no circumstances will students be admitted to the summer school unless all fees have been paid in full.

When you have paid your fees

Your place on the summer school is confirmed as soon as your payment is received by OUDCE.

You will receive a receipt for your payment: an automated email from [email protected] if paid online, or via email from [email protected] if paid by bank transfer.

The Programme Administrator will provide all non-UK/Irish nationals enrolled on the summer school with a standard format pdf letter by email confirming enrolment and course details (see "Level and demands", below).

Cancellations

Intermediate-level strand

All enrolments are subject to OUDCE's Open Access Terms and Conditions .

You will enter into your contract with the University when you pay the course fees in full.

You have the right to cancel your contract at any time within 14 days, beginning on the day you paid your fees. You will receive a full refund of any payments you have made.

Advanced-level strand

All enrolments are subject to OUDCE's Short Selective Course Terms and Conditions .

By accepting your offer of a place on the summer school you enter into your contract with the University.

You have the right to cancel your contract at any time within 14 days, beginning on the day you accepted the offer. You will receive a full refund of any payments you have made within those 14 days.

Both strands

If you cancel your place at any time after the expiry of the 14-day period you will not be entitled to a refund.

You need to purchase travel insurance to cover the programme fee, travel costs, and any other expenses incurred.

If you wish to cancel your place on the summer school you must inform the Programme Administrator by email at [email protected]

OUDCE reserves the right to alter details of any course should illness or any other emergency prevent a tutor from teaching, and to cancel a course or individual seminar if exceptionally low enrolment would make it educationally unviable.

Course aims

Each seminar has its own course aim and objectives.

Teaching methods

Students will attend a programme of talks and readings.

Elements of seminar teaching will normally include:

• mini lectures by tutors;
• tutor-led class discussions;
• writing exercises;
• small group activities; and
• individual student presentations.

Students will attend short (10-minute) one-to-ones with their tutors to receive feedback on their written work.

Learning outcomes

Each seminar has its own learning outcomes.

Assessment methods

Tutors will monitor and assess students’ contribution to class discussions.

Students are expected to submit an assignment of 2,500 words in length for assessment for each seminar taken.

Application

Before you submit your application.

• ensure you meet the admissions requirements (see "Selection criteria", below);
• check the seminar timetable  carefully to ensure that your first and second choice courses do not run at the same time (advanced-level applicants only);
• make sure you have all the required supporting documents listed below;
• ensure you are familiar with the terms and conditions of enrolment on the summer school, especially those relating to payment of fees and cancellations (see "Payment", above); and
• read the 'Important information regarding immigration and visa requirements' (see "Level and demands", below).

The application process - intermediate strand

Complete the application form (intermediate) .

Please ensure all sections are completed fully, clearly, and in BLOCK CAPITALS.

The form must be accompanied by:

In the case of non-native speakers of English, official evidence of English language proficiency.

A portrait photograph (JPEG format).

Applications should be emailed to: [email protected]

Application deadline

Applications for the intermediate strand will be processed on a first come, first served or rolling basis until 1 May 2024.

Subject to the availability of places, late applications may be accepted until 1 June 2024.

After you have submitted your application

Applicants will normally be offered a place by email from [email protected] within 14 days of their application having been received.

Applicants who are offered a place on the summer school must respond in writing within 14 days to accept or decline the offer. In accepting an offer of a place applicants are committing to paying their programme fees in full by the due date.

Late applicants will normally be offered a place within 7 days of their application having been received, and will then have 7 days in which to accept or decline the offer.

The application process - advanced strand

Complete the application form (advanced) .

The form must be accompanied by the following documents as PDF files unless otherwise indicated:

• A brief statement of purpose (250-300 words) detailing your academic reasons for wishing to attend the summer school. This should include what you feel the programme would offer you and your writing, and what you feel you could bring to the summer school. This may include details of creative writing courses you have previously taken, or the relevance of the summer school to your present course of study or professional development. It is essential that you clearly state your reasons for wishing to enrol on specific seminars.
• Please provide samples of your work relevant to your first and second choice courses and ensure that the name of the seminar is printed at the top of each sample. As a guideline prose fiction, creative non-fiction and dramatic dialogue samples should be no more than 1,000 words in length (please provide an extract of a longer piece of work if appropriate); applicants for the poetry seminar should provide five short poems.

You will receive an email from [email protected] confirming receipt of your application materials, and informing you when your application will be reviewed by the admissions panel.

Application deadlines

The advanced strand of the summer school operates a gathered field closing date system by which applications are reviewed fairly and equally in batches at specific dates throughout the admissions period rather than on a first come, first served or rolling basis.

There is a limited number of places available on every seminar within each gathered field, and in assigning successful applicants to seminar groups the admissions panel will pay particular attention to applicants' personal statements.

There are three deadlines for applications to the advanced strand of the programme:

• Gathered field 1 - 1 March 2024
• Gathered field 2 - 1 April 2024
• Gathered field 3 – 1 May 2024

Subject to the availability of places, late applications may be considered on a first come, first served basis until 1 June 2024.

Notification of the admission panel's decision

Applicants will normally be notified of the panel's decision by email from [email protected] within 14 days of the relevant gathered field deadline.

Late applicants will be notified within 7 days of their materials having been received, and successful applicants will then have 7 days in which to accept or decline the offer of a place.

Enrolment - both strands

Students will be formally enrolled on the summer school once they have accepted their offer of a place.

The enrolment process includes the issuing of invoices, which will be emailed to students together with full instructions for payment (see "Payment", above).

Any queries?

Please contact the Programme Administrator by email at [email protected]

Level and demands

Participants are expected to.

• undertake preparatory reading in advance of the programme;
• attend all seminar sessions and talks and readings;
• be actively engaged with their seminar topics;
• submit an assignment of 2,500 words in length for each seminar taken; and
• undertake approximately 96 hours of private study during the programme (elements of private study will include: reading, writing and other preparation between seminar meetings, work in the library, writing papers, etc).

Important information regarding immigration and visa requirements

OUDCE welcomes international students on all its courses. However, it is the responsibility of successful applicants to ensure that they conform to UK immigration law.

If you are not a UK or Irish national, you might need to apply for a Standard Visitor visa to study in the UK. We strongly recommend that you establish whether you will require a visa before submitting your application.

Information regarding visiting the UK to study is available on the UK Government’s website  as well as Oxford University’s Student Immigration website .

If you will require a visa, you should ensure your summer school application is submitted as early as possible to allow yourself sufficient time to complete the visa application process (see current visa processing times ).

The Programme Administrator will provide all non-UK/Irish nationals enrolled on the summer school with a standard format pdf letter by email confirming enrolment and course details once their fees have been paid in full.

For legal reasons the Programme Administrator is not permitted to provide any visa advice to applicants; any queries should be addressed to [email protected] .

The University takes no responsibility for a visa being denied at any point before or during a course.

Please note that the standard cancellation policy applies in all cases. (See "Cancellations", above.

Support for students with disabilities

OUDCE welcomes applications from students with disabilities or learning difficulties. Individual student needs are taken into account, and adaptations and assistance provided within the resources available. We ask that students advise us in advance where any special provision might be needed. Further information is available at www.conted.ox.ac.uk/about/students-with-disabilities .

Selection criteria

This is an intensive programme of study taught to an informed international audience. Applicants should be confident that they are academically and linguistically prepared for such a programme.

Academic requirements for the intermediate strand

We welcome applications from all aspiring writers aged 18 and over.

You should be a keen reader who brings an open-minded, questioning approach to both reading and writing; you should also have written regularly and read widely over a sustained period.

Academic requirements for the advanced strand

Applications are welcomed from those who have completed or nearly completed a single honours university degree programme in creative writing or English literature, or a combined honours university degree programme in creative writing and English literature.

If your degree is in a different, but related, subject, the admissions panel will look for evidence that you have taken a significant number of courses in creative writing or English literature, namely the equivalent of two years’ worth of credits.

The summer school is not appropriate for those who have already achieved commercial publication.

English language requirements

As students are expected to participate fully in seminar discussions and are required to produce written work, it is important that applicants can demonstrate an appropriate level of proficiency in the four language skills - listening, reading, writing and speaking.

If English is not your first language, you must provide evidence of your proficiency in the form of an original certificate or a certified copy that is not more than two years old on the date the summer school starts. You must satisfy one of the following requirements:

IELTS Academic - minimum overall score of 7.5, with not less than 7.0 in each of the four components

TOEFL iBT - minimum overall score of 110, with not less than 22 for listening, 24 for reading, 25 for speaking and 24 for writing

C1 Advanced (formerly known as Cambridge English: Advanced or CAE) - minimum overall score of 191, with not less 185 in each of the four components.

For further information on English language qualifications:

Click here for IELTS

Click here for TOEFL

• Click here for Cambridge English

The requirement to provide English language test scores may be waived in either of the following circumstances:

• If you have completed a full-time degree-level programme at a recognised institution where teaching and assessment throughout the course was undertaken entirely in English, and the programme was completed with a gap of no more than two academic years to the course to which you are applying. If you studied this course in a country that is not majority English speaking, you will need to provide evidence that the course was taught in English. This can either take the form of a link to the appropriate page of the institution’s website or a statement from the institution confirming this.
• If you have worked for a minimum of two years in a majority English speaking country where the main language for the role was English, and your role involved daily professional use of each of the four language components (reading, writing, listening and speaking).

Accommodation

Founded in 1314, Exeter College is one of Oxford University`s oldest colleges and is situated in a prime city centre location.

Bedrooms and meals

Students who choose to attend the summer school on a residential basis will have a single study bedroom.

Bedrooms are located up the four to nine floors of a staircase; bath and/or shower and toilet facilities on each staircase are shared. A limited number of rooms have private bathroom facilities (shower and toilet) and these are available for a higher fee. Early application for these rooms is essential.

Students cannot be accommodated at Exeter College either prior to or beyond their programme dates. Family members and/or friends who are not enrolled on this summer school cannot be accommodated in college.

Residential students will take meals in the college's dining hall. All meals are self-service with a range of options available. The only exceptions are the summer school's opening and closing dinners, which are formal served set menu meals. Should applicants have any dietary requirements (eg vegetarian, gluten-free) they are required to complete the relevant section on the application form.

Please be aware that accommodation at Exeter College is limited and may not be available for those who submit their applications towards the end of the admissions period.

Non-residential students

Students who choose to attend the summer school on a non-residential basis are responsible for finding their own accommodation. Information on accommodation in Oxford is available at:

• Conference Oxford
• Experience Oxfordshire
• University Rooms Oxford

Lunch is provided for non-residential students Monday-Friday, and the summer school's opening and closing dinners are also included in the non-residential programme fee.

IT requirements

Although it is not required, most students bring a laptop to Oxford to assist them with their studies.

For residential students, wireless internet access is available in all bedrooms; for all students, wireless access is available in communal spaces of the college.

All students will be eligible to use the computers and printer in Exeter College's computer room.

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Introduction to Creative Writing

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Online Course. Introduction to the writing of fiction, poetry, and drama. Development of the basic skills used to create imaginative literature. Fundamentals of craft and composition; the distinct but related techniques used in the three genres. Story, scene, and character in fiction; sound, line, image, and voice in poetry; monologue, dialogue, and action in drama. Enrollment limited to 14 students. 1 Credit. Session A: May 27 – June 28. Tuition: $5070. Technology Fee: $85. ( View syllabus )

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Courses & Programs

• 2024 Course Syllabi
• Independent Research in the Summer
• Yale Summer Online
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• Conservatory for Actors
• Yale Writers' Workshop
• Yale Young Writers' Workshop
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Creative Writing Academy

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Transform your dreams, ideas, and stories into organized, compelling, creative written works with dynamic lectures in craft topics, workshop sessions with graduate student instructors, and insightful, productive feedback from your peers. This combination of instructional approaches will help you generate and polish a wealth of new poems, stories, and essays, and allow you to experiment with innovative forms in the field of creative writing. The Academy will also focus on the publishing and professionalization aspects of the industry, exploring what markets are available for your writing, what jobs are available to creative writers, funding opportunities for your work, undergraduate and graduate programs in writing, and how to get published. Topics for discussion will include literary form and targeted craft points, often in relation to social, political, and environmental themes. In addition, this week-long program will feature excursions to sites around Washington, D.C., including an exercise in ekphrastic writing at the National Gallery of Art and the chance to read your work aloud at Busboys and Poets, a famous D.C. literary hub.

Estimated Tuition:

Price includes tuition, housing, and meals. Commuter Student tuition is $2,625.

How You'll Benefit

• Participate in writing workshops
• Awaken your powers of observation, imagination, and description
• Learn concrete elements of the craft of writing in daily workshops
• Attend readings from published authors, who will lead interactive classes and conduct group discussions
• Work with Georgetown's expert creative writing faculty to bring out your most creative ideas
• Read excerpts from award-winning works and use them to develop your own original works
• Visit local monuments, world-renowned theaters, museums, and literary organizations
• Take part in peer critiques and learn how to revise and refine your writing

Program Format & Subject Areas

As a student in the Creative Writing Academy, you'll spend your day immersed in a blend of classroom lectures, field trips, hands-on activities, and group discussions. Throughout the week, you'll have the opportunity to explore the following subject areas:

• Personal prose
• Literary history
• Technique (story structure, character development, theme, description, dialogue)
• Finding good ideas and turning them into polished pieces
• Using great literature and art for inspiration

All in all, I fell in love with the program. I got to meet so many amazing people not only from the D.C. area but all around the country.

Having the chance to experience once in a lifetime opportunities and getting to meet people from around the world made it so I got to really experience what college life was like.

My #SummerHoya experience was enriching, inspiring, and rewarding; if I could turn back the clock, I’d do it all over again.

It was amazing to be surrounded by such high caliber students and staff who were all encouraging and fabulous to work with. I took away many positive things from my week as a Summer Hoya.

As I am filling out my college applications, I am able to think back to my memories from the summer and I am reassured that I am pursuing the right educational path.

The program offers so much–from the off-site visits to the daily lectures and the on campus activities. The lectures were interesting, meeting new people was great and the off-site visits were interactive and intriguing.

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Creative Writing

Program(s): immersion.

This course is currently at capacity for students applying in the Extended round. We are admitting students to the waitlist only, and students who currently are on the waitlist will be given priority if places become available.

"What is education?" asks the philosopher Søren Kierkegaard: "I suppose that education was the curriculum one had to run through in order to catch up with oneself."  When we speak of "finding your voice" or "writing your story" or "mining your material," we speak of things you already possess but that take work to realize. Creative Writing is that work. 

In pushing you to write more originally and persuasively than ever before, this course asks you to slow down, to pay attention to words, sentences, logic, gaps, and also to race ahead, to test new techniques and experiments and to be receptive to new sources of inspiration.  Exercises will range from making simple lists to devising plots, from describing a random piece of grass to inventing an original creature.  Categories like fiction, poetry, and memoir will overlap and intermingle.  In this rigorous, writing- and reading-intensive course, you will be asked to write daily, both in directed exercises and personally-driven compositions, to conference one-on-one with instructors, to read widely, to edit your peers, and to compose longer submissions for the same peer edits.  After three weeks, you will know your own writing better. Students write in and out of class-time hours and complete nightly reading assignments.  Active class participation is required.

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English Literature and Creative Writing

Join the english literature and creative writing summer school at oxford summer courses.

At Oxford Summer Courses, we nurture inquisitive young minds to explore the captivating realms of English Literature and Creative Writing. Our bespoke learning experiences, tailored for ages 13-15, foster independent thought within a vibrant and inclusive community setting, hosted at the prestigious Oxford and Cambridge University colleges. Apply now to study English Literature and Creative Writing and embark on a transformative summer school journey with Oxford Summer Courses.

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Teaching methodology (ages 13-15).

Learning in small groups, typically comprising no more than 8 students (often fewer), ensures that each participant receives ample personalised attention from their tutor. Our interactive teaching approach involves guiding students through new concepts, providing practice tasks to bolster their understanding and skills. Moreover, students engage in group work, independent research, and homework assignments, fostering collaborative learning and critical thinking. In our small classes, every voice is heard, encouraging vibrant debates and enriching peer-to-peer learning experiences.

What's Included (Ages 13-15)

• All teaching, including small group seminars (8 students or less) and workshops.
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Reasons to Study English Literature and Creative Writing

Enrolling in the English Literature and Creative Writing Comprehensive teaching sessions with in-class sizes limited to 15 students or fewer. Students can explore the rich traditions of literature while honing their creative writing skills. Through engaging with diverse literary works and experimenting with various writing techniques, participants develop critical thinking, creativity, and effective communication skills. This interdisciplinary journey not only fosters a deeper appreciation for literature but also nurtures the creative talents of young writers, preparing them for future academic and professional pursuits.

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Sat / act prep online guides and tips, 12 summer writing programs for high school students (2022 -2023).

Extracurriculars

Love reading, writing, and being creative? Then consider checking out summer writing programs for high school students! 

Whether you want to become a journalist or the next Poet Laureate, there are tons of summer writing programs that will help you achieve your goals. Participating in these programs can look great on college applications too! 

In this article, we’ll give you all the info you need to decide if creative writing summer programs for high school students are right for you, including: 

• A full description of 12 summer writing programs for high school students (including cost, eligibility, and what they cover!)
• A quick, five question quiz to help you decide if a summer writing program is right for you
• Three tips on how to impress colleges with your summer writing program

Let’s get started! 

Summer's the perfect time for sitting on the beach, eating ice cream...and participating in writing programs. 

What Are Summer Writing Programs for High School Students? 

Creative writing summer programs for high school students are a great way for students with an interest in writing to explore subjects they’re interested in, build skills for college, and meet other students who share their interests.  

As a bonus, summer writing programs can look great on college applications!

Summer writing programs for high schoolers are typically held between May and August each year . These programs are similar to a summer class or camp. Additionally, these programs last anywhere from a week to several weeks throughout the summer. 

Like summer camps, writing programs for high schoolers are pretty intensive. Students spend their time l istening to lectures from experts, participating in workshops, presenting their work, and getting real-life feedback. 

Best of all, summer writing programs are hands-on, so you’ll spend lots of time writing and creating original work ! The goal of any summer writing program is to help you develop and improve your writing skills through practice and feedback. 

While some programs teach general writing skills, many summer writing programs focus on a particular field or genre, like journalism, essay writing, or creative writing . For instance, if you’re thinking about becoming a journalism major, you might participate in a journalism writing summer program that’ll give you a glimpse of what it’s like to work in the industry.

There are many benefits of summer writing programs when it comes to college applications too. After all, writing great college essays is an important part of getting into your dream school! And because they’re extracurricular activities, summer writing programs are also a good option for students who are aiming for an arts-based spike approach on college applications. 

Dust off that typewriter...it's time to apply!

12 Summer Writing Programs for High School Students

We’ve put together a list of 12 summer creative writing summer programs for high school students to help you get a sense of the many great options out there. Our list includes journalism, research-based, and creative writing summer programs for high school students so you can find the best one for you! 

#1: The School of New York Times Summer Academy

• Eligibility: Must be entering 10th, 11th, 12th grade, or graduating high school
• Dates: Term 1: June 5-17; Term 2: June 19-July 1; Term 3: July 3-15; Term 4: July 17-29
• Location: New York City
• Cost: $6,420 for residential; $5,820 for day program
• Deadlines: Varies by term; deadlines range from early May to mid-June

The New York Times (NYT) offers a series of writing-based summer courses for high school students at their campus in New York City. Courses are designed to develop students’ curiosity and critical thinking through traditional coursework and in the museums, arts centers, think tanks, and start-up labs of New York City. Courses are offered on various topics , including creative writing and investigative journalism. 

The program “seeks talented student leaders with diverse interests, ambitions and writing styles.” To participate, students complete an online application that includes short answer questions and optional writing samples, high school transcripts, and one recommendation. 

#2: Boston University Summer Journalism Academy

• Eligibility: Must be aged 14-18 
• Dates: Vary by year; Session 1: June 20-July 1; Session 2: July 4-July 15; Session 3: July 18-July 29
• Location: Boston University, Boston, MA
• Cost: On-Campus w/tuition, room, board and activity fees: $3700; On-Campus Commuter w/tuition and activity fees: $2700; Learn-from-Home: $1300
• Deadlines: Applications due mid-May

The Summer Journalism Academy at Boston University is designed to introduce high school students to life as news reporters . Students practice their skills in the classroom then apply them to hands-on learning opportunities in a real newsroom. One of the biggest perks is that students get to learn from working journalists who cover a wide range of beats. 

Students can participate in person or remotely. In-person participants can stay on BU’s campus through the residential program, where they’ll get a chance to live alongside other academy attendees. To participate, applications must be submitted online and should include a 300-word letter explaining the student’s interest in journalism.

#3: Asian American Journalist Association (AAJA) Journalism Camp

• Eligibility: 9th-12th graders with a strong interest in journalism 
• Dates: Summer; exact program dates may vary
• Location: Varies by year; JCamp 2022 is hosted by the University of Southern California
• Cost: No cost (travel expenses are also covered by the program)
• Deadlines: Applications due March 31

The AAJA‘s six-day summer training camp, called JCamp, gives students the opportunity to learn from journalists and journalism executives while developing their writing skills. This summer writing program gives students hands-on experience producing multi-platform news packages that are published on the program’s news site, JCamp Live. 

Students who show a strong interest in broadcasting, newspaper, magazine, photojournalism, or online media are encouraged to apply online. Also, JCamp isn’t limited to Asian American students, so all high school freshmen, sophomores, juniors, and seniors are eligible. Even better: all program costs are covered , including travel, university lodging, and meals. 

#4: Yale Daily News Summer Journalism Program

• Eligibility: Open to all high school students
• Dates: August 16-20
• Location: Varies by year; 2022 program held via Zoom
• Cost: Free to students from New Haven Public Schools; all other participants pay $160 in tuition
• Deadlines: Unspecified

The Yale Daily News Summer Journalism Program is a one-week journalism course for high school students. Students participate in workshops on the basics of writing and reporting, hear lectures by journalists from major publications, and work as a team to produce an issue of the Yale Daily News.  

As a bonus, the program is run entirely by undergraduate staff members of the Yale Daily News , so students will get to see what it’s like to be a real journalism student at an Ivy League school. 

To apply, students must submit four short answer questions and a pitch for one professional-grade news article . Students are encouraged to apply as early as possible as program costs may increase as the program start date approaches. 

Howard University's writing program is perfect for people who want to write across media--and yes, that includes TikTok.

#5: Howard University Multimedia Academy 

• Eligibility: Must be in 9th-12th grade
• Dates: June 14-25
• Location: Virtual/online
• Cost: Not specified
• Deadlines: Applications due June 5

Howard’s virtual summer writing program teaches students to use multimedia journalism to report on health and wellness in underserved communities . At the end of the program, students’ work appears on the Howard University News Service and on Voices of Tomorrow, a nonprofit that provides social services to immigrants and refugees from East African communities.  

Additionally, the best work by seniors and recent graduates will be eligible for the Dow Jones News Fund’s scholarship competition . To apply to Howard’s Multimedia Academy, students must fill out an online application, including a 250-word essay. 

#6: The Multicultural Journalism Program (MJW)  

• Eligibility: Rising 9th graders through college freshmen
• Dates: June 3-12
• Location: University of Alabama, Tuscaloosa, AL
• Cost: Free, including housing, meals, and field trips; students are responsible for transportation to and from Tuscaloosa
• Deadlines: Applications due April 1

MJW’s summer writing program selects 10 to 15 students to attend an intensive workshop held in Tuscaloosa, Alabama. This workshop focuses on multimedia reporting, writing, editing, graphics, photography, and production. During the workshop, students produce an issue of the MJP Journal to showcase everything they’ve learned. 

Applicants must submit a high school transcript, a typed 500-word essay explaining their interest in journalism, and a recommendation letter. The program also encourages students to submit samples of published journalistic work , but unpublished writing samples are also acceptable. 

#7: Carnegie-Mellon University Writing and Culture Program

• Eligibility: Must be at least 16 years old by program start date; must be a current high school sophomore or junior at time of application; must have an academic average of B (3.0/4.0) and/or have received a B or higher in their last English class.
• Dates: July 5-August 12
• Location: Carnegie-Mellon University, Pittsburgh, PA
• Cost: $9,000 for residential program; $6,932 for commuter program
• Deadlines: Applications accepted on a rolling basis

The Carnegie-Mellon Writing and Culture Program teaches high school students to think critically and express themselves creatively. This six-week course features classes taught by Carnegie-Mellon faculty, readings and events with local authors, and hands-on visits to Pittsburgh’s museums. Throughout the program, students produce a written portfolio that explores film, art, and culture . 

To apply, students must complete an online application that includes a high school transcript, responses to essay prompts, and up to three optional writing samples. If an applicant’s cumulative high school GPA is below a B average (3.0/4.0), submitting writing samples is strongly encouraged.

#8: Iowa Young Writers’ Studio Residential Program

• Eligibility: Must be a current 10th, 11th, or 12th grader
• Dates: Session 1: June 12-25; Session 2: July 10-23
• Location: University of Iowa, Iowa City, IA
• Cost: $2,500 for residential
• Deadlines: Applications due February 6

The Iowa Writers’ Workshop offers a two-week, residential creative writing summer program for 144 high school students from across the country. Once accepted, students will select a course of study from the following options: poetry, fiction, creative writing, playwriting, or TV writing. Students also participate in writing workshops, receive constructive feedback, and star in open mics and talent shows.

The Iowa Young Writers’ studio acceptance rate falls between 15% and 20% . A competitive application to this program will include a polished writing sample, statement of purpose, letter of recommendation, and high school transcript. Students from outside the United States are also welcome to apply. 

It turns out that Virginia is for writers.

#9: UVA Young Writers Workshop

• Eligibility: Session 1: rising 9th-12th graders; Session 2: rising 10th graders through rising first-year college students
• Dates: Session 1: June 19-July 1; Session 2: July 3-July 22  
• Location: Sweet Briar College, Sweet Briar, VA
• Cost: $2450 for Session 1; $3500 for Session 2
• Deadlines: Applications due March 1

UVA Young Writers Workshop is a summer program designed to immerse students in a creative writing genre . Students focus on one of the following for the duration of the program: short form creative writing, poetry, songwriting, screen and playwriting, creative nonfiction, or fiction. 

UVA Young Writers Workshop is one of the best summer writing programs for high school students because it offers two program sessions that are geared toward different skill levels . Session 1 is designed for a wider range of skill levels and experience, whereas Session 2 is geared toward more advanced writers. You can apply to both sessions online by submitting several writing samples, a brief autobiography, and a letter of recommendation. 

#10: Smith College Creative Writing Workshop

• Eligibility: Must be in 9th-12th grades; must be female-identified or gender-nonconforming students
• Dates: July 9-23
• Cost: $4,285
• Deadlines: Applications due May 15

Smith’s Creative Writing Workshop teaches the importance of practice and perseverance by engaging students in a multi-draft writing process in a variety of mediums . Students are taught by real published writers and get the chance to present their work at open mic and improv nights. In the evenings, there are even opportunities to meet with agents and learn how to create an author website!

Students are selected for this writing program based on academic performance, a written essay, and a teacher recommendation. Also, because Smith is a women’s college, this summer writing program is only open to young women, female-identified, or gender-nonconforming students . Students from outside of the U.S. are also encouraged to apply. 

#11: Sarah Lawrence Writer’s Week

• Eligibility: Must be in 9th-12th grade and 14 years of age or older by the program start date
• Dates: On-campus session: July 11-15; online session: August 1-5
• Location: Sarah Lawrence College, Bronxville, NY; online
• Cost: $1,125 for on-campus; $725 for online
• Deadlines: Unspecified; contact [email protected]​ for more information 

Writer’s Week at Sarah Lawrence is a week-long experience with creative writing and performance arts for high school students. Students attend workshops taught by real writers, artists, and Sarah Lawrence faculty and will get the chance to meet in small groups with workshop leaders. At the end of the week, the program hosts a celebration of student work and faculty and student readings. 

Sarah Lawrence Writer’s Week offers both an on-campus and online session (but note that the on-campus session is a day camp, not residential). Applications and registration must be completed online. 

#12: Alpha Science Fiction, Fantasy, and Horror Workshop for Young Writers

• Eligibility: Must be aged 14-19
• Dates: July 20-31
• Location: University of Pittsburgh-Greensburg, PA
• Cost: $1,200
• Deadlines: Unspecified; applications open in January 

Alpha is a twelve-day writing workshop for 20 high school students at the University of Pittsburgh’s Greensburg campus. During this program, students are expected to write an original science fiction, fantasy, or horror short story of 2000 words or more. During the writing process, students receive plenty of hands-on guidance. 

The Alpha program is held in-person on the University of Pittsburgh-Greensburg campus . To apply, students must fill out an online form and submit an original short story of at least 2000 words. 

Quiz: Is a Summer Writing Program Right for You?

If you’re still not sure if participating in a summer writing program is right for you, don’t worry–we’re here to help! 

We’ve put together a five-question, yes-or-no response quiz to help you decide if summer writing programs support your interests and goals. Just read the questions below and respond with “yes” or “no.”

• Is your English class the most exciting part of your school day?  
• Do you spend free time reading and writing for fun? 
• Are you looking for new challenges and experiences as a writer? 
• Are you willing to share your writing with others, including peers you’ve just met and writing professionals and experts? 
• Are you highly motivated to pursue your interests outside of school and even during your summer vacation? 

If you responded with “yes” to three or more of the questions above, you might consider applying to a summer writing program for high school students! 

At the end of the day, you want your summer activities to support your interests and boost your college applications . If you’re aiming for a future career as a writer or just want to hone your writing hobby, a summer writing program may be the perfect fit for you.

3 Tips To Impress Colleges With Your Summer Writing Program

Summer writing programs for high school students look great to college admissions teams . But what are the best ways to showcase your writing experience on your applications? 

We’ll show you how to impress colleges with your summer writing program–just check out the tips below !

Tip 1: Work It Into Your College Essays

You want your college essays to tell a vivid story about your interests . Your experiences in a summer writing program provide a great springboard for illustrating your interests and passions on your college applications! 

Colleges want to accept students who are creative, courageous, and motivated to pursue their dreams. Writing about how you stretched and grew during your summer writing program will show colleges that you’re up for a challenge…and that you won’t give up, no matter how many revisions your draft needs. 

Tip 2: Connect It to Your Major

If you’re already certain you want to major in a writing-related field in college, your summer writing program will be especially helpful. Many elite schools ask students to apply directly to their chosen major. So if you’re applying to an arts or humanities major, there’s a good chance you’ll have to submit a writing sample as part of your college application . 

The good news is that most summer writing programs give you the chance to produce original writing and receive critiques from professional writers. By taking the writing you produce during your summer writing program and continuing to revise it, you’ll have a top-notch writing sample to include with your application.

Tip 3: Ask a Program Instructor for a Recommendation

Creative writing summer programs for high school students give you the opportunity to connect with writing faculty at elite colleges and real-life writers, journalists, poets, and more. These professionals provide feedback on your writing during your summer program…which means they’ll have unique insights into your potential as a college student ! 

In fact, several summer writing programs offer students the chance to receive a college recommendation from program faculty . For instance, the New York Times Summer Academy says this about recommendations from program faculty:

As a pre-college program, [NYT] Summer Academy gives students the opportunity to get a glimpse of the college experience while also exploring possible topics of study. Typically, college admissions officers look favorably on students who continue to enhance their academic portfolio during the summer months. Students will also benefit from receiving a narrative evaluation from their instructor which can be included as part of their college applications.

If you build strong rapport with an instructor at your summer writing program, consider staying in touch and asking them to write you a letter of recommendation for your college applications. Having a recommendation from someone outside of your high school will show colleges that you’re already building real-world connections with people in your future career field . 

What’s Next? 

Writing programs can prepare you for writing your college admissions essays . Our expert guide breaks down the whole admissions essay writing process , step by step.

One popular college essay format is the “why this school?” prompt. We’ll show you how to write an amazing “why this college” essay that will wow admissions counselors.  

If you’re not sure what a great college essay looks like, that’s okay. We’ve compiled a list of over 140 college essays that can inspire you as you’re writing yours! 

Ashley Sufflé Robinson has a Ph.D. in 19th Century English Literature. As a content writer for PrepScholar, Ashley is passionate about giving college-bound students the in-depth information they need to get into the school of their dreams.

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21 Summer Writing Programs for High School Students in 2024

What’s covered:, 21 summer writing programs for high school students, how impressive are summer programs in college admissions, other ways to spend your summer.

Summer programs offer high school students an excellent opportunity to explore subjects that interest them, build valuable skills, get a taste of college life, and meet like-minded peers. They also look awesome on a college application! If you’re interested in writing, you’ll want to check out these 20 summer writing programs for high school students. 

1. Princeton Summer Journalism Program 

Dates: Classes begin mid July, residential portion is July 26 – August 5

Location: Online and in Princeton, NJ

Application deadline: February 15

The Princeton Summer Journalism Program (PSJP) selects 40 high-achieving students from low-income backgrounds to participate in its revered program. In the PSJP, students explore current events, listen to lectures, and participate in workshops led by professional journalists and Princeton professors. The program culminates with the publication of a student-produced newspaper, the Princeton Summer Journal . To qualify for the PSJP you must: 

• Be a junior in high school
• Live in the United States and intend to attend college in the U.S.
• Have a minimum GPA of 3.5 
• Have an interest in journalism
• The combined income of custodial parent(s)/guardian(s) plus child support payments, if any, must not exceed $60,000
• Qualify for free or reduced-price lunch 
• Qualify for an SAT or ACT fee waiver

Dates: August 3 – 9

Location: Austin, Texas

Application deadline: March 1

JCamp is a free six-day program put on by the Asian American Journalist Association that brings together a culturally diverse group of students from across the U.S. Under the eye of veteran journalists and leading media executives, students take part in workshops to sharpen their journalistic skills and gain hands-on experience producing multi-platform news packages for the program’s website. JCamp is not limited to Asian American students; any student with an interest in journalism—like writing for a newspaper or magazine—is encouraged to apply. 

3. Iowa Young Writers’ Studio 2 Week Residential Program

• Session 1: June 16 – 29
• Session 2: July 14 – 27

Location: In-person in Iowa City, IA, or virtual

Application deadline: February 4

Cost: In-person: $2,500; virtual: $575

The Iowa Young Writers’ Studio provides high schoolers the incredible opportunity to have a residential experience and study with graduates of one of the most renowned writing programs in the nation: the Iowa Writers’ Workshop. Participants in this program choose a focus—either poetry, fiction, creative writing, playwriting, or television writing—and share their work, practice their craft, and improve their writing while working alongside other high school writers from across the U.S. 

4. Sarah Lawerence Writers’ Week 

• Virtual: July 15 – 19
• In-person: August 5 – 9

Location: Virtual or Bronxville NY

Application deadline: TBD. Registration opens in February

Cost: Virtual: $1025; In-person: $1,550

During Sarah Lawerence Writers’ Week, participants (the program welcomes students entering the 9th, 10th, 11th, and 12th grades) explore the creative process led by esteemed Sarah Lawrence faculty and alumni. Sarah Lawerence Writing Week celebrates the risk and adventure of the creative process, fosters a non-competitive and non-judgmental environment, and keeps with the Sarah Lawrence tradition of individualized attention—groups are limited to 18 students with two faculty members per workshop. The program ends with a celebration that includes both faculty and student readings.  

5. California State Summer School for the Arts (CSSSA) Writing Program

Dates: July 6 – August 2

Location: Sacramento, CA

Application deadline: February 29

Cost: CA State Residents: $4,600; Out-of-state: $7,000

This summer program for high school students in California is a unique public-private partnership that was founded by the California State legislature in 1987. Approximately 70 students are selected to participate in this program led by professional writers and educators who guide them through work in fiction, poetry, non-fiction, and dramatic writing. The program prides itself on its creative environment and looks for young writers who love language, reading, and are ready to share their own stories. 

6. Juniper Young Writers Online Writing Lab 

• One-week program: July 29 – August 2
• Two-week program: July 29 – August 9

Location: Amherst, MA

Application deadline: March 7

Cost: $2,600 for one week; $4,950 for two weeks

Students in the Juniper Young Writers Online Writing Lab participate in writing sessions, share questions, and discuss their work and writing-related topics over the course of this program. Led by professional teachers, published authors, and graduate students at UMass Amherst, Writing Lab participants gain insight into the creative process, find inspiration for work, learn tips to improve their writing and develop relationships with other young writers. Students will be provided a written summary of their work, an evaluation toward writing goals, and future considerations for their writing.

7. Annenberg Youth Academy for Media and Civic Engagement (AYA) 

Dates: June 17 – July 19

Location: Los Angeles, CA

Application deadline: March 22

AYA is a free, immersive experience for talented high school students from the area surrounding USC. The program allows participants to explore USC Annenberg’s undergraduate programs, gain insight into careers in media and journalism, and meet the people advancing issues of race, gender, and ethnicity in communication and journalism. Over the course of this program, students build a variety of skills, including writing and critical thinking. 

8. Reynolds Young Writers Workshop 

Dates: June 22 – 29

Location: Granville, OH

Cost: $1,500

For more than a quarter of a century, Denison University has welcomed talented high school writers to its acclaimed Reynolds Young Writers Workshop. Led by Denison’s creative writing faculty and notable visiting writers, participants take part in small creative writing workshops and group sessions to explore a variety of writing techniques in an intimate and relaxed atmosphere.

9. Walter Cronkite School of Journalism and Mass Communication

Dates: June 23 – 28

Location: Phoenix, AZ

Application deadline: April 1

The Camp Cronkite program is a summer media enrichment camp allowing high schoolers to dive into the world of media. Led by Cronkite faculty, staff, and students, campers learn about digital journalism, broadcast journalism, or sports media. They will work on reporting, pitching, storytelling, and editing, and receive hands-on instruction in video editing, photography, reporting and writing, script development, and more. There are several scholarships available for students who demonstrate financial need. 

10. Alpha Science Fiction, Fantasy, and Horror Workshop for Young Writers

Dates: July 24 – August 4

Location: Pittsburgh, PA

Application deadline: March 10

Over Alpha’s 12 days, students with an interest in science fiction, fantasy, or horror learn how to generate ideas, turn those ideas into drafts, critique each other’s work, make revisions, and submit their work to paying markets. The program also provides students with an introduction to college life and allows them to explore a career as a professional writer. 

11. 92Y Unterberg Poetry Center Young Writers Workshop

Dates: July 8 – 25

Location: New York, NY

Application deadline: May 28

Cost: $2,600

The Unterberg Poetry Center has been home to established and up-and-coming poets since it was founded in 1939. Students at its Young Writers Workshop receive coaching from some of New York’s best writing teachers and explore a variety of forms, styles, and voices in a warm and supportive environment. Participants learn to look critically at their own work and will leave the workshop with a clearer understanding of their goals as a writer and what it takes to make a career in the literary world. 

12. Shared Worlds

Dates: July 14 – 27

Location: Spartanburg, SC

Application deadline: Rolling

This fun writing program is for high school students with an interest in speculative fiction—for example, science fiction, fantasy, and steampunk. Shared Worlds is a residential program for rising 8th-12th grade students to work under the guidance of renowned fantasy and science fiction writers. Over the course of the workshop, students imagine, build, and write their own stories and have their enthusiasm for writing encouraged. 

13. Bard College at Simon’s Rock Young Writers Workshop

Dates: July 7 – 27

Location: Great Barrington, MA

Cost: $3,500

This program is modeled on the well-known Language and Thinking Workshop all students entering Bard College are required to take. Unlike other creative writing workshops, leaders of this young writers workshop encourage informal, playful, and expressive writing and lean on peer response to develop polished pieces of writing. Students will live, eat, and work on campus, gaining firsthand experience living and learning in a college atmosphere while producing pieces ranging from short stories and poems to brief dramatic works and experiments in creative nonfiction.

14. Kenyon Review Summer Residential Young Writers Workshops

• Session 1: June 23 – July 6

Location: Gambier, OH

Cost: $2,575

Every summer, talented writers from across the U.S. come to the picturesque campus of Kenyon College to participate in its Young Writers Workshop. In this multi-genre program, students experience what it’s like to be part of the literary community while bolstering their talents, discovering new strengths, and challenging themselves in the company of similarly interested peers. 

15. Kenyon Review Summer Online Young Writers Workshop

Dates: June 16 – 21

Location: Online

Application deadline: April 15

For students who can’t make it to Ohio for two weeks, the online workshop is a great alternative. With writing workshops for three and a half hours every day, it’s possible to take advantage of the program without relocating. In the evening, students will attend virtual open mics, social gatherings, and talks and readings by authors. 

16. BYU Young Authors Academy

Dates: July 8 – 13

Location: Provo, UT

At BYU’s Young Authors Academy, students speak with local and nationally-recognized authors, review each others’ writing, work with faculty in the BYU English department, stay in campus housing, take small-group writing courses, and meet other, like-minded peers. Students can choose from two electives over the program, including Creating Believable Tales and Villains, Flash Fiction, and Breaking News. 

17. Fir Acres Writing Workshop

Dates: June 23 – July 6

Location: Portland, OR

Application deadline: March 8

Cost: $3,700

Fir Acres writing program takes sixty rising 10th-12th graders from around the country and forms a community of enthusiastic writers on the campus of Lewis and Clark College. Students participate in daily workshops studying and writing under the guidance of Lewis and Clark’s faculty. They also meet and hear from visiting writers and work on their own poetry, fiction, and other writings. 

18. LMU’s Beginning Screenwriting Program 

Application deadline: March 15

Cost: $5,800 plus a $65 application fee

LMU’s School of Film and Television offers this program to students looking to enhance their writing skills and learn the elements of screenwriting. Students will work on structure, character development, dialogue, formatting, and genre while analyzing both classic and contemporary popular movies. They will learn from faculty members who are also professional screenwriters and leave the program with a short script. 

19. Carnegie Mellon Pre-College Writing and Culture Program 

Dates: June 22 – July 20

Cost: $6,800- $8,995

Over the weeks of the program, students at CMU will examine film, writing, design, art, and culture through various lenses. Learning will take place both on CMU’s campus and around the city of Pittsburgh. Students will produce a body of work perfect for a portfolio during the program under the tutelage of highly distinguished faculty members of the Department of English. Classes are held Monday through Friday, and students emerge with individualized feedback and guidance to enhance their creative pursuits. 

20. Boston University Summer Journalism Academy

• On Campus: June 24 – July 12
• Virtual Session 1: June 17 – 28
• Virtual Session 2: July 1 – 12
• Virtual Session 3: July 15 – 26

Application deadline: April 19 for in person; May 10 for remote

Location: Virtual or Boston, MA

Cost: $1500 to $6200

Taught by working journalists, BU’s Summer Journalism Academy gives high school students actual reporting assignments to give them a jump-start into the world of journalism. With both virtual and in-person options, there is something for everyone. There are scholarships and financial aid available for students demonstrating financial need. Students must be a rising 9th, 10th, 11th, or 12th grader in high school to attend. For applicants who get their materials in by March 8th, there is a $400 discount for in-person, and a $200 discount for virtual learning. 

21. The School of The New York Times’ Summer Academy

• Term 1: June 9 – 21
• Term 2: June 23 – July 5
• Term 3: July 7 – 19
• Term 4: July 21 – August 2

Location: New York City

Cost: $5,935 to $7,220

From DIY Filmmaking to A Million Lives in the Law and Pop Music as Art & Business, The School of the New York Times offers a wide range of fascinating classes to students interested in journalism. In the heart of New York City, students can spend several weeks learning from experienced journalists working in the field. Scholarship applications are only available until the end of February, so interested students should apply ASAP. 

Summer programs—and other extracurricular activities—can help set you apart, particularly at highly selective schools. CollegeVine’s free admissions calculator can tell you how colleges value your extracurricular activities and uses factors like grades and test scores (along with extracurriculars) to estimate your odds of acceptance at hundreds of schools across the country. It even provides insight into how you can improve your profile!

Though summer break provides you with the most time to explore your passions, it is not the only time. Colleges want to see that you are curious about the world around you and are constantly seeking new learning opportunities. 

Instead of participating in a program, you could create your own. Writing a book or mobilizing a team to solve an issue in your local community are examples of independent efforts that look impressive to colleges. 

You can show further initiative by taking on internships and paying jobs. Both demonstrate initiative, a career direction, and key life skills like time management and responsibility. Since most internships are reserved for college students and graduates, it can be a challenge to find opportunities for high school students. To help with the search, here is a list of summer internships for high school students. Looking for more summer programs? Take a look at this list of virtual opportunities for high school students.

Related CollegeVine Blog Posts

Great Summer Creative Writing Programs for High School Students

Immersive Summer Programs for Budding Writers

Summer is a terrific time for aspiring writers to focus on creative writing . Immersive programs give high schoolers the opportunity to develop writing skills, meet like-minded students, and gain an impressive line on their activities resumé. This list of excellent summer creative writing programs for high school students may offer just what the budding writers in your family need to make the most of their talents.

Emerson College Creative Writers Workshop

Emerson’s Creative Writers Workshop is a five-week program for rising high school sophomores, juniors, and seniors geared at developing their writing skills in a variety of media, including fiction, poetry, screenwriting, graphic novels, and magazine writing. Participants attend college-level writing classes exploring these genres in which they write and present their own work, create a final portfolio of their writing, contribute to the workshop’s anthology, and present a reading for family and friends. On-campus housing is available for the duration of the workshop.

Alfred University Creative Writing Camp

This summer writing program introduces rising high school sophomores, juniors, and seniors to many different genres, including poetry, short fiction, creative non-fiction, and drama. Students read and discuss the work of established authors and participate in writing-intensive exercises and workshop sessions led by Alfred University faculty members. Campers stay in university housing and enjoy a variety of recreational activities outside of classes and workshops such as movie nights, games, and social gatherings. The program runs annually for five days at the end of June.

Sarah Lawrence College Summer Writers Workshop for High School Students

This program is a one-week, non-residential summer workshop for rising high school sophomores, juniors, and seniors that explores the process of creative writing in a non-competitive, non-judgmental environment. Participants have the opportunity to attend small writing and theater workshops led by faculty and guest writers and theater artists, as well as attend and participate in readings. Classes are limited to 15 students with three faculty leaders per workshop to provide individual attention for each student.

Sewanee Young Writers Conference

This two-week residential program offered by The University of the South in Sewanee, Tennessee, provides dedicated rising high school sophomore, junior, and senior creative writers an opportunity to develop and polish their writing skills. The conference includes workshops in playwriting, fiction, poetry, and creative non-fiction led by celebrated professional writers as well as visiting writers whose works students analyze and discuss. Participants select one writing genre and spend their two weeks attending a small workshop dedicated to that genre, with opportunities for one-on-one contact with workshop leaders. Students also participate in lectures, readings, and discussions.

Emerging Writers Institute Creative Writing Camp

Allen Grove

Education Unlimited offers the Emerging Writers Institute creative writing camp each summer at Yale University , Stanford University , and UC Berkeley . This two-week residential program for rising 10th-12th graders includes daily workshops, evaluations, peer editing groups, and creative presentations designed to encourage students to challenge themselves as writers and hone their expressive writing process.

Each student chooses to major in the writing of either short stories, poetry, playwriting, or nonfiction. The bulk of their critical reading and writing exercises and workshopping is devoted to their selected major. Students may also attend afternoon workshops on nontraditional genres such as speechwriting, graphic novels, and advertising copy, as well as guest presentations by local authors and publishers.

Iowa Young Writers' Studio

The University of Iowa offers this two-week summer creative writing program for rising juniors, seniors, and college freshmen. Students choose one of three core courses in poetry, fiction, or creative writing (a more general course sampling from poetry, fiction, and creative nonfiction). Within their course, they participate in seminar classes in which they read and analyze literary selections and workshops to create, share, and discuss their own writing. Also offered are large group writing exercises, inspirational outdoor writing excursions, and nightly readings by prominent published writers. Many of the program's teachers and counselors are graduates of the university's Iowa Writers' Workshop, one of the most prestigious creative writing graduate programs in the country.

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The Summer Creative Writing Institute offers students opportunities to write and share poetry and fiction under the guidance of a highly accomplished faculty member. At the same time, students will enjoy Paris life and culture while becoming steeped in some of its great literary legacy.

Throughout its history, Paris has inspired writers from France and around the world, often providing a refuge from the intolerance, censorship, or the parochialism of their home countries. Paris is, and always has been, a place of literary salons and lively gatherings of artists and writers in cafés. Amid social and political upheaval, revolutionary approaches to literary form and subject matter have emerged more often from Paris than from any other metropolis, reflecting life in the throes of a modernizing world. The towering figures of French literature such as Hugo, Zola, Balzac, Baudelaire, and Apollinaire all took Paris as their subject, and the preeminence of the written word and the artistic spirit of Paris attracted foreign writers including Stein, Joyce, Hemingway, Beckett, Miller, Baldwin, Rhys, and Wright, to name a few.

Visiting students enrolled in the Summer Creative Writing Institute select a single writing workshop in Poetry, Fiction, or Creative Nonfiction. The three creative writing workshops are designed to help students to read their own work objectively, develop a critical vocabulary, and work deeply on issues of craft. Workshops meet three and a half hours per day, four days a week, allowing three-day weekends for writing, travel, and tourism. 

One evening per week, students will attend readings and question-and-answer sessions with inspiring authors. The event evenings also unite the full group of creative writing students to enjoy informal discussion and refreshments. The combination of workshops and evening events make up four transferable academic credits for those who are coming from other universities. For AUP students, these courses can be applied to the B.A. in Creative Writing or the Creative Writing minor. Lower fees are available to auditors.

During the day, students benefit from the University’s library, common spaces, student café and, of course, the richness of the surrounding 7th arrondissement. Bordered by the Seine to the north, the Eiffel Tower to the west, and Les Invalides to the east, the  septième  is among the most enchanting and elegant of Paris neighborhoods, offering a rich array of restaurants, cafés, stores, and public spaces that, in the height of summer, show Paris at its best.

A large variety of AUP’s own cultural excursions  provides students with organized opportunities to experience Paris and France. Students wishing to travel independently will find a wealth of advice available through the Cultural Programs Office .

Creative Writing Institute 2024 Travel Stipend Competition

• A sample of your creative writing: for fiction and nonfiction writers please include between 5 and 10 pages of your work, and for poets, between 3 and 5 poems      
• A paragraph explaining how this three-week intensive course in Paris might help you develop as a writer

All students who wish to be considered for the travel stipends must submit their applications by April 15, 2024 . Winners will be announced in early May.

Travel stipends must be used for legitimate travel expenses that students incur in reaching Paris and will be disbursed only after students have completed their travel. Travel stipend recipients  must retain and furnish  all original receipts, boarding passes, train tickets, etc for their stipend to be processed.

COURSES STARTING IN JULY

Click on the course you would like to take, to view the individual dates and times under the header "schedule."  Pick from any of the courses below. Your choice is not limited to one category. 

3-week classes:

• The Poetic Experience
• Fiction Writing Workshop
• Creative Nonfiction: Crafting Personal Narratives

Past AUP Summer School Readers and Guest Speakers:

Samantha Chang, Cyrus Cassells, Siân Melangell Dafydd (faculty), Stuart Dischell, Stacey D’Erasmo (faculty), Heather Hartley, Ellen Hinsey, Michael Hudson, Diane Johnson, Jake Lamar, Debora Landau, Megan O’Rourke, Nahid Raclin, Lisa Robertson, Darcey Steinke (faculty/co-founder), Daren Strauss, Ryan Van Winkle and Cecila Woloch.   

• Mentions Légales

Summer Creative Writing Workshops

Our unique three-week programs offer aspiring, practicing, and experienced creative writers a community in which to create and connect., all interested students are welcome you do not need to be a berkeley student to enroll., program overview.

Our program offers daily creative writing classes in short fiction, non-fiction, poetry, and drama. You will also have the opportunity to participate in a workshop that teaches you to present your work and listen and critique the creative writing of others. And, most of all, you will meet and socialize with like-minded creative writers and faculty.

Berkeley Students : Two 3-week creative writing courses count as one course for the  Creative Writing Minor . ( Visit other creative writing courses  for Summer 2024) .

Summer Creative Writing Courses

In the Academic Guide

The following four classes meet Monday through Friday and are worth 2 units.

Classes meet either face to face or online. When registering, be sure you enroll for the format you prefer. Enroll at summer.berkeley.edu

COLWRIT N131, The Craft of Creative Nonfiction

This course in creative writing focuses on the craft of reading and writing creative nonfiction. The course emphasizes an introduction to craft—how creative nonfiction is generated, what its elements are, and how finished pieces work—which students will explore through careful study of models by published writers, and through writing and revising their own short pieces.

COLWRIT N132, The Craft of Short Fiction

This two-unit creative writing course on the short story emphasizes an introduction to craft—how short stories are created, what their elements are, and how the finished pieces work—which you will explore through careful study of models by published writers and through writing and revising your own original pieces generated for this class.

COLWRIT N133, The Craft of Dramatic Writing

College Writing N133 is a creative writing course offering an introduction to the craft of dramatic writing through the study of works by professional playwrights and through composition and revision of your own playscripts. You will come to understand dramatic writing as an art and as a set of skills; you will receive an introduction to some of the elements involved in the creation of written scripts. Particular emphasis will be given to the work of generating and revising writing and, to a lesser degree, for the screen.

COLWRIT 134, The Craft of Poetry

This two-unit creative writing course on poetry & poetics emphasizes an introduction to craft—how poems are created, what their elements are, and how the finished pieces work—which you will explore through careful study of models by published writers, and through writing and revising your own original pieces generated for this class.

COLWRIT 135 The Craft of Creative Writing: Workshopping & Performance*

This is a practical and personalized class that will help writers workshop and perform their creative work. Open to multiple genres--fiction, nonfiction, drama, poetry--we will discuss how to ask good questions to and integrate feedback from peers in workshop. We will help you revisit your work and produce a sustainable revision process for yourself. We will discuss how to select your work for public reading and presentation, and we will practice effective performance strategies. Above all, the class will be tailored to support your goals through individual consultation with the instructor.

*Note: COLWRIT 135 is worth 1 unit and meets twice a week.

Summer Creative Writing Workshops Instructors

Tory adkisson, miriam bird greenberg, joseph horton, judy juanita, belinda kremer, michael larkin, john levine, eric longfellow, matthew j. parker, brice particelli, bridgette dutta portman.

Published September 13, 2023

A Tale of Three Cities: NYU’s Summer Creative Writing Programs

Staff Writer

• Aspiring writers can spend a month honing their craft in Paris, Florence, or New York City.
• These summer programs are open to current NYU undergrads as well as visiting students.
• Writers immerse themselves in their cities and learn from leading literary and creative minds.

Writers draw inspiration from their own experiences, and for many, global cities become their muse. At NYU, aspiring poets, fiction writers, and creative nonfiction writers can enroll in a monthlong immersive summer program through the College of Arts and Science . Participants choose between Paris, Florence, and New York City, and then hone their creative writing skills against the backdrop of an iconic city. Below, three aspiring wordsmiths share their experiences living a writer’s life.

Enjoy a Moveable Feast in Paris

NYU English and American Literature major Isean Bhalla chose to study in Paris because a friend completed the program and loved it. Their endorsement? “‘It was the greatest month of my life,’ word for word,” Isean recalls. “Plus, one does not say no to Paris. Ever.” Reflecting back, Isean credits growing as a creative writer to the program’s high-quality faculty and “excellent” nightly readings from “world-class writers.” “It gave me a greater understanding of my own voice as well as things I want to write about in the future,” Isean affirms.

Most importantly, however, Writers in Paris connected Isean to an inspiring community that was rich in writing talent and friendship. “The program put me in constant contact with other writers who were better than I was. They pushed me in ways I couldn’t. Being around writers 24/7 doesn’t sound like it’s that important, but I found it more stimulating for my writing than anything else. That’s all anyone ever talked about or thought about. So we’d feed off each other and get better.” And, of course, being in Paris didn’t hurt. Isean says, “Paris is a muse; Paris has always been a muse; and I suspect Paris will always be a muse.”

Get a Room with a View in Florence

Katherine Ertman always considered writing a hobby, but after attending Writers in Florence , she realized it could be a career. The NYU Vocal Performance major is training to be an opera singer, but in Florence, she found that “writing my own stories instead of performing stories written by others was a refreshing experience.” In fact, Katherine spent the past summer completing a Creative Writing minor by enrolling in both Writers in Florence and Writers in Paris. “It seemed like an amazing opportunity to complete all 16 credits while exploring two inspiring European cities,” she explains.

In Florence Katherine drew inspiration from a day trip to Castello di Fosdinovo, a Tuscan medieval castle. In Paris she attended readings by renowned authors outside the iconic Shakespeare and Company bookstore. “The locations really influenced me, and I ended up writing a few stories set in both locations,” Katherine says. In the end, she urges anyone interested to enroll, even if they’ve never shared their creative writing with others. “Just try it!” she exclaims. “Writing was a hobby for me, and I went in without any prior workshop experience. Also, I was intimidated because I’m not an English major. However, my fears were unfounded because the faculty and students alike were so supportive. It’s an experience I wouldn’t trade for the world.”

A Writer Grows in New York City

Esmé Warmuth grew up close to New York City, admiring the city from afar but never spending much time there. So when the English major learned that she could join NYU’s Writers in New York program as a visiting student , she jumped at the chance. “I’ve been a longtime admirer of NYU’s creative writing faculty,” she adds. Living in Greenwich Village, Esmé connected with published authors, literary agents, and magazine editors, gaining valuable professional experience. She particularly enjoyed a panel with program alumni. “It was helpful to hear from authors who had started where we were and wound up with book deals, jobs teaching creative writing, and overall successful careers,” she explains.

During her month in New York City, Esmé sharpened her skills as a writer and gained confidence in her abilities. “Receiving, giving, and listening to advice in class helped me grow my craft and gave me the opportunity to share my writing with a receptive and positive audience,” she says. All in all, the experience was better than she could have imagined. “The Writers in New York program was like nothing I ever experienced before,” she concludes. “Being among students my age who were just as passionate about books and writing as I am was wonderful. Plus, everyone came in with a great attitude and a willingness to learn. I’m very grateful.”

A Creative Writing Minor Complements Any Major

Across majors and around the world, NYU students find the value in a Creative Writing minor.

A Guide to Writing Majors at NYU

At NYU, English and creative writing aren’t the only options for aspiring writers!

Find Joie de Vivre at NYU Paris

At NYU Paris, you can practice your French, take courses at local institutions, and soak in the French capital’s storied culture.

AIM: Creative Writing

If you’re a rising junior or senior, we invite you to apply to our intensive three-week writing program. Academic Immersion: Creative Writing is offered in partnership with BU’s MFA Program in Creative Writing , one of the oldest and most prestigious programs in the nation.

Here, you will hone your craft by focusing on a single genre each week: fiction, poetry, and screenplays. You will develop formal techniques in each genre during morning seminars led by BU instructors who are also seasoned writers.

Your afternoons will be filled with writing workshops, free-write sessions on campus and around Boston, visits from guest speakers, and pilgrimages to important cultural institutions throughout the city to see where other writers found inspiration.

The program concludes with a “writers showcase,” where you will share one of your own pieces with peers and other members of the BU community.

During the program, you will:

• Learn formal techniques and approaches to writing poetry, fiction, and screenplays
• Study with accomplished writers who are part of BU’s MFA Program in Creative Writing, one of the most highly ranked programs in the country
• Practice your craft and hone your style while gaining valuable insight into the writing process
• Develop confidence in your creative writing abilities through constructive critique and feedback

There are plenty of social activities to make sure everyone becomes familiar with the BU campus, Boston – and each other! You can plan your own free time or participate in weekend group activities, or even mix it up and join students in our other programs for a variety of scheduled events.

A Day in the Life

What's it really like to be an AIM student?

Now accepting applications.

Check out our answers to commonly asked questions.

• UC Berkeley
• Letters & Science

Creative Writing Minor

Summer 2024.

SUMMER 2024 CREATIVE WRITING COURSES at UC BERKELEY  – See below and visit Summer Sessions 2024 . Updated 3/5/24.

Note: Summer 2024 enrollment begins February 1, 2024 for UC Berkeley students. See Registration .

ENGLISH 141: Modes of Writing (Exposition, Fiction, Verse, Etc)

SPECIAL APPROVAL:   If you  TAKE TWO*  of the following creative writing courses offered by the  College Writing Programs Summer Creative Writing Workshops , the two courses together, which will total three or four units,  may  SATISFY ONE  of the three creative writing course requirements:

COLLEGE WRITING N131: Creative Non-Fiction: Cultural Critique (2 units)  COLLEGE WRITING N132 : The Craft of Short Fiction  (2 units) COLLEGE WRITING N133:  The Craft of Dramatic Writing  (2 units) COLLEGE WRITING 134: The Craft of Poetry   (2 units) COLLEGE WRITING 135: The Craft of Creative Writing – Workshopping & Performance   (1 unit)

Multiple sections for each of the above COLLEGE WRITING courses are being offered as of 12/21/23. Check the Summer Sessions 2024 Course Offerings for the ones that work for you.

* If you  take only one  of the above courses, it  will not satisfy a creative writing course requirement for the minor.

TO FIND APPROVED LITERATURE COURSES OFFERED DURING SUMMER 2024, compare the  approved list of literature courses  on the Creative Writing Minor website with the  Summer Sessions 2024 Course Offerings .

Found an upper-division, three- or four-semester unit course you would like reviewed as a creative writing or literature course for the minor?  Make sure the course is clearly creative writing (not expository writing) or literature focused. Then, send your documentary evidence, often a course description and syllabus, to  [email protected] .

Remember all courses you take for the minor must meet the  minor requirements too.

Questions regarding a course? Contact the department offering the course or the instructor teaching the course.

Questions regarding the minor program?  Contact Laura Demir at  [email protected] .

Announcements

• Fall 2024 Course List
• Summer 2024 Course List
• Spring 2024 Course List
• Berkeley Holloway Poetry Series – Spring 2024
• UC Berkeley Lunch Poems 2023-24
• Minor Declaration Form – Must declare no later than term before EGT.

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• Creative Writing Program

Creative Writing Courses - Summer 2024

Course descriptions are available through the links below. When faculty have not provided a specific description, the UW General Catalog description is provided.

Course offerings for future quarters are tentative and are subject to change. For the most up-to-date schedule and registration information, please consult the UW Time Schedule .

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Maps and Direction

Master of Fine Arts in Creative Writing

Master of fine arts in creative writing programs at reinhardt university, story and place in the south.

• 2-year/60-hour Program
• Study One-on-One with Award-Winning Writers
• Online Courses
• 3 Writing Residencies
• Beautiful Rural Campus Nestled in the Etowah Valley

Who Will You Study With?

Core writing faculty.

2024 Visiting Writers

Past Visiting Writers

Fiction:  Jessica Handler ,  Soniah Kamal ,  Gray Stewart ,  John Williams

Creative Nonfiction/Memoir:   Anjali Enjeti ,  Megan Volpert

Poetry:   Donna Coffey Little ,  Laura Newbern ,  William Walsh ,  Will Wright

Scriptwriting/Playwriting:   Michael Lucker ,  Scott Wilkerson

The Etowah Valley is a bridge between Atlanta and the Appalachian South , where nature meets culture. At Reinhardt University’s Etowah Valley Master of Fine Arts (MFA) Program writers create a literature that is story-driven and grounded in the places where we live, whether rural or urban. Reinhardt is the only higher education institution in Georgia offering a low-residency MFA in Creative Writing. Our 60-hour low-residency MFA in Writing offers classes in poetry, fiction, creative-nonfiction/memoir, and scriptwriting (film, TV, and stage).

Over the course of two years, each student works one-on-one with published writers in their genre. They also take cross-genre classes that teach the craft elements and several online courses with other students during the residency. Each summer, students visit our beautiful campus in North Georgia for a 10-day intensive residency to be immerses in writing daily writing workshops, craft classes, experiential excursions into natural and urban environments, and nightly readings on campus from our visiting writers. A very important component is the one-on-one meetings with writing mentors to discuss in-depth each student’s creative work. Our tree-lined campus is nestled in the shadow of Pine Log Mountain for the perfect writing experience.

English and Language Arts teachers in Georgia middle and high schools can use Reinhardt University’s MFA to upgrade to a Level 6 Specialist Degree for the purposes of promotion and salary increases. Teachers need to have been previously certified in either English or middle grades language arts or have passed the GACE in English or Language Arts before completion of the degree. The program is listed in the  Georgia Professional Standards Commission Certificate Upgrade Advisor  under Specialist Level 6 for English and middle grades Language Arts.

Our students travel from all over the United States to attend the summer residency to learn from some of the finest writers. In doing so, they embody a unique mixture of cultural traditions and lifestyles. Amid the thriving Atlanta film scene and Southern environmentalism, we believe in the art of storytelling that develops voice and meaning to the individual artist.

What You’ll Learn at RU

With one-on-one instruction from award-winning professors, the creative writing student can begin at any level and work toward publishing a manuscript. From the beginning draft and planning, through revision and editing, students are guided through the professional process of writing and publishing.

By the time you graduate with an MFA, you will:

• Demonstrate mastery of structure and form in their chosen genre
• Demonstrate mastery of style, including diction, syntax and tone
• Demonstrate mastery of image in concrete description and figurative language
• Demonstrate mastery of character, point of view and voice
• Demonstrate the ability to analyze craft elements in literary works within their chosen genre
• Demonstrate the ability to constructively critique the work of their peers
• Demonstrate the ability to prepare and submit their work for publication and performance
• Demonstrate the ability to conduct and document scholarly research

MFA Classes You’ll Take

Here are just a few of the classes you will take while pursuing your degree:

• Writer’s Workshop: Poetry, Prose, or Script
• Reading Place
• Creative Writing I, II, and III
• Reading Story
• Reading Image
• Reading Voice
• Reading Dialogue
• Reading Criticism

Open Course Catalog

Possible Careers

• Creative Writer
• Web Designer
• Video Game Designer
• Video Game Content Editor
• Concept Artist
• UX Designer
• Freelance Writer
• Advertising Designer
• Script Doctor

Related Programs

• Creative Writing
• English Language Arts Education

Creative Writing Program Details

Tuition and Fees

Reinhardt’s affordable tuition helps you get the personal attention and real-world experiences that will give you a competitive edge in the creative writing job market.

Based on the 2023-24 RU Catalog, the fee per credit hours is $560 (this fee is subject to change). The Catalog includes:

• Convocation of Artists and Scholars
• Creative Writing Club
• English Honor Society – Sigma Tau Delta
• Tutoring in the Center for Student Success
• Editor of the student literary journal, Sanctuary
• Participant in off-campus literary events, such as viewing plays at the Alliance Theatre
• Meeting local, national, and international authors

View Cost of Attendance

Scholarships and Financial Aid

Nearly all students at Reinhardt University receive some sort of financial aid or scholarship. Find out what options you may be eligible for.

Check Scholarship and Aid Eligibility

Summer Residency

Reinhardt University’s MFA in Creative Writing Summer Residency is a vibrant two-week gathering held in the last weeks of June. This residency brings together MFA students, esteemed faculty members, and renowned visiting writers on our picturesque campus, nestled in the heart of creative inspiration within the foothills of the North Georgia mountains.

Immerse yourself in a supportive and collaborative environment as you reside together in campus dormitories, fostering camaraderie and community among fellow writers. During this enriching event, participants engage in workshops, seminars, and discussions led by experienced faculty members and guest speakers, providing invaluable insights and guidance to help nurture your craft.

Throughout the residency, you’ll have the opportunity to learn, grow, and write alongside peers who share your passion for creative expression. Whether you’re honing your skills in poetry, fiction, nonfiction, or another genre, the Reinhardt University MFA Summer Residency offers a unique blend of instruction, inspiration, and connection to support your artistic journey.

Come join us for an unforgettable experience where creativity flourishes, friendships form, and writers thrive.

The Low-Residency Model

The Low-Residency model allows students to pursue their writing aspirations while maintaining their commitments to career and family.  In late June, on three occasions over the course of their study, students come to the Reinhardt campus for the 10-day Residency. In the intervening semesters, they are enrolled in an independent study with a writing mentor and in four online courses with instructors and their fellow students.

There are three residencies during the student’s MFA   Program: at the beginning, middle, and end. Prior to the first residency, new students arrive on campus for a one-day orientation program and practice workshop.  At their final residency, students conduct a craft lecture and give a public reading before graduating.

At the residencies, students stay in the dorms and eat in the cafeteria. They attend numerous writing workshops in their genre each morning, craft lectures, readings, seminars, and one-on-one consultations. Throughout the residency, there are readings each evening from the visiting writers, who also teach various craft lectures. Students  meet and interact with the visiting writers, as well as participate in late night informal Question & Answer sessions. There will also be several off-campus excursions during the residency to generate writing  prompts.

During the Fall and Spring semesters, students work one-on-one with a writing mentor in the independent-study classes entitled Creative Writing I, Creative Writing II, Creative Writing III, Thesis Part I (Critical Essay), and Thesis Part II (Creative Writing Project).  This apprenticeship with a well-known and award-winning writer is the heart of the Low-Residency MFA experience. Students receive detailed feedback and critiques that enable them to perfect their craft as a writer.  They also receive instruction and advice on how to submit work for publication and appropriate publishing venues. The culmination of the irs independent study is a book-length Creative Thesis, which can provide students with their first full-length manuscript for publication.

During the Fall and Spring semesters, students also take a set of online courses called Reading Image, Reading Voice, Reading Story and Reading Dialogue. The classes are offered in an 8-week format with students of all genres participating together, where they read and analyze texts to study craft elements. A weekly online session will  allow students to interact with one another and with their instructor.

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MFA Program Information

MFA Core Writing Faculty

Creative Writing Department

Reinhardt University Lawson Building, 124-B 7300 Reinhardt Circle Waleska, GA 30183-2981

[email protected] 770.720.5526

7300 Reinhardt Circle | Waleska, GA 30183

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Middle, High School Students Invited to Participate in Summer Writing Camps Presented by UCM's Greater Kansas City Writing Project

By Janice Phelan, April 26, 2024

The Greater Kansas City Writing Project (GKCWP) and the University of Central Missouri (UCM) will present two four-day summer camps focusing on creative writing, sharing and friendship. Designed for students in middle and high school, the 2024 Young Writers Camps will be offered from 9 a.m. to 2 p.m. July 9-12 at UCM’s Missouri Innovation Campus in Lee’s Summit and from 9 a.m. to 2 p.m. July 16-19 at the Anita Gorman Discovery Center in Kauffman Legacy Park in Kansas City. The unique camps, offered since 1983 by GKCWP and UCM, provide a creative and supportive environment for young people. Each session is developed and led by experienced teachers of writing. The camps are created for students who already love writing and want to enjoy writing more. At the end of each session, young writers will share their favorite pieces with friends and families at an open mic celebration. Summer Writing Camp participants include a diverse group of young people ranging from students working on their first novel to aspiring poets to writers seeking motivation and encouragement for a variety of projects. Students enrolling by May 1 will qualify for the $225 early-bird registration fee. Cost is $275 for registration after May 1. For more information and to register, visit this webpage . 

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• A Literary Tour Of Moscow

A Literary Tour of Moscow

It’s hard to count the exact number of great Russian writers who showed their love for Moscow. The city has attracted and prompted stories for a long time now, inspiring many to express their writing talent. Thus, Moscow’s literary sights are fully deserving of our attention, and this guide gladly presents you six of them, from museums to apartments.

1. nikolay gogol museum.

Library, Museum

2. The State Museum of Mayakovsky

3. Turgenev's Family House

5. The Apartment of Dostoevsky

Building, Memorial, Museum

6. The Mikhail Bulgakov Museum

Since you are here, we would like to share our vision for the future of travel - and the direction Culture Trip is moving in.

Culture Trip launched in 2011 with a simple yet passionate mission: to inspire people to go beyond their boundaries and experience what makes a place, its people and its culture special and meaningful — and this is still in our DNA today. We are proud that, for more than a decade, millions like you have trusted our award-winning recommendations by people who deeply understand what makes certain places and communities so special.

Increasingly we believe the world needs more meaningful, real-life connections between curious travellers keen to explore the world in a more responsible way. That is why we have intensively curated a collection of premium small-group trips as an invitation to meet and connect with new, like-minded people for once-in-a-lifetime experiences in three categories: Culture Trips, Rail Trips and Private Trips. Our Trips are suitable for both solo travelers, couples and friends who want to explore the world together.

Culture Trips are deeply immersive 5 to 16 days itineraries, that combine authentic local experiences, exciting activities and 4-5* accommodation to look forward to at the end of each day. Our Rail Trips are our most planet-friendly itineraries that invite you to take the scenic route, relax whilst getting under the skin of a destination. Our Private Trips are fully tailored itineraries, curated by our Travel Experts specifically for you, your friends or your family.

We know that many of you worry about the environmental impact of travel and are looking for ways of expanding horizons in ways that do minimal harm - and may even bring benefits. We are committed to go as far as possible in curating our trips with care for the planet. That is why all of our trips are flightless in destination, fully carbon offset - and we have ambitious plans to be net zero in the very near future.

See & Do

Russia's most remote holiday destinations.

A Guide to Cautionary Russian Proverbs and What They Mean

Unusual Facts About the Soviet Union

Incredible Photos From the Longest Bike Race in the World

Restaurants

The best halal restaurants in kaliningrad.

Guides & Tips

A 48 hour guide to astrakhan, russia.

A Soviet Pilot Went Missing in Afghanistan and Was Found 30 Years Later

The Soviet Union’s Best Heart-Throbs and Pinups

The Mystery Behind Russia's Buddhist "Miracle"

Zhenotdel: The Soviet Union's Feminist Movement

Russian Last Names and Their Meanings

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The best halal restaurants in kazan, culture trip spring sale, save up to $1,100 on our unique small-group trips limited spots..

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Summer 2024 ICC Course--Intro to Poetry

Take intro to poetry this summer.

The Department of Literatures in English will offer an online section of ENGL 11300 Introduction to Poetry this upcoming summer. The course can count within the ICC "Themes and Perspectives" category as either a Humanities course or as a Creative Arts course. It is also themed both within "Identities" and "Inquiry, Imagination, and Innovation." The course instructor is Dan Breen. The course will convey four credits, and run as a mixture of synchronous and asynchronous class meetings. The goal of the class is to explore the ways in which lyric poetry produces its effects, how it works, and what capacities it might possess as measured against other forms of writing (such as narrative). We will also concentrate on developing fluency in poetic language. Poetry possesses a remarkable capacity to compress patterns of thought and intensify emotions in order to articulate experiences that other forms of writing struggle to express. This peculiar expressiveness of poetry results in part from the different and often complex registers of language within which poems construct comparisons, work out problems, and think through questions. Please contact Dan Breen via email ( [email protected] ) with any further questions about the course or feel free to drop in during his spring 2024 office hours: Tues. 1-2pm and Weds. 12-2 in 302 Muller.