creative writing courses summer 2021

Course details

Creative writing summer school.

The intermediate-level strand of the summer school is currently full, with an extensive waiting list, and we are no longer accepting applications.

Immerse yourself in your writing over three intensive weeks spent in Oxford. 

This unique summer school offers opportunities for writers at both intermediate and advanced levels to work under the guidance of experienced tutors.

You will write, develop your technique, sharpen your critical faculties and discuss your work in small, focused seminars. Each weekday you will attend a talk given by an author, publisher, agent, or editor. You will live and work in beautiful Exeter College, the environment that nurtured J R R Tolkien, Philip Pullman, Martin Amis, William Morris, and many others.

At the end of your three weeks, you will have acquired new skills, made new friends, and developed a fresh portfolio of creative writing.

• A three-week residential summer school.
• Take part in interactive seminars featuring writing exercises and group discussion.
• Benefit from guidance by tutors who are both published authors and experienced teachers.
• Attend daily talks given by established authors, agents, editors and others.

Participate in open mic nights and peer-led workshop sessions.

• Study and live at Exeter College, founded 1314 - one of Oxford University's oldest colleges.
• Enjoy a range of social events, including walking tours and excursions.

What is meant by intermediate and advanced?

The intermediate strand of the summer school is open access; it is for keen readers aged 18 and over who have written regularly and read widely over a sustained period. Students on the intermediate programme take two seminars, one in fiction and one in creative non-fiction. Applications for the intermediate strand do not require samples of written work.

The advanced strand of the summer school is an intensive programme which is suitable for writers who have completed or nearly completed a single-honours degree in Creative Writing or English Literature, or who have taken a significant number of courses in creative writing or English literature. Students on the advanced strand are likely to have developed specialisms in their work; they choose two from seven available seminars: creative non-fiction, fiction (two options), middle-grade and teen/young adult fiction, poetry, scriptwriting, and short story. Applications for the advanced strand include a statement of purpose and samples of written work.

Both strands live and work in beautiful Exeter College, socialising, dining and attending plenary lectures together.

All of the seminars involve writing exercises, group discussion, and the development of a portfolio of creative writing.

Each seminar has two two-hour meetings per week. Classes typically contain no more than 15 students.

(See "Programme details", below, for seminar descriptions.)

Contact hours

The programme provides you with a minimum of 46.5 contact hours, comprising:

• 24 hours of seminar meetings (12 hours per seminar); and
• 22.5 hours of talks (15 sessions, each lasting 1.5 hours).

Social programme

You can enjoy optional social events throughout the summer school. These may include a walking tour of Oxford, after-dinner talks and weekend excursions to sites of literary and/or historical interest. Most of these activities incur additional costs.

You will have an opportunity to share ideas and work with your fellow students at open mic nights (one per week) and informal peer-led workshop sessions (two per week).

Beyond the summer school, Oxford is a vibrant and cosmopolitan city with a busy cultural and social scene offering a wide variety of plays and shows, concerts, films and exhibitions.

Programme details

Intermediate-level seminars.

Click here to download the intermediate-level seminar timetable .

Creative Non-Fiction

Writing about real lives and experiences – your own, or someone else’s – is rewarding but also daunting. What if you have too much information, or your story involves other people? How do you fill the gaps? How do you keep the reader reading? What if your core purpose is to write creatively not about a life, but about a specific place or time, journey or sickness, idea or vocation? And when does storytelling tip over into fiction? In this course we will use practical exercises, examples, discussion and the sharing of writing to explore ways of imagining, researching, developing, shaping and voicing real-life material to form a narrative.

Tutor: Dr Emma Darwin’s memoir,  This is Not a Book About Charles Darwin  (Holland House Books, 2019), explores her disastrous attempt to write a novel about her family. Her debut novel,  The Mathematics of Love  (Headline Review, 2006), was nominated for the Commonwealth Writers’ and other awards; her second,  A Secret Alchemy  (Headline Review, 2009), was a  Sunday Times  bestseller;  Get Started in Writing Historical Fiction  (John Murray Learning) was published in 2016. She has a PhD in Creative Writing (London) and was an Associate Lecturer at the Open University; she blogs at  This Itch of Writing .

In this course you will explore who you are as a writer, reflecting on the stories that you see and hear in the stuff of everyday life and thinking about what you, uniquely, can bring to those stories that you choose to tell. We will discover how to depict fictional worlds, characters, relationships, situations and sequences of events so that they seem ‘real’ but at the same time sing on the page and make for compelling reading. To this end, we will be spending our time on writing exercises and discussion - sharing our work, ideas and experiences as and when we are comfortable to do so.

Tutor: Suzannah Dunn has published two collections of short fiction and twelve novels, seven of them historical, one of which,  The Confession of Katherine Howard,  was a Richard and Judy Pick. Her thirteenth novel,  Levitation for Beginners , will be published by Little, Brown in 2024. She has decades of experience as a tutor of creative writing in all kinds of settings with writers of all levels of confidence and skills. For five years she was Director of Manchester University’s MA in Novel Writing, and is now a tutor and mentor at Curtis Brown Creative.

Advanced-level seminar options

Click here to view the advanced-level seminar timetable .

We tell stories about ourselves and others every day. Taking a close look at autobiography, memoir, and biography, we will discuss how these stories are told and the extent to which this influences what we think we know about our own lives and those of others. The course will focus on narrative prose. It will provide an opportunity for students to work on an idea for a life story or an existing project. Students will be encouraged to work on their own writing during the course. We will discuss the challenges we all face as writers and how to address them. There will be opportunities to explore contemporary examples of life-writing that challenge traditional autobiographical and biographical narratives and the boundaries between fiction and non-fiction. We will address questions about form and style that help us to decide what kind of narrative we want to write, whether it be a book, an article, or a short life story.

Tutor: Rebecca Abrams is the author of Touching Distance , which won the MJA Open Book Award for Fiction and was shortlisted for the McKitterick Prize for Literature, The Playful Self ,   Woman in a Man's World , and Licoricia of Winchester: Power and Prejudice in Medieval England .  She is the editor of Out of Exodus , two anthologies of new fiction, and Jewish Treasures of Oxford Libraries , which was long-listed for the 2021 Wingate Literary Prize.  A journalist of many years standing, Rebecca is a regular literary critic for the Financial Times , a former columnist for the Daily Telegraph , and the recipient of an Amnesty International Press Award for Journalism.

Fiction: Turning Ideas Into Narratives

This course is aimed at those who are starting to write prose but do not yet feel fully confident. Using a variety of exercises and some examples from literature, we shall investigate the formation of character, and develop character arcs. Then we shall develop story and plot outlines together, planning scenes. Finally, we shall attempt to identify and discuss your unique strengths and preferences with a view to finding your USP - unique selling point.

Tutor: Dr Rachel Bentham has been Royal Literary Fellow at Bath University, and teaches for both Bristol and Bath Spa Universities. Her plays and short stories have been regularly broadcast on BBC Radio 4, and her poetry is internationally published. She has recently completed a novel set in nineteenth-century Tahiti. A recent collection of haiku was called  Let All Tongues Flower  (Firewater Press, 2013); and her most recent collection, also of haiku, is titled  Other Roads North  (2019) and reached number one on Amazon.

Fiction: Fine-Tuning Your Writing

This course is designed to help you hone your craft as a writer and see your project through to its completion. We shall start by examining your aims and motivation, troubleshooting any problems you are having in maintaining commitment and progress. We shall explore how to give your writing maximum resonance and power, analysing how you can use voice and point of view, give your characters extra depth and weave together story strands, themes and images. Finally, we shall look at sending your work out into the world, with workshopping and advice on editing and pitching.

Tutor: Lorna Fergusson is a writing coach, editor and speaker. She runs Fictionfire Literary Consultancy and has taught on various Oxford University writing programmes since 2002. She is the author of The Chase and An Oxford Vengeance . Her stories have won an Ian St James Award and the Historical Novel Society’s Short Story Award, as well as being shortlisted for the Bridport Prize and Pan Macmillan’s Write Now prize. In both 2021 and 2022 she was runner-up for the Mogford Prize. She is developing one of the Mogford stories into a novel, and is working on poetry, a collection of short stories and a book on mindset for writers.

Middle-Grade and Teen/Young Adult Fiction

The middle grade and teen/young adult fiction markets are exciting, and rewarding, areas of publishing. This course, run by an established novelist, will look at the way successful writers have chosen subjects and themes, explored fantasy and/or social realism, and found exactly the right voice to appeal to younger readers. It will also explore such key topics as planning, plot development and perspective. Students will be guided in the development of a story of their own, and there will be plenty of opportunities to workshop ideas and get feedback on stories as they progress.

Tutor: Julie Hearn is the critically acclaimed author of a number of novels for young adults, all published by Oxford University Press. Included are:  Follow Me Down,  shortlisted for the Branford Boase First Novel Award , The Merrybegot,  shortlisted for the  Guardian  Children’s Fiction Prize and the Highland Children’s Book Award ,  and  Rowan the Strange,  shortlisted for the Carnegie Medal and described by  The Guardian  as “nothing short of extraordinary”. Her eighth novel,  I am NOT adorable,  written for younger children, was published by Jolly Heron in 2018 and a collection of short stories,  The Princess Thing,  is in the pipeline.

Poetry may well be 'a pheasant disappearing in the brush', as Wallace Stevens quipped, but on this course we will carefully and cunningly follow that pheasant into the underwood. In this series of workshops, we will go in deep and examine new and old examples of poetry, to figure out how it can be made. You can write poetry in so many ways these days, and you will experiment with traditional and avant-garde methods of writing poems, learning not only how to write different kinds of metrical lines but also accomplished free verse, among other things. Ben Jonson knew that 'a good poet's made, as well as born', and on this course you will be made into one through continual practice, innovative imitation, and workshop discussion.

Tutor: Dr Edward Clarke teaches English literature and art history at various colleges and the Department for Continuing Education, Oxford University. He is the author of two books of criticism, The Later Affluence of W. B. Yeats and Wallace Stevens and The Vagabond Spirit of Poetry , and he has edited a selection of poems by Henry Vaughan and George Herbert, Divine Themes and Celestial Praise . His collection of poems, A Book of Psalms , was published 2020. ‘Clarke’s Psalter’, the documentary he presented about writing these poems, was broadcast on BBC Radio 4. His latest collection of poems is called Cherubims . A selection of his poems, The Voice inside Our Home , was recently published.

Scriptwriting

This course is based on the study and creation of scripts for stage, screen and radio and on helping aspiring dramatists to develop a practice to engage with a golden age of script writing. Convincing characters in coherent plots, with a keen awareness of genre, is the basis of all good fiction. We shall explore such core elements, culminating in the submission of a short script. In the third week, students can workshop a script begun outside the course. Dramaturgy will be strictly focused to help writers to develop individual writing for performance projects, using processes that are ‘industry standard’.

Tutor: Shaun McCarthy has had over a dozen stage plays professionally produced and a range of radio dramas broadcast. His adaptations include J.M. Synge’s  The Aran Islands  (BBC R4 Classic Serial), a stage version of  A Christmas Carol  that was a critique of David Cameron’s ‘big society’ and had a happy, unexpected ending; and a re-set of Strindberg’s  Miss Julie  to Oxford 1963. He teaches a range of creative writing courses for OUDCE, runs Hooligan Theatre Productions to develop his new plays and co-runs the writing events and residential writers’ retreats company ‘Stage and Page' in the UK and Italy.

The Short Story

This course encourages you to become a braver, more vital writer by experimenting with the short story form. As close to poetry as it is to prose, the short story is ideal for testing uncommon characters and situations, innovative structures and syntax. Unlock voices and creative techniques that will transform your writing practise. In the final week we will focus on intensive self-editing and how to transform a saggy, weak story into a powerful, shapely narrative, through close examination of language, rhythm, energy and pace. Perfecting short fiction is a great way to build your track record through publication in literary journals and entry to awards judged by agents and publishers.

Tutor: Susannah Rickards' collection of short fiction,  Hot Kitchen Snow,  drawn from experiences of growing up in North East England and working in East Africa, won the international Scott Prize in for best debut fiction collection in 2010, and is published by Salt. Her writing regularly appears in journals and anthologies and has been broadcast on BBC radio. She read English at Oxford University and now lives in Surrey, UK, where she writes and mentors new and established authors.

Recommended reading

Each seminar has its own requirements for preparatory reading.

Students will be enrolled as readers at Oxford University's main reference library, the Bodleian. They will also have access to the Continuing Education Library.

Certification

All students who complete the programme will receive an attendance certificate.

Those seeking credit at their home institution may request a detailed certificate which lists contact hours (for seminars and talks), an assessment of their contribution to seminar discussions, grades achieved for written work, and the number of private study hours required. Certificates will usually be sent to students' home institutions within a month of the end of the summer school.

As Oxford University does not offer credit for this summer school, those wishing to obtain credit from their home institution for attending this programme must make appropriate arrangements with that institution in advance.

Residential: Standard (shared bathroom) - £4,380; Residential: En suite (private bathroom facilities) - £4,765; Non-residential (no accommodation; limited meals) - £2,255

Programme fees

Residential: Standard (shared bathroom facilities) - £4,380 Fees include tuition (2 seminars and the daily programme of talks); access to IT facilities and libraries; accommodation in a standard single room with shared bathroom facilities for the nights of Sunday 21 July to Friday 9 August 2024 inclusive; meals in hall from dinner on Sunday 21 July to breakfast on Saturday 10 August 2024 (except lunch on Saturdays and Sundays).

Residential: En suite (private bathroom facilities) - £4,765 Fees include tuition (2 seminars and the daily programme of talks); access to IT facilities and libraries; accommodation in a single en suite room with private shower and toilet for the nights of Sunday 21 July to Friday 9 August 2024 inclusive; meals in hall from dinner on Sunday 21 July to breakfast on Saturday 10 August 2024 (except lunch on Saturdays and Sundays).

Non-residential - £2,255 Fees include tuition (2 seminars and the daily programme of talks); access to IT facilities and libraries; no accommodation; lunch Monday-Friday, and the programme`s formal opening and closing dinners on Sunday 21 July and Friday 9 August 2024, respectively.

There are no sources of funding (scholarships, bursaries, etc) available for applicants.

Invoicing and payment

Successful applicants who accept their offer of a place on the summer school will be invoiced for the appropriate programme fee once they have been formally enrolled on the programme.

Invoices will be emailed to students together with full instructions for payment. Fees may be paid online with a credit or debit card, or by bank transfer.

Students are required to pay the full fee within 30 days of the date on which their invoice was issued. Late applicants (see "Apply for this course", below) are required to pay the full fee within 7 days of their invoice date.

Please note that:

• students need to purchase travel insurance to cover the programme fee, travel costs, and any other expenses incurred (see "Cancellations", below);
• a student's place on the summer school is not confirmed until their fees have been paid in full;
• places will not be held for students whose fees are not paid in full by the due date; and
• in no circumstances will students be admitted to the summer school unless all fees have been paid in full.

When you have paid your fees

Your place on the summer school is confirmed as soon as your payment is received by OUDCE.

You will receive a receipt for your payment: an automated email from [email protected] if paid online, or via email from [email protected] if paid by bank transfer.

The Programme Administrator will provide all non-UK/Irish nationals enrolled on the summer school with a standard format pdf letter by email confirming enrolment and course details (see "Level and demands", below).

Cancellations

Intermediate-level strand

All enrolments are subject to OUDCE's Open Access Terms and Conditions .

You will enter into your contract with the University when you pay the course fees in full.

You have the right to cancel your contract at any time within 14 days, beginning on the day you paid your fees. You will receive a full refund of any payments you have made.

Advanced-level strand

All enrolments are subject to OUDCE's Short Selective Course Terms and Conditions .

By accepting your offer of a place on the summer school you enter into your contract with the University.

You have the right to cancel your contract at any time within 14 days, beginning on the day you accepted the offer. You will receive a full refund of any payments you have made within those 14 days.

Both strands

If you cancel your place at any time after the expiry of the 14-day period you will not be entitled to a refund.

You need to purchase travel insurance to cover the programme fee, travel costs, and any other expenses incurred.

If you wish to cancel your place on the summer school you must inform the Programme Administrator by email at [email protected]

OUDCE reserves the right to alter details of any course should illness or any other emergency prevent a tutor from teaching, and to cancel a course or individual seminar if exceptionally low enrolment would make it educationally unviable.

Course aims

Each seminar has its own course aim and objectives.

Teaching methods

Students will attend a programme of talks and readings.

Elements of seminar teaching will normally include:

• mini lectures by tutors;
• tutor-led class discussions;
• writing exercises;
• small group activities; and
• individual student presentations.

Students will attend short (10-minute) one-to-ones with their tutors to receive feedback on their written work.

Learning outcomes

Each seminar has its own learning outcomes.

Assessment methods

Tutors will monitor and assess students’ contribution to class discussions.

Students are expected to submit an assignment of 2,500 words in length for assessment for each seminar taken.

Application

Before you submit your application.

• ensure you meet the admissions requirements (see "Selection criteria", below);
• check the seminar timetable  carefully to ensure that your first and second choice courses do not run at the same time (advanced-level applicants only);
• make sure you have all the required supporting documents listed below;
• ensure you are familiar with the terms and conditions of enrolment on the summer school, especially those relating to payment of fees and cancellations (see "Payment", above); and
• read the 'Important information regarding immigration and visa requirements' (see "Level and demands", below).

The application process - intermediate strand

Complete the application form (intermediate) .

Please ensure all sections are completed fully, clearly, and in BLOCK CAPITALS.

The form must be accompanied by:

In the case of non-native speakers of English, official evidence of English language proficiency.

A portrait photograph (JPEG format).

Applications should be emailed to: [email protected]

Application deadline

Applications for the intermediate strand will be processed on a first come, first served or rolling basis until 1 May 2024.

Subject to the availability of places, late applications may be accepted until 1 June 2024.

After you have submitted your application

Applicants will normally be offered a place by email from [email protected] within 14 days of their application having been received.

Applicants who are offered a place on the summer school must respond in writing within 14 days to accept or decline the offer. In accepting an offer of a place applicants are committing to paying their programme fees in full by the due date.

Late applicants will normally be offered a place within 7 days of their application having been received, and will then have 7 days in which to accept or decline the offer.

The application process - advanced strand

Complete the application form (advanced) .

The form must be accompanied by the following documents as PDF files unless otherwise indicated:

• A brief statement of purpose (250-300 words) detailing your academic reasons for wishing to attend the summer school. This should include what you feel the programme would offer you and your writing, and what you feel you could bring to the summer school. This may include details of creative writing courses you have previously taken, or the relevance of the summer school to your present course of study or professional development. It is essential that you clearly state your reasons for wishing to enrol on specific seminars.
• Please provide samples of your work relevant to your first and second choice courses and ensure that the name of the seminar is printed at the top of each sample. As a guideline prose fiction, creative non-fiction and dramatic dialogue samples should be no more than 1,000 words in length (please provide an extract of a longer piece of work if appropriate); applicants for the poetry seminar should provide five short poems.

You will receive an email from [email protected] confirming receipt of your application materials, and informing you when your application will be reviewed by the admissions panel.

Application deadlines

The advanced strand of the summer school operates a gathered field closing date system by which applications are reviewed fairly and equally in batches at specific dates throughout the admissions period rather than on a first come, first served or rolling basis.

There is a limited number of places available on every seminar within each gathered field, and in assigning successful applicants to seminar groups the admissions panel will pay particular attention to applicants' personal statements.

There are three deadlines for applications to the advanced strand of the programme:

• Gathered field 1 - 1 March 2024
• Gathered field 2 - 1 April 2024
• Gathered field 3 – 1 May 2024

Subject to the availability of places, late applications may be considered on a first come, first served basis until 1 June 2024.

Notification of the admission panel's decision

Applicants will normally be notified of the panel's decision by email from [email protected] within 14 days of the relevant gathered field deadline.

Late applicants will be notified within 7 days of their materials having been received, and successful applicants will then have 7 days in which to accept or decline the offer of a place.

Enrolment - both strands

Students will be formally enrolled on the summer school once they have accepted their offer of a place.

The enrolment process includes the issuing of invoices, which will be emailed to students together with full instructions for payment (see "Payment", above).

Any queries?

Please contact the Programme Administrator by email at [email protected]

Level and demands

Participants are expected to.

• undertake preparatory reading in advance of the programme;
• attend all seminar sessions and talks and readings;
• be actively engaged with their seminar topics;
• submit an assignment of 2,500 words in length for each seminar taken; and
• undertake approximately 96 hours of private study during the programme (elements of private study will include: reading, writing and other preparation between seminar meetings, work in the library, writing papers, etc).

Important information regarding immigration and visa requirements

OUDCE welcomes international students on all its courses. However, it is the responsibility of successful applicants to ensure that they conform to UK immigration law.

If you are not a UK or Irish national, you might need to apply for a Standard Visitor visa to study in the UK. We strongly recommend that you establish whether you will require a visa before submitting your application.

Information regarding visiting the UK to study is available on the UK Government’s website  as well as Oxford University’s Student Immigration website .

If you will require a visa, you should ensure your summer school application is submitted as early as possible to allow yourself sufficient time to complete the visa application process (see current visa processing times ).

The Programme Administrator will provide all non-UK/Irish nationals enrolled on the summer school with a standard format pdf letter by email confirming enrolment and course details once their fees have been paid in full.

For legal reasons the Programme Administrator is not permitted to provide any visa advice to applicants; any queries should be addressed to [email protected] .

The University takes no responsibility for a visa being denied at any point before or during a course.

Please note that the standard cancellation policy applies in all cases. (See "Cancellations", above.

Support for students with disabilities

OUDCE welcomes applications from students with disabilities or learning difficulties. Individual student needs are taken into account, and adaptations and assistance provided within the resources available. We ask that students advise us in advance where any special provision might be needed. Further information is available at www.conted.ox.ac.uk/about/students-with-disabilities .

Selection criteria

This is an intensive programme of study taught to an informed international audience. Applicants should be confident that they are academically and linguistically prepared for such a programme.

Academic requirements for the intermediate strand

We welcome applications from all aspiring writers aged 18 and over.

You should be a keen reader who brings an open-minded, questioning approach to both reading and writing; you should also have written regularly and read widely over a sustained period.

Academic requirements for the advanced strand

Applications are welcomed from those who have completed or nearly completed a single honours university degree programme in creative writing or English literature, or a combined honours university degree programme in creative writing and English literature.

If your degree is in a different, but related, subject, the admissions panel will look for evidence that you have taken a significant number of courses in creative writing or English literature, namely the equivalent of two years’ worth of credits.

The summer school is not appropriate for those who have already achieved commercial publication.

English language requirements

As students are expected to participate fully in seminar discussions and are required to produce written work, it is important that applicants can demonstrate an appropriate level of proficiency in the four language skills - listening, reading, writing and speaking.

If English is not your first language, you must provide evidence of your proficiency in the form of an original certificate or a certified copy that is not more than two years old on the date the summer school starts. You must satisfy one of the following requirements:

IELTS Academic - minimum overall score of 7.5, with not less than 7.0 in each of the four components

TOEFL iBT - minimum overall score of 110, with not less than 22 for listening, 24 for reading, 25 for speaking and 24 for writing

C1 Advanced (formerly known as Cambridge English: Advanced or CAE) - minimum overall score of 191, with not less 185 in each of the four components.

For further information on English language qualifications:

Click here for IELTS

Click here for TOEFL

• Click here for Cambridge English

The requirement to provide English language test scores may be waived in either of the following circumstances:

• If you have completed a full-time degree-level programme at a recognised institution where teaching and assessment throughout the course was undertaken entirely in English, and the programme was completed with a gap of no more than two academic years to the course to which you are applying. If you studied this course in a country that is not majority English speaking, you will need to provide evidence that the course was taught in English. This can either take the form of a link to the appropriate page of the institution’s website or a statement from the institution confirming this.
• If you have worked for a minimum of two years in a majority English speaking country where the main language for the role was English, and your role involved daily professional use of each of the four language components (reading, writing, listening and speaking).

Accommodation

Founded in 1314, Exeter College is one of Oxford University`s oldest colleges and is situated in a prime city centre location.

Bedrooms and meals

Students who choose to attend the summer school on a residential basis will have a single study bedroom.

Bedrooms are located up the four to nine floors of a staircase; bath and/or shower and toilet facilities on each staircase are shared. A limited number of rooms have private bathroom facilities (shower and toilet) and these are available for a higher fee. Early application for these rooms is essential.

Students cannot be accommodated at Exeter College either prior to or beyond their programme dates. Family members and/or friends who are not enrolled on this summer school cannot be accommodated in college.

Residential students will take meals in the college's dining hall. All meals are self-service with a range of options available. The only exceptions are the summer school's opening and closing dinners, which are formal served set menu meals. Should applicants have any dietary requirements (eg vegetarian, gluten-free) they are required to complete the relevant section on the application form.

Please be aware that accommodation at Exeter College is limited and may not be available for those who submit their applications towards the end of the admissions period.

Non-residential students

Students who choose to attend the summer school on a non-residential basis are responsible for finding their own accommodation. Information on accommodation in Oxford is available at:

• Conference Oxford
• Experience Oxfordshire
• University Rooms Oxford

Lunch is provided for non-residential students Monday-Friday, and the summer school's opening and closing dinners are also included in the non-residential programme fee.

IT requirements

Although it is not required, most students bring a laptop to Oxford to assist them with their studies.

For residential students, wireless internet access is available in all bedrooms; for all students, wireless access is available in communal spaces of the college.

All students will be eligible to use the computers and printer in Exeter College's computer room.

Terms & conditions for applicants and students

Information on financial support

Explore summer courses and register.

Offered in collaboration with the School of the Arts, the Writing Department at Columbia University offers summer workshops and craft seminars in fiction, nonfiction, and poetry designed by acclaimed writers and editors. Hone your craft in courses that cater to a wide variety of writing styles, from comedy writing to travel writing, children's books, YA, art writing, and everything in between. Students can apply to take individual courses listed below as a Visiting Student or as a part of the Arts in Summer program .

For questions about specific courses, contact the department.

FICTION WORKSHOP WRIT1001S001 3 pts

The Fiction Writing Workshop is designed for students who have little or no experience writing imaginative prose. Students are introduced to a range of craft concerns through exercises and discussions, and eventually produce their own writing for the critical analysis of the class. Outside readings supplement and inform the exercises and longer written projects. Enrollment limited to 15.

Course Number

Summer 2024, times/location, section/call number, fiction workshop writ1001s002 3 pts, nonfiction writing workshop writ1101s002 3 pts.

The Nonfiction Writing Workshop is designed for students new to the practice of such genres as reportage, criticism, biography and memoir. Various techniques are explored through exercises and other assignments. Critique of student work is supplemented by outside readings.

POETRY WRITING WORKSHOP WRIT1201S001 3 pts

The Poetry Writing Workshop is designed for all students with a serious interest in poetry writing, from those who lack significant workshop experience or training in the craft of poetry to seasoned workshop participants looking for new challenges and perspectives on their work. Students will be assigned writing exercises emphasizing such aspects of verse composition as the poetic line, the image, rhyme and other sound devices, verse forms, repetition, collage, and others. Students will also read an variety of exemplary work in verse, submit brief critical analyses of poems, and critique each others original work.

POETRY WRITING WORKSHOP WRIT1201S002 3 pts

Writing about art writ3215w001 3 pts.

Prerequisites: No prerequisites. Department approval NOT required. 

This course will introduce students to writing about visual art. We will take our models from art history and contemporary art discourse, and students will be prompted to write with and about current art exhibitions and events throughout the city. The modes of art writing we will encounter include: the practice of ekphrasis (poems which describe or derive their inspiration from a work of art); writers such as John Ashbery, Gary Indiana, Eileen Myles, and others who for periods of their life held positions as art critics while composing poetry and works of fiction; writers such as Etel Adnan, Susan Howe, and Renee Gladman who have produced literature and works of art in equal measure. We will also look at artists who have written essays and poetry throughout their careers such as Robert Smithson, Glenn Ligon, Gregg Bordowitz, Moyra Davey, and Hannah Black, and consider both the visual qualities of writing and the ways that visual artists have used writing in their work. Lastly, we will consider what it means to write through a “milieu” of visual artists, such as those associated with the New York School and Moscow Conceptualism. Throughout the course students will produce original works and complete a final writing project that enriches, complicates, and departs from their own interests and preoccupations.

WRITING CHILDREN'S BOOKS WRIT4313S001 3 pts

Travel writing writ4320s001 3 pts, writing the young adult novel writ4323s001 3 pts.

The Young Adult (YA) publishing boom has changed the way we read—and write—coming-of-age stories. This course will introduce students to the elements that shape YA novels, and explore the fiction writing techniques needed for long projects, including narrative arcs, character construction, worldbuilding, and scene work. We’ll study work from a wide range of YA genres and authors, including Angie Thomas, Elana K. Arnold, Leigh Bardugo, Jason Reynolds, A.S. King, Elizabeth Acevedo, and more.

Students will begin to write and outline their own YA novel, and a variety of in-class writing exercises will support the development of each project. All students will workshop their own writing and respond to the work of others. By the end of class, students will have a portfolio of materials to draw from, and a richer understanding of the YA landscape and its possibilities.

HOW TO WRITE FUNNY WRIT4810S001 3 pts

Creative Writing

Join the creative writing summer school at oxford summer courses.

At Oxford Summer Courses, we foster a nurturing environment for aspiring young writers to delve into the art of Creative Writing. Our bespoke learning experiences, tailored for ages 16-17 and 18-24, are meticulously crafted to ignite independent thought within a supportive community ambiance, hosted at the prestigious Oxford and Cambridge University colleges. Apply now to study Creative Writing and embark on a transformative summer school journey with Oxford Summer Courses.

Choose your Creative Writing summer school

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# Summer # Tutorials

Teaching Methodology (Ages 16-17)

Embrace the Oxford method with tutorial-style teaching, where our expert tutors facilitate self-directed learning and critical thinking through interactive seminars in small groups (limited to 8 students). Throughout the course, participants undertake two pieces of independent work, be it essays or problem sheets, meticulously evaluated in personalised 1:1 or 2:1 tutorials. These sessions not only provide valuable feedback but also encourage students to explore diverse perspectives within their writing. Upon completion, participants receive a certificate and a personalised letter of recommendation from their tutor.

Teaching Methodology (Ages 18-24)

Similarly, participants in the 18-24 age group follow the Oxford method with tutorial-style teaching, engaging in interactive seminars in small groups (also limited to 8 students). They undertake two pieces of independent work, which are thoroughly evaluated in personalised 1:1 or 2:1 tutorials, providing opportunities for valuable feedback and exploration of diverse perspectives. Upon completion, participants receive a certificate and a personalised letter of recommendation from their tutor.

What's Included (Ages 16-17 & 18-24)

• All teaching, including tutorials (1 or 2 students per tutor), small group seminars (8 students or less) and skills development workshops.
• Accommodation and breakfast every day.
• All evening meals including those at local restaurants.
• A Friday evening three-course formal hall.
• A graduation ceremony.
• All programmed visits and excursions.
• Airport transfers.
• Access to Oxford Summer Courses Foundations.
• Travel and medical insurance included.
• Welcome pack: Including an Oxford Summer Courses backpack, notebook, and water bottle.

Reasons to Study Creative Writing

Enrolling in the Creative Writing summer school at Oxford Summer Courses offers a rich and multifaceted learning experience that nurtures critical thinking, unleashes creativity, and fosters cultural understanding. Participants engage with diverse perspectives and explore various mediums, honing essential communication skills, nurturing empathy, and experiencing personal growth. This interdisciplinary journey not only imparts valuable knowledge but also equips students with the adaptability and resilience essential for lifelong learning and success in today's dynamic world.

Apply Now to Oxford Summer Courses

• Ready to embark on an unforgettable summer of learning and growth? Apply now and join us at Oxford Summer Courses.
• Limited spaces available - don't delay!
• Did you know that you can extend your stay with Oxford Summer Courses when you apply?
• Did you know that we offer flexible payment options ?

Bree, Canada

"the creative writing course helped me properly analyse famous writers’ works in order to fully understand them while letting me create my own short stories and poems.", limited places available, don't miss out limited places are available at our renowned summer school. secure your place today and dive into an unforgettable learning experience at oxford summer courses. apply now before it's too late..

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Creative Writing

College of arts & sciences, introduction to creative writing.

Primarily a creative writing workshop, in which students write and revise their own short fiction, creative nonfiction, and poetry, and read their peers' work with generosity, providing constructive feedback. Students also learn to read closely the work of literary masters past and present. Effective Fall 2022, this course fulfills a single unit in the following BU Hub area: Aesthetic Exploration. 4 cr. Tuition: $3180

Summer 2 (July 2-August 8)

Reading and Writing Literary Nonfiction

Prereq: First-Year Writing Seminar (e.g., CAS EN 120 or CAS WR 100 or CAS WR 120) and two previous literature courses or junior or senior standing. This reading and writing seminar explores literary nonfiction, a wide-ranging, sometimes controversial genre in which writers use techniques associated with fiction and poetry to make meaning of lives. How do writers describe their world, especially peoples, places, and things? What are different ways of using personal voice? Each weekly meeting includes discussion of published nonfiction along with writing short exercises, and workshopping writing. The learning goals of this course are to become better readers and more skillful practitioners of the craft of literary nonfiction. Effective Fall 2021, this course fulfills a single unit in each of the following BU Hub areas: Writing-Intensive Course, Creativity/Innovation. 4 cr. Tuition: $3180

Summer 1 (May 22-June 26)

Interdisciplinary Studies in Creative Writing: Writer as Illustrator

A workshop-based class, for the artist interested in creative writing, the creative writer interested in art and the history of comics, or any student interested in interdisciplinary studies in humanities. Explores the overlaps between the disciplines of creative writing and illustration, as well as the surprises and difficulties that arise when combining the two. Students write and revise their own creative works, as well as receive feedback from their classmates and professor in the workshop environment. Readings include literary works, comics, and historical articles. 4 cr. Tuition: $3180

Summer 1 (May 21-June 27)

Published September 13, 2023

A Tale of Three Cities: NYU’s Summer Creative Writing Programs

Staff Writer

• Aspiring writers can spend a month honing their craft in Paris, Florence, or New York City.
• These summer programs are open to current NYU undergrads as well as visiting students.
• Writers immerse themselves in their cities and learn from leading literary and creative minds.

Writers draw inspiration from their own experiences, and for many, global cities become their muse. At NYU, aspiring poets, fiction writers, and creative nonfiction writers can enroll in a monthlong immersive summer program through the College of Arts and Science . Participants choose between Paris, Florence, and New York City, and then hone their creative writing skills against the backdrop of an iconic city. Below, three aspiring wordsmiths share their experiences living a writer’s life.

Enjoy a Moveable Feast in Paris

NYU English and American Literature major Isean Bhalla chose to study in Paris because a friend completed the program and loved it. Their endorsement? “‘It was the greatest month of my life,’ word for word,” Isean recalls. “Plus, one does not say no to Paris. Ever.” Reflecting back, Isean credits growing as a creative writer to the program’s high-quality faculty and “excellent” nightly readings from “world-class writers.” “It gave me a greater understanding of my own voice as well as things I want to write about in the future,” Isean affirms.

Most importantly, however, Writers in Paris connected Isean to an inspiring community that was rich in writing talent and friendship. “The program put me in constant contact with other writers who were better than I was. They pushed me in ways I couldn’t. Being around writers 24/7 doesn’t sound like it’s that important, but I found it more stimulating for my writing than anything else. That’s all anyone ever talked about or thought about. So we’d feed off each other and get better.” And, of course, being in Paris didn’t hurt. Isean says, “Paris is a muse; Paris has always been a muse; and I suspect Paris will always be a muse.”

Get a Room with a View in Florence

Katherine Ertman always considered writing a hobby, but after attending Writers in Florence , she realized it could be a career. The NYU Vocal Performance major is training to be an opera singer, but in Florence, she found that “writing my own stories instead of performing stories written by others was a refreshing experience.” In fact, Katherine spent the past summer completing a Creative Writing minor by enrolling in both Writers in Florence and Writers in Paris. “It seemed like an amazing opportunity to complete all 16 credits while exploring two inspiring European cities,” she explains.

In Florence Katherine drew inspiration from a day trip to Castello di Fosdinovo, a Tuscan medieval castle. In Paris she attended readings by renowned authors outside the iconic Shakespeare and Company bookstore. “The locations really influenced me, and I ended up writing a few stories set in both locations,” Katherine says. In the end, she urges anyone interested to enroll, even if they’ve never shared their creative writing with others. “Just try it!” she exclaims. “Writing was a hobby for me, and I went in without any prior workshop experience. Also, I was intimidated because I’m not an English major. However, my fears were unfounded because the faculty and students alike were so supportive. It’s an experience I wouldn’t trade for the world.”

A Writer Grows in New York City

Esmé Warmuth grew up close to New York City, admiring the city from afar but never spending much time there. So when the English major learned that she could join NYU’s Writers in New York program as a visiting student , she jumped at the chance. “I’ve been a longtime admirer of NYU’s creative writing faculty,” she adds. Living in Greenwich Village, Esmé connected with published authors, literary agents, and magazine editors, gaining valuable professional experience. She particularly enjoyed a panel with program alumni. “It was helpful to hear from authors who had started where we were and wound up with book deals, jobs teaching creative writing, and overall successful careers,” she explains.

During her month in New York City, Esmé sharpened her skills as a writer and gained confidence in her abilities. “Receiving, giving, and listening to advice in class helped me grow my craft and gave me the opportunity to share my writing with a receptive and positive audience,” she says. All in all, the experience was better than she could have imagined. “The Writers in New York program was like nothing I ever experienced before,” she concludes. “Being among students my age who were just as passionate about books and writing as I am was wonderful. Plus, everyone came in with a great attitude and a willingness to learn. I’m very grateful.”

A Creative Writing Minor Complements Any Major

Across majors and around the world, NYU students find the value in a Creative Writing minor.

A Guide to Writing Majors at NYU

At NYU, English and creative writing aren’t the only options for aspiring writers!

Find Joie de Vivre at NYU Paris

At NYU Paris, you can practice your French, take courses at local institutions, and soak in the French capital’s storied culture.

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Creative Writing Specialization

Craft Your Story Like the Great Writers. Craft an original story that will absorb a reader’s interest from the beginning to end.

Taught in English

Some content may not be translated

Instructors: Salvatore Scibona +3 more

Instructors

Financial aid available

125,488 already enrolled

Specialization - 5 course series

(5,081 reviews)

Skills you'll gain

• Short Story Writing
• Fiction Writing
• Copy Editing

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This Specialization covers elements of three major creative writing genres: short story, narrative essay, and memoir. You will master the techniques that good writers use to compose a bracing story, populated with memorable characters in an interesting setting, written in a fresh descriptive style. You will analyze and constructively evaluate peer writing. In the Capstone, you will draft, rewrite, and complete a substantial original story in the genre of your choosing.

Our courses are designed for anyone from the aspiring short story writer to established novelist. Whether you have a finished novel sitting on your desk calling for a fresh look or have had the germ of an idea for a decade, this Specialization gives you tools to achieve your goal. Through 4 courses focused on a key aspect of writing, and taken in any order you choose , you will develop a stronger ability to not only refine your writing, but critique writing in general and find inspiration in the works you are already reading.

Thanks to our sponsors, upon completion of their first assignment, learners in each course will receive up to an 80% discount from Write-Bros and a 30% discount off their first purchase from Scrivener to use on their writing software. Additionally, learners who complete an assignment will receive 30% off membership at the online writing community Scribophile. For more information about our partners, see the FAQ below.

Creative Writing: The Craft of Plot

What you'll learn.

In this course aspiring writers will be introduced to perhaps the most elemental and often the most challenging element of story: plot. We will learn what keeps it moving, how it manipulates our feelings, expectations, and desires. We will examine the choices storytellers make to snag our imaginations, drag them into a fictional world, and keep them there. We will learn how to outline and structure a plot, discuss narrative arc, pacing and reversals and reveal the inevitable surprise: connecting the beginning, middle and end.

Creative Writing: The Craft of Character

At the center of a good story are the characters in it. In this course aspiring writers will discover how to build and bring to life complex, vivid and unforgettable characters. We will study the choices a writer makes to bring all characters to life on the page, and we will perform written exercises in order to develop a variety of writing and pre-writing techniques, in order to create a variety of characters. We will learn how to use our own life experiences, and the people we know (and how not to!). We will develop inner (thoughts and feelings) and outer (appearance, habits, behavior) lives for our characters and see how that can lead us to richer and more interesting stories. We will breathe life into our characters and let them surprise us.

Creative Writing: The Craft of Setting and Description

In this course aspiring writers will be introduced to the techniques that masters of fiction use to ground a story in a concrete world. From the most realist settings to the most fantastical, writers will learn how to describe the physical world in sharp, sensory detail. We will also learn how to build credibility through research, and to use creative meditation exercises to deepen our own understanding of our story worlds, so that our readers can see all that we imagine.

Creative Writing: The Craft of Style

Your style is as unique and distinctive as your face, your voice, except that you can choose it, you can can work on it, enhance it. In this course we will introduce aspiring writers to the art of putting pressure on written language. We will study the use of metaphor and imagery, and demonstrate how clarity, grace, and inventiveness in word choice are imperative to a story’s success. Writers will emerge with the revision skills essential to all writers of good stories and good prose.

Capstone: Your Story

Everything comes together in the Capstone. You will draft a complete story, narrative essay, or memoir of 8–15 pages. With the advice of your peer readers, you will revise, rewrite, and complete it. The skills you’ve learned of plotting, setting, physical description, characterization, and stylistic clarity and innovation will culminate in an original work of art all your own. We’ll discuss the steps that professional writers take to bring their work into the public world. Along the way you’ll learn the patient habits of revision that make up the writer’s life.

Wesleyan University, founded in 1831, is a diverse, energetic liberal arts community where critical thinking and practical idealism go hand in hand. With our distinctive scholar-teacher culture, creative programming, and commitment to interdisciplinary learning, Wesleyan challenges students to explore new ideas and change the world. Our graduates go on to lead and innovate in a wide variety of industries, including government, business, entertainment, and science.

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Frequently asked questions

How long does it take to complete the specialization.

This Specialization will take 3-6 months to complete.

How often is each course in the Specialization offered?

The courses in this Specialization will be offered continually on demand. The capstone will be offered 4 times per year.

What background knowledge is necessary?

The Specialization courses will be rigorous and taught at the college level, but will be accessible to advanced high school students as well.

Do I need to take the courses in a specific order?

No, courses do not need to be taken in a specific order - the courses have staggered opening times to allow you to jump in to whichever course fits your schedule best!

What will I be able to do upon completing the Specialization?

After completing this Specialization, students will be able to craft an original story, whether fictional or taken from life, that will absorb a reader’s interest from the beginning and hold it through the end.

Who are the instructors?

Each course is taught by an esteemed author and professor. Collectively, they have published over a dozen novels and won numerous awards, including features in such publications as The New York Times, The Washington Post, and O: The Oprah Magazine. More information about each author is provided in their individual biographies.

Who are the partners?

Write Brothers (www.write-bros.com) offers several different tools for writers to craft their stories in an environment dedicated to writing, including Dramatica Pro, Outline 4D, and Movie Magic Screenwriter. The software is designed to help with all phases of writing, from brainstorming to outlining to formatting.

Scrivener (https://www.literatureandlatte.com/scrivener.php) is a powerful content-generation tool for writers that allows you to concentrate on composing and structuring long and difficult documents. While it gives you complete control of the formatting, its focus is on helping you get to the end of that awkward first draft.

Scribophile (www.scribophile.com) is a writing community focused on feedback, a central tenet of the Specialization you're embarking on here. Share your work, receive thoughtful critiques from other writers, improve your writing craft, and engage in a strong community of "the friendliest and most successful writing workshop online."

Is this course really 100% online? Do I need to attend any classes in person?

This course is completely online, so there’s no need to show up to a classroom in person. You can access your lectures, readings and assignments anytime and anywhere via the web or your mobile device.

What is the refund policy?

If you subscribed, you get a 7-day free trial during which you can cancel at no penalty. After that, we don’t give refunds, but you can cancel your subscription at any time. See our full refund policy Opens in a new tab .

Can I just enroll in a single course?

Yes! To get started, click the course card that interests you and enroll. You can enroll and complete the course to earn a shareable certificate, or you can audit it to view the course materials for free. When you subscribe to a course that is part of a Specialization, you’re automatically subscribed to the full Specialization. Visit your learner dashboard to track your progress.

Is financial aid available?

Yes. In select learning programs, you can apply for financial aid or a scholarship if you can’t afford the enrollment fee. If fin aid or scholarship is available for your learning program selection, you’ll find a link to apply on the description page.

Can I take the course for free?

When you enroll in the course, you get access to all of the courses in the Specialization, and you earn a certificate when you complete the work. If you only want to read and view the course content, you can audit the course for free. If you cannot afford the fee, you can apply for financial aid Opens in a new tab .

Will I earn university credit for completing the Specialization?

This Specialization doesn't carry university credit, but some universities may choose to accept Specialization Certificates for credit. Check with your institution to learn more.

More questions

School of Arts, Languages and Cultures

Creative Writing Summer School

Develop your writing skills in Manchester, a city with a rich literary heritage, which was recognised by UNESCO as a City of Literature in 2017. Explore a selection of contemporary British and Irish short stories and poems to inspire in-class writing assignments. Critique and improve your own fiction and poetry, become familiarised with the creative writing workshop and develop a useful critical language to support you to engage effectively with your own work and the work of others.

Course overview

The Creative Writing summer school will introduce you to some of the most important techniques of fiction and poetry writing. You will experience the creative writing workshop, helping you to develop a useful critical language with which to engage with your own work and the work of others.

The first half of the summer school will be dedicated to reading a selection of contemporary British and Irish short stories and poems as models which will inspire a variety of in-class writing assignments. In the second half of the summer school, you will begin to write and workshop your own fiction and poetry.

Course details

The course will be made up of a mix of lectures, seminars, workshops and individual tutorials. There is also a field trip excursion (details to be confirmed). The topics included for 2021 (subject to change) are likely to include:

• Course introduction, poetry, language and tone
• Point of view in fiction
• Dialogue in fiction
• Forms of poetry: sonnet and villanelle
• Plot in fiction
• Poetry workshops
• Fiction workshops

Assessment and credits

You will be assessed through continuous assessment, written work and an oral presentation.

The summer school carries 20 credits.

Entry requirements

To apply to the Creative Writing Summer School, we expect the following:

• You will be 18 or over on the first day of the course.
• You will be a registered undergraduate student at a tertiary institution such as a university or college. Mature students, postgraduates and recent graduates are also welcome to apply.
• You will have achieved good academic grades equivalent to GPA 3.0. Please contact us if you are not sure what the equivalent grade would be for your home institution.

English language

If English is not your first language, you must fulfil one of the following English Language proficiency requirements:

• IELTS score of 7.5 (or equivalent) with a minimum of 7.0 in each skill.
• TOEFL paper-based test minimum score of 590 with a minimum of 55 in all skills.
• TOEFL internet-based test minimum score of 98 with a minimum score of 22 in all skills.
• English Language O-level/IGCSE/GCSE grade B.
• International Baccalaureate Standard Level English, grade 5.
• Cambridge Advanced Certificate grade B.
• Cambridge Certificate of Proficiency in English, grade A.
• Level 5 of Chinese University English test for English majors, or Level 7 of Chinese University English Test.

All transcripts must be authorised by your university and your English language scores must be clearly presented in English and be no more than two years old.

We would be happy to consider your application or offer advice if you do not meet all of our entry requirements – please email [email protected]  to discuss your application.

Fees and finance

Tuition fee.

The tuition fee for students taking the course for 2021 is currently being reviewed. The tuition fee covers the teaching, assessment and field trips. If you are part of a group with more than 10 students from the same institution we can offer a 10% group discount.

Accommodation fee

The accommodation fees are not included in the tuition fee. For further information on availability of accommodation and the associated cost, please see the accommodation section. 

Personal expenses

In addition, you will need to budget for living costs to cover food, travel and personal expenses. Manchester is a relatively affordable place to live in. It is cheaper to cook than eat out. All accommodation provides cooking facilities. Weekly grocery shopping is approximately £30-£50.

All students are required to arrange their own travel and health insurance before arriving in Manchester.

Fees for the course, or part of the course, can only be refunded if cancellation in writing is received at least 20 working days before the published start date of the course. All refunds are subject to a £210 administration fee. The course deposit will only be refunded, less an administration fee of £210, within 20 working days of the course start date in exceptional circumstances e.g. a visa refusal, and upon receipt of documentary evidence. The administration fee is not refundable under any circumstances.

How to apply

Before you apply.

Please browse the course content and entry requirements before applying. 

You need to submit the following documents as part of your application before Friday 7 May 2021:

• an academic transcript from your current university;
• proof of your English language qualification such as IELTS or TOEFL scores;
• a completed  application form  (click to download).

Failure to include all of the required documentation will delay your application. Please see our Entry Requirements for further details.

All applications and accompanying documents should be emailed to  [email protected] . Applications are considered in the order they are submitted. Any applications received after the deadline may not be successful.

The admission process

• All correspondence will be via email so please check for responses regularly.
• After you have submitted your application, you will receive an acknowledgement email within 5 working days.
• A decision will be made on all applications by the end of May 2021, but we may contact you earlier. If you are offered a conditional place we will send you a letter detailing your next steps.
• Your place on the summer school is not confirmed until the course fees are paid in full. This is done via our online store using a credit or debit card. The deadline for payment will be Friday 28 May 2021.
• You will also be asked to pay for your accommodation at this point.
• Upon receipt of full payment, we will issue an unconditional offer letter.
• Please note that a minimum number of students is required for the course to run. Confirmation that the course will run as scheduled will be sent out to applicants in May 2021.

Visa requirements

Not all students require a visa to enter the UK – you can  check your eligibility on the Home Office website . 

If you do need a visa, it will usually be a Short-Term Study Visa which allows you to visit the UK for less than six months and undertake some study while here. It is not the same as a Tier 4 (General) student visa which requires a CAS number. You will be sent an unconditional offer letter which you can use for your visa application.

If you have any queries about which visa you should apply for, please visit the Home Office website or  email The University of Manchester's visa office .

University and city life

The University of Manchester is centrally located in the city of Manchester. It is a 30-minute drive from Manchester International Airport and 10 minutes from the main train station by car, from which you can travel to the rest of the UK via an extensive rail network.

The University is within walking distance of the city centre and main attractions like museums, shopping centres, theatres and sports venues. The city offers a wide choice of food outlets and restaurants. We are at the doorstep of the Curry Mile, well known for its Indian/Pakistani food. Manchester's China Town is the largest in the country with a number of Chinese, Korean and Japanese supermarkets.

Within a short distance of Manchester are the beautiful national parks of the Peak District, Lake District, Lancashire, Yorkshire and Cheshire. You will find beautiful natural scenery and tranquil spots in these places. They are popular tourist attractions for British families and international tourists.

Find out more

• Visit the main University's webpage on Student Life and the City

Accommodation

Standard accommodation is available at  Whitworth Park , and en-suite accommodation is available at  Denmark Road .

We offer a choice of standard or en-suite rooms in university halls of residence close to the teaching rooms. All rooms are private rooms (no sharing) and are grouped into self-catering apartments which share a living room and a kitchen. Included in the fee are cooking equipment, a weekly clean, and fresh bed sheets on a weekly basis.

Wireless internet is available on campus free of charge to university students, but in some bedrooms there is a wired broadband connection so students are advised to bring a laptop with them to allow a cable connection. There are also study spaces and computers available in  The University of Manchester Library  which students are encouraged to use.

We allocate students to their rooms in each flat to encourage a diverse mix of people from around the world, in keeping with the international experience. Therefore, you may not be placed in a flat with students from your home university.

The university campus is open to the public but patrolled by campus security.

For more information and to check availability please email the Creative Summer Schools team .

What to bring

We recommend bringing the following items:

• An umbrella, as Manchester can sometimes be a rainy city!
• A good waterproof coat, to keep you warm and dry.
• Sturdy footwear as we’ll be walking around the city and sometimes in the countryside.
• A backpack or daypack for carrying your belongings when on field trips.
• Sun protection cream, a hat and sunglasses for good weather. 
• Warm clothes such as jumpers, coats and hats for night time activities, outdoor excursions and bad weather.

If you forget anything, there are plenty of  shops in the city centre  where you can find all of the essential items.

For enquiries about the programme, you can contact the Summer School team:

E: [email protected]

T: +44(0)161 306 3997

Facebook /creativemanchester

Twitter: @creativemanchester

For more information on Creative Manchester see our website .

Summer 2021 Courses

English courses enable students to focus deeply on the diversity of stories people tell and to develop their own stories.

The Department of English offers over 200 courses each year about the stories people tell—past and present—with a focus on literature, language, rhetoric, film, media, and creative and analytical writing. Our courses for English majors contain 15-25 students, allowing for discussion-centered, hands-on experiences.

Course Catalogue

See the Undergraduate Catalog for a full list of our course offerings and Testudo for our current courses. Also see the Office of Extended Studies website for information about our summer and winter courses. Below are specialized descriptions for current and upcoming courses.

Major Requirements

If you are an English major and English-Education major,   consult our English / English-Education Boilerplate . View English major requirements  and English-Education major requirements a given course meets.

See our boilerplate for English majors declared before 2018 .

Summer 2021 Undergraduate Courses: English

Summer 2021 graduate courses.

Creative Writing & Publishing

Kalani olatunji.

Pronouns: She/Her/Hers

UROP Fellowship : CCSFP, Henry Ford College Research Mentor(s) : John Buckley, MFA, MA Research Mentor Institution/Department: College of Literature, Science, and the Arts, Department of English Language & Literature

Presentation Date: Wednesday, August 4th Session: Session 3 (5pm-6:20pm EDT) Breakout Room: Room 2 Presenter: 2

Writing is a personal, growing, and revealing experience that represents freedom and relief. Through the process of understanding other writers’ works by reviewing literary journals, magazines, and online literary journals (websites), a writer comes to interpret a style of writing of one’s own design and interpret the ideas of other writers to produce work that can be seen as an adventure. Using Duotrope, which is a tool that can be used by writers and poets to search through literary journals to review other writers works and to submit works of one’s own design, can lead to a discovery that no matter the genre of writing (nonfiction, fiction, or poetry), it should be based on creativity, honesty, and liberation. This discovery has led to an understanding that writing is an ongoing journey that will have its ups and downs. There will always be room for more and even less; however, it’s about how the writing influences readers and what it can evoke. It’s about understanding what one has written and what it means as it relates to oneself. The writing I’ve done that is to be submitted to journals will be authentically me and true to me as a writer. What is written and produced should have no limits when expressing self and thoughts that have meaning; just be mindful that the works created will always invite criticism, but that doesn’t mean that the meaning is any less important. All journeys have a rocky hill or bumpy road; that doesn’t mean it isn’t the path.

Authors: Kalani Olatunji Research Method: Creative Arts

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Elektrostal

Elektrostal Localisation : Country Russia , Oblast Moscow Oblast . Available Information : Geographical coordinates , Population, Area, Altitude, Weather and Hotel . Nearby cities and villages : Noginsk , Pavlovsky Posad and Staraya Kupavna .

Information

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Elektrostal Demography

Information on the people and the population of Elektrostal.

Elektrostal Geography

Geographic Information regarding City of Elektrostal .

Elektrostal Distance

Distance (in kilometers) between Elektrostal and the biggest cities of Russia.

Elektrostal Map

Locate simply the city of Elektrostal through the card, map and satellite image of the city.

Elektrostal Nearby cities and villages

Elektrostal weather.

Weather forecast for the next coming days and current time of Elektrostal.

Elektrostal Sunrise and sunset

Find below the times of sunrise and sunset calculated 7 days to Elektrostal.

Elektrostal Hotel

Our team has selected for you a list of hotel in Elektrostal classified by value for money. Book your hotel room at the best price.

Elektrostal Nearby

Below is a list of activities and point of interest in Elektrostal and its surroundings.

Elektrostal Page

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IELTS Exam Preparation: Free IELTS Tips, 2024

• elektrostal'

Take IELTS test in or nearby Elektrostal'

There is no IELTS test center listed for Elektrostal' but you may be able to take your test in an alternative test center nearby. Please choose an appropriate test center that is closer to you or is most suitable for your test depending upon location or availability of test.

Closest test centers are:

Make sure to prepare for the IELTS exam using our Free IELTS practice tests .

Moscow, Russia

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An Overview of the IELTS

The International English Language Testing System (IELTS) is designed to measure English proficiency for educational, vocational and immigration purposes. The IELTS measures an individual's ability to communicate in English across four areas of language: listening , reading , writing and speaking . The IELTS is administered jointly by the British Council, IDP: IELTS Australia and Cambridge English Language Assessment at over 1,100 test centres and 140 countries. These test centres supervise the local administration of the test and recruit, train and monitor IELTS examiners.

IELTS tests are available on 48 fixed dates each year, usually Saturdays and sometimes Thursdays, and may be offered up to four times a month at any test centre, including Elektrostal' depending on local needs. Go to IELTS test locations to find a test centre in or nearby Elektrostal' and to check for upcoming test dates at your test centre.

Test results are available online 13 days after your test date. You can either receive your Test Report Form by post or collect it from the Test Centre. You will normally only receive one copy of the Test Report Form, though you may ask for a second copy if you are applying to the UK or Canada for immigration purposes - be sure to specify this when you register for IELTS. You may ask for up to 5 copies of your Test Report Form to be sent directly to other organisations, such as universities.

There are no restrictions on re-sitting the IELTS. However, you would need to allow sufficient time to complete the registration procedures again and find a suitable test date.

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The reading, writing and listening practice tests on this website have been designed to resemble the format of the IELTS test as closely as possible. They are not, however, real IELTS tests; they are designed to practise exam technique to help students to face the IELTS test with confidence and to perform to the best of their ability.

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Students should review our Registration Policies before enrolling.

Course offerings for future quarters are tentative and are subject to change. For the most up-to-date schedule and enrollment information, please consult the UW Time Schedule .

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