fashion design research paper pdf

International Journal of Interdisciplinary Research

• Open access
• Published: 25 December 2022

Evaluation and trend of fashion design research: visualization analysis based on CiteSpace

• Yixin Zou   ORCID: orcid.org/0000-0002-1880-6382 1 ,
• Sarawuth Pintong 2 ,
• Tao Shen 3 &
• Ding-Bang Luh 1  

Fashion and Textiles volume  9 , Article number:  45 ( 2022 ) Cite this article

9176 Accesses

4 Citations

Metrics details

Fashion or apparel refers to a topic discussed publicly as an indispensable discipline on a day-to-day basis, which has aroused rising attention from academic sessions over the past two decades. However, since the topic of fashion design covers knowledge in extensive ranges and considerable information, scholars have not fully grasped the research field of fashion design, and the research lacks directional guidance. To gain more insights into the existing research status and fronts in the fashion design field, this study conducts a quantitative literature analysis. The research of this study is conducted by employing CiteSpace technology to visualize and analyze 1388 articles regarding “fashion design” in the Web of Science (WOS) Core Collection. To be specific, the visualization and the analysis concentrate on the annual number of articles, author collaboration, institutional collaboration, literature citations, keywords clustering, and research trend evolution of the mentioned articles. As highlighted by this study, the effect of the US and the UK on academic research in fashion design is relatively stronger and extensive. Sustainable fashion refers to the research topic having aroused more attention since 2010, while new research topics over the past few years consist of “wearable fashion”, “transgender fashion” and “medical fashion”. The overall research trend of fashion design is developing as interdisciplinary cross research. This study systematically reviews the relevant literature, classifies the existing research status, research hotspots and frontier trends in the academic field of “fashion design”, and presents the knowledge map and information of literature for researchers in relevant fields.

Introduction

In academic research and writing, researchers should constantly search relevant literature to gain systematic insights into the subject area (e.g., the major research questions in the field, the seminal studies, the landmark studies, the most critical theories, methods and techniques, as well as the most serious current challenges). The process to answer the mentioned questions refers to an abstract process, which requires constant analysis, deduction and generalization. Any literature emerging over time may be critical, any research perspective may cause novel inspiration, and any detail can be the beginning of the subsequent research. However, when literature is being sorted and analyzed, if judgment only complies with personal experience, important literature will be inevitably missed, or the research direction will be lost in the research. For the process of conducting literature analysis, Hoover proposed that the quantitative methods of literature represent elements or features of literary texts numerically, applying effective, accurate and widely accepted mathematical methods to measure, classify and analyze literature quantitatively (Hoover, 2013 ). On this basis, literary data and information are more comprehensively processed. Prof. Chaomei Chen developed CiteSpace to collect, analyze, deliver and visualize literature information by creating images, diagrams or animations, thereby helping develop scientific knowledge maps and data mining of scientific literature. Knowledge visualization primarily aims to detect and monitor the existing state of research and research evolution in a knowledge field. Knowledge visualization has been exploited to explore trends in fields (e.g., medical, management science, biomedicine and biotechnology).

However, the international research situation in fashion design has not been analyzed by scholars thus far. Fashion, a category of discourse, has been arousing scholars’ attention since the late nineteenth century (Kim, 1998 ). In such an era, fashion is recognized by individuals of all classes and cultures, and it is publicly perceived. The field of fashion design is significantly correlated with people's lives (Boodro, 1990 ), and numerous nations and universities have long developed courses regarding fashion design or fashion. Besides, the development of fashion acts as a symbol of the soft power of the country. The discussion on fashion trend, fashion designer, fashion brands, artwork and other topics in the society turns out to be the hotspot discussed on a nearly day-to-day basis, and the discussion in the society even exceeds the academic research. However, the academic research of fashion design refers to a topic that cannot be ignored. The accumulation and achievements of academic research are manifested as precipitation of knowledge for developing the existing fashion field, while significantly guiding future generations. Studying the publishing situation and information in fashion design will help fashion practitioners or researchers classify their knowledge and provide them with novel inspiration or research and literature directions.

This study complies with the method of quantitative literature analysis, and CiteSpace software is adopted to analyze the literature in fashion design. Through searching web of science (WOS) Core Collection, 1388 articles regarding “fashion design” are retained. Co-citation, co-authoring and co-occurrence analysis refer to the major functions of CiteSpace. This study analyzes the articles regarding “fashion design”, and the focus is placed on the annual publication volume, author collaboration, institutional collaboration, national collaboration, literature citations, keyword co-occurrence, keyword clustering, and the research evolution, and visualized the literature and research as figures of these articles. The results here are presented as figures. This study provides the fronts knowledge, the current research status research, the hotspots and trends in fashion design research.

In this study, CiteSpace technology is adopted to analyze all collected literature data. CiteSpace, developed by Professor Chaomei Chen, an internationally renowned expert in information visualization at Drexel University, USA (Wang & Lu, 2020 ), refers to a Java application to visually analyze literature and co-citation networks (Chen, 2004 ). CiteSpace is capable of displaying burst detection, mediated centrality and heterogeneous networks regarding literate information. Visual analysis of the literature by using CiteSpace covers three functions, i.e., to identify the nature of specialized research frontiers, to label and cluster specialized research areas, as well as to identify the research trends and abrupt changes based on the data derived from the analysis. CiteSpace provides a valuable, timely, reproducible and flexible method to track the development of research trends and identify vital evidence (Chen et al., 2012 ).

To analyze the existing status of research and publications on the topic of “fashion design” in academia and different nations, the “Web of Science” (WOS) database is adopted as the data collection source here. Web of Science provides seamless access to existing and multidisciplinary information from approximately 8700 of the most extensively researched, prestigious and high-impact research journals worldwide, covering Science Citation Index (SCI) Social Science Citation Index (SSCI), as well as Arts and Humanities Citation Index (A&HCI) (Wouters 2006 ). Its vital feature is that it covers all article types, e.g., author information, institutional addresses, citations and References (Wouters 2006 ). Research trends and publications in specific industry areas can be effectively analyzed.

To be specific, the “Web of Science Core Collection” database is selected in Web of Science and the indexing range includes SCI, SSCI, A&HCI, CPCI-S, CPCI-SSH, BKCI-S, BKCI-SSH, ESCI databases. This step aims to expand the search scope of journals and search a maximal amount of relevant literature. A “subject search” is adopted, covering the search title, the abstract, the author and the keywords. There have been other areas of research on clothing or textiles (e.g., textile engineering and other scientific research areas). However, in this study, to ensure that the topic of analysis is relevant, the subject search is conducted by entering “fashion design” or “Costume design” clothing design”, or “Apparel design”, and only academic research regarding fashion design is analyzed. To ensure the academic nature of the collected data, the search scope here is the “article” type. The time frame was chosen from 2000 to 2021 to analyze the publications on “fashion design” for past 21 years. After this operation, the results of the search were filtered two times. The search was conducted until September 23, 2021, and 1388 articles were retained on the whole.

All bibliographic information on the pages was exported into text format and subsequently analyzed with CiteSpace software. Retrieved publications were filtered and copies were removed in CiteSpace to ensure that the respective article is unique and unduplicated in the database. 1388 articles filtered down from 2000 to 2021 were analyzed in all time slices of 1 year, and most of the cited or TOP 50 of the respective item were selected from each slice.

Results and Discussion

Publications in the last 21 years.

The publication situation of WOS database with “fashion design” as the theme from 2000 to 2021 shown in Fig.  1 . On the whole, the number of articles published on the theme of “fashion design” is rising from 2000 to 2007, the number of articles published each year is almost identical, and the number of articles published in 2008–2009 is slightly increasing. The second wave of growth is in 2011, with an increase about 60% compared with the number of publications in 2010, and it has been rising year by year. 2017 is the peak year with a high volume of 171 publications. 2018 shows another decline, whereas over 100 publications remain. 2018, 2019 and 2020 show continuous growths again. As of September 2021, the number of publications in 2021 is 77. Although the number of articles declines in 2018, the overall number of articles over the past 2 decades is still rising. The reason for the low number of publications around year of 2000 is that fashion as a category of discourse has aroused the attention of scholars from the late nineteenth century (Kim, 1998 ). The year-on-year increase is explained as research on fashion is arousing rising attention from scholars. The significant increase in research papers regarding “fashion design” in 2016 and 2017 is that around 2016, and the fashion industry has been impacted by technological developments. Moreover, the way in which design and clothing made has incorporated considerable technological tools (e.g., 3D printing and wearable technology).

Total publications and sum of times cited from 2000 to 2021 according to the web of science. Data updated to September 2021

Author co-authorship analysis

The knowledge map of cited authors based on publication references can present information regarding influential research groups and potential collaborators (Liang, Li, Zhao, et al., 2017 ). The function of co-authorship analysis is employed in CiteSpace to detect influential research groups and potential collaborators. Citespace can calculate the most productive authors in related fields. Table 1 shows that the most productive authors, which related with fashion design theme.

The author with the maximal number of publications is Olga Gurova from Laurea University of Applied Sciences in Helsinki (Finland). Her research area has focused on consumer nationalism and patriotism, identity politics and fashion, critical approach to sustainability and wearable technology and the future. Sustainable design has been a hotspot over the past decade and continues to be discussed today, and wearable technology has been a research hotpot in recent years. Olga Gurova is in first place, thereby suggesting the attention given to the mentioned topics and studies in society and fashion area. The second ranked author is Marilyn Delong from University of Minnesota (The USA). The research area consists of Aesthetics, Sustainable apparel design, History and Material Culture, Fashion Trends, Cross-cultural Influence on Design, as well as Socio-psychological aspects of Clothing. The author with the identical number of 7 publications is Kirsi Niinimäki from Aalto University (Finland). Her research directions consist of sustainable fashion and textiles, so her focus has been on the connection between design, manufacturing systems, business models and consumption habits.

For Caroline Kipp, her research area includes modern and contemporary textile arts, decorative arts and craft, craftivism, jacquard weaving, French kashmere shawls, as well as color field painting. For Nick Rees-Roberts, his research area includes fashion film, culture and digital media. Veronica Manlow from Brooklyn College in the Koppelman School of Business (USA.) The research field consists of creative process of fashion design, organizational culture and leadership in corporate fashion brands. Kevin Almond has made a contribution to creative Pattern Cutting, Clothing/Fashion Dichotomies, Sculptural Thinking in Fashion, Fashion as Masquerade. Hazel Clark, and his research field covers fashion theory and history, fashion in China, fashion and everyday life, fashion politics and sustainment. As revealed from the organization of the authors' work institutions and nations in the table, most of the nations with the maximal frequency of publications originate from the US, thereby revealing that the US significantly supports fashion design research. In general, the research scope covers fashion design, culture, mass media, craft, marketing, humanities, technology and etc. Based on the statistics of authorship collaboration, this study indicates that scholars from the US and Finland take up the top positions in the authorship publication ranking.

Moreover, Fig.  2 shows the academic collaborations among authors, which are generated by selecting the unit of analysis, setting the appropriate thresholds. The distance between the nodes and the thickness of the links denote the level of cooperation among authors (Chen & Liu, 2020 ). The influential scholars and the most active authors have not yet developed a linear relationship with each other, and collaborative networks have been lacked. It is therefore revealed that the respective researcher forms his or her own establishment in his or her own field, whereas seldom forms collaborative relationships. Thus, this study argues that to improve the breadth and depth of the field of fashion design research, the cooperation and connections between authors should be strengthened (e.g., organizing international collaborative workshops, joint publications and academic conferences) to up-regulate the amount of knowledge output and create more possibilities for fashion research.

Author collaboration network

Institution co-authorship analysis

The number of articles issued by the respective institution and the partnership network are listed in Table 2 .

Figure  3 shows the collaborative relationships among research institutions, while the distance between nodes and the thickness of links represents the level of collaborative institutions. The size of the nodes represents the number of papers published by the institutions, while the distance between the nodes and the thickness of the links indicates the level of cooperation between the institutions.

Co-relationships between nations in “fashion design” research

As indicated from the Table 2 , most of the top ten publishing institutions are from the UK and the US, and two universities in the UK rank first and second with more than 20 publications, and most of the institutions are from the UK, thereby demonstrating that the UK's achievements and effect in the field of fashion are far more than other nations. According to the cooperation network between institutions, there are 5 main cooperation networks. First, London College of Fashion, achieving the most number of articles, and there are 8 institutions cooperating with London College of Fashion, among which the closest cooperation is with Parsons Paris Sch Art & Design in the US, whose more influential areas of articles are consumers behavior, unisex clothing, third gender, communicating sustainability, real installation, Italian fashion system, global market, local culture, knitwear and textile design, international scenario, conventional craft methodologies, innovative potential, as well as 3D software application.

The second network of partnerships concentrates on University Arts London as the central node, with frequent collaborators (e.g., Center St Martins Coll Art & Design, Loughborough University Technology, Hut Grp, Sothebys Inst Art, Project Mobile Ising Sexual Hlth, De Montfort University, University of Southampton, Royal Soc Arts, Royal Coll Art). The more influential areas of publication are: electric corset, future histories, clothing sustainability, south Asian youth culture, textile patterning technique, hybrid functional clothing, UK fashion upcycling businesses, rematerializing crafting understanding, fashion designers apprentice, design ethnography approach, developing apparel design guideline and so on.

The third collaborative network is formed by Aalto University, DongHua University, University Southern Denmark, and other institutions, with more influential publications below: haring clothe; fashion designer; Chinese ethnic minority; design recipe; clothing carbohydrate binge; training design researcher; fashion design; traditional handicraft, etc.

The fourth cooperation network consists of Hong Kong Polytechnic University, Ryerson University, Queensland University of Technology, Tsinghua University, York University, Art Comm China Fashion Associate, and other institutions. The influential publications areas are: Zhongshan suit; creative application; clothing design; Chinese male; medical moment; menswear design preference; cross-national study; aesthetic aspect; evaluative criteria; disease prevention.

The fifth network organized by University Minnesota Sch Design, Seoul Natl University, Cornell University, University Calif Davis, University North Carolina Greensboro, Colorado State University and others, with the influential research areas if sustainable apparel design practice, sustainable clothing, female users’ perspective, up-cycling design process; apparel design education; strategic ambiguity effective instructional tool, as well as apparel design.

It is noteworthy that: (1) although the University of Leeds has the maximal number of papers, it has not formed a collaborative network with the University of Leeds in the analysis of collaborative relationships; UK institutions have achieved prominent research results, but in the analysis of the number of author papers, and most of the authors with more papers originate from the US. In brief, British institutions, especially university institutions, generally achieve a high level of research, whereas there are fewer authors with a particularly high number of publications. (2) Asian culture covering South Asian youth culture and Chinese fashion culture appear 3 times in the research network as one of the important research areas that combine fashion and culture. (3) Moreover, the respective sub-network has exchanges and cooperation with universities or institutions from other nations, whereas the distance between the sub-networks is long. It indicates that the self-networks have not yet formed a unified network structure among each other, and are only active within their own groups. The issuing institutions that enter the top ten are nearly universities, which acts as the main power of academic articles punishment, and few other institutions (e.g., companies or social organizations). Accordingly, the cooperation between institutions should be boosted. It is necessary to exploit their strengths and advantages, expand the research field and research scope, and make more contributions to the research on “fashion design” topic.

Country co-authorship analysis

Table 3 lists the studies status on “fashion design” in different nations. The US has the maximal number of publications with 257 articles, followed by the UK with 226 articles.

Figure  4 shows the co-relationships between differently nations. The nodes in the Fig.  4 represent nations, and their sizes indicate the number of articles from different nations. The distance between the nodes and the thickness of the links represents the level of cooperation between nations. The purple rings of the purple nodes indicate high centrality, which means that the mentioned nodes are key points connecting different parts of the network. The thicker the purple ring, the higher the centrality of that node. With the U.S. as the centrality degree, it links France, Lebanon, Scotland, Nigeria, Italy, Ireland, South Korea, Thailand, England, the People’s Republic of China, Sweden, Turkey, Canada, Netherlands, Finland, Switzerland, Australia, 17 nations in total. With the U.S. as the centrality degree, it links France, Italy, Brazil, Scotland, Denmark, Thailand, South Africa, Turkey, Australia, Sweden, Wales, the People’s Republic of China, North Ireland, Sweden, Canada, Netherlands, Finland, Switzerland, Germany, Egypt, America, a total of 22 nations are linked. Although the previous information on the volume of publications by institutions shows that institutions in the UK nations are dominant. However, the total volume of publications compared, the US is higher than the UK, thereby demonstrating that some other institutions or organizations besides universities also contribute to the volume of publications. Furthermore, as revealed from the degree of crossover of the cooperation network in Fig.  5 , except for the UK and the US, there is but not close cooperation and connection between other nations, the nodes are far away, and the more prominent node centers are the US and the UK. This leads to the conclusion that nations should strengthen the intensity and density of cooperation and enhance their influence in fashion design research.

Linking relationships between nations

Cited references network among the literature

As indicated from the analysis of the previous network of authors, collaborating institutions and collaborating nations, the research results are more superior in the US and the UK. However, given the research statistics issued by WOW Travel in 2019, the top 10 influential nations in the field of fashion consist of the USA, the UK, Italy, France, Japan, Netherlands, Germany, Spain, the People' Republic of China, including Korea. This phenomenon is likely to be attributed to the different language systems of nations other than the UK and the US, and that some of the mentioned nations have their own search databases for articles. For this reason, the publication data are not retrieved. Other nations should actively publish in English or international academic journals to expand their effect on the international research field, not only in fashion trends or arts work creation.

Co-scholar study based on cited references

The literature can be termed a knowledge base, as well as a source of knowledge and ideas. A novel research cannot be outputted without the contribution of knowledge from previous authors, as well as the insights into and mastery of the literature. Co-scholar analysis builds a literature co-citation network by selecting several representative studies as the object of analysis. Vital references in a specific research area can be detected, and a knowledge graph of cited authors by complying with published references can present information regarding influential research field and knowledge. Table 4 shows the most distribution of the references in fashion design theme. Figure  5 is an analysis of the highly cited literature network. Describe and summarize the high-cited literature based on the information in the two charts.

The node density is 0.00313 for cited reference network, thereby illustrating that fewer links and co-citations among the literature. For the citation status of the respective literature, the analysis begins with the work of Fletcher Kate, appearing more frequently in the table, Fletcher Kate’s 2016 book “ Craft of use: post-growth fashion ” pertains to label 0 “fashion system”. The book explores “craft of use”, using ingenious ideas and practices to make garments/fabrics present as an alternative, dynamic, experiential framework for articulating and promoting sustainability in the fashion world (Fletcher, 2016 ). Fletcher, 2012 and Fletcher and Tham, 2014 pertain to the identical cluster 6. Fletcher Kate’s 2012 “ Fashion Sustainability ” counting 12 times, with ranking No.1 in Table 4 . The book’s contents about fashion sustainability in three main parts, i.e., fashion products, fashion system, as well as fashion design practice (Fletcher, 2012 ). According to the graph, Fletcher Kate's book exhibits a high frequency in the citation network and overall citation. The book from Fletcher ( 2008 ) talking about sustainable fashion and clothing, which has the second maximal citation, frequency of 9. The book is primarily concerned with sustainable fashion and sustainable design. Routledge handbook of sustainability and fashion, published in 2014. The major contents focus on sustainability, and fashion recognizes the complexity of aligning fashion with sustainability. It explores fashion and sustainability at the levels of products, processes and paradigms, while employing a truly multi-disciplinary approach to critically question and suggest creative responses to issues, i.e., Fashion in a post-growth society, Fashion, diversity and equity, Fashion, fluidity and balance across natural, social and economic systems, social sciences, arts and humanities interested in sustainability and fashion (Fletcher and Tham, 2014 ). Fletcher Kate made prominent contributions to fashion sustainable design and sustainable development.

The third most frequently cited book is Manzini’s ( 2015 ) book " Design, When Everybody Designs ", with eight citations. It presents Design and social Innovation, Collaborative organizations and encounters, Design ways and Design for novel cultures (Manzini, 2015 ). The ideas of social innovation design and sustainable design are presented.

The journal of “You are what you wear: How plus-size fashion figures in fat identity formation” from Lauren Downing Peters, takes up the third place in terms of frequency of citations. The research regarding fat identities are formed through the intimate practices of self-fashioning and via social channels (e.g., shopping and fashion blogging), thereby bridging the fields of fat studies and fashion studies. It also considers issues of performativity and is reflected as a situated bodily practice. Fashion design is combined with humanistic care (Peters, 2014 ).

The book Fashion and Culture: Cultural Studies, Fashion Studies, from SB Kaiser, 2012 be cited 7 times. The main topic is the integration of fashion, design and culture (Kaiser, 2012 ). Jenss ( 2016 ), Fashion Studies: Research Methods, Sites, and Practices , is cited 6 times. The book explores fashion in wide-ranging contexts by stressing material culture and ethnographic approaches in fashion studies. Ryan ( 2014 ), Garments of Paradise: Wearable Discourse in the Digital Age, research about the wearable fashion based on the new era (Ryan, 2014 ). Fashion design industry impressions of current sustainable practices , 2014, Noël Palomo-Lovinski, the article explores professional fashion designers' understanding and awareness of current sustainable design (Palomo-Lovinski & Hahn, 2014 ).

As revealed from the analysis of the co-cited literature, the literature and research areas arousing more attention in the fashion design area from 2009 to 2016 consist of fashion sustainable design and sustainable development, fashion humanities, fashion design strategies, wearable technology, fashion and culture, and Chinese fashion.

Co-occurrence analysis for the research frontier and trends

Hot research topics.

A research hotspot refers to a research issue or topic explored by a relatively large number of articles that are intrinsically linked within a certain period. The keywords are the authors' high distillation and summary of the core content of the article, reflecting the research value and direction of the article. Keywords achieving high frequency are generally exploited to identify the hot issues in a research field. The noun phrases extracted from the article can also represent the hotspot of research in a particular field to a certain extent. Clustering analysis of keywords is performed by CiteSpace software to generate keyword clustering knowledge graphs (Hu et al., 2019 ). The mentioned clusters reflect the last 21 years of topics in fashion design research (shown in Fig.  6 ).

Co-citation clusters about “fashion design” theme

The silhouette scores of the major cluster that were focused on in the review were sufficiently high. Analyzing the size of clusters by Silhouette and size, and the cluster labels could be defined by log-likelihood ratio (LLR) to explain the term contained in. The top 10 keywords in the respective cluster are summarized in the Table 5 .

As indicated from the analysis of the keywords in the respective cluster, the research content of the respective cluster overlaps with each other. However, international research in the “fashion design” field can be summarized as eight major research fields: “Skill/Tools/Technologies/Material with fashion innovation”, “Wearing class and Art”, “Sustainable fashion”, “fashion design/ fashion designer and arts work”,” Education”, “fashion industry and business”, “fashion with culture”, “Medical fashion”.

(1) Skill/ Technologies/Materials with fashion design innovation. The common label that appears are: Wearable new materialism; technological innovation, wearable technologies, future mode, digital exploration, digital design, technological innovation, smart material systems. Promoted by the rapid development of society and science and technology, interdisciplinary learning and research has also emerged in the fashion industry. Innovative design, fabric innovation or innovative display combined with high-tech, novel materials and virtual or digital industries turns out to be a novel topic of great interest in the fashion industry (Barati, Karana, & Hekkert, 2019 ; Burns, 2022 ; Bower & Sturman, 2015 ; Chuah, Rauschnabel, Krey, et al., 2016 ; Feng, 2020 ; Ferrara, 2019 ; Huang, Tang, Liu, et al., 2018 ; Juhlin, 2015 ; Rocamora, 2017 ; Smelik, 2018 ; Smelik et al., 2016 ; Ünay & Zehir, 2012 ).

(2) Wearing culture and Arts. The common labels consist of dressing strategies, transgender fashion, men fashion, human right, accessorizing bodyscape, popular art, applied art. It focuses on different types of people, human rights and humanistic concerns, including unisex fashion. The collection is designed and worn with a mix of different arts, cultures and trends, as well as regional dress cultures, such as Chinese. The collection is inclusive of fashion and highly integrated with art (Chance, Camilleri, Winstone, et al., 2016 ; Geczy & Karaminas, 2011 ; Hancock, Johnson-Woods, & Karaminas, 2013 ; Martin, 1999 ; Mocenco, Olaru, Popescu, et al., 2016 ; Nelson & Hwang, 2019 ; Sabine Linke, 2013 ; Tullio-Pow, Yaworski, & Kincaid, 2021 ; Vainshtein, 2012 ).

(3) Sustainable fashion. Including the labels of sustainability knowledge, sustainable fashion, sustainable practice, communicating sustainability, sustainability knowledge, sustainable consumption, etc. Sustainable development and sustainability are a hotspot of discussion in academia. Sustainable fashion, i.e., Eco-fashion, refers to part of a growing design philosophy and sustainable design trend aiming to create a sustainable system capable of supporting environmental, socially responsible and sociocultural aspects (Aakko & Koskennurmi-Sivonen, 2013 ; De Brito, Carbone, & Blanquart, 2008 ; Fletcher, 2013 ; Gordon & Hill, 2015 ; Gwilt, 2020 ; Henninger, Alevizou, & Oates, 2016 ; Lundblad & Davies, 2016 ; Mukendi, Davies, Glozer, & McDonagh, 2020 ; Niinimäki, 2013 ; Shen, 2014 ; Wang & Lu, 2020 ).

(4) Fashion design, fashion designer and arts work. As the fundamental topic in fashion design field, the labels consist of design strategies, young fashion designer, costume design, South Korean contemporary fashion design, China fashion design, etc. Is the research about the characteristics of fashion in different historical stages, region, area, culture and style study (Bugg, 2009 ; Chang & Lee, 2021 ; Creigh-Tyte, 2005 ; Kawamura, 2004 ; Kim & Farrell-Beck, 2005 ; Larner & Molloy, 2009 ; Ling et al., 2016 ; Millspaugh & Kent, 2016 ; Park, 1993 ; Sterlacci, 2019 ).

(5) Education. Responsible fashion business education, teaching system, fashion design course, interactive teaching, fashion entrepreneurship education, etc. Educational methods have constantly been a vital topic required to be discussed, and teaching methods and concepts have been reformed and innovated to respond to social and economic development, as well as to the constant innovation of knowledge, skills and cultural heritage (Armstrong & LeHew, 2013 ; Faerm, 2012 ; Fletcher, 2013 ; Lee & Sohn, 2011 ; Stensaker, 2007 ).

(6) Fashion industry and business. In modern commodity society, the concept of fashion is more than a way of life and an inner state of mind. People's pursuit of fashion will change the existing mode of life and behavior, thereby constantly creating new demands. Accordingly, the emergence of new products is promoted, as well as the development of novel industries. Fashion products are not only characterized by commercial products, but also help create a fashion industry chain and huge economic benefits for its high added value, easy dissemination and wide circulation (Guercini & Runfola, 2010 ; Pal & Gander, 2018 ; Pedersen, Gwozdz, & Hvass, 2018 ; Şen, 2008 ; Shamsuzzoha, Kankaanpaa, Carneiro, et al., 2013 ; Todeschini, Cortimiglia, Callegaro-de-Menezes, & Ghezzi, 2017 ).

(7) Fashion with culture. The labels include cultural heritage, traditional craft methodologies, new vision, cultural identity, cultural knowledge, etc. Understanding the effect of culture on the fashion industry and design creation gives insight into the style of fashion people want. For the identical reason, fashion impacts the way we live. Fashion is impacted by changes in culture (e.g., modernization, art, and even innovative technology). It is noteworthy that fashion is created by people living in different cultures and places. If one wants to understand fashion, one should be aware of the cultures of different places (e.g., traditional cultures, cultural heritage, new cultural contexts, and cross-cultural exchanges) (Fillin-Yeh, 2001 ; Jansen, 2014 ; Ko & Lee, 2011 ; Roche, 1996 ; Rocamora, 2017 ; Woodside & Ko, 2013 ; Zou and Joneurairatana, 2020a , b ).

(8) Medical fashion, the labels (e.g., mask making, world view, disease prevention, wearable development and fashioning masks). The medical area fashion is listed as a separate field because of the specificity and timing of this field. Since the outbreak of Covid-19 in 2020, the concern for health and disease worldwide has become an essential topic, and almost every research area has a connection with medical care, as impacted by such a general trend and environment, led to developments in the field of “medical care fashion” (e.g., the development of new materials, masks and protective fashion). In addition, due to the development of “human centred design” thinking, the current fashion industry not only pays attention to the creation of artistic works, but also pays more attention to humanistic care. The needs of special groups have also attracted the attention of the fashion industry, such as disabled people, etc. (Kim, et al., 2021 ; Koenig & Carnes, 1999 ; Li & Yim, 2021 ).

Keywords with the strongest citation bursts

Keywords with the strongest citation Bursts can be exploited to reflect the main research content of a research topic over time, and also to reflect the research trends in a certain time period. The tracking and identification of research trends can offer researchers information regarding the changes in research hotspots in the field of specialization, and can provide relevant inspiration and information for researchers in the field. Research frontiers are emerging theoretical trends and new topics that can be synthesized and judged in CiteSpace based on analysis of keywords with the strongest citation bursts (Li & Wang, 2018 ).

After running the CiteSpace software, 13 keywords with maximal citation bursts were obtained (shown in Fig.  7 ).

Top 13 keywords with the strongest citation bursts in “fashion design” area

In this study, the research scope is selected from 2000 to 2021, and the strongest citation bursts are concentrated after 2010. The mentioned consist of identity, culture, fashion trend, popular culture, design process, education, design practice, craft, etc. Moreover, the analysis of the strongest citation bursts complies with the following noteworthy points:

The topic of sustainable fashion has burst on the scene three times over the last decade, i.e., in 2015 for “sustainable design”, in 2015 for “sustainability”, as well as in 2018 for “sustainable fashion”. The evolution of sustainable fashion can be identified in the shift from “sustainable production” to “sustainable fashion” concepts. In the wake of the world's biggest ever garment industry disaster, the collapse of the Rana Plaza factory in Bangladesh, having caused death of over 1100 people (Rahman, 2014 ) the fashion movement by complying with the concept of “sustainability” is fading massively, which reveals an increased interest in sustainable fashion and ethical practices in the fashion industry (Westervelt, 2015 ). As sustainability turns out to be a “megatrend” (Mittelstaedt, Shultz, Kilbourne, et al., 2014 ), the fashion field has changed dramatically in accordance with the concept of “sustainable fashion” (e.g., sustainable design, fabrics, production and consumption) (Watson & Yan, 2013 ; Mora et al., 2014 ). Moreover, today sustainable fashion refers to a movement and process facilitating the transformation of fashion products and fashion systems towards greater ecological integrity and social justice. Sustainable fashion is not only concerned with fashion textiles or products, but concerned with the dependent social, cultural, ecological and financial systems correlated with people.

Research rends and frontier on fashion design

The identification and tracking of research frontiers present researchers with the latest developments in the disciplinary research evolution, predicts the trends in the research field, and identifies issues required to be explored more specifically. Research frontier topics are novel topics of interest in the field, indicating the social environment and research context. In brief, it can be referenced for relevant researchers in this field.

After CiteSpace is run, keyword timing profiles are generated by time segment based on Cluster co-occurrence analysis (shown in Fig.  8 ).

Time zone view in fashion design research

From the time zone view, the research in fashion design can fall into four phrases. The first phrase is that the research situation before 2004 did not form a cluster, thereby indicating that the research on fashion design was scattered before 2004. The second phrase is from 2004 to 2010, thereby revealing that the term of “international modernism” appeared twice. It can be explained by the frequent cross-cultural exchange activities between nations. The research emphasis shifts from fashion research in the traditional sense (e.g., apparel characteristics, designer and design styles) to cross-cultural and regionally fashion culture research (e.g., China, Europe, and the US). The third phase is from 2011 to 2017, more clusters appear in this time period, thereby demonstrating a higher volume of articles published. The research topics in fashion design show a diversity of clusters keywords and a wider range of research directions (e.g., culture, regional fashion, traditional apparel, humanities, education, design approaches and techniques). The fourth stage is from 2017 to the present, the keywords of clusters are more obvious, especially the label around 2017: “wearable technologies”. The mentioned keywords include wearable technology, wearable devices, fashion technology, smart wear, and technology socks. This novel technology is “skin electronics” or “fashion electronics”, which are intelligent electronic devices worn near or on the skin surface to detect, analyze and transmit information regarding the body information, body signals, vital signs or environmental data and others; in several cases, the information can be delivered to the wearer (Chuah, Rauschnabel, Krey, et al., 2016 ; Çiçek, 2015 ; Farrington, 2016 ). The second label is “Transgender Fashion”, unisex fashion, embodies the humanistic nature of fashion. Moreover, the label in 2021 is concerned with “Medical Moment”. With the global outbreak of Covid-19, how to against the virus is the daily topic be concerned by global. Protective clothing, mask has become a necessity in people's lives. Based on this context, the fashion industry has also been affected. The fashion industry think more about the care and needs of the human body, “Medical fashion” has become a popular topic of research. As indicated from the academic view, the research direction of fashion design is closer to the society hot trends and interdisciplinary research. Caring for people's physical, physiological and psychological aspects, fashion research tends to be more human centred design.

Conclusions

By analyzing the frontiers and trends of fashion design research, this study reveals that at the beginning of the research period, the topics of academic research were biased towards research in the humanities (e.g., fashion design, designers, culture, humanistic care, locality, as well as arts work). The direction of research over the past few years has been impacted by the overall global dynamics as well as technological and economic development, thereby demonstrating that the trend of interdisciplinary and cross-border cooperation has entered a stage of development in recent years. The data collection and analysis time of this article is at the end of 2021, but with the development of time and science and technology, such as Digital fashion, Virtual fashion, AI design, Inclusive design, etc. have also become hot topics at the moment. The researcher believe it will produce more academic research in fashion design in the future time.

On the whole, research on the topic of fashion design still has a considerable scope for research. Scholars, designers and practitioners in the fashion field still face huge task. Accordingly, the researcher proposed several suggestions for how to strengthen the process and results of academic research. From a horizontal perspective, (1) the international academic community and researchers should enhance the interact, discuss and conduct collaborative research with each other to provide sustainable vitality and motivation for the research; (2) transnational, cross-unit and cross-border academic exchange and cooperation should be enhanced to create more possibilities for academic research; (3) additional, multilingual journal platforms should be offered for fashion or art fields. From vertical perspective: Combining or contrasting history with modernity. For instance, using new technologies to redesign or study historical apparel, etc. By combining traditional culture with modern technology, the scope of the time-line of fashion design research can be extended.

This study uses quantitative literature analysis to convey information from the literature by creating images, diagrams and information description. The existing state of research in fashion design is reviewed, and provide the knowledge base, the existing state of research, as well as research hot-spots and publication trends in fashion design research. This study can provide existing literature, knowledge map, new inspirations, and research directions to fashion practitioners, researchers, and research institutions. Based on this paper, scholars can efficiently familiarize the field knowledge and facilitate strategic adjustments by relevant institutions.

Availability of data and materials

The datasets supporting the research process and conclusions of this article are included within the additional files. For databases and research results, which is available and has no restrictions to its use by academics or non-academics.

Aakko, M., & Koskennurmi-Sivonen, R. (2013). Designing sustainable fashion: Possibilities and challenges. Research Journal of Textile and Apparel , 17 (1), 13–22. https://doi.org/10.1108/RJTA-17-01-2013-B002

Article   Google Scholar  

Armstrong, C. M., & LeHew, M. L. (2013). A case study in sustainability and fashion education: Adventures on the green. Journal of Sustainability Education, 4 , 1–22. http://www.susted.com/wordpress/content/a-case-study-in-sustainability-and-fashion-education-adventures-on-the-green_2013_02/

Google Scholar  

Barati, B., Karana, E., & Hekkert, P. (2019). Prototyping materials experience: Towards a shared understanding of underdeveloped smart material composites. International Journal of Design, 13 (2), 21–38. https://pure.tudelft.nl/ws/portalfiles/portal/62486126/3255_11750_4_PB.pdf

Boodro, M. (1990). Art and fashion - A fine romance. ART News, 89 (7), 120–127. https://www.artnews.com/about-us/#!

Bower, M., & Sturman, D. (2015). What are the educational affordances of wearable technologies? Computers and Education, 88 , 343–353. https://doi.org/10.1016/j.compedu.2015.07.013

Bugg, J. (2009). Fashion at the interface: Designer—wearer—viewer. Fashion Practice, 1 (1), 9–31. https://doi.org/10.2752/175693809X418676

Burns, A. (2022). Rethinking fabric: The application of fabric manipulation techniques in fashion design education. International Journal of Art and Design Education, 41 (1), 66–80. https://doi.org/10.1111/jade.12375

Chance, G., Camilleri, A., Winstone, B., Caleb-Solly, P., & Dogramadzi, S. (2016). An assistive robot to support dressing-strategies for planning and error handling. 2016 6th IEEE International Conference on Biomedical Robotics and Biomechatronics (BioRob) , (pp. 774–780). IEEE. https://doi.org/10.1109/BIOROB.2016.7523721

Chang, J. Y., & Lee, J. H. (2021). The current situation and development strategies of fashion start-up companies: Focused on rising fashion designers in Busan. Journal of the Korea Convergence Society, 12 (2), 163–171. https://doi.org/10.15207/JKCS.2021.12.2.163

Chen, C. (2004). Searching for intellectual turning points: Progressive knowledge domain visualization. Proceedings of the National Academy of Sciences , 101 (Suppl 1), 5303–5310. https://doi.org/10.1073/pnas.0307513100

Chen, C., Hu, Z., Liu, S., & Tseng, H. (2012). Emerging trends in regenerative medicine: a scientometric analysis in CiteSpace. Expert Opinion on Biological Therapy , 12 (5), 593–608. https://doi.org/10.1517/14712598.2012.674507

Chen, X., & Liu, Y. (2020). Visualization analysis of high-speed railway research based on CiteSpace. Transport Policy, 85 , 1–17. https://doi.org/10.3969/j.issn.1008-8563.2021.01.008

Chuah, S. H. W., Rauschnabel, P. A., Krey, N., Nguyen, B., Ramayah, T., & Lade, S. (2016). Wearable technologies: The role of usefulness and visibility in smartwatch adoption. Computers in Human Behavior, 65 , 276–284. https://doi.org/10.1016/j.chb.2016.07.047

Çiçek, M. E. S. U. T. (2015). Wearable technologies and its future applications. International Journal of Electrical, Electronics and Data Communication, 3 (4), 45–50. https://www.researchgate.net/profile/Mesut-Cicek-2/publication/275580004

Creigh-Tyte, A. (2005). Measuring creativity: A case study in the UK’s designer fashion sector. Cultural Trends, 14 (2), 157–183. https://doi.org/10.1080/09548960500292383

De Brito, M. P., Carbone, V., & Blanquart, C. M. (2008). Towards a sustainable fashion retail supply chain in Europe: Organisation and performance. International Journal of Production Economics, 114 (2), 534–553. https://doi.org/10.1016/j.ijpe.2007.06.012

Faerm, S. (2012). Towards a future pedagogy: The evolution of fashion design education. International Journal of Humanities and Social Science , 2 (23), 210–219

Farrington, C. (2016). Wearable technologies and stigma in diabetes: the role of medical aesthetics. The Lancet Diabetes & Endocrinology, 4 (7), 566. https://doi.org/10.1016/s2213-8587(16)00075-9

Feng, Y. (2020). Digital design and realization of fashionable men’s wear in fashion design. In Journal of Physics: Conference Series (Vol. 1533, No. 2, p. 022058). IOP Publishing. https://doi.org/10.1088/1742-6596/1533/2/022058

Ferrara, M. (2019). Smart experience in fashion design: A speculative analysis of smart material systems applications. In Arts (Vol. 8, No. 1, p. 4). Multidisciplinary Digital Publishing Institute. https://doi.org/10.3390/arts8010004

Fillin-Yeh, S. (Ed.). (2001). Dandies: Fashion and finesse in art and culture . NYU Press. https://xs.zidianzhan.net/books?hl=zh-CN&lr=&id=k2nRh1QbTGwC&oi=fnd&pg=PR11&dq=Dandies:+Fashion+and+finesse+in+art+and+culture&ots=cayx0t6zvi&sig=DufzdAjs1Z0WXm9e7PkQ3XywXYU

Fletcher, K. (2008). Sustainable fashion and clothing . Design Journeys, Earthscan, Malta. https://doi.org/10.4324/9781315857930

Fletcher, K. (2012). Durability, fashion, sustainability: The processes and practices of use. Fashion Practice, 4 (2), 221–238. https://doi.org/10.2752/175693812X13403765252389

Fletcher, K. (2013). Sustainable fashion and textiles: Design journeys (2nd ed.). Routledge. https://doi.org/10.4324/9781315857930

Fletcher, K. (2016). Craft of use: Post-growth fashion (1st ed.). Routledge. https://doi.org/10.4324/9781315647371

Fletcher, K., & Tham, M. (Eds.). (2014). Routledge handbook of sustainability and fashion . Routledge. https://doi.org/10.4324/9780203519943

Geczy, A., & Karaminas, V. (2011). Fashion and art: Critical crossovers. Art Monthly Australia, (242), 5–10. https://doi.org/10.3316/informit.556301285308705

Gordon, J. F., & Hill, C. (2015). Sustainable fashion: Past, present and future . Bloomsbury Publishing.

Guercini, S., & Runfola, A. (2010). Business networks and retail internationalization: A case analysis in the fashion industry. Industrial Marketing Management, 39 (6), 908–916. https://doi.org/10.1016/j.indmarman.2010.06.010

Gwilt, A. (2020). A practical guide to sustainable fashion . Bloomsbury Publishing.

Book   Google Scholar  

Hancock, J., Johnson-Woods, T., & Karaminas, V. (Eds.). (2013). Fashion in popular culture: Literature, media and contemporary studies . Intellect Books. https://books.google.com.hk/books?

Henninger, C. E., Alevizou, P. J., & Oates, C. J. (2016). What is sustainable fashion? Journal of Fashion Marketing and Management, 20 (4), 400–416. https://doi.org/10.1108/JFMM-07-2015-0052

Hoover, D. L. (2013). Quantitative analysis and literary studies. In R. Siemens, & S. Schreibman (Eds.), A Companion to Digital Literary Studies . https://doi.org/10.1002/9781405177504.ch28

Hu, J., & Lin, L. (2019). Hot topics and frontier evolution of disability research in China: A visual analysis based on CSSCI journals. Shandong Social Sciences, 11 , 118–125. https://doi.org/10.14112/j.cnki.37-1053/c.2019.11.019

Huang, Y., Tang, Z., Liu, Z., Wei, J., Hu, H., & Zhi, C. (2018). Toward enhancing wearability and fashion of wearable supercapacitor with modified polyurethane artificial leather electrolyte. Nano-Micro Letters, 10 (3), 1–8.

Article   CAS   Google Scholar  

Jansen, M. A. (2014). Moroccan Fashion: Design, Culture and Tradition . Bloomsbury Publishing.

Jenss, H. (Ed.). (2016). Fashion studies: Research methods, sites and practices . Bloomsbury Publishing. https://doi.org/10.1080/1362704X.2017.1310436

Juhlin, O. (2015). Digitizing fashion: Software for wearable devices. Interactions, 22 (3), 44–47. https://doi.org/10.1145/2754868

Kaiser, S. B. (2012). Fashion and culture: Cultural studies, fashion studies. In Fashion and Cultural Studies (1st ed.). London: Berg.

Kawamura, Y. (2004). The Japanese revolution in Paris fashion. Fashion Theory, 8 (2), 195–223. https://doi.org/10.2752/136270404778051771

Kim, S. B. (1998). Is fashion art? Fashion Theory, 2 (1), 51–71. https://doi.org/10.2752/136270407779934551

Kim, E., & Farrell-Beck, J. (2005). Fashion in context: Apparel styles worn by young women in the United States and South Korea in the 1970s. Clothing and Textiles Research Journal, 23 (3), 180–202. https://doi.org/10.1177/0887302X0502300304

Kim, M. S., Kim, H. N., Jeon, S. G., & Lee, J. S. (2021). Development and image sensibility evaluation of jacquard fabric fashion masks with traditional patterns. Journal of the Korean Society of Clothing and Textiles, 45 (5), 825–839. https://doi.org/10.5850/JKSCT.2021.45.5.825

Ko, E., & Lee, S. (2011). Cultural heritage fashion branding in Asia. In Tourism sensemaking: Strategies to give meaning to experience . Emerald Group Publishing Limited. https://doi.org/10.1108/S1871-3173(2011)0000005008

Koenig, L. M., & Carnes, M. (1999). Body piercing: Medical concerns with cutting‐edge fashion. Journal of General Internal Medicine, 14 (6), 379–385. https://doi.org/10.1046/j.1525-1497.1999.00357.x

Larner, W., & Molloy, M. (2009). Globalization, the new economy’ and working women: Theorizing from the New Zealand designer fashion industry. Feminist Theory, 10 (1), 35–59. https://doi.org/10.1177/1464700108100391

Lee, M. J., & Sohn, H. S. (2011). A study on the cases of the application of 3D apparel CAD system to the domestic and overseas fashion education. Journal of the Korean Society of Clothing and Textiles, 35 (9), 1112–1124. https://doi.org/10.5850/JKSCT.2011.35.9.1112

Li, H., & Wang, T. (2018). Hot topics and frontier evolution of international higher education research for persons with disabilities: Metrological and visual analysis based on SSCI and SCI journal literature. Journal of Teacher Education, 5 , 99–110. https://doi.org/10.13718/j.cnki.jsjy.2018.05.014 .

Li, H., & Yim, E. (2021). Analysis of trends and meanings of fashion masks under the pandemic influence. 복식문화연구, 29 (3), 406–421. https://doi.org/10.29049/rjcc.2021.29.3.406

Liang, Y. D., Li, Y., Zhao, J., Wang, X. Y., Zhu, H. Z., & Chen, X. H. (2017). Study of acupuncture for low back pain in recent 20 years: A bibliometric analysis via CiteSpace. Journal of Pain Research, 10 , 951. https://doi.org/10.2147/JPR.S132808

Ling, W., & Menarini, R. (2016). Korea vs. Paris: There is no fashion, only image; or how to make fashion identity. In Cultures, Fashion and Society’s Notebook (pp. 1–14)

Lundblad, L., & Davies, I. A. (2016). The values and motivations behind sustainable fashion consumption. Journal of Consumer Behaviour, 15 (2), 149–162. https://doi.org/10.1002/cb.1559

Manzini, E. (2015). Design, when everybody designs: An introduction to design for social innovation . MIT Press.

Martin, R. (1999). A note: Art & fashion, Viktor & Rolf. Fashion Theory, 3 (1), 109–120. https://doi.org/10.2752/136270499779165662

Millspaugh, J., & Kent, A. (2016). Co-creation and the development of SME designer fashion enterprises. Journal of Fashion Marketing and Management , 20 (3), 322–338. https://doi.org/10.1108/JFMM-10-2015-0085

Mittelstaedt, J. D., Shultz, C. J., Kilbourne, W. E., & Peterson, M. (2014). Sustainability as megatrend: Two schools of macromarketing thought. Journal of Macromarketing , 34 (3), 253–264. https://doi.org/10.1177/0276146713520551

Mocenco, A., Olaru, S., Popescu, G., & Ghituleasa, C. (2016). Romanian folklore motifs in fashion design. Annals of the University of Oradea , 12 , 63–68.

Mora, E., Rocamora, A. & Volonté, P. (2014) On the issue of sustainability in fashion studies. International Journal of Fashion Studies, 1 (2), 139–147. https://doi.org/10.1386/infs.1.2.139_1

Mukendi, A., Davies, I., Glozer, S., & McDonagh, P. (2020). Sustainable fashion: Current and future research directions. European Journal of Marketing, 54 (11), 2873–2909. https://doi.org/10.1108/EJM-02-2019-0132

Nelson, A., & Hwang, C. G. (2019). Transgender fashion: Developing a gender identity framework for ‘transgender’ identities. In International Textile and Apparel Association Annual Conference Proceedings (Vol. 76, No. 1). Iowa State University Digital Press. https://doi.org/10.31274/itaa.8397

Niinimäki, K. (2013). Sustainable fashion: New approaches . Aalto University.

Pal, R., & Gander, J. (2018). Modelling environmental value: An examination of sustainable business models within the fashion industry. Journal of Cleaner Production, 184 , 251–263. https://doi.org/10.1016/j.jclepro.2018.02.001

Palomo-Lovinski, N., & Hahn, K. (2014). Fashion design industry impressions of current sustainable practices. Fashion Practice, 6 (1), 87–106. https://doi.org/10.2752/175693814X13916967094911

Park, K. A. (1993). Women and development: The case of South Korea. Comparative Politics, 25 (2), 127–145. https://doi.org/10.2307/422348

Pedersen, E. R. G., Gwozdz, W., & Hvass, K. K. (2018). Exploring the relationship between business model innovation, corporate sustainability, and organisational values within the fashion industry. Journal of Business Ethics, 149 (2), 267–284. https://doi.org/10.1007/s10551-016-3044-7

Peters, L. D. (2014). You are what you wear: How plus-size fashion figures in fat identity formation. Fashion Theory, 18 (1), 45–71. https://doi.org/10.2752/175174114X13788163471668

Rahman, M. Z. (2014). Accord on “Fire and Building Safety in Bangladesh”: A breakthrough agreement?. Nordic Journal of Working Life Studies, 4 (1), 69. https://doi.org/10.19154/njwls.v4i1.3551

Rocamora, A. (2017). Mediatization and digital media in the field of fashion. Fashion Theory, 21 (5), 505–522. https://doi.org/10.1080/1362704X.2016.1173349

Roche, D. (1996). The culture of clothing: Dress and fashion in the ancien regime . Cambridge University Press. https://doi.org/10.2307/2946830

Ryan, S. E. (2014). Garments of paradise: wearable discourse in the digital age . MIT Press. https://doi.org/10.1353/tech.2016.0041

Sabine Linke, B. (2013). Sustainability indicators for grinding applied to dressing strategies. Journal of Manufacturing Science and Engineering, 135 (5), 054502. https://doi.org/10.1115/1.4025191

Şen, A. (2008). The US fashion industry: A supply chain review. International Journal of Production Economics, 114 (2), 571–593. https://doi.org/10.1016/j.ijpe.2007.05.022

Shamsuzzoha, A., Kankaanpaa, T., Carneiro, L. M., Almeida, R., Chiodi, A., & Fornasiero, R. (2013). Dynamic and collaborative business networks in the fashion industry. International Journal of Computer Integrated Manufacturing, 26 (1–2), 125–139. https://doi.org/10.1080/0951192X.2012.681916

Shen, B. (2014). Sustainable fashion supply chain: Lessons from H&M. Sustainability, 6 (9), 6236–6249. https://doi.org/10.3390/su6096236

Smelik, A. M. (2018). New materialism: A theoretical framework for fashion in the age of technological innovation. International Journal of Fashion Studies, 5 (1), 33–54. https://doi.org/10.1386/infs.5.1.33_1

Smelik, A., Toussaint, L., & Van Dongen, P. (2016). Solar fashion: An embodied approach to wearable technology. International Journal of Fashion Studies, 3 (2), 287–303. https://doi.org/10.1386/infs.3.2.287_1

Stensaker, B. (2007). Quality as fashion: Exploring the translation of a management idea into higher education. In Quality assurance in higher education (pp. 99–118). Springer. https://doi.org/10.1007/978-1-4020-6012-0_4

Sterlacci, F. (2019). What is fashion designer? Retrieved March, 28, 2019.

Todeschini, B. V., Cortimiglia, M. N., Callegaro-de-Menezes, D., & Ghezzi, A. (2017). Innovative and sustainable business models in the fashion industry: Entrepreneurial drivers, opportunities, and challenges. Business Horizons, 60 (6), 759–770. https://doi.org/10.1016/j.bushor.2017.07.003

Tullio-Pow, S., Yaworski, A. S., & Kincaid, M. (2021). Transgender fashion: Fit challenges and dressing strategies. Clothing Cultures, 7 (1), 35–47. https://doi.org/10.1386/cc_00026_1

Ünay, F. G., & Zehir, C. (2012). Innovation intelligence and entrepreneurship in the fashion industry. Procedia-Social and Behavioral Sciences, 41 , 315–321. https://doi.org/10.1016/j.sbspro.2012.04.036

Vainshtein, O. (2012). “I have a suitcase just full of legs because I need options for different clothing”: Accessorizing bodyscapes. Fashion Theory, 16 (2), 139–169. https://doi.org/10.2752/175174112X13274987924014

Wang, W., & Lu, C. (2020). Visualization analysis of big data research based on Citespace. Soft Computing, 24 (11), 8173–8186. https://doi.org/10.1007/s00500-019-04384-7

Watson, M. Z., & Yan, R. N. (2013). An exploratory study of the decision processes of fast versus slow fashion consumers. Journal of Fashion Marketing and Management , 17 (2), 141–159. https://doi.org/10.1108/JFMM-02-2011-0045

Westervelt, A. (2015). Two years after Rana Plaza, have conditions improved in Bangladesh’s factories . The Guardian, 24. https://blog.shopgoodcloth.com/2015/04/two-years-after-rana-plaza-have-conditions-improved-in-bangladeshs-factories-the-guardian/

Woodside, A. G., & Ko, E. (Eds.). (2013). Luxury fashion and culture . Emerald Group Publishing.

Wouters, P. (2006). Aux origines de la scientométrie. Actes de la recherche en sciences sociales, (4), 11–22. https://doi.org/10.3917/arss.164.0011

Zou, Y., & Joneurairatana, E. (2020a). Fashion design based on cross-cultural communication. In W. Karwowski, R. Goonetilleke, S. Xiong, R. Goossens, A. Murata (Eds.) Advances in Physical, Social & Occupational Ergonomics. AHFE 2020. Advances in Intelligent Systems and Computing (Vol. 1215). Springer. https://doi.org/10.1007/978-3-030-51549-2_75

Zou, Y., & Joneurairatana, E. (2020b). Apply of traditional cultural symbols into fashion design based on cross-cultural communication. In E3S web of conferences (Vol. 179, p. 02081). E3S Web of Conferences. https://doi.org/10.1051/e3sconf/202017902081

Download references

Acknowledgements

The authors are thankful to the Design Science and Art Research Center from Guangdong University of Technology, for providing the research facilities and environment for this study.

Author Information

YZ: Postdoctor, School of Art and Design, Guangdong University of Technology, Guangzhou 510062, China.

SP: Lecturer and Ph.D., Ph.D in Culture-based Design Arts Program, Faculty of Decorative Arts, Silpakorn Univeristy, Bangkok 10170, Thailand.

TS: Postdoctor, College of Design and Innovation, Tongji University, Shanghai 200092, China.

D-BL: Professor and Ph.D., School of Art and Design, Guangdong University of Technology, Guangzhou 510062, China.

This research was received financial support from “Science and Technology Program of Guangdong Province: Overseas Famous Master Project” Guangdong province, China. The Project No. is 2020A1414010314.

Author information

Authors and affiliations.

School of Art and Design, Guangdong University of Technology, Guangzhou, 510062, China

Yixin Zou & Ding-Bang Luh

Culture-Based Design Arts Program, Faculty of Decorative Arts, Silpakorn Univeristy, Bangkok, 10170, Thailand

Sarawuth Pintong

College of Design and Innovation, Tongji University, Shanghai, 200092, China

You can also search for this author in PubMed   Google Scholar

Contributions

YXZ conceived the ideas, experimental design, data analization, interpretation of the results, and drafted the manuscript of the analysis. SP and ST gave technical guidance and provided continuous support to perform the experiment successfully,and gave the suggestions about the writing. DBL contributed to the interpretation of the results and revised the manuscript. All authors read and approved the final manuscript.

Corresponding author

Correspondence to Yixin Zou .

Ethics declarations

Competing interests.

The authors declare that they have no competing interests.

Additional information

Publisher's note.

Springer Nature remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Rights and permissions

Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ .

Reprints and permissions

About this article

Cite this article.

Zou, Y., Pintong, S., Shen, T. et al. Evaluation and trend of fashion design research: visualization analysis based on CiteSpace. Fash Text 9 , 45 (2022). https://doi.org/10.1186/s40691-022-00316-6

Download citation

Received : 07 January 2022

Accepted : 08 September 2022

Published : 25 December 2022

DOI : https://doi.org/10.1186/s40691-022-00316-6

Share this article

Anyone you share the following link with will be able to read this content:

Sorry, a shareable link is not currently available for this article.

Provided by the Springer Nature SharedIt content-sharing initiative

• Bibliometric
• Fashion design
• Knowledge mapping

Trends in the Fashion Sector: An Analysis of Their Use and Paths for the Researcher Profession

• Conference paper
• First Online: 29 June 2022
• Cite this conference paper

• Layla de Brito Mendes   ORCID: orcid.org/0000-0003-4982-9728 12 , 13 ,
• Ana Cristina Broega   ORCID: orcid.org/0000-0001-8400-8402 12 &
• Nelson Pinheiro Gomes   ORCID: orcid.org/0000-0003-3724-4044 14  

Part of the book series: Springer Series in Design and Innovation ((SSDI,volume 25))

Included in the following conference series:

• Meeting of Research in Music, Arts and Design

658 Accesses

2 Citations

Trend Studies are still going through their consolidation process as an academic approach. In contrast, trend research as a professional area is more consolidated and represents an essential link in the fashion chain, as they are helpful for the strategic planning of companies in the sector. The researcher's professional practice is constantly changing, as is the phenomenon of fashion, and follows changes in the technological, social, artistic, and cultural spheres that impact societies. Therefore, this paper is part of an exploratory research, with a qualitative approach, developed during an ongoing doctorate in fashion design. Through the methodologies of literature review and in-depth interviews, we present an overview of themes/subjects that have contributed to the redirection of the practices in trend analysis (especially those directed to the fashion sector) developed by the trend researcher as a professional.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

• Available as PDF
• Read on any device
• Instant download
• Own it forever
• Available as EPUB and PDF
• Compact, lightweight edition
• Dispatched in 3 to 5 business days
• Free shipping worldwide - see info
• Durable hardcover edition

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Practices such as advanced design, design fiction, speculative design, e design activism are cited [3, p.2].

The authors adopt the designation given by Gomes et al. [ 30 ], where Trends Studies correspond to the academic approach of the field and trends research corresponds to the professional or commercial approach.

Gomes et al. [ 30 ] state that the definition of cool is complex, but it must be outlined within the research context to be developed.

The author understands that theoretical and critical discussions about the relationship between art and fashion are relevant from the perspective of the trend researcher's work, and thus presents four theses: the first, where fashion and art are irreconcilable and separate; the second, which considers fashion as constituted by artistic and functional elements; the third, to assume that fashion has a high cultural and symbolic value, similar to art; and the fourth, where fashion is seen as an art subject to restrictions, repeatable and ambivalent [13, p.422].

It is important to emphasize that accessing trends through trend books or trend reports developed by agencies corresponds to a financial investment to companies [24; 7], which is not always possible.

http://miro.com/

http://trello.com/

Morace, F.: O que é o futuro. Estação das Letras e Cores, São Paulo (2013)

Google Scholar  

WFSF Homepage. https://wfsf.org/about-futures-studies/ , Accessed 14 Feb 2022

Celi, M., Colombi, C.: Trends as future prompts in the anticipatory design practice. Futures 121 , 1–9 (2020)

Article   Google Scholar  

Gomes, N.P., Cohen, S.A.M., Flores, A.M.M.: Estudos de Tendências: contributo para uma abordagem de análise e gestão da cultura. Modapalavra e-periódico 11 (22), 49–81 (2018)

Powers, D.: On Trend: The Business of Forecasting the Future. University of Illinois Press, Champaign (2019)

Book   Google Scholar  

Dragt, E.: How to Research Trends. Bispublisher, Amsterdam (2017)

Mendes, L.B.: Metodologias de Coolhunting Aplicadas à Criatividade em Moda: Estudo de Caso Empresa Tendere. Masters Thesis. Universidade do Minho, Guimarães (2014)

Erner, G.: Sociologia das Tendências. Editora Gustavo Gili, São Paulo (2015)

Blaszczyk, R.L., Wubs, B.: Fashion futures. In: Blaszczyk, R.L., Wubs, B. (eds.) The Fashion Forecasters: A Hidden Story of Color and Trend Prediction, pp. 253–263 (2018)

Vicent-Ricard, F.: As espirais da moda, 2nd edn. Editora Paz e Terra, Rio de Janeiro (1989)

Campos, A.Q.: Expertise e legitimidade: os bureaux de style e a moda contemporânea. Revista Dobras 12 (27), 193–205 (2019)

Sant’Anna, P., Barros, A.R.: Pesquisa de tendências para moda. In: Anais do VII Colóquio de Moda. Abepem, Maringá (2011)

Pedroni, M.: Industrialized inspiration: reassessing the osmosis between fashion and art through the work of trend forecasters. In: Paulicelli, E., Manlow, V., Wissinger, E. (eds.) The Routledge Companion to Fashion Studies, pp. 421–427 (2021)

Monçores, A., Coutinho, T.: As profissões da pesquisa de tendências. In: Proceedings CIMODE 2016: 3º Congresso Internacional de Moda e Design, pp. 794–801. Universidade do Minho, Guimarães (2016)

Raymond, M.: The Trend Forecaster’s Handbook. Laurence King, London (2010)

Vejlgaard, H.: Anatomy of a Trend. Confetti Publishing, Schopfheim (2008)

Gladwell, M.: The coolhunt. The New Yorker (1997). https://www.newyorker.com/magazine/1997/03/17/the-coolhunt , Accessed 05 Oct 2021

Gloor, P.A., Cooper, S.M.: Coolhunting: Chasing Down the Next big Thing. Amacom, New York (2007)

Higham, W.: The Next Big Thing: Spotting and Forecasting Consumer Trends for Profit. Kogan Page, London (2009)

Baudrillard, J.: A troca simbólica e a morte. Edições Loyola, São Paulo (1996)

Calanca, D.: História social da moda. Editora Senac São Paulo, São Paulo (2008)

Kawamura, Y.: Fashionology: An Introduction to Fashion Studies. Berg Publishers, Oxford (2005)

Lipovetsky, G.: O império do efêmero: a moda e seu destino nas sociedades modernas. Companhia das Letras, São Paulo (2009)

Campos, A.Q.: Innovation, conformity and other ambivalences in fashion design. Modapalavra e-periódico 14 (33), 36–57 (2021)

Treptow, D.: Inventando moda: planejamento de coleções. Edição da Autora, São Paulo (2013)

Seivewright, S.: Pesquisa e design. Bookman, Porto Alegre (2009)

DeLong, M.: Critical thinking in design. In: Education and New Developments 2019 Proceedings, pp. 110–114. World Institute for Advanced Research and Science (WIARS), Porto (2019)

Lynch, A., Strauss, M.D.: Changing Fashion: A Critical Introduction to Trend Analysis and Meaning. Berg, Oxford (2007)

McCracken, G.: Culture and Consumption. Indiana University Press, Indiana (1988)

Gomes, N.P., Cohen, S.A.M., Cantú, W.A., Lopes, C.M.A.: Roteiros e modelos para a identificação de tendências socioculturais e a sua aplicação estratégica em produtos e serviços. Modapalavra e-periódico 14 (32), 229–272 (2021)

Kawamura, Y.: Doing Research in Fashion and Dress. Berg Publishers, Oxford (2011)

Souza, G.M.: O espírito das roupas: a moda no século dezenove. Companhia das Letras, São Paulo (1987)

Filho, J.G.: Gestalt do objeto: sistema de leitura visual da forma. Escrituras, São Paulo (2009)

Löbach, B.: Design Industrial: Bases Para a Configuração dos Produtos Industriais. Blucher, São Paulo (2001)

Holland, G., Jones, R.: Fashion Trend Forecasting. Laurence King, London (2017)

Frayling, C.: Research in art and design. In: Royal College of Art Research Papers, vol. 1, no. 1, pp. 1–5 (1993/4)

Gil, A.C.: Como elaborar projetos de pesquisa, 4 edn. Atlas, São Paulo (2002)

Gil, A.C.: Métodos e Técnicas de Pesquisa Social, 6 edn. Atlas, São Paulo (2008)

Taleb, N.N.: A lógica do cisne negro: o impacto do altamente improvável. Editora Best Seller, Rio de Janeiro (2008)

Schrobsdorff, S.: Who bought all these ridiculous clothes and why are they in my closet? Time (2021). https://time.com/6076269/who-bought-all-these-ridiculous-clothes-and-why-are-they-in-my-closet/ , Accessed 05 Oct 2021

Fisher, R.: Time capsule 2020: the 37 objects that defined the year. BBC (2020). https://www.bbc.com/future/article/20201217-time-capsule-2020-the-37-objects-that-defined-the-year , Accessed 05 Oct 2021

Farah, S.H.: What will be cool this summer? the cut (2021). https://www.thecut.com/2021/04/covid-pandemic-future-of-main-characters.html , Accessed 05 Oct 2021

Hyland, V.: Do we really want fashion to ‘go back to normal?’ ELLE (2021). https://www.elle.com/fashion/a36477027/post-pandemic-fashion/ , Accessed 05 Oct 2021

Morgan, B.: In a post-covid world customers will be revenge shopping. Forbes (2021). https://www.forbes.com/sites/blakemorgan/2021/03/22/customers-are-ready-to-back-with-covid-revenge-shopping/?sh=13b3dd8030ab , Accessed 05 Oct 2021

Saunter, L.: Post-covid-19 retail: revenge buying. WGSN (2020). https://www.wgsn.com/blogs/post-covid-19-retail-revenge-buying/ , Accessed 05 Oct 2021

Sedoikina, E.: How will trend forecasting look post-covid? Birmingham city institute of jewellery, fashion and textiles. https://www.bcu.ac.uk/fashion-and-textiles/news-and-events/blog/how-will-trend-forecasting-look-post-covid , Accessed 05 Oct 2021

Arnett, G.: Trend forecasters predict a more trendless future. Vogue Business (2020). https://www.voguebusiness.com/fashion/trend-forecasters-predict-a-more-trendless-future-covid-19 , Accessed 05 Oct 2021

Wharry, G.: Why trends ARE your friend. Medium (2020). https://medium.com/fashion-act-now/why-trends-are-your-friend-781b718c2715 , Accessed 05 Oct 2021

Future Resources Homepage. https://www.lydiacaldana.com/futureresources , Accessed 05 Oct 2021

Bielskyte, M.: Protopia futures [framework]. Medium (2021). https://medium.com/protopia-futures/protopia-futures-framework-f3c2a5d09a1e , Accessed 05 Oct 2021

UNESCO: what is futures literacy (FL)? https://en.unesco.org/futuresliteracy , Accessed 05 Oct 2021

Preira, J.: Gli studi di Futuri spiegati a mia figlia. TEDxBarletta, set (2020). https://www.ted.com/talks/joice_preira_gli_studi_di_futuri_spiegati_a_mia_figlia , Accessed 05 Oct 2021

Download references

Author information

Authors and affiliations.

School of Engineering, University of Minho, Guimarães, Portugal

Layla de Brito Mendes & Ana Cristina Broega

Federal Institute of Rio Grande do Norte, Caicó Campus, Caicó, Brazil

Layla de Brito Mendes

University of Lisbon, Centre for English Studies, Lisbon, Portugal

Nelson Pinheiro Gomes

You can also search for this author in PubMed   Google Scholar

Corresponding author

Correspondence to Layla de Brito Mendes .

Editor information

Editors and affiliations.

Instituto Politécnico de Castelo Branco, Escola Superior de Artes Aplicadas do, Castelo Branco, Portugal

Daniel Raposo

Instituto Politécnico de Castelo, Escola Superior de Artes Aplicadas do, Castelo Branco, Portugal

Ricardo Silva

Luísa Correia Castilho

Rights and permissions

Reprints and permissions

Copyright information

© 2023 The Author(s), under exclusive license to Springer Nature Switzerland AG

About this paper

Cite this paper.

de Brito Mendes, L., Broega, A.C., Gomes, N.P. (2023). Trends in the Fashion Sector: An Analysis of Their Use and Paths for the Researcher Profession. In: Raposo, D., Neves, J., Silva, R., Correia Castilho, L., Dias, R. (eds) Advances in Design, Music and Arts II. EIMAD 2022. Springer Series in Design and Innovation , vol 25. Springer, Cham. https://doi.org/10.1007/978-3-031-09659-4_23

Download citation

DOI : https://doi.org/10.1007/978-3-031-09659-4_23

Published : 29 June 2022

Publisher Name : Springer, Cham

Print ISBN : 978-3-031-09658-7

Online ISBN : 978-3-031-09659-4

eBook Packages : Engineering Engineering (R0)

Share this paper

Anyone you share the following link with will be able to read this content:

Sorry, a shareable link is not currently available for this article.

Provided by the Springer Nature SharedIt content-sharing initiative

• Publish with us

Policies and ethics

• Find a journal
• Track your research

Academia.edu no longer supports Internet Explorer.

To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to  upgrade your browser .

Enter the email address you signed up with and we'll email you a reset link.

• We're Hiring!
• Help Center

Research proposals - Phds in fashion design

Related Papers

Giovanni Maria Conti

If for traditional fashion design as clothes making or as basics for the creation of fashion products the concept of good design is now acquired, knitwear is now facing its decisive change from hobby into project; the enhancement of craft (Micelli S. 2011) does not refer to any nostalgia for the past times, and even better in Italy it is a very fertile area to be innovated and experimented. The ability to innovate and promote new points of view in design processes does not arise only from a thorough understanding of specific areas, but also from a lifestyle open to diversity, that society has to accept and recognize (Micelli S . 2011). Today, the ability of designers to explore contexts in an original way, proposing ideas and results that are not just technical solutions of established problems, sees in creativity and in fashion design education the ability to solve problems through materials and their constant innovation for clothes, to experiment or to look at old problems in a different way with the aim of going beyond the usual “fashion” idea. This paper is written at the end of an educational experience in the Knit Design Lab at the School of Design of Politecnico di Milano, where Missoni, the most important Italian knitwear brand, together with Woolmark, the most influencing certification body at an international level for the promotion and enhancement of Merino wool, in collaboration with Knitlab, a digital platform for the learning of the traditional knitting techniques active in the School of Design at Politecnico di Milano, realized a project in which the knitting techniques have been the first tool for the creation, design and prototyping of a clothes collection for the spring-summer 2017, coherent with the brand identity of Missoni and with at least the 70% of merino wool as a condition dictated by Woolmark. The aim of the paper is to highlight the moments of convergence and differentiation regarding the methodologies and the design process into the different areas of design. In this way today we can talk about knitwear design: a specific field of Made in Italy completely changing: to become project, knitwear must produce garments and collections enhancing traditional techniques while expressing the spirit of time and in which the manual technique becomes a research tool and method to deal with all the aspects in their influence on the industrial production chain.

Nordes confererence

Timo Rissanen

Maria Celeste (TETI) Sanches , Sergio Regis Moreira Martins

This study is part of the surveys conducted in the doctoral research about the methodological tools of fashion design, which focuses in the techniques and methods for the elaboration of visual support of the semantic aspects of clothing products in the educational context. In assessing the design process in this field, it was analyzed the interaction system between the fashion clothing product and its users. An exploratory research was conducted, including literature review and documentary analysis, through which we identified the main requirements of interaction between product and user. The criteria identified as essential for examining the body-artifact-environmental system are distributed in projective parameters of physical adaptation, expression and representation. For these reasons, this article aims to relate concepts drawn from theories of human factors, hedonomics, communication and emotional design, to demonstrate then that fashion clothing is a dynamic and interactive space that mediates the relationship with the environment. Therefore, this text addresses clothing as an amplified interactive space, envisioning exchanges that perform with the body, the surrounding space (physical and cultural) and time. By associating the literature and the documentary analysis of academic practices, it was possible to highlight the key indicators to understand the attributes that guide the development of wearable interfaces. Among these attributes, the communicative potential receives greater emphasis, as these artifacts are converted into individual vehicles of expression and collective identification, becoming instruments of symbolic constructions and mobile records of the space-time relations incorporated in the material culture. The results reinforces the hypothesis of a methodological approach to fashion design in which the visual thinking and systemic reasoning is valued, in order to integrate the socio-cultural codes to the usability requirements of the products, allowing the aesthetic-symbolic factors to create identification links and build the affective experience.

The Design Journal

Martina Motta

Angela Finn

The belief that practitioner knowledge is tacit and cannot be communicated through the traditional methods of academic writing and journal publication is a problem for the growing number of fashion researchers utilising practice-led methodologies. The main reason for this is that, until recently, the visibility of a discipline has been predominantly defined by academic publications in the field. One solution has been for researchers to adopt research methodology that utilises reflective practice to draw out practitioner knowledge and attempt to convert this knowledge to an explicit form. Alternatively, non-traditional research outputs are now considered equivalent to published research within areas such as art and design. However, a critical mapping of fashion research reveals that practice-led research in fashion is not yet adequately represented by either form of research outcome. This thesis proposes that continuing to focus on the differences between practice-led research and other fashion research, a dychotomic view of practitioner knowledge as either tacit or explicit, and an upward trend in process-driven methodology, are limiting the ability for practitioners to contribute to the continuing development of fashion as a discipline. The aim of this thesis is to develop a progressive approach to practice-led research methodology to enable practitioner knowledge of fashion to become more accessible, transferable and relevant to the emerging methodology of fashion as a material culture that connects two different ideas of the fashion system as either material or immaterial. A quantitative and qualitative mapping of fashion research, based on journal publications, non-traditional research outputs and an analysis of practice-led research exegeses, determines the current state of fashion as an emerging discipline. The mapping reveals that dominant methodologies for existing practice-led research are design methodologies. The results from this mapping inform an exploration of the potential for object or artefacts to encapsulate fashion knowledge through the method of object analysis as an object-based methodology used within other areas of fashion research. The results of this analysis enable the development of two models for practice-led fashion research. The first is a model of practitioner knowledge and theorises tacit knowledge as a hybrid space existing as a relationship between the different types of knowledge that exist in fashion practice. The second is a model of practitioner fashion research that incorporates existing design methodology but also responds to emerging fashion theory and methodology. Both models extend current understanding of fashion practice and contribute to developing the most effective strategy for communicating practitioner knowledge of fashion within the university environment.

Procedia Manufacturing

Maria Celeste Sanches

Journal of Textile Design Research and Practice

PAOLA BERTOLA , Giovanni Maria Conti

This paper assumes the fashion sector as a privileged field for the observation of several research and product development processes that have noteworthy similarities and potentials of application in many other design oriented sectors. The fashion field has, in fact, elaborated research procedures and planning instruments over time, which are rather unique (such as trend research practices) that are also reaching out of this specific sector. In addition to elaborating and developing finished products, fashion companies, and other bodies, such as private agencies or associations, perfect intermediate outputs of the research and product development procedures, which they implement by using both distinctive languages that are, by now, codified and planning potential scenarios – planning trends –– whose aim is not to supply homologous development instruments for collection development, but that of offering design opportunities meant to support the creativity of the companies, thereby offering multiple visual scenarios. The production of these “research products” – trend books – represents a field of noteworthy interest, not only for the fashion market, but for many other design-oriented sectors that are progressively elaborating similar practices. In these, what takes on a greater value is the planning research project, instead of the finished product, since this becomes the instrument of the company’s strategy, whose potential effects do not regard a simple collection or family of products, but entire generations of products. The objective of this paper is to offer an overall view of these practices as well as to demonstrate the progressive convergence of sectors that are apparently very distant from one another, as for example, fashion and electronics, towards the said practices.

Nicolas Cambridge

This article documents a practice-based research project that interrogated the aesthetic assumptions and material contingencies incorporated into the regime of flat pattern cutting. An introductory section provides a historical overview of the discipline's development, ranging from its antecedents in the courts of medieval Europe to challenges to the system's hegemony authored by contemporary practitioners. The main section documents the development of a methodological approach derived from the gendered rubrics of apparel-sizing regimes and its implementation via the predictive function of a digital design package. Examples of creative outcomes produced by, in effect, 'unpicking' the standard design sequence are provided in diagrammatic and photographic form. The conclusion situates the findings within overarching debates surrounding the discipline of fashion – suggesting that in dynamic interactions between the 'new' knowledge of design technology and 'traditional' knowledge of sartorial culture lie opportunities for reconciling commercial imperatives of the mass market with innovations in design-led creative practice.

Martin Stacey

RELATED PAPERS

Journal of Nanotechnology in Engineering and Medicine

Jaehwan Kim

Pri Hermawan

Milad Alshomary

Reviews in Religion & Theology

Ralph K . Hawkins

Information and Communication Technology for Intelligent Systems

Pinki Vishwakarma

Raminta Skvorcinskiene

Medical Journal of Shree Birendra Hospital

Mandira Onta

Rizky Aderusman

Bridging Communities through Socially Engaged Art

SHS Web of Conferences

Velizara Pencheva

Agronomía Costarricense

Gustavo Corra

Perspectives on psychological science : a journal of the Association for Psychological Science

Mado Hanioti

The Neuroscience Journal of Shefaye Khatam

hossein eskandari

Elizabeth Medina

Revista De Sociales Y Juridicas

Josefina Diaz rodriguez

Khushi shah

Boletín de la Asociación de Geógrafos Españoles

Daniela Thiel Ellul

South African Pharmacist's Assistant

Lorraine Osman

Adriano Russo

Ysmaille Oliveira

Indonesian Journal of Electrical Engineering and Computer Science

ARINDAM KUMAR SIL

2014 International Conference on Advances in Green Energy (ICAGE)

Gyan Biswal

Krystal Arreola Sánchez

Psychosomatic Medicine

Sheldon Cohen

Amino Acids

Muhammad Mustafa

RELATED TOPICS

•   We're Hiring!
•   Help Center
• Find new research papers in:
• Health Sciences
• Earth Sciences
• Cognitive Science
• Mathematics
• Computer Science
• Academia ©2024