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The Top 25 Writers’ Conferences in 2022

January 11, 2022 6 min read Education Workshops

By Author Phoebe A. Lee

  Another year means another year of writers conferences! Below is a list of 2022's best in-person and virtual writers conferences, workshops and retreats in North America to help you along your writing journey.

*Note: Please check COVID-19 rules and restrictions before booking any in-person tickets.

1.  Pacific Oregon University Residency Writers Conference

Writers looking to improve their craft will be in residency with MFA students, faculty and guest speakers. Presentations and events include craft talks, workshops, classes and readings.

The residency includes lunches and lodging at Best Western Ocean View Resort in Seaside. Students and faculty will have their own private rooms.

When: January 6-16, 2022; June 16-26, 2022

Where: January – on the northern Oregon Coast in the small, resort town of Seaside  June – on Pacific University’s campus in Forest Grove

2.  2022 North Island Writers Conference

Throughout the month of January, notable Canadian writers of all genres will host a writing workshop . Options to register for individual sessions.

Check for prices – some sessions are free and others are not. Open to the public.

When: January 7-23, 2022

Where: Virtual

3.  2022 Moravian Writers’ Conference

A free conference for writers, activists, medical practitioners and narrative medicine specialists on writing about health, healthcare and justice. 

When: March 18-19, 2022

Where:  Online and in-person ( Moravian University, 1200 Main Street, Bethlehem, PA)

4.  Let’s Just Write! An Uncommon Writers Conference

Presented by the Chicago Writers Association, the conference features two-days of in-person conference in Chicago with over 20 presenters, workshops, sessions, and panels on storytelling, publicity, and all other things that a writer needs to know, even a panel on what writers can learn from sports psychology . 

When: March 19-20, 2022

Where: The Warwick Allerton Hotel,  701 North Michigan Avenue, Chicago, IL 

5.  Association of Writers and Writing Programs Conference

For writers, teachers, students, editors and publishers. One of the biggest and prestigious writing conferences in North America, attracting thousands of attendees.

Events include panels, discussion rooms, pedagogy events and readings. There are in-person and virtual events, or a virtual-only registration option.

When: March 23-26, 2022

Where:  Virtual and in-person ( Pennsylvania Convention Centre, 1101 Arch Street, Philadelphia, PA)

6.  University of North Dakota Writers Conference

A three-day conference featuring six to eight authors, who will be discussing their work and engaging with the community. Past authors include Gwendolyn Brooks, Tommy Orange and Colson Whitehead. All events are free and open to the public.

When: March 24-26, 2022

Where: In-person and online

7.  Breakout Novel Intensive 2.0

Taught by literary agent and author, Donald Maass of the Donald Maass Literary Agency. Ideal for new writers or writers starting a new project, the breakout fundamentals will cover strong characters , inner conflict, personal stakes , plot layers, powerful scenes and more. In-person and virtual options.

When: April 18-24, 2022

Where: Hood River, Oregon

When: June 13-19, 2022

8.  Nebraska Writers Guild Annual Conference

A three-day event with a writers retreat and breakout classes. Experts in the industry teach and share their insights on the writing business and craft. More details to be announced.

When: April 21-23, 2022

Where: Comfort Inn and Suites,  7007 Grover Street, Omaha, NE

9.  Nonfiction Writers Conference

Taking the traditional writers conference model and redesigning it specifically for nonfiction authors, the Nonfiction Writers Conference helps nonfiction writers find the best publishing path, marketing methods, uncover business and revenue opportunities, and build a powerful platform. Held entirely online.

When: May 4-6, 2022

10.  Atlanta Writers Conference

The Atlanta Writers Club is presenting the 26 th Atlanta Writers Conference in-person with virtual options. Writers will be given a chance to access 18 top publishing acquisitions editors and literary agents who are actively seeking new clients. There will be Q&A panels and help with getting your work ready.

When: May 6-7, 2022

Where: Westin Atlanta Airport Hotel,  4736 Best Road, Atlanta, GA 

11.  2022 Washington Writers Conference

Attendees get to pitch to three literary agents , as well as network with industry professionals and fellow writers and attend expert sessions.

When: May 13-14, 2022

Where: Bethesda North Marriott Hotel and Conference Centre,  5701 Marinelli Road,  Rockville, MD

Want to learn how to become a freelance writer?   Book a 1-on-1 consultation   with Freelance Writer Mike Pietrzak.

12.  Annual BIO Conference

Hosted by the Biographers International Organization, seasoned biographers will be present to help guide, mentor and advise attendees on various topics related to the craft of biography writing. 

When: May 13-15, 2022

Where: CUNY Graduate Centre (Tentative),  365 5 th Avenue,  New York, NY

13.  The Writer’s Hotel New York City Writers Conference

The programming has two components: two editor pre-conference team readings and the in-person conference in New York City. The team readings are a comprehensive consultation on each writer’s full-length manuscript, followed by a phone call to discuss strategy on the next steps.

The conference itself features workshops, lectures and one-on-one pitch sessions with literary agents. There is also an industry session for poets. Applications are on a first-come first-serve basis and will close once it’s full.

When: June 8-14, 2022

Where: Various hotels

14.  Yale Writers’ Workshop

A seven-day workshop taught by seasoned instructors with strong publication credits. Featuring craft talks, readings and individual meetings with workshop leaders, workshops are done in small groups of 10-12 people.

Participants with book-length manuscripts will be invited to join in pitch sessions. Open to applicants over 18 years old. Admissions are based solely on the writing sample. See website for more details on application process. There is also a workshop for high school students.

When: June 4-11, 2022

Where: 55 Whitney Avenue, Fourth Floor,  New Haven, CT

When: June 12-18, 2022

15.  Bread Loaf Environmental Writers’ Conference

A week-long conference for anyone interested in writing about the environment and the natural world. Featuring small, focused workshops and specialized classes, participants receive individualized attention from workshop leaders.

Established editors , literary agents and publishers will also be present to give advice on how to place work in magazines and the publishing world.

Where: Bread Loaf Campus of Middlebury College,  75 Franklin Street, Middlebury, VT

16.  SleuthFest

For writers and fans of mystery, suspense and thriller fiction. Featuring workshops, craft talks, panels, forensic classes and a cocktail party. Agents and editors will also be accepting pitches.

When: July 7-10, 2022

17.  Imaginarium Convention

Imaginarium is part film festival, part writing conference, part cosplay — an expo for all creatives, including writers and creators of all genres. Panelists include authors, editors, publishers, filmmakers, screenwriters, game designers, comic creators, artists, actors, and all other creatives. 

When: July 8-10, 2022

Where: Holiday Inn Louisville East,  1325 South Hurstbourne Parkway, Louisville, KY

18.  The Greater Los Angeles Writers Conference

A conference for writers of all genres, including screenwriters and graphic novel writers. Open to writers in all stages of their career, from aspiring first-time writers to already established writers.

Workshops include one-on-one with agents and publishers to prepare writers for pitch meetings, which are also included in the conference.

When: August 5-7, 2022

Where: Hilton Los Angeles Westside,  6161 West Centinela Avenue, Culver City, CA

19.  When Worlds Collide

A festival to connect readers, writers, artists and publishers of commercial and literary fiction of all genres, with public readings, master classes and other workshops on the business of writing.

When: August 12-14, 2022

Where: Delta Hotels by Marriott Calgary South,  135 Southland Drive SE, Calgary, AB

20.  Fernie Writers’ Conference  

A week-long intensive writing workshops, panel discussions and performances in the Rocky Mountains. There will also be opportunities to mix and mingle with editors, literary agents and notable writers who will also be workshop leaders.

When: August 15-21, 2022

Where: Lizard Creek Lodge, Fernie Alpine Resort,  5346 Highline Drive, Fernie, BC

21.  Pacific Northwest In-Person Conference

Featuring writing contests in all genres for a chance to win a free critique. There are master classes and pitching sessions. There are also membership options for conference pricing discount.

When: September 23-25, 2022

22.  GayRomLit Retreat

For writers, readers and publishers of LGBT literature. More details coming soon.

When: October 19-23, 2022

Where: Renaissance Portsmouth Norfolk Waterfront Hotel,  425 Water Street, Portsmouth, VA

23.  Surrey International Writers’ Conference

A professional development event for writers of all genres, featuring master classes, workshops and pitch sessions.

When: October 21-23, 2022; Master classes – October 20, 2022

24.  Indie Romance Convention

A smaller setting that provides attendees a chance to get to know each other. Three days of learning, workshops, panels, and fun events at night.

When: November 2-5, 2022

25.  The Sarah Lawrence College Publish and Promote Your Book Virtual Conference

Featuring interactive panel discussions with prominent New York City literary agents, major publishing house editors and public relations professionals, author talks, Q&A’s and pitch sessions. 

26. WriteOnCon

A favourite for kidlit, middle grade, and YA writers. Perfect if you want to learn everything from how to land an agent, to how to market your book, to how to improve your craft.

When: July 15-17, 2022

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19 Writing Conferences For Emerging and Established Writers

Reading Lists

Build connections, generate new work, and learn from the leading writers of today.

Writing conferences serve many purposes. They’re places to meet other writers and build community. They’re places to help polish up existing writing or generate new work. They’re places to reset and get inspired. They’re places to meet agent, editors, and other members of the publishing literati. They’re even places to party. Still, they can feel difficult to get into, mind-boggling to research, and like an insular club that only established writers seem to know about. Grown out of this short Twitter thread , here is a list of 19 writing conferences to consider applying to.

Two caveats: 

1) Things are in flux because of the COVID-19 pandemic, which means many of these conferences could switch to an online format or choose to temporarily pause applications to because of a backlog of accepted attendees from 2020/21. Keep an eye on the application deadlines and updates.

2) Because many of these conferences, especially the older ones, come from a long tradition of upholding the supremacy of white, and often male writers, many writers from marginalized backgrounds, including myself, have faced discrimination and microaggressions at them over the years. However, like most institutions confronted with the ways they have failed people on the margins, these conferences are working to make changes.

The Historic

These conferences have been nurturing writers for many years, and typically attract a significant number of applicants.

Sewanee Writers Conference

Held on the campus of the University of the South, 90 minutes from Nashville, the Sewanee Writers Conference is a twelve-day conference that provides workshops across fiction, nonfiction, poetry, and playwriting. The conference fee for “contributors” is $1,800, which covers food and lodging for twelve days. Financial aid is available for “Scholars” ($700 tuition, applicants should have a number of genre-specific publications) and “Fellows” (full scholarship, applicants should have a book published by an academic or commercial publisher). Past notable agents and editors who have attended and taken meetings with writers at Sewanee include Michelle Brower, Renee Zuckerbrot, Margaret Riley King, Sally Kim.

Bread Loaf Writers Conference

Held on the campus of Middlebury College in Vermont, Bread Loaf is an eleven-day conference with workshops for fiction, nonfiction, and poetry. The conference fee for “contributors” is $3,810 and includes tuition, room, and board. Substantial scholarships are available at three different levels—the contributor (earlier stage writers), scholar (has publications in journals, prizes, or other wards), and fellow (must have published their first or second book within the last four years) level. Bread Loaf in 2019 eliminated a controversial program called the “Wait Scholar” program where recipients of financial aid were expected to provide service at the conference as waiters to other attendees. Writer Alexander Chee is a known friend of Bread Loaf, as are the literary agents PJ Mark and Miriam Altshuler, among others.

Tin House Workshops

Held twice a year, the Tin House workshops include both summer and winter sessions, for short fiction, novel, nonfiction, and poetry. The larger summer conference is normally held over a week on the Reed College campus, while the smaller winter conference is held over four days at the Sylvia Beach Hotel on the Oregon coast. Anecdotally, the Tin House conferences are known for prioritizing diversity—both among attendees and among faculty and guests. Attendees meet one agent and one editor during the conference and are usually required to write a query letter and/or synopsis ahead of these meetings, which can be a helpful way to codify one’s writing project. The cost for the summer conference is about $1,600 which includes tuition, accommodation, and all meals; the cost for the winter conference is approximately $1,300 for tuition, accommodation, and some meals. Full scholarships are available, though an additional essay of up to 1,500 words is required in order to apply.

Kenyon Review Writers Workshop

Held on the campus of Kenyon College in Gambier, Ohio, about 90 minutes from Columbus, the Kenyon conference distinguishes itself by being focused entirely on generating new work. For seven days, writers are expected to produce new work (fiction, nonfiction, poetry) daily to be shared in workshop. The environment is warm and welcoming, which makes the prospect of sharing new, raw work much less daunting. Scholarships are only available up to 50%, total fees are $2,295 for tuition, lodging, and food. 

Juniper Institute

Held for a week at the University of Massachusetts Amherst, Juniper offers fiction, poetry, and nonfiction workshops designed for sharing works-in-progress for feedback and for generating new work. Tuition is $2,000 and includes some meals. Accommodation on the campus is a separate cost. Five full scholarships are available and include tuition and accommodation.

The Genre-Inflected

Writers of speculative fiction, sci-fi, and fantasy should consider applying to workshops built to support genre fiction.

Clarion Writers’ Workshop

Held on the University of San Diego California’s campus, Clarion is a six-week intensive focused on fundamentals particular to the writing of science fiction and fantasy short stories. Tuition is typically $5,150 for the six weeks, including accommodation and meals. Partial scholarships are available and range between $150 and $4,000. Typically, 18 writers are accepted.

Odyssey Writing Workshop

Held on the campus of Saint Anselm College in Manchester, New Hampshire, Odyssey is a six-week intensive curriculum designed for both workshopping existing work and generating new work in the genres of science fiction, fantasy, and horror. Tuition is $2,450 and includes a textbook and dinner; housing on campus apartments is an additional cost, as is additional meals. A handful of scholarships are available.

The Community-Driven

Founded in response to the challenges of white supremacy and cisheteropatriarchy in literature and publishing, these prestigious writers’ conferences help marginalized writers build community.

Lambda Literary Writers Retreat

For LGBTQ writers across genres (fiction, nonfiction, poetry, young adult fiction, playwriting, screenwriting, and speculative fiction), the week-long conference is typically held at Otis College of Art and Design in Los Angeles, though the 2022 session will be held virtually. Tuition for the 2022 session is $950 and both full and partial scholarships are available.

For Asian American poets and fiction writers, the highly selective retreat is held at Fordham University’s campus in the Bronx, NYC. The conference fee, which is $375, covers tuition, room, and board for five days. Additional scholarships are sometimes provided to applicants after acceptance. 

For Black poets, the week-long Cave Canem retreat is held at the University of Pittsburgh’s Greenburg, Pennsylvania campus. 

For Black fiction writers, the week-long retreat is held at Southern Methodist University in Taos, New Mexico. Tuition is covered by Kimbilio, but room and board fees vary depending on the accommodation chosen. 

For Latinx poets, the retreat accepts 25-30 poets a year and is currently held at University of Arizona Poetry Center in Tucson, Arizona (venue changes based on ongoing partnerships). Workshops are designed to be generative. 

Founded in 1995 by Sandra Cisneros, the weeklong Macondo workshops, held in San Antonio, Texas, are open to Latinx writers across poetry, fiction, and nonfiction. Participants pick between reading/response workshops and generative workshops held for three hours daily. Partial scholarships are available. 

The Locales

At higher price points with limited financial aid, these conferences are more expensive than the others, but make up for it by providing beautiful surroundings or new cities to accompany your week of writing.

Disquiet International

Held in Lisbon, Portugal over two weeks, the conference brings writers from North America into conversation with Portuguese writers and features workshops in fiction, memoir, nonfiction, poetry, and writing the Luso experience. Tuition is $1,950 and does not include accommodation, food, or airfare. Disquiet holds an annual writing contest which provides conference scholarships to the winners of the contest.

Held at the luxury Le Sireneuse Hotel in Positano, Italy, the conference is six days, typically in April. Fees are $5,000 and cover accommodation and food. Workshops are mixed genre across fiction and memoir, and are taught by authors Jennifer Finney Boylan, Hannah Tinti, Dani Shapiro, and Jim Shepard.

Community of Writers

Held at Olympic Valley at the foot of the ski slopes at Lake Tahoe, California over six days, the conference is open to fiction, nonfiction, and poetry writers. Several scholarships are available across the genres.

Mendocino Coast Writers’ Conference

Located in California’s Mendocino Coast, the conference is three days long and features workshops across fiction (novel and short fiction), nonfiction, poetry, and more, as well as agent pitching events. Financial aid is available to emerging writers in various categories.

Aspen Summer Words

Held in Aspen, Colorado, workshops are available for fiction, memoir, narrative nonfiction, middle grade, and book editing. Partial scholarships are offered on need and merit basis. The conference also provides a cohort of “Emerging Writer Fellows” with full scholarships to attend the conference. Fellows are nominated by writers, agents, editors, and other members of the Aspen Words community.

Napa Valley Writers Conference

Held at Napa Valley College over six days in the heart of California’s wine country, this conference holds fiction, poetry, and translation workshops. Tuition is approximately $1,000 and does not include accommodations, food, or travel. A small number of full and partial scholarships are available.

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Top Writers Conferences to Attend in 2022

• on Nov 29, 2021
• in Writing Tips
• Last update: January 3rd, 2024

Note: Be sure to check out the 2024 writing conferences list !

Being masters of words, writers tend to always be on the lookout for new tips and tricks to improve their skill. In writing, there’s always room to grow and bloom. That’s why we’ve compiled a huge list of writing conferences happening this year where writers of all stages get to meet and attend writing workshops, editor meetings, Q&A sessions and many other activities that can only be described as inspiring.

Writing and Well-Being

Pacific University Master of Fine Arts in Writing Residency Writers Conference

Key West Literary Seminar

Under the Volcano

The Palm Beach Poetry Festival

Key West Literary Seminar Writers’ Workshop Program

Blackbird Studio for Writers

Arisia 2022

Winter Poetry & Prose Getaway

Colrain Classic

Writers in Paradise Conference

Tupelo’s Online Manuscript Conference

Tupelo Truchas Poetry Conference

The Writer’s Hotel Virtual Pitching & Marketing Weekend

GET THE LEAD OUT!

National Cowboy Poetry Gathering

Todos Santos Writers Workshop

Sierra Writers Conference

Reading, Writing and Applied Linguistics In barcelona

West Coast Christian Writers Online Conference

San Francisco Writers Conference

Southern California Writers’ Conference

Asheville Christian Writers Conference

Southern California Writers Conference – San Diego

Coastal Magic Convention

California Creative Writers Conference

Dahlonega Literary Festival

NAWE Virtual Conference

New York Pitch Conference

Tucson Festival of Books

Scottish Association of Writers Conference

Writing By Writers

Authors’ Salon at Clockwork Alchemy

Let’s Just Write! An Uncommon Writers Conference

The AWP 2022 Conference & Bookfair

UND Writers Conference

The Write Stuff Writer’s Conference

Teen Author Boot Camp IN PERSON Conference

Teen Author Boot Camp VIRTUAL Conference

Kentucky Writers Conference

National Undergraduate Literature Conference

Tuscon Poetry and Imagination Conference

Chanticleer Authors Conference

The Las Vegas Writers Conference

Austin International Poetry Festival

Blue Ridge Writers’ Conference

A rally of writers conference, rally of writers conference.

Norwescon 43

Self Publishing Advice Conference

Independent Publishers Book Association University

Nebraska Writers Guild Conference

NWG Annual Conference and Writing Retreat

Malice Domestic Convention

Paris Cafe Writing

The Muse & the Marketplace

Northern Colorado Writers Conference

Pikes Peak Writers Conference

Word on the Lake Writers’ Festival

The Annual Gold Rush Writers Conference

American Society of Journalists and Authors Annual Conference

Nonfiction Writers Conference

The Lakefly Writers Conference

Atlanta Writers Conference

Bay Area Book Festival

A Weekend With The Authors

Storymakers Conference

Fiction Readers Summit

Pennwriters Annual Conference

Biographers International Organization Conference

Longleaf Writers Conference

Kachemak Bay Writers’ Conference

Kachemak Bay Writers’ Conference

Alderworks Alaska Writers

Looking Glass Rock Writers’ Conference

Bear River Writers’ Conference

Clarksville Writers Conference

Big Sur Children’s Writers Workshops

San Antonio Book Festival

Poetry by the Sea: A Global Poetry Conference

North Words Writers Symposium

Balticon 56

Blue Ridge Mountain Christian Writers Conference

Thrillerfest XIV

Writing the Midwest: A Symposium of Scholars and Writers

Walker Percy Weekend

Yale Writers’ Conference

Bucknell Seminar for Undergraduate Poets

The Writer’s Hotel

Reader & Author Get Together

Bread Loaf Translators’ Conference

Bread Loaf Environmental Writers’ Conference

Write-to-Publish Conference

Pacific University Residency Writers Conference

The New York Pitch Conference

Colgate Writers Conference

Juniper Summer Writing Institute

Colgate Writers’ Conference

Stonecoast Writers’ Conference

Minnesota Northwoods Writers Conference

Information, Medium & Society: Eighteenth International Conference on Publishing Studies

Western Writers of America Convention

Chautauqua Writers’ Festival

Oregon Christian Writers Virtual Summer

ALA Midwinter Meeting & Exhibits

Jackson Hole Writers Conference

Bookstock Literary Festival

Chesapeake Writers’ Conference

Disquiet International Literary Program

Annual Philadelphia Writers’ Conference

The Creativity Workshop In Prague

Ledbury Poetry Festival

Southampton Writers Conference

Writing in Place conference

Book Bonanza 2022

Florida Writing Workshop

Imaginarium Convention

International Creative Writing Conference

The Creativity Workshop in Florence

Tin House Summer Writers’ Workshop

Canterbury Arts Conference

Sun Valley Writers’ Conference

The Creativity Workshop In Barcelona

Catamaran Writing Conference

The Leopardi Writing Conference

Napa Valley Writers Conference

Sitka Writing Adventure

Writer’s Digest Conference

Taos Writers Conference

Florida Authors and Publishers Association Annual Conference

Taylor University’s ​Professional Writers’ Conference

FAPA Conference

Mendocino Coast Writers’ Conference

The Creativity Workshop in New York

AWP Nonfiction Intensive

Book Lovers Con 2022

When Words Collide

Swanwick Writers’ Summer School

Fernie Writers’ Conference

Reading, Writing and Applied Linguistics In Dubai

Bread Loaf Environmental Writers’ Conference

Nashville’s 16th Annual Writers’ Conference

Melbourne Writers Festival

Rocky Mountain Fiction Writers

Milford Writer’s Workshop

Becoming a Master Writer

Creatures, Crimes & Creativity Con

Flathead River Writers Conference

The Black Authors & Readers Rock Conference (BARR)

Next Chapter Con

Bookgardan: A Year’s Sustenance for Women Writers

Write on the Sound Writers’ Conference

Omega Writers Conference

The DFW Writers Conference

The Heartland Fall Forum

Writing Sisters Summit in the Hills

Ozark Creative Writers Conference

Rocky Mountain Literary Festival

The Vancouver Writers Festival

Western Literature Association Conference

Moonlight & Magnolias Conference

Geraldine R. Dodge Poetry Festival

Women Writing the West Annual Conference

Erma Bombeck Writers’ Workshop

Writer’s Digest Novel Writing Conference

Emerald City Writers’ Conference

Surrey International Writers Conference

Florida Writers Conference

Indie Romance Convention

Medical Writing & Communication Conference

Sanibel Island Writers Conference

La Jolla Writers Conference

Kauai Writers Conference

International Conference on Reading, Writing and Applied Linguistics

The Belize Writers’ Conference

In your journey of becoming the next best selling author, engaging in writing conferences can be of great reward. Don’t miss out and sign up now!

Read more here.

The Comprehensive List of 2024 Writing Contests

The 2024 International Book Fairs Calendar

Amazing Writing Retreats to Attend in 2024

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About Our Writing Workshops

• Upcoming Writing Workshops
• Refund Policy

The Center for Fiction’s Writing Workshops explore a wide range of forms and subjects: fiction and nonfiction, memoir and translation, prose and poetry, history and social justice, and more.

Whether online or in person, we strive to make our classes the most inviting and rewarding available, offering an intimate environment to study with award-winning, world-class writers. Each class is specially designed by the instructor, so whether you’re a fledgling writer or an MFA graduate polishing your novel, you’ll find a perfect fit here.

Gain skill and confidence in your work, as well as key professional insights, under the guidance of award-winning authors and industry insiders.

Members of The Center for Fiction receive early access to writing workshops, as well as 10% off enrollment.

Recent Instructors

Jami Attenberg

Jami Attenberg has written about food, travel, books, relationships, and urban life for the New York Times magazine , the New Yorker, the Wall Street Journal, the Sunday Times (London), the Guardian , and others. She is a New York Times bestselling author of seven books of fiction, including The Middlesteins and All Grown Up , and, most recently, a memoir, I Came All This Way to Meet You . Her work has been published in sixteen languages. She is also the founder of the annual #1000WordsofSummer project, and maintains the popular Craft Talk newsletter year-round. She lives in New Orleans, Louisiana.

Lily Andrews

Lily Andrews is a writer from Minnesota, but she lives in New York. She is studying to be a high school teacher and enjoys reading children’s literature. While she doesn’t know yet whether she will ever be a memoirist, her work has been published or is forthcoming in Ghost City Review , Sonora Review , Ignatian magazine, and Rio Grande Review . She holds an MFA in Writing from Sarah Lawrence College and runs a post-abortion healing workshop called Hear Me Roar.

Stefan Merrill Block

Stefan Merrill Block grew up in Plano, Texas. His first book, The Story of Forgetting , was an international bestseller and the winner of Best First Fiction at the Rome International Festival of Literature, The Ovid Prize from the Romanian Writer’s Union, the 2008 Merck Serono Literature Prize and the 2009 Fiction Award from The Writers’ League of Texas. The Story of Forgetting was also a finalist for the debut fiction awards from IndieBound, Salon du Livre, and The Center for Fiction. Stefan’s stories and essays have appeared in the New York Times , the New Yorker Page-Turner, the Guardian , NPR ’s Radiolab , GRANTA , the Los Angeles Times , and many other publications. Stefan’s most recent novel, Oliver Loving , was released in 2018 by Macmillan/Flatiron Books, and is being developed for television by Participant Media. He lives in Brooklyn.

Conor Bracken

Conor Bracken is the author of The Enemy of My Enemy is Me (Diode Editions, 2021), as well as the translator of Mohammed Khaïr-Eddine’s Scorpionic Sun (CSU Poetry Center, 2019) and Jean D’Amérique’s No Way in the Skin Without This Bloody Embrace (Ugly Duckling Presse, 2022), a finalist for the 2023 PEN Award for Poetry in Translation. His work has received support from the Community of Writers, Bread Loaf, the Frost Place, Inprint, Cornell’s Institute for Comparative Modernities, and the Sewanee Writers’ Conference, and has appeared (or will soon) in places like BOMB, Image, jubilat, New England Review, the New Yorker, Ploughshares, Sixth Finch , and West Branch . He teaches writing at the Cleveland Institute of Art.

Nana Ekua Brew-Hammond

Nana Ekua Brew-Hammond is the author of the children’s picture book Blue: A History of the Color as Deep as the Sea and as Wide as the Sky , illustrated by Caldecott Honor Artist Daniel Minter. Named among the best books of 2022 by NPR, New York Public Library, Chicago Public Library, Kirkus Reviews , and The Center for the Study of Multicultural Literature, Blue  was honored with the 2023 NCTE Orbis Pictus Award® recognizing excellence in the writing of non-fiction for children, and it was nominated for an NAACP Image Award.

Brew-Hammond also wrote the young adult novel Powder Necklace , which Publishers Weekly called “a winning debut”, and she edited Relations: An Anthology of African and Diaspora Voices , of which Kirkus Reviews said in a starred review: “This smart, generous collection is a true gift.” Every month, Brew-Hammond co-leads a writing fellowship whose mission is to write light into darkness. You can keep up with Nana on Instagram at @nanaekuawriter , Twitter at @nanaekua , and Facebook at @nanaekuawriter .

Joanna Cantor

Joanna Cantor holds an MFA from Brooklyn College and a BA from Colorado College. Her debut novel, Alternative Remedies for Loss , was an Amazon Best Book of the Month for May 2018 and received coverage in Vanity Fair, Real Simple, Nylon , and elsewhere. Her writing has appeared in Literary Hub, Electric Literature, Departures, Fodor’s Travel, Greatist , and Willamette Week . Joanna was a recipient of a Vermont Studio Center Fellowship. She previously taught fiction writing at Catapult and is also a yoga teacher. She lives in Brooklyn. You can keep up with Joanna on Instagram at @joannacantor and on Twitter at @jojannna.

Elysha Chang

Elysha Chang is a writer and educator based in Brooklyn. Before moving to New York, she taught Asian American Literature and Creative Writing at Villanova University, University of Pennsylvania and Blue Stoop Philadelphia. Her debut novel, A Quitter’s Paradise , is about American immigrant inheritance and was published in 2023. She holds a master of fine arts from Columbia University and has received fellowships from The Center for Fiction and Kundiman.

Caroline Christopoulos

Caroline Christopoulos is a publicist with Gold Leaf Literary Services, a publicity firm that works exclusively with writers/authors. She also works part-time at Malaprop’s Bookstore/Cafe in Asheville, NC, where she has been a bookseller for twenty-two years and buyer for eighteen. She worked on the steering committee of the Asheville Grown Business Alliance and continues to be on the programming committee for the Carolina Mountains Literary Festival. In addition to bringing authors and their works the attention they deserve, her focus includes strengthening community and promoting local business. She and her husband live in Asheville and New York City with their daughter and their dog, Tiny Cakes.

Sarah Cypher

Sarah Cypher is a freelance book editor and author of The Skin and Its Girl (Ballantine, April 2023). She holds an MFA from the Program for Writers at Warren Wilson College, where she was a Rona Jaffe Graduate Creative Writing Fellow in Fiction, and a BA from Carnegie Mellon University. Her writing has appeared in the Washington Post, Lit Hub , Electric Literature , New Ohio Review, North American Review, Crab Orchard Review , and others, and she has been a resident at the Headlands Center for the Arts and Vermont Studio Center. She grew up in a Lebanese Christian family near Pittsburgh and lives in Washington, D.C., with her wife. You can keep up with Sarah on Instagram at @sarahcypher and on Twitter at @threepenny .

Kavita Das came to writing ten years ago after working for social change and social justice for fifteen years. She writes about culture, race, gender, and their intersections. Nominated for a Pushcart Prize, Kavita’s work has been published in WIRED, CNN, Teen Vogue, Catapult, Fast Company, Tin House, Longreads, the Atlantic, the Washington Post , Los Angeles Review of Books, Kenyon Review, NBC News Asian America, Guernica, Electric Literature , Colorlines, the Rumpus , and elsewhere. Kavita’s second book Craft and Conscience: How to Write About Social Issues (Beacon Press, October 2022) is inspired by the Writing with Conscience class she created and teaches. Her first book, Poignant Song: The Life and Music of Lakshmi Shankar , was published by Harper Collins India in 2019. In the real world, she lives in New York with her husband, toddler, and hound. And in the virtual world, she can be found on Twitter: @kavitamix and Instagram: @kavitadas and at kavitadas.com .

Omer Friedlander

Omer Friedlander was born in Jerusalem in 1994 and grew up in Tel-Aviv. He is the author of the short story collection The Man Who Sold Air in the Holy Land , winner of the Association of Jewish Libraries Fiction Award and a finalist for the Wingate Prize. The book was chosen as a Sophie Brody Medal Honor Book and longlisted for the Story Prize. Omer has a BA in English Literature from the University of Cambridge and an MFA from Boston University, where he was supported by the Saul Bellow Fellowship. He was a Starworks Fellow in Fiction at New York University. His collection has been translated into several languages, including Turkish, Dutch, and Italian. His writing has been supported by the Bread Loaf Fellowship and Vermont Studio Center Fellowship. He is currently teaching Creative Writing at the MFA program at Columbia University.

Miciah Bay Gault

Miciah Bay Gault is the author of the novel Goodnight Stranger (Park Row, 2019), which was nominated for a Shirley Jackson award, longlisted for The Center for Fiction First Novel Prize , and selected for Poets & Writers’ First Fiction roundup.

Miciah is a Breadloaf fellow and a Vermont Arts Council creation grant recipient. Her short fiction and essays have appeared in Tin House, the Sun, Agni, the Southern Review, the Harvard Review, the New York Times ‘ Modern Love’ column, and other places. She teaches in the MFA in Writing program at Vermont College of Fine Arts and is coordinator of the Vermont Book Award.

David Gordon

David Gordon was born in New York City. He attended Sarah Lawrence College, holds an MA in English and Comparative Literature and an MFA in Writing, both from Columbia University. He is the author of seven published novels and a book of stories.His first novel, The Serialist , won the VCU/Cabell First Novel Award and was a finalist for an Edgar Award. It also won three major literary awards in Japan—Kono Mystery ga Sugoi, Mystery ga Yomitai and Mystery Best 10—becoming the first novel ever to do so—and was made into a feature film. In addition to Japanese, his novels has been translated into Chinese, Korean, French, German, Turkish, Russian and Polish. His most recent book, The Pigeon , is number five in the Joe the Bouncer series. A new novel, a neo-noir called, Behind Sunset , is forthcoming from Mysterious Press, as well as a video game co-written with Hampton Fancher, ( Bladerunner ). His work has appeared in Harpers , Paris Review , the New York Times magazine, the  New York Times Book Review , Fence , Brazenhead Review , Maggot Brain , LitHub , Electric Literature , and others.

Jakob Guanzon

Jakob Guanzon is the author of Abundance , which was longlisted for both the National Book Award and the Aspen Words Literary Prize in 2021, and has been translated into multiple languages. His shorter works have appeared in BOMB , the New York Times , and elsewhere. He holds an MFA from Columbia University, and has since taught as part of the Zell Visiting Writers Series at the University of Michigan. He lives in Harlem.

Lucinda Halpern

Lucinda Halpern is a literary agent with nearly 20 years’ experience in both the publicity and agency sides of publishing. Before founding Lucinda Literary, she worked in the Publicity division of HarperCollins, where she assisted on the media campaign for Freakonomics among other New York Times bestsellers. She later took a management role in Sales and Marketing at Scholastic before becoming a marketing consultant for Gretchen Rubin ( The Happiness Project ) and others, and then launching her career as an agent. She has worked with such publishers as HarperCollins, Penguin Random House, Simon & Schuster, Macmillan, and Hachette, and currently represents authors writing in the categories of business, health, lifestyle, popular science, narrative nonfiction, memoir, and upmarket fiction.

Lauren Harr

Lauren Harr is a publicist with Gold Leaf Literary Services and has worked in the book world for twenty years—as a bookseller in Asheville, NC and Albuquerque, NM, an assistant at literary nonprofits in Santa Fe, an intern at Graywolf Press, and a marketing assistant and publicist at Coffee House Press. She spent eight years at Malaprop’s Bookstore/Cafe where her passions were connecting readers and books and assisting the events program. She lives in Asheville with her husband and daughter and holds an MFA from Spalding University’s School of Creative and Professional Writing.

Debra Jo Immergut

Debra Jo Immergut is the author of the novels You Again , named a New York Times Best of the Year and shortlisted for the 2021 Gotham Book Prize, and The Captives , a 2019 Edgar Award finalist and published in over a dozen countries. She has also published a collection of short fiction, Private Property . Her essays and stories have appeared in American Short Fiction, Narrative, the New York Times, PANK, Hobart , and elsewhere. A recipient of Michener and MacDowell fellowships, she has an MFA from the Iowa Writers’ Workshop and lives in western Massachusetts.

Yahdon Israel

Yahdon Israel, a Senior Editor at Simon & Schuster and founder of Literaryswag, a cultural movement that intersects literature and fashion to make books accessible. He has written for the New Inquiry , LitHub , Poets & Writers , Vanity Fair , and the Atlantic . He teaches Creative Writing at the MFA Program at City College, previously served on the Board of the National Book Critics Circle, and founded the Literaryswag Book Club, a Brooklyn-based subscription service and book club that meets every last Wednesday of the month.

Seth Kaufman

Seth Kaufman is a ghostwriter and novelist. He is the author or co-author of five book proposals purchased by publishers, including autobiographies of basketball legend Rick Pitino, video game designer John Romero, and his own collection of music essays. He has collaborated on bestselling memoirs, biographies, current affairs, political and sports books. His work, under his byline or a clients’ byline, has been published by the Wall Street Journal , the New Yorker online, LitHub , Publishers Weekly , and many other national publications. His satirical work, The King of Pain , was called “one of 2012’s most enjoyable novels” by the New York Times . And Bleacher Report scribe Mike Freeman called Eat My Schwartz , the autobiography Kaufman co-authored (and also wrote the proposal for), “easily, one of the most unique and well-done books about NFL life I’ve ever read.”

Josh Krigman

Josh Krigman (he/him) is a writer, teacher, and facilitator in New York City. He has taught creative writing at Hunter College, the United Nations International School, 826NYC, The Writer’s Rock, and for National Geographic Expeditions. He has been awarded residencies from Vermont Studio Center, and his work has appeared in The Summerset Review, Akashic Books, Necessary Fiction , and elsewhere. He received his MFA in fiction from Hunter College. Through Little Nights , he hosts interdisciplinary events designed to make art-making more accessible to new audiences. He is also the co-founder and New York host of Club Motte , an international storytelling series that hosts live events in New York, Oakland, and Berlin.

Danielle Lazarin

Danielle Lazarin is the author of the short story collection Back Talk . Her fiction and essays can be found in the Southern Review , Colorado Review , Literary Hub , Glimmer Train , the Cut , Electric Literature’s Recommended Reading, and elsewhere. Her work has been honored by the New York Foundation for the Arts, the Glimmer Train Family Matters Award, the Millay Colony for the Arts, The Freya Project, and the Stella Kupferberg Memorial Short Story Prize. She lives and teaches in her native New York, where she is at work on a novel and a story collection.

Alcy Leyva is a Bronx-born multi-genre writer whose first two books in the Shades of Hell series, And Then There Were Crows and And Then There Were Dragons . His newest book, the silent, subtle, ever-present perils of life , was released October 10th, 2023 by Green Writers Press. He is currently working on his Ph.D. in Creative Writing for the University of Birmingham and currently lives (and works) in New York.

Theresa Lin

Theresa Lin received her MFA in Fiction from Columbia University, where she was awarded the De Alba Fellowship by Writing Program faculty for an excerpt of her novel manuscript. She is represented by Janklow and Nesbit and lectures at The Cooper Union. She has previously taught at Fordham, Rutgers, and Columbia and her writing has been featured in the LA Review of Books , Off Assignment , Racquet , Oh Reader , Storm Cellar , Truthout , Smart Set , and Random Sample Review , among others.

Bruna Dantas Lobato

Bruna Dantas Lobato is a Brazilian writer and literary translator based in St. Louis. Her fiction has appeared in the New Yorker , A Public Space, the Common , and other publications, and has been recognized with fellowships from Yaddo, A Public Space, NYU, and Disquiet International. Her literary translations include Caio Fernando Abreu’s Moldy Strawberries (Archipelago Books), Stênio Gardel’s The Words that Remain (New Vessel Press), and Giovana Madalosso’s Tokyo Suite (Europa Editions). Other translations from Lobato have appeared in Vogue, Bookforum, BOMB, the Kenyon Review, Harvard Review, the Brooklyn Rail , and the American Scholar , among others. You can keep up with Bruna on Twitter at @bdantaslobato and Instagram @bdantaslobato .

Melissa Lozada-Oliva

Melissa Lozada-Oliva is the author of peluda , Dreaming of You and Candelaria . Her work has been featured in the Poetry Project, Harper’s Bazaar, NPR , Vogue, Vulture , and BBC Mundo. She received her MFA from New York University in 2020.

Jessie McCarty

Jessie McCarty (they/them) is an interdisciplinary writer and cataloger specializing in Irish, Southern, and LBGTQ+ folklore through new media and poetry. They are the author of The Bovine Huff , a research chapbook on The Shreveport Yellow Fever Mound in Shreveport, Louisiana and Ireland/Eire’s Tain Bo Cuailnge. The Bovine Huff was awarded the 3rd Best Poetry Book of 2022 in the Chicago Reader . In August 2023, McCarty co-authored the poetry collection Our Fairy Diary with multi-media artist Sarah Haines. This artbook of letters, written between Chicago and Shreveport, functioned as a study in fairy rings as a limited edition of 50. As of September 2023, Our Fairy Diary is sold out.

David McLoghlin

David McLoghlin is a prize-winning poet and writer of memoir and personal essay. His books are Waiting For Saint Brendan and Other Poems and Santiago Sketches . His third book, Crash Centre , will be published in May 2024 by Salmon Poetry. Apart from a major bursary (grant) for memoir from Ireland’s Arts Council, and a personal essay published in the anthology Others Will Enter the Gates: Immigrant Poets on Poetry, Influences, and Writing in America (Black Lawrence Press), he has published personal essays, short stories and memoir extracts in The Stinging Fly , Poetry Ireland Review and other journals. An essay on being mentored by poet Sharon Olds is forthcoming in This Glistening Verb (University of Michigan Press) as part of their “Under Discussion” series. He is currently at work on a book about his grandfather, the golf architect, Eddie Hackett, widely considered “the Father of Irish Golf Design.” In October 2023 he played one of his grandfather’s designs, Connemara Golf Links, and is writing an immersion piece for Golfer’s Journal in the USA. He has previously taught memoir for The Center for Fiction, and teaches creative writing in Ireland with The American College, Dublin, Poetry as Commemoration and Writers in Schools. While living in New York between 2010 and 2020 he was Resident Writer at Hunts Point Alliance for Children in the South Bronx, and an NYU Teaching Fellow at Coler Specialty Hospital; and a Patrick and Katherine Kavanagh Fellowship Recipient (2023).

Leia Menlove

Leia Menlove’s writings have been published in Guernica , Fiction Magazine (CUNY), Narratively , the Harvard Review , the Evergreen Review , Catapult , Joyland , and others. She was a featured artist of The Solomon R. Guggenheim Museum Series, “Conversations with Contemporary Artists,” discussing her fabulist erotic work, How to Train Your Virgin . HTYV was released by Badlands and ArtBook in 2015, and was covered in BOMB , T magazine, Vogue , MSNBC’s Chrystal Ball Show , Hyperallergic , Sluttist , and many other forums. She is editing her first novel and beginning work on her second.

Kate Milliken

Kate Milliken is the author of If I’d Known You Were Coming , winner of the 2013 John Simmons Award for Short Fiction, and the novel, Kept Animals , which was long listed for the 2020 First Novel Award. Her work has been supported by the Tin House Writers Workshop, the Ragdale Foundation, and the Vermont Studio Center among others. When not at work on her next book, Kate is a freelance editor and writing coach.

Ruth Mukwana

Ruth Mukwana is a fiction writer. Her work has appeared in several magazines including Bomb , Solstice , and Consequence . Her short story, “ Taboo ” was a runner-up in the Black Warriors Review 2017 fiction contest. She’s the Co-Fiction Editor of Solstice Magazine . She is the Creator and Host of SAHA, Stories and Humanitarian Action, a Podcast that investigates whether fiction can raise awareness on the causes and consequences of humanitarian crises. Her works in progress are a collection of short stories and a novel that follows Queen, a middle-aged woman working for the UN, as she’s forced to confront a past, she wants to forget, and her quest for justice. Told through multiple points of view, the novel interrogates trauma and memory, and resilience and forgiveness. She’s a graduate of the Bennington Writing Seminars (MFA), a 2022 Bennington Alumni Fellow and a 2020 Center for Fiction/Susan Kamil NYC Emerging Fellow, and a former humanitarian worker with the United Nations. She lives in New York with her daughter.

As a fiction writer with an MFA from Bennington College and a humanitarian worker whose work and writing deals with social justice issues, she is passionate about writing for social justice and has a deep familiarity with both the research and questions of craft. Therefore, she offers a wide perspective and comparative approach.

Alison Mills Newman

Alison Mills Newman is a former child star from the ’60s, a singer/songwriter and recording artist with Taj Mahal, and has opened for Ornette Coleman, Don Cherry, Weather Report with Joe Zavinul and Wayne Shorter, screenwriter, poet and award winning independent filmmaker and author of Maggie Three and the highly acclaimed Francisco .

Zeynep Özakat

Zeynep Özakat was born and raised in Istanbul, Turkey. Her writing has appeared in Glimmer Train Stories , where she won the Fiction Open Contest, in Black Warrior Review, Michigan Quarterly Review , and Gulf Coast Online . She holds an MFA in Creative Writing from Syracuse University, where she received The Shirley Jackson Prize in Fiction, The Leonard Brown Prize in Poetry, and a Graduate Dean’s Award for Excellence in Research and Creative Work. She has received scholarships and support from The Disquiet Conference in Lisbon, The Bread Loaf Environmental Writing Conference, The Juniper Summer Writing Institute, and The Fine Arts Work Center in Provincetown, where she was a 2021-2022 Writing Fellow.

Soraya Palmer

Soraya Palmer is the author of The Human Origins of Beatrice Porter and Other Essential Ghosts . She is a Flatbush-born-and-raised writer and licensed social worker. Her novel was named one of Today’s “38 Best New Books to Read in 2023,” one of the “Buzziest Debut Novels of the New Year” by Goodreads , one of the “Best and Most Anticipated Books of 2023” by Elle magazine, and one of “The Most Anticipated Feminist Books of 2023” by Ms. magazine. Her writing has appeared in Electric Literature , Hazlitt , Ploughshares, and elsewhere. She has been awarded a residency at Blue Mountain Center and graduated from the Virginia Tech MFA program. She lives in Brooklyn with her cat, Nicholas.

Daniel Saldaña París

Daniel Saldaña París is the author of three novels— Among Strange Victims , Ramifications , and The Dance and the Wildfire —and a collection of personal essays, Planes Flying Over a Monster . His work has been translated into several languages, and he has been included in Bogota39, a list of the Best Latin American Writers Under 40.

The recipient of fellowships and residencies from the Banff Center for the Arts, the Latin American Art Museum of Buenos Aires, Art Omi, and MacDowell, he has been awarded the Eccles Center & Hay Festival Writers Award in the U.K., and his latest novel was a finalist for the Herralde Prize in Spain. He was a 2022-2023 fellow at the NYPL’s Cullman Center for Scholars and Writers, and has contributed to publications such as the Guardian , BOMB, Guernica, Aperture, Music & Literature, LitHub, Publisher’s Weekly , and KCRW’s UnFictional , among many others. You can keep up with Daniel on Instagram at @dsparis .

Dawn Raffel

Dawn Raffel is the author of six books, most recently Boundless as the Sky , a hybrid collection incorporating fiction, image, and early 20th Century history, amid the rise of both fascism and technology. The title novella, set at the 1933 Chicago World’s fair, is told through multiple perspectives, including “ordinary” people and sideshow performers whose voices have been lost to history books. Her previous book, The Strange Case of Dr. Couney , is historical narrative nonfiction based on deep archival research. Other books include a nationally bestselling memoir, The Secret Life of Objects , two story collections and a novel. She has taught creative writing at International Literary Seminars (previously Summer Literary Seminars) in Kenya, Russia, Lithuania, and Canada. You can keep up with Dawn by following her on Instagram at @dawnraffel , or on Twitter at @dawnraffel .

Juliana Roth

Juliana Roth was selected as a VIDA Fellow with the Sundress Academy for the Arts for her fiction and is currently seeking a home for her novel and collection of short stories. Her writing appears in the Breakwater Review, Los Angeles Review of Books, Irish Pages , and Entropy as well as being produced as independent films that she directs. Her web series, The University , was nominated by the International Academy of Web Television for Best Drama Writing. Currently, she teaches writing at NYU and writes the newsletter Drawing Animals featuring essays, interviews, doodles, and podcast episodes celebrating our interconnection with nonhuman animal life. She also holds a 200-hour yoga teacher certification and is a current Emerging Writer Fellow at The Center for Fiction. She formerly lived out of a backpack in the La Sal Mountains and as a volunteer on an organic farm in Maine.

Buku Sarkar

Buku Sarkar is a fiction writer and photographer based in New York. Her first book has just been published in 2023, a collection of short stories titled Not Quite A Disaster After All . She has written for various magazines including NYRB , ZYZZYVA , NYTimes , Sewanee Review , Threepenny Review , and received the best short story of the year award from Sewannee Review . Her photography, has been shown at ICP, Art Basel Miami to name a few.

Alanna Schubach

Alanna Schubach is the author of The Nobodies (Blackstone, 2022). Her short fiction has appeared in Shenandoah , the Sewanee Review , the Massachusetts Review , Electric Literature , and more. She was an Emerging Writer Fellow with The Center for Fiction and a Fellow in Fiction with the New York Foundation for the Arts. She earned an M.F.A. in fiction from Sarah Lawrence College.

Amy Silverberg

Amy Silverberg is a writer and comedian based in Los Angeles. Her short fiction has appeared in Best American Short Stories , the Paris Review , Granta , TriQuarterly , the Los Angeles Review of Books , and elsewhere. Her debut novel First Time, Long Time is forthcoming from Grand Central Publishing/Hachette. She also writes television, most recently The Movie Show on the SYFY Channel. She holds a Ph.D. in Literature & Creative Writing from The University of Southern California, where she currently teaches.

Javier Sinay

Javier Sinay is a writer and journalist. His books include Camino al Este , Cuba Stone (in collaboration), Los crimes de Moisés Ville (published by Restless Books as The Murders of Moises Ville in 2022), and Sangre joven , which won the Premio Rodolfo Walsh de la Semana Negra de Gijón, España. In 2015 he won the Premio de la Fundación Gabo/FNPI for his chronicle “Fast. Furious. Dead.,” published in Rolling Stone . His work has appeared in the newspapers La Nación and Clarín , in Buenos Aires, and on the website RED/ACCIÓN. He was also a South America correspondent for El Universal (Mexico) and the editor of Rolling Stone (Argentina). He has collaborated with Gatopardo (Mexico), Label Negra (Peru), Letras Libres (Mexico) and Reportagen (Switzerland). He lives in Buenos Aires.

Eraldo Souza dos Santos

A 2022 LARB Publishing Fellow, Eraldo Souza dos Santos is a Brazilian writer currently based between Paris and São Paulo. His first novel, to be published in 2024, is an autobiography of his illiterate mother and a meditation on the lived experience of Blackness and enslavement in modern Brazil. At the age of seven, his mother was sold into slavery by her white foster sister. It was 1968—eighty years after the abolition of slavery in Brazil and four years into the anti-communist coup d’état, during the month in which the military overruled the Constitution by decree. By weaving in extensive archival research and interviews, the novel narrates their journey to Minas Gerais—where she was born—and Bahia—the Blackest state in Brazil, where she was enslaved on a farm for three years—to investigate why the family that enslaved her has never been brought to justice. It also narrates his grandmother’s journey to search for her missing daughter. In March 2023, he offered a masterclass based on his novel at the prestigious UEA Creative Writing Course. You can keep up with Eraldo on Twitter at @esdsantos .

Mathangi Subramanian

Mathangi Subramanian is a neurodiverse South Asian American novelist and essayist. Her middle grade book Dear Mrs. Naidu won the South Asia Book award, and her novel A People’s History of Heaven was a finalist for the Lambda Literary Award and was longlisted for the PEN/Faulkner prize and The Center for Fiction First Novel Prize. Her picture book A Butterfly Smile was inducted into the Nobel Museum by economics laureate Dr. Esther Duflo. She is a guest artist at Denver School of the arts and affiliate faculty at the Regis Mile High MFA program. She holds a doctorate in education from Columbia University Teachers College.

Jenna Tang is a Taiwanese writer and translator who translates between Mandarin Chinese, Spanish, French, and English. She is a board member and chair of the Equity Advocates Committee at the American Literary Translators Association (ALTA). Her translations and essays are published in McSweeney’s , Latin American Literature Today , World Literature Today , Catapult , AAWW , Words Without Borders , the Paris Review , and elsewhere. Her book in translation, Lin Yi-Han’s novel, Fang Si-Chi’s First Love Paradise (HarperVia), will be out in May 2024.

Hannah Tinti

Hannah Tinti is the author of the bestselling novel The Good Thief , which won The Center for Fiction First Novel Prize , and the story collection Animal Crackers , a runner-up for the PEN/Hemingway Award. Her latest novel, The Twelve Lives of Samuel Hawley , is a national bestseller and is in development for television. She teaches creative writing at New York University’s MFA program and co-founded the Sirenland Writers Conference. Tinti is also the co-founder and executive editor of One Story magazine, which won the AWP Small Press Publisher Award, CLMP’s Firecracker Award, a 2020 Whiting Prize, and the PEN/Magid Award for Excellence in Editing.

María Alejandra Barrios Vélez

María Alejandra Barrios Vélez is a writer born in Barranquilla, Colombia. She was the 2020 SmokeLong Flash Fiction Fellow, and her stories have been published in Shenandoah Literary , Vol. 1 Brooklyn , El Malpensante , Fractured Lit , SmokeLong Quarterly , The Offing , and more. Her work has been supported by organizations such as Vermont Studio Center, Kweli, Caldera Arts, and the New Orleans Writers’ Residency.

Her debut novel, The Waves Take You Home , will be published March 19, 2024.

Sofia Warren

Sofia Warren is a cartoonist and writer based in Brooklyn. Her first book, Radical: My Year with a Socialist Senator , was named one of the top graphic novels of 2022 by Forbes , and was a 2023 Finalist for the Pop Culture Classroom Excellence in Graphic Literature award. Sofia has been a contributing cartoonist at the New Yorker since 2017, and her work has also been published in MoMA Magazine, Catapult, Narrative Magazine , and the books Send Help! and Notes from the Bathroom Line . She is a visiting professor at Wesleyan University. You can keep up with Sofia on Instagram at @sofiawarrenart .

Eleanor Whitney

Eleanor Whitney is a writer, editor, and content marketer. She is the author of Riot Woman , a collection of feminist essays examining the impact of the Riot Grrrl movement, and Quit Your Day Job , a business guide and an accompanying workbook for creative people. Microcosm will publish her fourth book, Spread the Word: Promote Your Book, Find Your Readers, and Build a Literary Community in the fall of 2023.

Throughout her career, Eleanor has worked to build communities, education programs, and marketing content strategies at museums, art organizations, and tech startups, including the Brooklyn Museum and the New York Foundation for the Arts. She holds an MFA in Creative Nonfiction from Queens College, a Master’s in Public Administration from Baruch College, and BA in cultural studies from Eugene Lang College. She has taught writing at both Queens College and Eugene Lang College and in community workshops around the country. Hailing from Maine, she divides her time between Brooklyn and the Mojave desert. You can keep up with Eleanor on Instagram at @killerfemme and on Twitter at @killerfemme.

Joe Wilkins

Joe Wilkins was born and raised on the Big Dry of eastern Montana and now lives with his family in the foothills of the Coast Range of Oregon. He is the author of a novel, Fall Back Down When I Die , praised as “remarkable and unforgettable” in a starred review at Booklist . A finalist for the The Center for Fiction First Novel Prize and the Pacific Northwest Booksellers Award, Fall Back Down When I Die won the High Plains Book Award. Wilkins is also the author of a memoir, The Mountain and the Fathers , and four collections of poetry, including Thieve and When We Were Birds , winner of the Oregon Book Award. His second novel, The Entire Sky , is slated for publication in July 2024 with Little, Brown. Wilkins directs the creative writing program at Linfield University and is a member of the low-residency MFA faculty at Eastern Oregon University.

Diane Zinna

Diane Zinna is the author of the novel The All-Night Sun (Random House, 2020) and Letting Grief Speak: Writing Portals for Life After Loss , a craft book on the art of telling our hardest stories, forthcoming from Columbia University Press in 2024. She has led a free grief writing class called Grief Writing Sundays since the start of the pandemic.

Courtney Zoffness

Courtney Zoffness is the author of the critically acclaimed memoir-in-essays Spilt Milk , named a best debut of 2021 by BookPage and Refinery29 and a “must-read” by Publishers Weekly . She won the Sunday Times Short Story Award and received fellowships from The Center for Fiction and MacDowell. Her writing has appeared in the Paris Review Daily , the New York Times , Guernica , the Believer , and other venues. She’s an Associate Professor of English at Drew University, where she directs the creative writing program. You can keep up with Courtney on Instagram at @czoffness, and Twitter at @czoffrun .

We kindly ask those attending in-person workshops to review our Health & Safety Protocols before visiting The Center for Fiction. For refunds, please refer to our Refund Policy .

Creative writing workshops can take your writing to the next level. The chance to experiment with your writing in a community is invaluable, and getting live feedback on your work will propel you through your writing career.

That said, there are plenty of writing workshops where writers get less than what they bargained for. Finding the right group of writers to workshop with is a slow process—no different than dating or finding a therapist. Where can you find the best online writing workshops for you?

Consider this your go-to guide for navigating the internet of adult writing workshops. We’ll talk about different workshopping models and how they might work for you, and we’ll also look at how to get the most from your fiction, nonfiction, and poetry writing workshops.

But first, we ought to define this particularly nebulous aspect of creative writing education. What is a writing workshop?

Looking for the best online writing workshops?

If you’re looking for the best online writing workshops, look no further. Writers.com has been running online creative writing workshops since 1995. View our upcoming calendar to view the best writing workshops for you!

You can also navigate our courses by category:

• Short Story
• Personal Essay
• Lifestyle and Wellness
• Single-Day Zoom Sessions

What is a Writing Workshop?

People use the phrase “writing workshop” differently in different contexts, although it’s a rather vague term that writers use inconsistently. Here are some common ways you might see the term used:

• Online , a workshop is a complete writing course, including both lecture materials and opportunities for feedback from fellow students.
• In universities and MFA programs , a workshop is the aspect of a writing workshop where students give feedback to one another to improve their writing overall.
• At some online writing schools , a workshop is specifically a single-day Zoom-based workshop.

That said, “writing workshop” is a rather nebulous term that has a lot of applications. A workshop is any space where writers come to grow as writers. In short, a writing workshop is an open-ended term that describes different styles of creative writing education.

What is a writing workshop? An open-ended term that describes different styles of creative writing education.

For the purposes of this article, we are addressing multi-week online writing classes, as well as single-day webinars that have a workshopping component. Basically, we’re looking at any type of online learning space where students share their work, receive feedback, build new craft skills, and engage with a writing community.

Here’s what online writing workshops might look like, as well as tips for finding the best ones!

12 Things to Look For In the Best Online Creative Writing Workshops

Are you thinking about enrolling in a creative writing workshop? The best online writing workshops have these 12 things in common:

1. The Best Online Writing Workshops Have Well Respected Teachers

At most online writing schools, the instructor is the person who sets the syllabus, writes the workshop, and gives feedback to students. As a result, a good writing teacher makes all the difference in online writing workshops.

You want to be excited to learn from an instructor.

In addition to being a great writer and teacher, a great workshop instructor will be community-oriented, empathetic, and capable of tailoring their teaching to your writing needs.

Before you enroll in a writing workshop, do some research on the writer teaching it. Most professional writers and teachers will have a website, where you can peruse their work, degrees, and teaching history.

Some questions you might ask:

• Does the instructor have a terminal degree? (M.A., M.F.A., Ph.D., etc.)
• What do prior students say about this instructor?
• Does the instructor have a significant publication history?

On terminal degrees—they’re not necessary for running good creative writing workshops. But, they do indicate a certain level of craft training and teaching experience. Many terminal degree programs require students to learn how to teach creative writing. While you don’t need an M.F.A or Ph.D. to publish or teach writing, they certainly help.

Most importantly: are you excited about this instructor’s work? Do you like it? Do you connect with it? You want to be excited to learn from an instructor. They’re not just teaching craft, they’re teaching you their approach to crafting good writing.

2. The Best Online Writing Workshops Have a Clear Description

Enrolling in creative writing workshops involves a certain level of trust. If you haven’t taken a class with the organization before, you might not know how they run their classes or what you’ll get out of working with them. Writing programs should honor their side of the bargain by telling you exactly what you’ll get from their writing workshops.

Writing programs should honor their side of the bargain by telling you exactly what you’ll get from their writing workshops.

The descriptions for online writing workshops should tell you the following:

• What will you learn and write during the workshop?
• Who’s teaching the workshop, and what have they accomplished?
• How will your time be spent while taking the workshop?
• Who is this for? At what stage of your writing should you be in?

It helps to know what you’re looking for from your workshop. If you have certain goals in mind or ways you want to grow as a writer, be clear about these goals, and don’t spend money on workshops that simply won’t fit your needs. (That said, it can also be fun to enroll in random workshops and learn new writing skills—you’d be surprised what you’ll learn from a class that has nothing to do with your projects.)

If the description of the writing workshop aligns with your goals and needs, it should be a good fit. And, if you’re on the fence, it never hurts to ask the program administrators before you enroll. They’ll be glad to hear from you!

3. The Best Online Writing Workshops Prioritize the Student

Creative writing workshops place your experience front and center. The goal of a workshop is to expand your learning, work, and writing journey. If a writing course doesn’t promise to uplift your writing life, why would you take it?

If a writing course doesn’t promise to uplift your writing life, why would you take it?

A good writing school will acknowledge the risk involved in taking an adult writing workshop. Since online schools can’t confer college credit, and since you probably haven’t interacted with the workshop instructor before, you’re spending your time and money on a program that you haven’t used before.

So, why wouldn’t that school prioritize you ? You want to be confident that your writing, your creativity, and your time will be valued, otherwise you’re wasting your money on an experience you hardly learned from.

Check to see if the program itself has a student promise before you enroll in their writing workshops. If it doesn’t seem like the school will center your learning and growth as a writer, don’t take the risk—there are plenty of other schools to choose from.

4. The Best Online Writing Workshops Give Constructive Feedback

The feedback you receive in creative writing workshops will often prove the most valuable aspect of the course. Because most workshops are run by writers with Masters or Doctoral degrees, they’ve spent a fair amount of time giving and receiving feedback in competitive and community settings. As a result, they know a ton about the craft skills that make for good literature, and they know how to transmit those skills to their students.

Most importantly, a good writing instructor will tell you what you’re doing well in your writing.

The feedback you receive in online writing workshops will vary by the scope of the workshops and the backgrounds of the instructors. You might receive feedback on:

• Where the writing is effective
• Word choice that isn’t clear to the reader
• Ideas that can be expanded or shortened
• Sentences that are too long or too short
• Corrections in spelling and grammar
• Opportunities to improve the writing structure
• Feedback related to the elements of fiction , nonfiction, or poetry

Most importantly, a good writing instructor will tell you what you’re doing well in your writing. When you write a really great simile , have well developed characters , or find a moment of deep insight, your instructor will highlight this.

While it’s good to know what needs to be improved, writers can’t begin to improve until they also know what works in their poems and stories. This is how you build a foundation for good writing: start with what works, and sculpt from there. Writing workshops are the best spaces to build this foundation!

5. The Best Online Writing Workshops Focus on Craft

The best online writing workshops are centered around the craft of writing. Unlike English and composition classes, which focus on grammar, literacy, and the mechanics of language, creative writing workshops look at using these mechanics to write compelling, effective stories. And, in a writing workshop, you don’t just use the rules, you get to break them!

In a writing workshop, you don’t just use the rules, you get to break them.

The craft elements you focus on will vary based on the kind of course you’re in. If you’re taking poetry writing workshops, for example, you’ll focus on employing effective literary devices and studying different forms of poetry .

Likewise, in novel writing workshops, you might study elements like plot , point of view , and the art of storytelling .

Good writing workshops will break down great literature into the components that make it great, allowing you to read like a writer and employ these craft skills in your own work. And, learning the craft of creative writing helps you with everyday tasks, like sending emails or expanding your vocabulary.

6. The Best Online Writing Workshops Respect Your Creativity

The workshop is a space of unfettered creativity. Writers get to share their ideas, their experiences, and their creative, collaborative minds in the same space, making workshops the place to experiment with ideas. Of course, this is only possible if the workshop respects your creative authority.

We don’t “earn” the title of “writer,” we simply are writers, and a good writing course will uphold your integrity and creative vision, no matter where you are in your writing journey.

What does respect for your creative authority mean? It means that no one judges, criticizes, or condemns you for your writing and ideas. The best writing workshops will:

• Help you explore your ideas, rather than impose ideas upon you.
• Teach you the ropes of writing craft without telling you what to write.
• Show you what you’re already doing well in your work.
• Point out opportunities where the writing can be expanded, restructured, or clarified—in ways that help you carry out your creative vision.

Most importantly, this is true no matter how “new” you are to creative writing workshops . Whether you’ve submitted the first poem you’ve ever written or your thousandth, you deserve the same level of respect as everyone else in the room. We don’t “earn” the title of “writer,” we simply are writers, and a good writing course will uphold your integrity and creative vision, no matter where you are in your writing journey.

In a writing workshop, you may encounter many different ideas, but you also encounter the freedom to accept or reject those ideas. It’s your writing. You get the final say!

7. The Best Online Writing Workshops Create Community

What is a writing workshop without community? Writing can be a lonely practice, but a writing community makes all the difference. The best creative writing workshops foster a sense of community. In fact, many writers have come away from our courses with friends and writing partnerships that last for years and years!

A writing community can give you the motivation to create, the license to experiment, and the potential to learn even more about the craft of writing.

A writing community can give you the motivation to create, the license to experiment, and the potential to learn even more about the craft of writing. Because we all have very different literary backgrounds, we all have studied different authors and elements of the writing craft. When we write in a community, we naturally share what we’ve learned with one another, creating a culture of growth and inspiration.

Additionally, a strong writing community creates valuable feedback. When you write alongside people who know and enjoy your work, it is much easier to give and receive feedback, especially when these writers know what you’re trying to accomplish.

Many well-known authors throughout history have been a part of valuable writing communities, such as The Beat Poets, Stratford-on-Odeon, and these famous writing groups . Writing doesn’t happen in a vacuum, and when you enroll in community-oriented online writing workshops, you foster the kinds of relationships and connections that can sustain your literary career.

8. The Best Online Writing Workshops Motivate You to Write

Because writing is often solitary, it can be hard to motivate yourself to get work done. Taking online writing workshops pushes you to put words on the page.

Sometimes, the biggest barrier is beginning, but creative writing workshops will spark your writing practice.

For one thing, these classes cost money, and when you’re spending money to write and learn about writing, you’re more likely to actually write and learn about writing.

But, it’s not just the monetary transaction that motivates writers in adult writing workshops. Your course might provide you with:

• Creative writing prompts
• Daily journaling assignments
• Helpful revisions
• Inspirational readings
• Ideas to combat writer’s block
• Different approaches to writing

Some writing workshops are even designed to motivate you, such as our class Write Your Novel! The Workshop With Jack . Sometimes, the biggest barrier is beginning, but creative writing workshops will spark your writing practice.

9. The Best Online Writing Workshops Jumpstart a Writing Habit

Because writing workshops require you to submit work every week, students will have to set up a consistent writing practice in order to meet these deadlines. Not only does this prepare you for your life as a published author (where deadlines are less flexible), but this also helps you master a key aspect of the writing life: a consistent writing habit.

To make the most of creative writing workshops, try to find time to write every day.

Writing every day isn’t just good advice, it’s essential to building a writing life. Writers who want to build careers out of their work, or at the very least publish books some day, will have to dedicate time every day to their work. When you engage with language each day, you build the skills necessary to write good books, and you also keep yourself creatively motivated. This is true especially for the days that are hardest to write on.

Of course, most of us lead very busy lives. How do we steal time as artists? Here are some ideas:

• Write with your morning coffee.
• Keep a journal on your phone during work and lunch breaks.
• Write on your commute to and from work. If you’re driving, keep an audio journal, where you write by speaking into your phone’s recorder.
• Write on your phone while running on the treadmill.
• Put pen to paper while taking a bath.
• Journal for 15 minutes before you go to bed.

These ideas won’t work for everyone, and it all depends on your schedule and lifestyle. Nonetheless, to make the most of creative writing workshops, try to find time to write every day. It’s best to write at the same time every day, but if your schedule doesn’t allow this, sneak time wherever you can. Balancing a career, a family, and a writing life isn’t easy, but when the work calls, you’ll find time to answer!

10. The Best Online Writing Workshops Broaden Your Literary Horizons

As writers, it’s important for us to know our literary history. Now, this doesn’t mean you need to read every piece of classic literature to start writing—in fact, many books published in the 19th century could never be published today.

If you want to publish your own work some day, it’s important to know what else is being published today.

But it does mean knowing the craft skills that went into both classic and contemporary books. It especially means having a sense of the contemporary literary zeitgeist. If you want to publish your own work some day, it’s important to know what else is being published today.

The best creative writing workshops broaden your literary horizons. When you read classic literature, you get a sense of the foundations of contemporary writing, and the ways that writers before us expanded the possibilities of literature as a whole. When you read contemporary literature, you get a sense of today’s publishing landscape and what people are looking for in the writings of today.

(If you plan to publish books by querying literary agents , reading contemporary work is crucial, because you need to have good comps in your query letter. Comps are books that have been published recently and are similar, in some ways, to your own.)

Now, this doesn’t mean you need to write like other authors. In fact, far from it. It’s better that you learn to write like yourself , because your most valuable asset as a writer is your voice. But, when you expand your literary horizons, you engage with literature and make decisions on what you do and don’t want to do in your work.

What do you like to read? What do you want to never read again? The more you read, the more you hone your own voice as a writer. Great writing workshops introduce you to literature that provokes these kinds of questions.

11. The Best Online Writing Workshops Provide a Creative Outlet

One of the best reasons to take online writing workshops is that they give you an outlet for feelings and creativity.

Writing workshops are a great supplement to a healthy writer’s life.

This is the result of the various reasons listed above for taking writing classes. By building community, creating a writing practice, and engaging with literature, you inevitably nourish your creativity. In doing so, you nurture a healthy space to explore your ideas and emotions—an essential aspect of any writer’s life.

Now, even the best online writing workshops can’t replace the benefits of therapy. We’re not saying you should ditch your therapist for a Writers.com class. But we are saying that writing workshops are a great supplement to a healthy writer’s life, because they create safe spaces for you to experiment with your work and explore your emotions freely on the page.

This is true even for writers of genre fiction or persona poetry. It’s true for participants in fiction writing workshops and memoir writing workshops. We gravitate to writing in part for its emotional release, and a great online class in creative writing will nurture this release. Between the prompts, community, and writing habits that a creative writing workshop fosters, you’re sure to come away from your workshop with renewed emotional health.

12. The Best Online Writing Workshops Provide Next Steps

The best creative writing workshops are the beginning of your writing life, not the end. When your workshop ends, you should come away with new ideas for writing, new publication opportunities to pursue, and new friends and mentors to nurture your writing journey.

The best creative writing workshops are the beginning of your writing life, not the end.

Throughout the workshop, you’ll find new opportunities for continuous growth. You might find a list of literary journals to submit to, new readings to stimulate your writing, further creative writing workshops to attend, or simply the emails and social media accounts of students you really enjoyed working with.

If you’re ready to move on to the next level of your writing, your instructor will provide you with next steps. And, if you want to learn more outside of the classroom, contact the instructor about this. We’re always excited by writers who want to keep learning and learning!

The Best Online Writing Workshops

Of course, we’re partial to our own workshops at Writers.com . Since 1995 we’ve offered the best fiction, nonfiction, poetry, and book writing workshops around the internet, inspiring thousands of writers to embark on their writing journeys, find their voices, and get published.

We offer both single-day webinars and multi-week workshops in all genres, and also offer opportunities for private coaching with our instructors. If you’re looking for the best, you’ve already found it. Drop us a line if you have any questions!

Check out our full schedule of upcoming classes here.

In addition to Writers.com, here are some online writing workshops that we’ve found offer fantastic creative writing education:

• Loft Literary
• Brooklyn Poets
• Creative Nonfiction

In Creative Writing Workshops…

You get to find great literature, meet fellow scribblers, build a writing habit, and, most importantly, take your writing journey to the next level. Why wait? Enroll in an online writing workshop today!

Sean Glatch

Thanks for the information it’s really enlightening

So glad I found this writing site. I have more exploring to do. I’m sure I will be back.

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13 Notable Writing Conferences and Workshops in November 2022

Erica Verrillo

Curiosity Never Killed the Writer

T his November there are more than a dozen writing conferences. Many conferences and workshops will be held online, but some will be held in person or use a hybrid format.

These writing events offer everything a writer might want: intensive workshops, pitch sessions with agents, to how to market yourself and your books, discussions — there is something for everyone.

For a full list of conferences held throughout the year see Writing Conferences . If you miss an application deadline, put it on your calendar for next year. Quite a few conferences offer scholarships, so apply early. Plan ahead!

Be sure to check out Highlights list of workshops . They offer many throughout the year.

(Image: Wikimedia)

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Medical Writing and Communication Conference . November 2–5, 2022: Denver, CO. Workshops in medical writing, designing materials for patients, analysis, clinical reports, and more.

Sanibel Island Writers Conference . November 3–5, 2022: Sanibel Island, Florida. Participants at all stages of development — from notebook scribblers to published novelists — are invited to view a variety of discussions and panels on fiction, poetry, songwriting, YA literature, screenwriting, creative nonfiction, and publishing and editing.

Wright Women Writers Conference . November 4- 5, 2022: University of Central Arkansas. “The C.D. Wright Women Writers Conference focuses on women-identifying writers from all genres and all experience levels, from journalism to mass market books to literary endeavors, and beyond. Our goal is to provide a space for camaraderie, connection-making, and inspiration, and while women-identifying writers are the only presenters at the conference, we welcome all of our male and male-identifying colleagues to attend. We believe that much of what we have to offer, including the specific, female perspective, is valuable for all audiences, and that male allies are necessary to changing the current gender imbalance in publishing.”

Atlanta Writers Conference . November 4–5, 2022: Atlanta, Georgia. NOTE: You must be an Atlanta Writers Club (AWC) member to participate in the conference. The conference features online craft and marketing workshops, editing consultations via e-mail, and in-person pitch sessions and manuscript and query letter critiques for fiction writers, nonfiction writers, and graphic novelists. Participating publishing professionals have included editors Nettie Finn (St. Martin’s Press), Nate Lanman (William Morrow/HarperCollins), Erin McClary (Sourcebooks), Chayenne Skeete (Penguin Random House), Haley Swanson (HarperCollins), and Alicia Tan (HarperCollins), and agents Lisa Abellera (Kimberley Cameron & Associates), Lauren Bieker (FinePrint Literary Management), Savannah Brooks (Jennifer De Chiara Literary Agency), Penelope Burns (Gelfman Schneider/ICM), Brenna English-Loeb (Transatlantic Agency), Ronald Gerber (Lowenstein Associates), Jennifer Grimaldi (Chalberg & Sussman), Kaitlyn Johnson (Belcastro Literary Agency), Maria Napolitano (Bookcase Literary Agency), and Samantha Wekstein (Thompson Literary Agency). The cost of a single session ranges from $75 to $190; the cost of the All-Activities Package, which includes two manuscript critiques, one query letter critique, two pitch sessions, two workshops, and an optional preconference manuscript edit, is $650. Writers who are not members of the Atlanta Writers Club must purchase a yearlong membership for an additional $50 in order to register. Will be held online and in person.

Ossabaw Weekend Writer’s Retreat . November 4–6, 2022: Ossabaw Island, GA. Workshops and seminars led by nationally recognized faculty, and evening readings (special emphasis on ghost stories) by faculty and participants. Application deadline: September 30 .

Autumn Writing Getaway . November 5, 2022: Online. Join us for a welcoming getaway designed for writers of fiction, memoir, creative nonfiction and poetry. “This retreat will trigger your imagination, giving you the freedom to compose new and exciting work. Spend time immersed in the literary life: writing, discussing craft and sharing new drafts.” Held online .

Nimrod Conference for Readers and Writers . November 5 — December 1, 2022: University of Tulsa, Oklahoma. “For over 40 years, Nimrod has hosted an in-person, all-day writing conference in conjunction with the publication of our fall issue. While we will not be hosting this year’s in-person events due to the continuing effects of the pandemic, we’re thrilled to host an extended period of virtual creative writing programming this fall. This year’s programming will feature several months of craft talks, Q&As, readings, and more. We will add more offerings to this schedule as they become available, so keep checking back.”

2022 Kauai Writers Festival . November 7–13, 2022, Master class November 7–10, 2022: Kalapaki Bay, Lihue, Kauai, HI. Join bestselling authors and agents in an intimate, oceanfront setting, with an emphasis on fiction, memoir, thrillers, and screenwriting. Includes in-depth sessions on craft, publishing, and the writing life, with opportunities for agent/editor feedback.

Futurescapes . November 8–12, 2022. Futurescapes is an intensive, exclusive workshop, offering writers an unparalleled chance to work with top authors and agents in speculative fiction (science fiction, fantasy, horror, paranormal). It has been almost five years since we last held a 200-page (50,000 word) workshop and we’re excited to do it once more. APPLY EARLY.

Writing By Writers Manuscript Boot Camp . November 9–13, 2022: Stone Creek Village, Soquel, California. (In the event it is unsafe to meet in person due to COVID they will bring the workshop fully online at a reduced cost.) The Writing By Writers Manuscript Boot Camp is for the writer who has a full, book-length manuscript (novel, memoir, short story or essay collection) and would like to engage with a small group for a serious and productive response. The extended weekend will include an intimate manuscript workshop, craft panels, readings, and individual meetings — the perfect pre-publication boot camp for any manuscript. Classes are limited to 5 participants.

San Diego Writing Workshop . November 11–12, 2022. “This is a special two-day “How to Get Published” writing workshop. It’s two days full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. And even though this is the “San Diego” Writing Workshop, make no mistake — writers from everywhere are welcome to attend virtually.”

Orion Creative Nonfiction Writer’s Workshop . November 13–18, 2022: Online. Duration: This class meets over six consecutive Sundays from 12–3 pm ET. Instructor: Hannah Dela Cruz Abrams. The course: The Breakthrough. “The trick here will be to astonish ourselves. To outfox and outwrite ourselves. This nonfiction workshop seeks to provide us with ways to leap into ideas we didn’t know we had and deliver language we didn’t know we could. Our rationale is that, as writers, we run the risk of getting in our own way, of confining ourselves to the ideas and the vocabulary with which we set out. The risk is greater when working within a specific genre, such as place-conscious writing. We will set out by exploring a few luminous hallmarks of the genre, work which not only considers and challenges the intersections of environment, culture, history, and science but which further demonstrates how to both harness and shatter formal considerations. The exercises in this class will provide us with immediate material — either new starting points or threads which may serve to complicate and develop works-in-progress. Our goal, both in the generative and workshop segments of this course, is to locate the places in the pages where, unexpectedly and exquisitely, a boundary may be breached.” Application window: September 10–25.

North Carolina Writers’ Network Fall Conference . November 18 -20, 2022: Wrightsville Beach, NC. The WSOC will feature classes and conversations on the craft and business of writing, as well as a keynote address by Jason Mott, a Pre-Conference Tailgate and a Prompt Party to get creative juices flowing, online Open Mic readings and Happy Hour virtual gatherings, and an Agents & Editors panel discussion.

Like this article? For more articles about the publishing world, useful tips on how to get an agent, agents who are looking for clients, how to market and promote your work, building your online platform, how to get reviews, self-publishing, as well as publishers accepting manuscripts directly from writers (no agent required) visit Publishing and Other Forms of Insanity .

Written by Erica Verrillo

Helping writers get published and bolstering their flagging spirits at http://publishedtodeath.blogspot.com/

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Fairest Creative Writer Workshop Series Fall 2022 — How To Sign Up For Free

The process of producing great writing can be long and arduous. often the writer needs a great creative writing workshop space and a community of supportive writers..

And that’s what the organizers of the Fall 2022 Fairest Writers’ Workshop Series are providing. A Zoom writing workshop on Process. And guess what? It’s free of charge.

The organizers want the best for writers who want to learn to write more eloquently. In other words, writers who are seeking growth and development in their writing career. To make this dream attainable, the Fairest Writers’ Workshop offers the opportunity for growth in its 4-week workshop program this fall 2022.

The workshop will hold on four Wednesdays, 7 – 8 pm ET / 4 – 5 pm PT

Here’s Everything You Need To Know About The Fall 2022 Fairest Writers’ Workshop Series

Sept. 14 – “how to begin” guest: alexander chee reading: alexander chee, “the writing life”.

For writers at every stage of development, this workshop will explore what it means to begin , whether in your journey toward writing as a profession, writing in a new mode or genre, or simply how to get started when you’re feeling stuck . Workshop participants will discuss and work with Alexander Chee’s “The Writing Life,” an essay from his collection How to Write an Autobiographical Novel , and will be joined by Alex himself!

Sept. 21 – “Practice, In Writing and Life” Guest: Porochista Khakpour Reading: Lidia Yuknavitch, “I Will Always Inhabit the Water”

Whether Octavia Butler’s self-hypnosis, Lidia Yuknavitch’s swimming, or Haruki Murakamai’s running, this workshop will explore practices and routines that can help writers once they sit down to write in their creative corners . We’ll be discussing Lidia Yuknavitch’s amazing essay “I Will Always Inhabit the Water” and the facilitator will be joined by author, Porochista Khakpour.

Sept. 28 – “Rediscovering Your Story” Guest: Garrard Conley Reading: Melissa Febos, “Mind Fuck: Writing Better Sex”

For this workshop, we’ll use Melissa Febos’s essay “Mind Fuck” as a starting point for thinking about personal writing not as telling a single story but uncovering many layers of stories through continued investigation, as well as exploring how one’s perspective on events changes over time. I’ll be joined in discussion by the wonderful Garrard Conley, author of the New York Times Bestselling memoir, Boy Erased.

Oct. 5 – “Drafting, Revising, Composting” Guest: Thomas Grattan Reading: Anne Lamott, “Shitty First Drafts” and Natalie Goldberg, “Composting”

When is it time to keep going when a draft isn’t going well and when is it time to revise? Or when is it time to start something new? Through Anne Lamott’s “Shitty First Drafts” and Natalie Goldberg’s “Composting,” I’ll be discussing different philosophies around drafting, revision, and rewriting and will be joined by one of my favorite writers Thomas Grattan, author of The Recent East.

CLICK TO REGISTER HERE  

Good luck as you participate in these free creative writing workshops. Want to learn more about writing through creative writing workshops? Great! Here’s a detailed analysis of everything that one participant learned from the bestselling author of Americanah , Chimamanda Ngozi Adichie.

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Building Trans Inclusive Worlds with SA Chant Explore how trans and nonbinary people exist in systems—legal systems, magic systems, & epic sci-fi bureaucracies alike.

April Class Highlight

Introduction to Writing YA Speculative Fiction with Diana Ma Tips, examples, and writing exercises to help you start your journey to writing speculative YA.

Workshops for people who are serious about writing

Clarion West is a nonprofit literary organization that runs an acclaimed six-week residential workshop every summer, online classes and workshops, one-day and weekend workshops, a reading series every summer, and other events throughout the year.

At Clarion West, you’ll be among award-winning and best-selling writers in science fiction, fantasy, games, horror, and more. Our workshops and classes are taught by world-class instructors from across the field of speculative fiction. Wherever you may be in your career, whether novice or sage, we offer a diverse listing of classes that is packed with valuable information to take your writing to the next level.

What is speculative fiction? There are as many definitions for speculative fiction as there are authors working under its broad umbrella. Learn more about how our community defines speculative fiction.

Our Mission

We support emerging and underrepresented voices by providing writers with world-class instruction to empower their creation of wild and amazing worlds. Through conversation and public engagement, we bring those voices to an ever-expanding community.

We aim to set writers on the path to success, foster greater equity and inclusion in the speculative fiction world, help bring quality speculative fiction to light, and bring writers and readers together.

Speculative fiction—science fiction, fantasy, horror, magic realism, and slipstream—gives voice to those who explore societal and technological change, along with deeper considerations of underlying archetypes of human experience. Although there are fine science fiction and fantasy writers of all ethnicities, races, and genders, historically the field has reflected the same prejudices found in the culture around it, leading to proportionately fewer successful writers of color and women writers than white male writers. Within the limitations of the workshop, Clarion West is dedicated to improving those proportions.

Looking for the Clarion West Six-Week Workshop? Every summer, the Six-Week Workshop offers time away from everyday distractions and encouragement to experiment and take artistic risks. The critique sessions are the heart of the workshop: students learn not only by receiving critiques, but by reading others’ work and constructing their own critiques. Instructors work directly with attendees to present group critiques of newly written stories, participate in discussions about writing techniques or professional concerns, and hold individual or small-group conferences.  Learn more about the Six-Week Workshop.

In addition, we offer instruction throughout the year with workshops and classes that vary in intensity, topic, and number of sessions. We invite prominent authors from across a broad range of speculative fiction to teach our classes and workshops. A few of our most recent instructors include N. K. Jemisin, Samit Basu, Cat Rambo, Ted Chiang, P. Djèlí Clark, Karen Lord, Daniel Abraham, Elizabeth Hand, Cadwell Turnbull, Alaya Dawn Johnson, Amal El-Mohtar, Nicola Griffith, Karen Joy Fowler, Kij Johnson, and Nisi Shawl. Learn more about our online classes and workshops.

You can support Clarion West’s mission to forge new voices in speculative fiction in many different ways.  Learn how you can get involved with the Clarion West community!

Latest News

Apply Now: Summer Write-a-thon Program Intern

Clarion West is seeking a program intern for the annual Write-a-thon (WAT) and Flash Fiction Groups this summer. The Write-a-thon is our largest annual fundraiser…

Apply Now: Summer Write-a-thon Fundraising Intern

Clarion West is seeking a fundraising intern for the summer annual Write-a-thon (WAT). The WAT is our largest annual fundraiser and runs concurrently with our…

Save the Date: Steamy in Seattle 2024

May 10: Tea & Conversation with Fantasy Romance Authors L. Penelope and Melissa Marr. Registration for this event will open soon!

The Salam Award and the Malik Family Sponsor Scholarships for Pakistani and Palestinian Students

We are pleased to announce that The Salam Award and Clarion West Week One Instructor Usman T. Malik (CW ‘14) have offered two new scholarships…

In Memory of Howard Waldrop

By Eileen Gunn Howard Waldrop (September 15, 1946–January 14, 2024) was a subgenre of fiction all by himself. In the 1990s, he was a stalwart…

In Memory of Terry Bisson

By Nisi Shawl Mama said there’d be days like this.  My friend Terry Bisson is dead and gone.  He was an author and editor extraordinaire,…

Connect with Clarion West!  Find us on Facebook  and  Instagram ,  watch our videos on YouTube , or  join our mailing list  for all the freshest news about our workshops, events, and alumni.

✨Spend an evening with poet & dream deliverer Mathias Svalina on Thurs. April 4th! Get your tickets here.  ✨

For all writers.

If you love to read or write, there’s a place for you at hugo house..

Hugo House isn’t just a place. It’s a community.

Hugo House is a nonprofit literary arts organization that aims to make writing accessible. Everyone has a story to tell. Whether you’re a new writer wanting to learn, an experienced author seeking a supportive environment to share your work, or a reader looking for new books to love—at Hugo House, you’ll find ways to explore your creativity, whatever your interest or budget.

Registration for classes in winter quarter 2024 is now open. Register now!

Explore our class catalog

Learn with us.

Whether you’re struggling to write your first poem or have a few novels under your belt, Hugo House offers classes, workshops, and other programs to help you achieve your writing goals. Our classes are taught by published writers who are also stellar teachers. Our students come from a variety of backgrounds and life experiences. What they all have in common: a love of words.

Exploring Chapbooks

Instructor: Bill Carty. This class will combine readings, discussions, and workshops of chapbooks, studying both contemporary and historical collections.

Upcoming Events

Works in progress (virtual), an evening with mathias svalina, write with hugo house with alma garcía, write with hugo house with jeanine walker, a special event with steve almond: how to conquer writer’s block and the other evil voices inside you.

News & Insights

Leadership Transition at Hugo House

Jenne Hsien Patrick, 2023-24 Hugo Fellow Mid-Year Check In

Neena Viel, 2023-24 Hugo Fellow Mid-Year Check In

Celeste Chan, 2023-24 Hugo Fellow Mid-Year Check In

Adelle Dimitui, 2023-24 Hugo Fellow Mid-Year Check In

Featured free resource, open mic events.

Works in Progress is Hugo House’s semi-monthly writing open mic series inclusive of diverse formats. Read your work—poetry, fiction, essays, memoirs, plays, music, comedy, and more—and connect with your literary community.

Newsletter signup

House news and writerly updates

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Yale Young Writers' Workshop

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About the Yale Young Writers' Workshop 

Virtual high school program: july 7 - 12, 2024.

Yale is excited to offer a one-week online summer writing workshop for 16 - 18 year old rising high school juniors, and seniors. We’re seeking bookish wordsmiths interested in adding to their writerly toolbox! Writers will generate and share their work in an intimate, non-competitive, online community.

Writers choose from one of three genres: fiction, nonfiction, or poetry. We have capped the workshops at twelve writers per genre to ensure all voices are heard. Participants attend talks on the craft of writing, open mics, faculty and visiting author readings, student readings, and learn about careers in writing.

Each day starts with a craft talk from a visiting writer followed by a small group workshop for three hours in the afternoon. The craft talks expose writers to genres outside of their own. The workshop is a safe creative space to experiment, play, and develop storytelling skills. Students will generate new material and then read it back to the group for feedback with an eye for revision.

Participants will read one assigned book from a visiting writer prior to the start of the workshop. This will create a shared literature and allow students to investigate writing techniques from published work, and then have the opportunity to ask the author about their creative process.

Our faculty are gifted teachers and published writers. They will meet writers where they are and teach them skills to help them write their next story, essay, or poem. Our faculty may be the closest readers you’ve ever had. They will challenge writers to produce their best work.

Before You Begin the Program:

• Your instructor will assign a short exercise for you to complete before the first workshop.
• You’ll be assigned one book to read by a visiting writer. The writer will present and then visit with your genre group. Book assignments below.
• Start writing now in your journal. Activate your muse in preparation for your workshop.

Guest Authors . Writers are required to read the book for their workshop but are welcome to read all visiting authors’ work.

Poetry Guest Author - Allison Joseph  Assigned Reading Confessions of a Barefaced Woman  (For Sean Forbes and Catherine Pierce’s workshops)

Fiction Guest Author - Jennifer McCauley  Assigned Reading When Trying to Return Home  (For Jotham Burrello, Kristin Bair, and Lara Ehrlich's workshops)

Graphic Forms Guest Author - Trung Le Capecchi-Nguyen  Assigned Reading The Magic Fish  (For Anne Thalheimer's workshop)

Non-Fiction Guest Author - Jane Wong Assigned Reading This Is the Place: Women Writing About Home  (For Catina Bacote’s workshop)

• Application Opens: January 16, 2024
• Application Deadline: April 1, 2024
• Decisions Released: will be released on a Rolling Amissions Basis Every Week
• Payment Due (to secure your spot): Within 2 weeks of Admission

Eligibility:

• Applicants must be between 16 - 18 years old and a rising high school junior or senior.

Admission Process:

• A writing sample is required. It needs to accompany your application for admission and must be uploaded electronically. Submit your writing sample as a Word document: 500 words, double-spaced in Times Roman, 12-point font, one-inch margins. Each page must include your name. Note genre of the submission: Fiction, Non-fiction, Poetry or Graphic Forms.
• 2 Letters of Recommendation 

Refund Policy:

• We will refund 75% for cancellation requests received by April 26, 2024, and 50% for cancellation requests received by May 3, 2024.   We will be unable to honor refund requests received after May 3, 2024.

Courses & Programs

• Courses at Yale
• Yale Summer Online
• The English Language Institute
• Conservatory for Actors
• Yale Writers' Workshop
• YYWW Faculty Bios
• Writing Workshops
• YYWW Agenda
• Programs Abroad

Virtual Creative Writing Workshops

Presented by community building art works in partnership with strathmore.

Monthly on Thursdays at 7pm Eastern Time

Register Below. Pay What You Can

Currently online. A Zoom link will be emailed to participants 30 minutes prior to the event. Please make sure you're subscribed to Strathmore emails. Learn more .

Register by 4pm

Registration closes at 4pm before each session so we can prepare.

Workshop Length

Pay what you can.

Enter any amount when you register. Learn more.

Creative writing is a tool for knowing yourself, understanding the world, and connecting with other people. Led by author Seema Reza and accomplished guest writers—including poets, memoirists, novelists, and storytellers—these community workshops follow the model developed by Community Building Art Works (CBAW) over the course of a decade of bringing people together in military and hospital settings. Each workshop is designed to help participants put their personal stories on paper in a supportive environment.

Whether you’re just starting out or have been writing for years, you are welcome; no experience is required. Bring a pen, a notebook, and an open mind!

Registration closes at 4pm Eastern Time before each session so we can prepare. Please make sure you're subscribed to Strathmore emails to receive the Zoom info.

Thu, April 18 | 7pm Eastern Time Flash in a Dash: Exploring the Micro Essay with Shuly Xóchitl Cawood

Small essays can still have a big impact. We’ll look at micro essays that pack a punch in few words and explore why they work. You’ll also be given a prompt to dive into your own micro draft in class.

Shuly Xóchitl Cawood is the author of several books, including the flash essay collection What The Fortune Teller Would Have Said, winner of the 2022 Iron Horse Literary Review Prose Chapbook Competition, and the poetry collection Something So Good It Can Never Be Enough. Cawood has an MFA in creative writing, and her work has been published in The New York Times , The Sun , and Brevity . Learn more about her at shulycawood.com . 

Thu, May 16 | 7pm Eastern Time Poems of Celebration (for a World Upside Down)   with Kevin Basl

It can be challenging to write about joy and wonder when it feels like our world is falling apart. How do we write celebratory poems that don't sound like they were made for store-bought greeting cards? How can writing about life's good things serve as an act of resistance against forces working to divide us?

Kevin Basl lives near Ithaca, New York, where he writes, records music, and enjoys the outdoors. For over a decade, he’s facilitated writing workshops for service members, veterans, and their communities with several arts nonprofits. He’s also taught writing at Temple University, where he completed his MFA in fiction. His most recent book is Midnight Cargo (2023, Illuminated Press), a collection of stories and poems inspired by events and epiphanies he experienced while serving in the US Army, in the Iraq War, and in the years after.  

Thu, June 20 | 7pm Eastern Time The Seasons Change Us: Calling to the Sun with Hari Alluri

The closing lines of Sanctificum by Chris Abani read: “They say you cannot say this in a poem. / That you cannot say love and mean anything. / That you cannot say soul and approach heaven. / But the sun is no fool, I tell you. / It will rise for nothing less.” In this Summer Solstice workshop we will look to poems that invoke the sun, ask ourselves what it means to be changed by the world around us, and write through the things we wish to change, towards the shifts within ourselves from which our writing connects back to the world.   

Poet and editor Hari Alluri (he/him/siya) is author of The Flayed City (Kaya Press) and chapbook Our Echo of Sudden Mercy (NextPage Press). Recipient of the Vera Manuel Award for Poetry, among other awards, grants, fellowships, and residencies, siya is co-editor—with Seema Reza—of We Were Not Alone (Community Building Art Works) and co-founding editor at Locked Horn Press. With work that appears widely in print and online, his next collection is forthcoming from Brick Books in Spring 2025.  

Registration closes at 4pm before each session so we can prepare.  Please make sure you're subscribed to Strathmore emails to receive the Zoom info.

Check back soon for more information on instructors for the remaining dates.

Helpful Tips & Info

We want these workshops to be as accessible as possible, so they are priced as “pay what you can.” You will be prompted to enter an amount of your choice when you register. (If you are registering for free, please enter $0.)

If you are able to pay for these workshops, every dollar goes to support Strathmore’s education programs.

A Zoom link will be emailed to participants no later than 30 minutes prior to the event. Zoom can be accessed by any computer or tablet web browser, and iPhone or Android phones. A built-in web camera and microphone is recommended, but not necessary to participate. If you do not already have Zoom on your device, you will be prompted to download and install the Zoom desktop client on your computer, or download the app (iOS and Android) on mobile/tablet. We recommend doing this before the start of the session so you’re ready to go!

If you cannot locate our Zoom link email in your inbox or spam folder (30 minutes or less before the workshop), or if you have any other questions, please contact [email protected] .

Creative Writing Workshop

Have you ever thought about writing creatively for fun or catharsis? Not sure where to start or where to get constructive feedback? Come join us at the library, for a fun casual time to exchange ideas, tips, and feedback. This is an in person once a month drop-in program that doesn't require any advanced sign up. Come for all or as many as you're able to attend. This is an adult program open to all adults ages 18+.

• Audience: Adults

Jewish Calendar 2022 Elektrostal’, Moscow Oblast, Russia

• Monthly calendar
• Candle-lighting times only

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