is a dissertation an argument

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Planning your dissertation: Constructing an argument

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Identifying an argument

Ultimately, you are aiming to produce a series of propositions in relation to your material: usually a main proposition (thesis or argument) with some sub-propositions.

Asking yourself the following questions may help you think critically about your material and identify some potential arguments:

• How can I bring together the various different ideas that interest me about my topic?
• What difficulties am I experiencing in organising my material, comparing texts or coming to conclusions about them? Are these difficulties significant, i.e. do they tell me something interesting about the nature of the material I am dealing with?
• Did my reading and research throw up anything unexpected?
• What are the polemical aspects of this topic? How can I bring out those contradictions, account for them or investigate them further?
• How do my interpretations converge or diverge from analysis that has already been published on the topic?
• Does my analysis support one or more viewpoints in an existing critical or theoretical debate in the wider field?

Writing summary statements

You need to reach the stage at which you can reduce your argument(s) down to one or more full sentences. Imagine explaining the central idea of your dissertation to a supervisor or fellow student. Try to express your main argument in a couple of summary sentences, and then expand these into four or five sentences, giving greater detail or including sub-points. It is best to have a draft of your summary sentences ready before you start writing, as this will dictate how you should organize your material. But it is entirely normal (and very healthy!) for your ideas to change as you start writing. If that happens, simply go back to your summary and your plan and make sure they reflect your current thinking. It is also very common (and again, a good sign) for your argument to change or develop quite radically after you have composed your first draft. Think of it as a continual, circular process: of refining your summary argument(s), which leads to changes in your written draft, which lead to further refinements of your argument(s), which lead to more alterations to the draft, etc.

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• 1. Approaching the dissertation
• 2. Initial ideas and finding a supervisor
• 3. Getting the most from your supervisor
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How To Create Rock Solid Arguments In Your Dissertation, Thesis Or Assignments

The 6 essential ingredients (with examples).

By: Derek Jansen | August 2017

Arguments happen all the time and that’s okay.

Whether we realise it or not, we have arguments every day. We may quarrel with a significant other over dirty dishes, disagree with an acquaintance over a political hot topic, or even argue with ourselves over the fact that we procrastinate too much. On a more serious note, we also face arguments in our professional and academic lives. For example:

• We debate in class or write assignments on how a company should resolve a particular crisis
• We propose and defend our theses, both orally and written
• We give a presentation to our boss(es) on how best to target a specific market segment

The point with arguments is that we try to convince someone (or ourselves) that we are right . So why don’t we always win our arguments? The art of persuasion is not a natural gift to all of us (it definitely isn’t for me). I’ve learned that I can’t stand on my passion and beliefs alone; I need cold hard facts to back me up.

This blog post will not make you an expert (and I do not claim to be an expert) at argument, but it will provide you with a framework and checklist to help you build strong arguments within your assignments, exams and dissertation or thesis. After all, strong, rigorous arguments are a mainstay of mark-earning work.

So, what do you need in an argument?

A strong argument has six essential ingredients:

• A clear, well-communicated objective/conclusion
• Premise(s) backed by relevant evidence
• Sound logic
• Clear qualifications
• Acknowledgement of counter-arguments
• Emotion and energy

Ingredient #1:

A clearly stated objective or conclusion.

First, an argument, just like any other assignment or research project, will go nowhere without an objective or conclusion. If you do not have a clear focus, you risk confusing yourself, your audience, and your marker. Therefore, you need to ensure that you are very clear about the point you are trying to make (your conclusion or objective). Sounds simple, but you’d be amazed just how many students are unclear about what their point is and, consequently, end up going nowhere slowly.

Throughout this post, I’ll use the example of Company X and its Product Z:

• Company X’s Product Z had great success in the UK, with over 100% ROI within the first two quarters.
• Strong demand for a product like Product Z exists in Germany, France, and Spain.
• Market competition Product Z is relatively low in the targeted European countries.
• Therefore, Company X will most likely launch product Z in Germany, France, and Spain.

The objective of my argument is to convince you that Company X will most likely successfully launch product Z in the targeted European countries. With this conclusion in focus, I will be able to identify and weigh my strategic options, and then articulate the best way to achieve the objective.

So, the ultimate goal of the argument is to convince someone to agree with your conclusion… but why? Why are you trying to change someone’s mind? It’s not just to get great marks. You must have reasons for your conclusion – these reasons are called premises .

Ingredient #2:

Well-grounded premises.

Once you have your objective, you need to clearly communicate your premises. Premises are the building blocks that underpin your conclusion (objective); they provide evidence to lead the audience to agree with your conclusion (Side note: I use proof and premise as synonyms so that I remember the importance of including premises in my arguments). While there can only be one conclusion in an argument, there can be one or (ideally) many premises to support the conclusion. For example, in the case of Company X and Product Z: the two premises are that demand exists in these target countries, and market competition is relatively low.

Great premises have (at least) two requirements:

• They must be backed by credible, verifiable data; and
• They must be relevant to the conclusion.

Data trumps gut

Strong arguments are not based on gut instinct. An argument without data-backed premises is, by definition, baseless. Let’s return to the above example: Demand exists in these target countries, and market competition is relatively low. To make these great premises, I need to add credible data points.

For example:

• An independent consulting firm conducted a market research study of 6,000 people in the targeted countries, and results revealed that high demand exists for a product like Product Z.
• The data collected from an independent consulting firm is a verifiable, citable source. Always double check your sources to make sure you understand and defend them.

Remember, data may not always come from an independent source – it may be outsourced/sponsored by a company, or a company may have an internal research arm. Be ready to ensure the credibility of the information if/when you are asked.

• IBISWorld’s latest industry report shows that market competition Product Z is relatively low in the targeted European countries.
• IBISWorld is a well-recognized provider of industry information and may be a source that your marker recommended. Similar to the point above, this data point is credible and can easily be verified.

To gather information, I suggest you prioritize using class- or school-prescribed sources first; use additional sources to complement, not replace, the class recommended sources.

Relevance is essential

While your premises must be data-backed, they must also be relevant to your conclusion. In other words, relevant premises have evidence that is clearly and logically linked to your conclusion. Be wary of following into the “my premise is true so it must be relevant” trap. If a premise is deemed irrelevant, your argument loses weight because you appear to lose focus.

For example: Company X recently built a state-of-the-art manufacturing facility in the United States.

Your marker will ask: how is this a manufacturing facility in the US connected to your conclusion? The answer is, that premise does not connect. Yes, it is true, but it does not seem logical that a manufacturing facility is strategically linked to a product launch in Europe. Use logic to make sure that your premises are relevant.

Need a helping hand?

Ingredient #3:

Ensuring that your arguments are underpinned by firm logic is… logical. You want to convince your audience, so you need to make sense when building and stating your argument. When making your argument, select your line of reasoning: deductive or inductive.

When making your argument, select your line of reasoning: deductive or inductive. Logically (pun intended), sound deductive reasoning means that your conclusion can be deducted from your valid premises; cogent inductive reasoning means that your conclusion can be inferred from your strong premises.

Deductive reasoning

In deductive reasoning, the premises are a series of consequential statements that lead to the conclusion. To form a conclusion through deduction, you use general premises to point to a specific conclusion. Deductive reasoning is typically focused on the past or present: the general premises have been tested and lead to a specific past or present conclusion.

To identify if an argument is sound, you first check whether the argument is valid. Then, assess if the premises are true or false. Here is an example of deductive reasoning:

• Premise : Most tech companies have a Chief Innovation Officer.
• Premise : Company X is a tech company.
• Conclusion : We may conclude that Company X has a Chief Innovation Officer.

In the above example, the premises start general and then get more specific as they get to the conclusion. Deductive arguments are classified as valid or invalid and deemed to be sound or unsound. To check the validity of the argument, ask this question:

Assuming that the premises are true, does it logically follow that this conclusion is also true?

If the answer is yes, like with the example above, then the argument is valid. It is important to note that the premises do not actually have to be true in order for an argument to be valid. For example, Company X could actually be a healthcare company. However, the argument is still valid because it makes sense that if Company X were hypothetically a tech company, it makes sense that it would have a CIO.

To see if the argument is sound, next check to see if the premises are actually true. An argument is not sound if it is based on false premises. Since in our example we have maintained that Company X is a tech company, we know that premise to be true. Based on other information, we also know that most tech companies have a Chief Innovation Officer. We have two true premises, so we have a sound argument. If Company X actually turned out to be a healthcare company, then we would have one false premise. The argument is therefore unsound because it is based on a false premise.

Inductive reasoning

Inductive reasoning is the opposite of deductive reasoning: specific premises infer a general conclusion. Inductive reasoning is typically geared towards conclusions that will happen in the future. In other words, the conclusion is a prediction that will be tested through future observation. The example we have been using throughout this post is an example of inductive reasoning:

• Premise : Company X’s Product Z had great success in the UK, with over 100% ROI within the first two quarters.
• Premise : An independent consulting firm conducted a survey of 6,000 people in Germany, France, and Spain, revealing a strong demand for Product Z.
• Premise : IBISWorld’s latest industry report shows that market competition Product Z is relatively low in the targeted European countries.
• Conclusion : Therefore, Company X will most likely successfully launch product Z in Germany, France, and Spain.

Inductive arguments are classified as strong or weak and deemed to be cogent or uncogent. In terms of the strength of an inductive argument, there is a little more grey area than when gauging the validity of a deductive argument. The validity of a deductive argument is pretty clear-cut: you assess if a conclusion from the past or present is either true or false. However, in an inductive argument, the conclusion is a prediction, so you cannot be 100% sure if it is actually true or false. Therefore, you ask:

Assuming that the premises are true, is there more than a 50% chance that the conclusion will actually happen?

If the answer is yes, like in the example above, then the argument is strong.

Just as with deductive arguments, the next step in assessing an inductive argument is evaluating the truth of its premises. A true premise is backed up with data. For example, in the above argument, the premises contain data. If, after verification that the data is true, then the argument is cogent. If it turns out that the data is false – for example, if market research reveals that there is not much demand for Product Z, then the argument is not cogent.

Pro tip: Look at the argument’s premise and conclusion indicator words to identify if or inductive reasoning was used. Words that refer to the past or present are used in deductive reasoning; words that refer to the future, or form a hypothesis , are used in inductive reasoning.

That was a lot of information to throw at you. Here are the main points to take away:

• In deductive reasoning, validity and soundness are different concepts. Validity refers to the feasibility of the conclusion; soundness refers to the truthfulness of the premises.
• In inductive reasoning, strength and cogency are different concepts. Strength refers to the feasibility of the conclusion; cogency refers to the truthfulness of the premises.

Ingredient #4:

The conclusions you draw in your argument are not universally applicable (surprise!); there will typically be limitations to the generalisability of your argument – in other words, it will not necessarily be a sound argument in all contexts (in fact, very little is every universally true or relevant). For example, it may only be true in a certain country, for certain people, in a specific organisation, at a certain time of year, etc.

Before finalising your assignment or dissertation and concluding that you have solved the world’s problems, consider the situations in which your arguments might not work. In doing so, you identify your argument’s qualifications.

Remember to use qualifying indicator words (such as “in many cases”, “most”, “predictably”) to help explain your conclusion. For example:

• Premise: Company X’s Product Z had great success in the UK, with over 100% ROI within the first two quarters.
• Premise: An independent consulting firm conducted a survey of 6,000 people in Germany, France, and Spain, revealing a strong demand for Product Z.
• Premise: IBISWorld’s latest industry report shows that market competition Product Z is relatively low in the targeted European countries.
• Conclusion: Therefore, Company X will most likely successfully launch product Z in Germany, France, and Spain.
• Qualification: However, Company X must consider cultural and importation barriers that can hinder the success of Product Z’s expansion.

Ingredient #5:

Acknowledgement of the counter-arguments.

Similarly to qualifying your argument, a good argument needs to anticipate the opposition. There will almost always be counter-arguments to any argument – very little is cut and dry. Therefore, analysing and addressing counter-arguments shows the marker that you have put in considerable time and thought to develop the best scenario.

Additionally, if you have a strong defence against an opposing view, you may very well be likely to turn naysayers into advocates. Potential challenges you can anticipate and address are:

• A different conclusion may be drawn using your own premises
• A question of the importance or validity of your premises
• There may be significant drawbacks to your conclusion

You have some options in addressing counter-arguments:

• Point out and prove errors in the counter-argument.
• Acknowledge the strength or validity of the counter-argument, but show why it is not as strong or valid as your original argument, or within your particular context (i.e. a specific industry or country)
• If the counter-argument points a flaw in one aspect of your conclusion, rewrite your conclusion in a more detailed manner.

Here’s an example:

• Counter argument: Product Z will face tremendous cultural and financial barriers if launched across Europe.
• Response to counter-argument: The launch will occur in phases. Company X will first beta test Product Z in order to understand how to tailor the product and better understand how to import and market the product.

Ingredient #6: Emotion and energy

Lastly, arguments need to do demonstrate a level of emotion in order to be convincing. This might seem contradictory to my previous point about arguments needing to be built on data-backed premises, but it’s not. Simply put, your argument needs to be fueled by data and demonstrated and communicated with emotion and energy.

 Imagine standing up in front of your class and just saying, “We need to implement strategy X because we will increase our market share.” without intonation. No matter how great your prepared argument is, you will lose the attention of your audience if you do not exhibit emotion and energy. We’ve all had that one lecturer who drones on and on, and we quickly lose interest in the subject. Don’t be like that lecturer. Be you. I’m not saying to gesticulate wildly and shout at top volume; it is possible to be poised and passionate at the same time.

Remember: emotion can also be felt in writing. Think of your favorite author, journalist, or researcher. How does she write? She must show emotion in her writing in order to keep you engaged. Try to channel that passion/emulate her writing to make sure that your voice can be heard in your writing.

Wrapping up

In this post, I have discussed six elements of a good argument. Build your arguments using these ingredients and you will no doubt improve the quality of your academic work.

Here’s the checklist for quick reference – a good argument should have:

These elements will help you convey to your marker an articulate, sensible argument that was created after the consideration of several scenarios.

Psst... there’s more!

This post was based on one of our popular Research Bootcamps . If you're working on a research project, you'll definitely want to check this out ...

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I’ve never come across a much simpler explanation of the Inductive and Deductive concept. Thanks for this.

I concur. I love it when things are written in understandable language.

I enjoyed this article! Easily understandable.

Glad to hear that, Georgios!

This article is so helpful for me who is ready to write my postgrad dissertation! Thank you!

Great to hear that, Lizzy. Good luck with your dissertation!

Straightforward and to the point! I like that, especially since I don’t have time to beat around the bush.

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• Dissertation

What Is a Dissertation? | 5 Essential Questions to Get Started

Published on 26 March 2020 by Jack Caulfield . Revised on 5 May 2022.

A dissertation is a large research project undertaken at the end of a degree. It involves in-depth consideration of a problem or question chosen by the student. It is usually the largest (and final) piece of written work produced during a degree.

The length and structure of a dissertation vary widely depending on the level and field of study. However, there are some key questions that can help you understand the requirements and get started on your dissertation project.

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Table of contents

When and why do you have to write a dissertation, who will supervise your dissertation, what type of research will you do, how should your dissertation be structured, what formatting and referencing rules do you have to follow, frequently asked questions about dissertations.

A dissertation, sometimes called a thesis, comes at the end of an undergraduate or postgraduate degree. It is a larger project than the other essays you’ve written, requiring a higher word count and a greater depth of research.

You’ll generally work on your dissertation during the final year of your degree, over a longer period than you would take for a standard essay . For example, the dissertation might be your main focus for the last six months of your degree.

Why is the dissertation important?

The dissertation is a test of your capacity for independent research. You are given a lot of autonomy in writing your dissertation: you come up with your own ideas, conduct your own research, and write and structure the text by yourself.

This means that it is an important preparation for your future, whether you continue in academia or not: it teaches you to manage your own time, generate original ideas, and work independently.

Prevent plagiarism, run a free check.

During the planning and writing of your dissertation, you’ll work with a supervisor from your department. The supervisor’s job is to give you feedback and advice throughout the process.

The dissertation supervisor is often assigned by the department, but you might be allowed to indicate preferences or approach potential supervisors. If so, try to pick someone who is familiar with your chosen topic, whom you get along with on a personal level, and whose feedback you’ve found useful in the past.

How will your supervisor help you?

Your supervisor is there to guide you through the dissertation project, but you’re still working independently. They can give feedback on your ideas, but not come up with ideas for you.

You may need to take the initiative to request an initial meeting with your supervisor. Then you can plan out your future meetings and set reasonable deadlines for things like completion of data collection, a structure outline, a first chapter, a first draft, and so on.

Make sure to prepare in advance for your meetings. Formulate your ideas as fully as you can, and determine where exactly you’re having difficulties so you can ask your supervisor for specific advice.

Your approach to your dissertation will vary depending on your field of study. The first thing to consider is whether you will do empirical research , which involves collecting original data, or non-empirical research , which involves analysing sources.

Empirical dissertations (sciences)

An empirical dissertation focuses on collecting and analysing original data. You’ll usually write this type of dissertation if you are studying a subject in the sciences or social sciences.

• What are airline workers’ attitudes towards the challenges posed for their industry by climate change?
• How effective is cognitive behavioural therapy in treating depression in young adults?
• What are the short-term health effects of switching from smoking cigarettes to e-cigarettes?

There are many different empirical research methods you can use to answer these questions – for example, experiments , observations, surveys , and interviews.

When doing empirical research, you need to consider things like the variables you will investigate, the reliability and validity of your measurements, and your sampling method . The aim is to produce robust, reproducible scientific knowledge.

Non-empirical dissertations (arts and humanities)

A non-empirical dissertation works with existing research or other texts, presenting original analysis, critique and argumentation, but no original data. This approach is typical of arts and humanities subjects.

• What attitudes did commentators in the British press take towards the French Revolution in 1789–1792?
• How do the themes of gender and inheritance intersect in Shakespeare’s Macbeth ?
• How did Plato’s Republic and Thomas More’s Utopia influence nineteenth century utopian socialist thought?

The first steps in this type of dissertation are to decide on your topic and begin collecting your primary and secondary sources .

Primary sources are the direct objects of your research. They give you first-hand evidence about your subject. Examples of primary sources include novels, artworks and historical documents.

Secondary sources provide information that informs your analysis. They describe, interpret, or evaluate information from primary sources. For example, you might consider previous analyses of the novel or author you are working on, or theoretical texts that you plan to apply to your primary sources.

Dissertations are divided into chapters and sections. Empirical dissertations usually follow a standard structure, while non-empirical dissertations are more flexible.

Structure of an empirical dissertation

Empirical dissertations generally include these chapters:

• Introduction : An explanation of your topic and the research question(s) you want to answer.
• Literature review : A survey and evaluation of previous research on your topic.
• Methodology : An explanation of how you collected and analysed your data.
• Results : A brief description of what you found.
• Discussion : Interpretation of what these results reveal.
• Conclusion : Answers to your research question(s) and summary of what your findings contribute to knowledge in your field.

Sometimes the order or naming of chapters might be slightly different, but all of the above information must be included in order to produce thorough, valid scientific research.

Other dissertation structures

If your dissertation doesn’t involve data collection, your structure is more flexible. You can think of it like an extended essay – the text should be logically organised in a way that serves your argument:

• Introduction: An explanation of your topic and the question(s) you want to answer.
• Main body: The development of your analysis, usually divided into 2–4 chapters.
• Conclusion: Answers to your research question(s) and summary of what your analysis contributes to knowledge in your field.

The chapters of the main body can be organised around different themes, time periods, or texts. Below you can see some example structures for dissertations in different subjects.

• Political philosophy

This example, on the topic of the British press’s coverage of the French Revolution, shows how you might structure each chapter around a specific theme.

This example, on the topic of Plato’s and More’s influences on utopian socialist thought, shows a different approach to dividing the chapters by theme.

This example, a master’s dissertation on the topic of how writers respond to persecution, shows how you can also use section headings within each chapter. Each of the three chapters deals with a specific text, while the sections are organised thematically.

Like other academic texts, it’s important that your dissertation follows the formatting guidelines set out by your university. You can lose marks unnecessarily over mistakes, so it’s worth taking the time to get all these elements right.

Formatting guidelines concern things like:

• line spacing
• page numbers
• punctuation
• title pages
• presentation of tables and figures

If you’re unsure about the formatting requirements, check with your supervisor or department. You can lose marks unnecessarily over mistakes, so it’s worth taking the time to get all these elements right.

How will you reference your sources?

Referencing means properly listing the sources you cite and refer to in your dissertation, so that the reader can find them. This avoids plagiarism by acknowledging where you’ve used the work of others.

Keep track of everything you read as you prepare your dissertation. The key information to note down for a reference is:

• The publication date
• Page numbers for the parts you refer to (especially when using direct quotes)

Different referencing styles each have their own specific rules for how to reference. The most commonly used styles in UK universities are listed below.

You can use the free APA Reference Generator to automatically create and store your references.

APA Reference Generator

The words ‘ dissertation ’ and ‘thesis’ both refer to a large written research project undertaken to complete a degree, but they are used differently depending on the country:

• In the UK, you write a dissertation at the end of a bachelor’s or master’s degree, and you write a thesis to complete a PhD.
• In the US, it’s the other way around: you may write a thesis at the end of a bachelor’s or master’s degree, and you write a dissertation to complete a PhD.

The main difference is in terms of scale – a dissertation is usually much longer than the other essays you complete during your degree.

Another key difference is that you are given much more independence when working on a dissertation. You choose your own dissertation topic , and you have to conduct the research and write the dissertation yourself (with some assistance from your supervisor).

Dissertation word counts vary widely across different fields, institutions, and levels of education:

• An undergraduate dissertation is typically 8,000–15,000 words
• A master’s dissertation is typically 12,000–50,000 words
• A PhD thesis is typically book-length: 70,000–100,000 words

However, none of these are strict guidelines – your word count may be lower or higher than the numbers stated here. Always check the guidelines provided by your university to determine how long your own dissertation should be.

At the bachelor’s and master’s levels, the dissertation is usually the main focus of your final year. You might work on it (alongside other classes) for the entirety of the final year, or for the last six months. This includes formulating an idea, doing the research, and writing up.

A PhD thesis takes a longer time, as the thesis is the main focus of the degree. A PhD thesis might be being formulated and worked on for the whole four years of the degree program. The writing process alone can take around 18 months.

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Caulfield, J. (2022, May 05). What Is a Dissertation? | 5 Essential Questions to Get Started. Scribbr. Retrieved 14 May 2024, from https://www.scribbr.co.uk/thesis-dissertation/what-is-a-dissertation/

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Other students also liked, how to choose a dissertation topic | 8 steps to follow, how to write a dissertation proposal | a step-by-step guide, what is a literature review | guide, template, & examples.

Dissertation Preparation

• Creating a Research Plan
• Collecting Data
• Writing a Dissertation
• Function of Structures
• Detailed Structures

Developing an Argument

• Finding Dissertations
• Additional Sources
• Citation Management

An important aspect running through your dissertation will be your argument for:

• why this specific topic is worth researching;
• why this is a good way to research it;
• why this method of analysis is appropriate; and
• why your interpretations and conclusions are reasonable.

You will refer to the work of others as you make your argument. This may involve critiquing the work of established leaders in the field. While it is important to be respectful in the way that you discuss others’ ideas and research, you are expected to engage directly, and even openly disagree with existing writing.

In Taylor’s (1989) book on writing in the arts and social sciences, he suggests that the following different approaches offer a range of academically legitimate ways to engage with published work.

• Agree with, accede to, defend, or confirm a particular point of view.
• Propose a new point of view.
• Concede that an existing point of view has certain merits but that it needs to be qualified in certain important respects.
• Reformulate an existing point of view or statement of it, such that the new version makes a better explanation.
• Dismiss a point of view or another person’s work on account of its inadequacy, irrelevance, incoherence, or by recourse to other appropriate criteria.
• Reject, rebut or refute another’s argument on various reasoned grounds.
• Reconcile two positions that may seem at variance by appealing to some ‘higher’ or ‘deeper’ principal.
• Develop an existing point of view, perhaps by utilizing it on larger or more complex datasets, or applying a theory to a new context

(Adapted from Taylor 1989:67)

It is important that you are assertive about what you are arguing, but it is unlikely that, in a dissertation project, you will be able to be definitive in closing an established academic debate. You should be open about where the gaps are in your research, and cautious about overstating what you have found.  Aim to be modest but realistic in relating your own research to the broader context.

Improving Structure and Content

Once you have the dissertation in draft form it becomes easier to see where you can improve it. To make it easier to read you can use clear signposting at the beginning of chapters, and write links between sections to show how they relate to each other. Another technique to improve academic writing style is to ensure that each individual paragraph justifies its inclusion. More ideas will be presented in the Study Guide The art of editing.

You may choose to review your draft from the standpoint of a dissertation examiner, which might involve preparing a list of questions that you want to see answered, then reading through your dissertation scribbling comments, suggestions, criticisms, and ideas in the margin. If you have a marking guide then apply it to your dissertation and see if there are aspects that you can improve.

While you do this, be aware of whether you need to increase the number of words, or decrease it to reach your target. As you read you can then cross through material that appears unnecessary, and mark points that could be expanded. This will then form the basis for your next, improved, draft.

When to Stop

Just as it can be difficult to begin writing, it can also be difficult to know when to stop. You may begin to feel that your dissertation will never be good enough and that you need to revise it again and again. It may be helpful to divert your attention for a while to the finishing off activities you need to attend to:

• writing the abstract and the introduction;
• checking the reference list;
• finalizing the appendices; and
• checking your contents page.

Coming back afresh to look critically at the main text may then enable you to complete it to your satisfaction. Remember the dissertation needs to demonstrate your ability to undertake and report research rather than to answer every question on a topic.

It is important to allow yourself enough time for the final checking and proofreading of the finished document.

• Devote time to planning the structure of the dissertation.
• Plan a structure that will enable you to present your argument effectively.
• Fill in the detail, concentrating on getting everything recorded rather than sticking to the word limit at this stage.
• Regard writing as part of the research process, not an after-thought.
• Expect to edit and re-edit your material several times as it moves towards its final form.
• Leave time to check and proofread thoroughly.

Barrass R. (1979) Scientists must write. A guide to better writing for scientists, engineers and students. London:Chapman and Hall.

Taylor G. (1989) The Student’s Writing Guide for the Arts and Social Sciences. Cambridge: Cambridge University Press.

• << Previous: Detailed Structures
• Next: Finding Dissertations >>

12 Constructing the Thesis and Argument from the Ground Up

Amy Guptill; Liz Delf; Rob Drummond; and Kristy Kelly

Amy Guptill Adapted by Liz Delf, Rob Drummond, and Kristy Kelly

Moving beyond the five-paragraph theme.

As an instructor, I’ve noted that a number of new (and sometimes not-so-new) students are skilled wordsmiths and generally clear thinkers but are nevertheless stuck in a high school style of writing. They struggle to let go of certain assumptions about how an academic paper should be. Some students who have mastered that form, and enjoyed a lot of success from doing so, assume that college writing is simply more of the same. The skills that go into a very basic kind of essay—often called the five-paragraph theme —are indispensable. If you’re good at the five-paragraph theme, then you’re good at identifying a clearfl and consistent thesis, arranging cohesive paragraphs, organizing evidence for key points, and situating an argument within a broader context through the intro and conclusion.

In college you need to build on those essential skills. The five-paragraph theme, as such, is bland and formulaic; it doesn’t compel deep thinking. Your instructors are looking for a more ambitious and arguable thesis, a nuanced and compelling argument, and real-life evidence for all key points, all in an organically structured paper.

Figures 12.1 and 12.2 contrast the standard five-paragraph theme and the organic college paper. The five-paragraph theme (outlined in figure 12.1 ) is probably what you’re used to: the introductory paragraph starts broad and gradually narrows to a thesis, which readers expect to find at the very end of that paragraph. In this idealized format, the thesis invokes the magic number of three: three reasons why a statement is true. Each of those reasons is explained and justified in the three body paragraphs, and then the final paragraph restates the thesis before gradually getting broader. This format is easy for readers to follow, and it helps writers organize their points and the evidence that goes with them. That’s why you learned this format.

In contrast, figure 12.2 represents a paper on the same topic that has the more organic form expected in college. The first key difference is the thesis. Rather than simply positing a number of reasons to think that something is true, it puts forward an arguable statement: one with which a reasonable person might disagree. An arguable thesis gives the paper purpose. It surprises readers and draws them in. You hope your reader thinks, “Huh. Why would they come to that conclusion?” and then feels compelled to read on. The body paragraphs, then, build on one another to carry out this ambitious argument. In the classic five-paragraph theme ( figure 12.1 ), it hardly matters which of the three reasons you explain first or second. In the more organic structure ( figure 12.2 ), each paragraph specifically leads to the next.

The last key difference is seen in the conclusion. Because the organic essay is driven by an ambitious, nonobvious argument, the reader comes to the concluding section thinking, “OK, I’m convinced by the argument. What do you, author, make of it? Why does it matter?” The conclusion of an organically structured paper has a real job to do. It doesn’t just reiterate the thesis; it explains why the thesis matters.

The substantial time you spent mastering the five-paragraph form in figure 12.1 was time well spent; it’s hard to imagine anyone succeeding with the more organic form without the organizational skills and habits of mind inherent in the simpler form. (And it is worth noting that there are limited moments in college where the five-paragraph structure is still useful—in-class essay exams, for example.) But if you assume that you must adhere rigidly to the simpler form, you’re blunting your intellectual ambition. Your instructors will not be impressed by obvious theses, loosely related body paragraphs, and repetitive conclusions. They want you to undertake an ambitious independent analysis, one that will yield a thesis that is somewhat surprising and challenging to explain.

The Three-Story Thesis

From the ground up.

You have no doubt been drilled on the need for a thesis statement and its proper location at the end of the introduction. And you also know that all of the key points of the paper should clearly support the central driving thesis. Indeed, the whole model of the five-paragraph theme hinges on a clearly stated and consistent thesis. However, some students are surprised—and dismayed—when some of their early college papers are criticized for not having a good thesis. Their instructor might even claim that the paper doesn’t have a thesis when, in the author’s view, it clearly does. So what makes a good thesis in college?

• Version A: Linen served as a form of currency in the ancient Mediterranean world, connecting rival empires through circuits of trade.
• Version B: Linen served as a form of currency in the ancient Mediterranean world, connecting rival empires through circuits of trade. The economic role of linen raises important questions about how shifting environmental conditions can influence economic relationships and, by extension, political conflicts.

How do you produce a good, strong thesis? And how do you know when you’ve gotten there? Many instructors and writers embrace a metaphor based on this passage by Oliver Wendell Holmes Sr. (1809–1894). He compares a good thesis to a three-story building:

There are one-story intellects, two-story intellects, and three-story intellects with skylights. All fact collectors who have no aim beyond their facts are one-story men. Two-story men compare, reason, generalize using the labor of fact collectors as their own. Three-story men idealize, imagine, predict—their best illumination comes from above the skylight. (50)

In other words,

• One-story theses state inarguable facts. What’s the background?
• Two-story theses bring in an arguable (interpretive or analytical) point . What is your argument?
• Three-story theses nest that point within its larger, compelling implications . Why does it matter?

Thesis: that’s the word that pops at me whenever I write an essay. Seeing this word in the prompt scared me and made me think to myself, “Oh great, what are they really looking for?” or “How am I going to make a thesis for a college paper?” When rehearing that I would be focusing on theses again in a class, I said to myself, “Here we go again!” But after learning about the three-story thesis, I never had a problem with writing another thesis. In fact, I look forward to being asked on a paper to create a thesis.

Timothée Pizarro

writing student

The biggest benefit of the three-story metaphor is that it describes a process for building a thesis. To build the first story or level, you first have to get familiar with the complex, relevant facts surrounding the problem or question. You have to be able to describe the situation thoroughly and accurately. Then with that first story built, you can layer on the second story by formulating the insightful, arguable point that animates the analysis. That’s often the most effortful part: brainstorming, elaborating and comparing alternative ideas, finalizing your point. With that specified, you can frame up the third story by articulating why the point you make matters beyond its particular topic or case.

The concept of a three-story thesis framework was the most helpful piece of information I gained from the writing component of DCC 100. The first time I utilized it in a college paper, my professor included “good thesis” and “excellent introduction” in her notes and graded it significantly higher than my previous papers. You can expect similar results if you dig deeper to form three-story theses. More importantly, doing so will make the actual writing of your paper more straightforward as well. Arguing something specific makes the structure of your paper much easier to design.

Peter Farrell

For example, imagine you have been assigned a paper about the impact of online learning in higher education. You would first construct an account of the origins and multiple forms of online learning and assess research findings on its use and effectiveness. If you’ve done that well, you’ll probably come up with a well-considered opinion that wouldn’t be obvious to readers who haven’t looked at the issue in depth. Maybe you’ll want to argue that online learning is a threat to the academic community. Or perhaps you’ll want to make the case that online learning opens up pathways to college degrees that traditional campus-based learning does not.

In the course of developing your central, argumentative point, you’ll come to recognize its larger context; in this example, you may claim that online learning can serve to better integrate higher education with the rest of society, as online learners bring their educational and career experiences together. Here is an example:

The final thesis would be all three of these pieces together. These stories build on one another; they don’t replace the previous story. Here’s another example of a three-story thesis:

Here’s one more example:

A thesis statement that stops at the first story isn’t usually considered a thesis . A two-story thesis is usually considered competent, though some two-story theses are more intriguing and ambitious than others. A thoughtfully crafted and well-informed three-story thesis puts the author on a smooth path toward an excellent paper.

Three-Story Theses and the Organically Structured Argument

The three-story thesis is a beautiful thing. For one, it gives a paper authentic momentum. The first paragraph doesn’t just start with some broad, vague statement; every sentence is crucial for setting up the thesis. The body paragraphs build on one another, moving through each step of the logical chain. Each paragraph leads inevitably to the next, making the transitions from paragraph to paragraph feel wholly natural. The conclusion, instead of being a mirror-image paraphrase of the introduction, builds out the third story by explaining the broader implications of the argument. It offers new insight without departing from the flow of the analysis.

I should note here that a paper with this kind of momentum often reads like it was knocked out in one inspired sitting. But in reality, just like accomplished athletes, artists, and musicians, masterful writers make the difficult thing look easy. As writer Anne Lamott notes, reading a well-written piece feels like its author sat down and typed it out, “bounding along like huskies across the snow.” However, she continues,

This is just the fantasy of the uninitiated. I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident. Not one of them writes elegant first drafts. All right, one of them does, but we do not like her very much. (21)

Experienced writers don’t figure out what they want to say and then write it. They write in order to figure out what they want to say.

Experienced writers develop theses in dialogue with the body of the essay. An initial characterization of the problem leads to a tentative thesis, and then drafting the body of the paper reveals thorny contradictions or critical areas of ambiguity, prompting the writer to revisit or expand the body of evidence and then refine the thesis based on that fresh look. The revised thesis may require that body paragraphs be reordered and reshaped to fit the emerging three-story thesis. Throughout the process, the thesis serves as an anchor point while the author wades through the morass of facts and ideas. The dialogue between thesis and body continues until the author is satisfied or the due date arrives, whatever comes first. It’s an effortful and sometimes tedious process.

Novice writers, in contrast, usually oversimplify the writing process. They formulate some first-impression thesis, produce a reasonably organized outline, and then flesh it out with text, never taking the time to reflect or truly revise their work. They assume that revision is a step backward when, in reality, it is a major step forward.

Everyone has a different way that they like to write. For instance, I like to pop my earbuds in, blast dubstep music, and write on a whiteboard. I like using the whiteboard because it is a lot easier to revise and edit while you write. After I finish writing a paragraph that I am completely satisfied with on the whiteboard, I sit in front of it with my laptop and just type it up.

Kaethe Leonard

Another benefit of the three-story thesis framework is that it demystifies what a “strong” argument is in academic culture . In an era of political polarization, many students may think that a strong argument is based on a simple, bold, combative statement that is promoted in the most forceful way possible. “Gun control is a travesty!” “Shakespeare is the best writer who ever lived!” When students are encouraged to consider contrasting perspectives in their papers, they fear that doing so will make their own thesis seem mushy and weak.

However, in academics a “strong” argument is comprehensive and nuanced, not simple and polemical. The purpose of the argument is to explain to readers why the author—through the course of his or her in-depth study—has arrived at a somewhat surprising point. On that basis, it has to consider plausible counterarguments and contradictory information. Academic argumentation exemplifies the popular adage about all writing: show, don’t tell. In crafting and carrying out the three-story thesis, you are showing your reader the work you have done.

The model of the organically structured paper and the three-story thesis framework explained here is the very foundation of the paper itself and the process that produces it. Your instructors assume that you have the self-motivation and organizational skills to pursue your analysis with both rigor and flexibility; that is, they envision you developing, testing, refining, and sometimes discarding your own ideas based on a clear-eyed and open-minded assessment of the evidence before you.

The original chapter, Constructing the Thesis and Argument—from the Ground Up by Amy Guptill, is from Writing in College: From Competence to Excellence

Discussion Questions

• What writing “rules” were you taught in the past? This might be about essay structure, style, or something else. Which of these rules seem to be true in college writing? Which ones are not true in college?
• In what contexts is the five-paragraph essay a useful structure? Why is it not helpful in other contexts—what’s the problem?
• Despite their appeal to patients, robotic pets should not be used widely, since they cause more problems than they solve.
• In recent years, robotic pets have been used in medical settings to help children and elderly patients feel emotionally supported and loved.
• Shifting affection to robotic pets rather than live animals suggests a major change in empathy and humanity and could have long-term costs that have not been fully considered.
• Television programming includes content that some find objectionable.
• The percentage of children and youth who are overweight or obese has risen in recent decades.
• First-year college students must learn how to independently manage their time.
• The things we surround ourselves with symbolize who we are.
• Find a scholarly article or book that is interesting to you. Focusing on the abstract and introduction, outline the first, second, and third stories of its thesis.
• Find an example of a five-paragraph theme (online essay mills, your own high school work), produce an alternative three-story thesis, and outline an organically structured paper to carry that thesis out.

Additional Resources

• The Writing Center at the University of North Carolina at Chapel Hill offers an excellent, readable rundown on the five-paragraph theme, why most college writing assignments want you to go beyond it, and those times when the simpler structure is actually a better choice.
• There are many useful websites that describe good thesis statements and provide examples. Those from the writing centers at Hamilton College  and Purdue University are especially helpful.

Works Cited

Holmes, Oliver Wendell. The Poet at the Breakfast-Table: His Talks with His Fellow-Boarders and the Reader. James R. Osgood, 1872.

Lamott, Anne. Bird by Bird: Some Instructions on Writing and Life. Pantheon, 1994.

Media Attributions

• 12.1 five-paragraph theme © Amy Guptill is licensed under a CC BY-NC-SA (Attribution NonCommercial ShareAlike) license
• 12.2 organic college paper © Amy Guptill is licensed under a CC BY-NC-SA (Attribution NonCommercial ShareAlike) license

Constructing the Thesis and Argument from the Ground Up Copyright © 2022 by Amy Guptill; Liz Delf; Rob Drummond; and Kristy Kelly is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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Online Guide to Writing and Research

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• Online Guide to Writing

Writing Arguments

Steps to Writing an Argument

State your thesis or proposition.

In argument, the  thesis  is also called a proposition. Your proposition should do the following:

define your argument’s scope by stating its situation or context; and

make clear what assertion you are going to debate. 

You may “hook” your readers by stating your argument as a question. Because many questions lack a point of view, however, be sure a question leads to a proposition, and that your proposition makes a claim that is open to debate. Your proposition should state something that your readers feel uncertain about and about which you find arguments for both sides of the issue.

Sometimes students have an opinion they intend to address and support. Then, after reviewing information on the topic, they decide that they have to modify or change their opinion. This is all part of the writing process. When you do research, you may find new information or evidence that changes your argument. Your proposition can be modified during the draft stage.

To help you get started at this stage,  brainstorm  and  freewrite  about what you already know about the topic. Asking—and answering—the following questions can get you started on your assignment.

Why is this issue important to me? Why do I want to write about it?

What do I already know about this topic? What do I need to learn about this topic?

Where can I find more information on this subject?

Am I concerned more with the causes of this issue, the effects of this issue, or both?

What other related issues should I examine so that I can address the topic thoroughly?

Mailing Address: 3501 University Blvd. East, Adelphi, MD 20783 This work is licensed under a  Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License . © 2022 UMGC. All links to external sites were verified at the time of publication. UMGC is not responsible for the validity or integrity of information located at external sites.

Table of Contents: Online Guide to Writing

Chapter 1: College Writing

How Does College Writing Differ from Workplace Writing?

What Is College Writing?

Why So Much Emphasis on Writing?

Chapter 2: The Writing Process

Doing Exploratory Research

Getting from Notes to Your Draft

Introduction

Prewriting - Techniques to Get Started - Mining Your Intuition

Prewriting: Targeting Your Audience

Prewriting: Techniques to Get Started

Prewriting: Understanding Your Assignment

Rewriting: Being Your Own Critic

Rewriting: Creating a Revision Strategy

Rewriting: Getting Feedback

Rewriting: The Final Draft

Techniques to Get Started - Outlining

Techniques to Get Started - Using Systematic Techniques

Thesis Statement and Controlling Idea

Writing: Getting from Notes to Your Draft - Freewriting

Writing: Getting from Notes to Your Draft - Summarizing Your Ideas

Writing: Outlining What You Will Write

Chapter 3: Thinking Strategies

A Word About Style, Voice, and Tone

A Word About Style, Voice, and Tone: Style Through Vocabulary and Diction

Critical Strategies and Writing

Critical Strategies and Writing: Analysis

Critical Strategies and Writing: Evaluation

Critical Strategies and Writing: Persuasion

Critical Strategies and Writing: Synthesis

Developing a Paper Using Strategies

Kinds of Assignments You Will Write

Patterns for Presenting Information

Patterns for Presenting Information: Critiques

Patterns for Presenting Information: Discussing Raw Data

Patterns for Presenting Information: General-to-Specific Pattern

Patterns for Presenting Information: Problem-Cause-Solution Pattern

Patterns for Presenting Information: Specific-to-General Pattern

Patterns for Presenting Information: Summaries and Abstracts

Supporting with Research and Examples

Writing Essay Examinations

Writing Essay Examinations: Make Your Answer Relevant and Complete

Writing Essay Examinations: Organize Thinking Before Writing

Writing Essay Examinations: Read and Understand the Question

Chapter 4: The Research Process

Planning and Writing a Research Paper

Planning and Writing a Research Paper: Ask a Research Question

Planning and Writing a Research Paper: Cite Sources

Planning and Writing a Research Paper: Collect Evidence

Planning and Writing a Research Paper: Decide Your Point of View, or Role, for Your Research

Planning and Writing a Research Paper: Draw Conclusions

Planning and Writing a Research Paper: Find a Topic and Get an Overview

Planning and Writing a Research Paper: Manage Your Resources

Planning and Writing a Research Paper: Outline

Planning and Writing a Research Paper: Survey the Literature

Planning and Writing a Research Paper: Work Your Sources into Your Research Writing

Research Resources: Where Are Research Resources Found? - Human Resources

Research Resources: What Are Research Resources?

Research Resources: Where Are Research Resources Found?

Research Resources: Where Are Research Resources Found? - Electronic Resources

Research Resources: Where Are Research Resources Found? - Print Resources

Structuring the Research Paper: Formal Research Structure

Structuring the Research Paper: Informal Research Structure

The Nature of Research

The Research Assignment: How Should Research Sources Be Evaluated?

The Research Assignment: When Is Research Needed?

The Research Assignment: Why Perform Research?

Chapter 5: Academic Integrity

Academic Integrity

Giving Credit to Sources

Giving Credit to Sources: Copyright Laws

Giving Credit to Sources: Documentation

Giving Credit to Sources: Style Guides

Integrating Sources

Practicing Academic Integrity

Practicing Academic Integrity: Keeping Accurate Records

Practicing Academic Integrity: Managing Source Material

Practicing Academic Integrity: Managing Source Material - Paraphrasing Your Source

Practicing Academic Integrity: Managing Source Material - Quoting Your Source

Practicing Academic Integrity: Managing Source Material - Summarizing Your Sources

Types of Documentation

Types of Documentation: Bibliographies and Source Lists

Types of Documentation: Citing World Wide Web Sources

Types of Documentation: In-Text or Parenthetical Citations

Types of Documentation: In-Text or Parenthetical Citations - APA Style

Types of Documentation: In-Text or Parenthetical Citations - CSE/CBE Style

Types of Documentation: In-Text or Parenthetical Citations - Chicago Style

Types of Documentation: In-Text or Parenthetical Citations - MLA Style

Types of Documentation: Note Citations

Chapter 6: Using Library Resources

Finding Library Resources

Chapter 7: Assessing Your Writing

How Is Writing Graded?

How Is Writing Graded?: A General Assessment Tool

The Draft Stage

The Draft Stage: The First Draft

The Draft Stage: The Revision Process and the Final Draft

The Draft Stage: Using Feedback

The Research Stage

Using Assessment to Improve Your Writing

Chapter 8: Other Frequently Assigned Papers

Reviews and Reaction Papers: Article and Book Reviews

Reviews and Reaction Papers: Reaction Papers

Writing Arguments: Adapting the Argument Structure

Writing Arguments: Purposes of Argument

Writing Arguments: References to Consult for Writing Arguments

Writing Arguments: Steps to Writing an Argument - Anticipate Active Opposition

Writing Arguments: Steps to Writing an Argument - Determine Your Organization

Writing Arguments: Steps to Writing an Argument - Develop Your Argument

Writing Arguments: Steps to Writing an Argument - Introduce Your Argument

Writing Arguments: Steps to Writing an Argument - State Your Thesis or Proposition

Writing Arguments: Steps to Writing an Argument - Write Your Conclusion

Writing Arguments: Types of Argument

Appendix A: Books to Help Improve Your Writing

Dictionaries

General Style Manuals

Researching on the Internet

Special Style Manuals

Writing Handbooks

Appendix B: Collaborative Writing and Peer Reviewing

Collaborative Writing: Assignments to Accompany the Group Project

Collaborative Writing: Informal Progress Report

Collaborative Writing: Issues to Resolve

Collaborative Writing: Methodology

Collaborative Writing: Peer Evaluation

Collaborative Writing: Tasks of Collaborative Writing Group Members

Collaborative Writing: Writing Plan

General Introduction

Peer Reviewing

Appendix C: Developing an Improvement Plan

Working with Your Instructor’s Comments and Grades

Appendix D: Writing Plan and Project Schedule

Devising a Writing Project Plan and Schedule

Reviewing Your Plan with Others

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Making Arguments and Writing Theses

What is an argument?

An argument takes a stand on an issue that is  debatable . It seeks to  persuade  an audience of a point of view in much the same way that a lawyer argues a case in a court of law. It is  NOT  a description or a summary.

• This is an argument: “Although it may seem that internal discord and external barbarian invasions were separate problems for the Roman Empire in the fourth century, these developments were fundamentally interrelated and formed the single most important explanation for the long-term decline of Rome.”
• This is not an argument: “In this paper, I will elucidate the reasons for the collapse of the Roman Empire in the two tumultuous centuries leading up to the sack of its capital city in 410 by the notorious Visigoth king Alaric.”

What is a thesis?

A thesis statement states the  main argument  of your project and describes, briefly,  how you will prove your argument .  In other words, it also states how you will organize your body of evidence in support of the argument.

• This is an vague argument, and not yet a thesis: “The Roman Empire fell due to multiple interrelated reasons.”
• This is a thesis: “The barbarian invasions from the late third to the early fifth century were a direct result of policy changes by the Roman government responding to political struggles within the empire, culminating in the collapse of the Roman Empire at the hands of the Germanic tribes from the north.”

A thesis makes a specific statement to the reader about what you will be trying to argue. Your thesis can be more than one sentence, but should not be longer than a paragraph.  Do not state evidence or use examples in your thesis paragraph.  

A Thesis Helps You and Your Reader

Your  blueprint for writing:

• Helps you focus and clarify your ideas.
• Provides a “hook” on which you can “hang” your topic sentences.
• Can (and should) be revised as you further refine your evidence and arguments. New evidence often requires you to change your thesis.
• Gives your paper a unified structure and point.

Your  reader’s  blueprint for reading:

• Serves as a “map” to follow through your paper.
• Keeps the reader focused on your argument.
• Signals to the reader your main points.
• Engages the reader in your argument.

Tips for Writing a Good Thesis

• Find a Focus :  Choose a thesis that explores an aspect of your topic that is important to you, or that allows you to say something insightful about your topic. For example, if your project seeks to analyze women’s domestic labor during the late fifteenth century, you might decide to focus on the products they produced at home.
• Look for Patterns : After determining a general focus, go back and look more closely at your evidence. As you re-examine your evidence and identify patterns, you will develop your argument and some conclusions. For example, you might find that as men’s access to professional training increased, women made fewer textiles at home, though they generally retained their production of butter and ale.

Strategies for Developing a Thesis Statement

Here are four ways to begin to develop your thesis. These will not necessarily result in a finished product, but will give you a place to start.

Strategy 1:  Spend time ruminating over your topic. Make a list of the ideas you want to include in the essay, and then think about how to group them under several different headings. Often, you will see an organizational plan emerge from the sorting process.

Strategy 2:  Write a sentence that summarizes the main idea of the essay you plan to write.

Main Idea :  Women’s domestic labor during the later Middle Ages contributed to the growth of the early industrial economy in Europe.

Strategy 3:  Use a formula to develop a working thesis statement (which you will need to revise later). Here are a few examples:

• Although most readers of _________ have argued that _________, closer examination shows that _________.
• ________ used _________ and _________ to prove that _________.
• Historical event “X” is a result of the combination of _________, _________, and _________.

Strategy 4:  Since your project instructions asks you to develop a specific historical question, turn the question into an assertion and give reasons for your statement.

Research Question : How did women’s domestic labor change between 1348 and 1500? How were changes in their work important to late medieval economic culture in Germany?

Beginning thesis : Between 1348 and 1500 women’s domestic labor changed as women stopped producing home-made textiles, although they continued to produce butter and ale. With the cash women earned from the sale of butter and ale they purchased cloth imported from Flanders and Italy, which in turn, helped increase early industrial production in those areas.

These strategies all should help you develop two characteristics all thesis statements should have: they state an argument and they reveal how you will make that argument. Your thesis probably still needs revising but these strategies may provide a good start.

Refine, Refine, Refine

As you work on your project, your ideas will change and so will your thesis. Here are examples of weak and strong thesis statements.

• Unspecific thesis : “Francis of Assisi was an important figure in the development of Christian attitudes about nature.”

  This thesis lacks an argument. Why was Francis an important leader?

• Specific thesis : “Francis of Assisi offered a new interpretation of Christian asceticism that responded to the frustrations felt my many urban dwellers with the commercial economy of the thirteenth century, while using simple religious language that attracted people who were uncomfortable with impenetrable scholastic theology of the period.”

This thesis has an argument: Francis’s interpretation of Christianity became popular  because  it satisfied two different frustrations felt by many people in thirteenth-century Europe.

• Unspecific thesis : “At the end of the fifteenth century French women faced difficulty when they attempted to enter universities.”

No historian could argue with this general statement and uninteresting thesis.

• Specific thesis : “At the end of the fifteenth century French women experienced misogynist attacks from scholastics when they petitioned to enter universities  primarily   because  theologians were concerned with protecting the monopoly that males had on priesthood, which was required for entry into academia.”

This thesis statement asserts that theologians attacked women who wanted a formal education  because  they feared that  if  women were allowed into universities they would be granted clerical status, which might threaten the male monopoly on priesthood.

Making an Argument

Your thesis is defenseless without you to prove that its argument holds up under scrutiny. Your reader expects you to provide all of the evidence to prove your thesis. There are two categories of evidence that you can use:

• Primary sources: treatises, letters, diaries, newspaper accounts, government documents, an organization’s meeting minutes and pamphlets.
• Secondary sources: articles and books that explain and interpret historical events.

How can you use this evidence?

• Make sure the examples you select from your available evidence address your thesis.
• Use evidence that your reader will deem credible. This means sorting through your sources, and identifying the clearest and fairest. It also means paying careful attention to the credibility of the source. This is especially important when dealing with web-based sources. Be sure to understand the biases and shortcomings of each piece of evidence. When in doubt consult with your professor or teaching assistant.
• Avoid broad generalizations that your reader may question by appealing to specific evidence.
• Use evidence to address an opposing point of view. How do your sources give examples that refute another historian’s interpretation?

When you write an academic essay, you make an argument: you propose a thesis and offer some reasoning, using evidence, that suggests why the thesis is true. When you counter-argue, you consider a possible argument  against  your thesis or some aspect of your reasoning. This is a good way to test your ideas when drafting, while you still have time to revise them. And in the finished essay, it can be a persuasive and (in both senses of the word) disarming tactic. It allows you to anticipate doubts and pre-empt objections that a skeptical reader might have; it presents you as the kind of person who weighs alternatives before arguing for one, who confronts difficulties instead of sweeping them under the rug, who is more interested in discovering the truth than winning a point.

Not every objection is worth entertaining, of course, and you shouldn't include one just to include one. But some imagining of other views, or of resistance to one's own, occurs in most good essays. And instructors are glad to encounter counterargument in student papers, even if they haven't specifically asked for it.

The Turn Against

Counterargument in an essay has two stages: you turn against your argument to challenge it and then you turn back to re-affirm it. You first imagine a skeptical reader, or cite an actual source, who might resist your argument by pointing out

• a problem with your demonstration, e.g., that a different conclusion could be drawn from the same facts, a key assumption is unwarranted, a key term is used unfairly, certain evidence is ignored or played down;
• one or more disadvantages or practical drawbacks to what you propose;
• an alternative explanation or proposal that makes more sense.

You introduce this turn against with a phrase like  One might object here that...  or  It might seem that...  or  It's true that...  or  Admittedly,...  or  Of course,...  or with an anticipated challenging question:  But how...?  or  But why...?  or  But isn't this just...?  or  But if this is so, what about...?  Then you state the case against yourself as briefly but as clearly and forcefully as you can, pointing to evidence where possible. (An obviously feeble or perfunctory counterargument does more harm than good.)

The Turn Back

Your return to your own argument—which you announce with a  but, yet, however, nevertheless or still —must likewise involve careful reasoning, not a flippant (or nervous) dismissal. In reasoning about the proposed counterargument, you may

• refute it, showing why it is mistaken—an apparent but not real problem;
• acknowledge its validity or plausibility, but suggest why on balance it's relatively less important or less likely than what you propose, and thus doesn't overturn it;
• concede its force and complicate your idea accordingly—restate your thesis in a more exact, qualified, or nuanced way that takes account of the objection, or start a new section in which you consider your topic in light of it. This will work if the counterargument concerns only an aspect of your argument; if it undermines your whole case, you need a new thesis.

Where to Put a Counterargument

Counterargument can appear anywhere in the essay, but it most commonly appears

• as part of your introduction—before you propose your thesis—where the existence of a different view is the motive for your essay, the reason it needs writing;
• as a section or paragraph just after your introduction, in which you lay out the expected reaction or standard position before turning away to develop your own;
• as a quick move within a paragraph, where you imagine a counterargument not to your main idea but to the sub-idea that the paragraph is arguing or is about to argue;
• as a section or paragraph just before the conclusion of your essay, in which you imagine what someone might object to what you have argued.

But watch that you don't overdo it. A turn into counterargument here and there will sharpen and energize your essay, but too many such turns will have the reverse effect by obscuring your main idea or suggesting that you're ambivalent.

Counterargument in Pre-Writing and Revising

Good thinking constantly questions itself, as Socrates observed long ago. But at some point in the process of composing an essay, you need to switch off the questioning in your head and make a case. Having such an inner conversation during the drafting stage, however, can help you settle on a case worth making. As you consider possible theses and begin to work on your draft, ask yourself how an intelligent person might plausibly disagree with you or see matters differently. When you can imagine an intelligent disagreement, you have an arguable idea.

And, of course, the disagreeing reader doesn't need to be in your head: if, as you're starting work on an essay, you ask a few people around you what  they  think of topic X (or of your idea about X) and keep alert for uncongenial remarks in class discussion and in assigned readings, you'll encounter a useful disagreement somewhere. Awareness of this disagreement, however you use it in your essay, will force you to sharpen your own thinking as you compose. If you come to find the counterargument truer than your thesis, consider making  it  your thesis and turning your original thesis into a counterargument. If you manage to draft an essay  without  imagining a counterargument, make yourself imagine one before you revise and see if you can integrate it.

Gordon Harvey (adapted from The Academic Essay: A Brief Anatomy), for the Writing Center at Harvard University

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Developing Strong Thesis Statements

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The thesis statement or main claim must be debatable

An argumentative or persuasive piece of writing must begin with a debatable thesis or claim. In other words, the thesis must be something that people could reasonably have differing opinions on. If your thesis is something that is generally agreed upon or accepted as fact then there is no reason to try to persuade people.

Example of a non-debatable thesis statement:

This thesis statement is not debatable. First, the word pollution implies that something is bad or negative in some way. Furthermore, all studies agree that pollution is a problem; they simply disagree on the impact it will have or the scope of the problem. No one could reasonably argue that pollution is unambiguously good.

Example of a debatable thesis statement:

This is an example of a debatable thesis because reasonable people could disagree with it. Some people might think that this is how we should spend the nation's money. Others might feel that we should be spending more money on education. Still others could argue that corporations, not the government, should be paying to limit pollution.

Another example of a debatable thesis statement:

In this example there is also room for disagreement between rational individuals. Some citizens might think focusing on recycling programs rather than private automobiles is the most effective strategy.

The thesis needs to be narrow

Although the scope of your paper might seem overwhelming at the start, generally the narrower the thesis the more effective your argument will be. Your thesis or claim must be supported by evidence. The broader your claim is, the more evidence you will need to convince readers that your position is right.

Example of a thesis that is too broad:

There are several reasons this statement is too broad to argue. First, what is included in the category "drugs"? Is the author talking about illegal drug use, recreational drug use (which might include alcohol and cigarettes), or all uses of medication in general? Second, in what ways are drugs detrimental? Is drug use causing deaths (and is the author equating deaths from overdoses and deaths from drug related violence)? Is drug use changing the moral climate or causing the economy to decline? Finally, what does the author mean by "society"? Is the author referring only to America or to the global population? Does the author make any distinction between the effects on children and adults? There are just too many questions that the claim leaves open. The author could not cover all of the topics listed above, yet the generality of the claim leaves all of these possibilities open to debate.

Example of a narrow or focused thesis:

In this example the topic of drugs has been narrowed down to illegal drugs and the detriment has been narrowed down to gang violence. This is a much more manageable topic.

We could narrow each debatable thesis from the previous examples in the following way:

Narrowed debatable thesis 1:

This thesis narrows the scope of the argument by specifying not just the amount of money used but also how the money could actually help to control pollution.

Narrowed debatable thesis 2:

This thesis narrows the scope of the argument by specifying not just what the focus of a national anti-pollution campaign should be but also why this is the appropriate focus.

Qualifiers such as " typically ," " generally ," " usually ," or " on average " also help to limit the scope of your claim by allowing for the almost inevitable exception to the rule.

Types of claims

Claims typically fall into one of four categories. Thinking about how you want to approach your topic, or, in other words, what type of claim you want to make, is one way to focus your thesis on one particular aspect of your broader topic.

Claims of fact or definition: These claims argue about what the definition of something is or whether something is a settled fact. Example:

Claims of cause and effect: These claims argue that one person, thing, or event caused another thing or event to occur. Example:

Claims about value: These are claims made of what something is worth, whether we value it or not, how we would rate or categorize something. Example:

Claims about solutions or policies: These are claims that argue for or against a certain solution or policy approach to a problem. Example:

Which type of claim is right for your argument? Which type of thesis or claim you use for your argument will depend on your position and knowledge of the topic, your audience, and the context of your paper. You might want to think about where you imagine your audience to be on this topic and pinpoint where you think the biggest difference in viewpoints might be. Even if you start with one type of claim you probably will be using several within the paper. Regardless of the type of claim you choose to utilize it is key to identify the controversy or debate you are addressing and to define your position early on in the paper.

Thesis Statements

What this handout is about.

This handout describes what a thesis statement is, how thesis statements work in your writing, and how you can craft or refine one for your draft.

Introduction

Writing in college often takes the form of persuasion—convincing others that you have an interesting, logical point of view on the subject you are studying. Persuasion is a skill you practice regularly in your daily life. You persuade your roommate to clean up, your parents to let you borrow the car, your friend to vote for your favorite candidate or policy. In college, course assignments often ask you to make a persuasive case in writing. You are asked to convince your reader of your point of view. This form of persuasion, often called academic argument, follows a predictable pattern in writing. After a brief introduction of your topic, you state your point of view on the topic directly and often in one sentence. This sentence is the thesis statement, and it serves as a summary of the argument you’ll make in the rest of your paper.

What is a thesis statement?

A thesis statement:

• tells the reader how you will interpret the significance of the subject matter under discussion.
• is a road map for the paper; in other words, it tells the reader what to expect from the rest of the paper.
• directly answers the question asked of you. A thesis is an interpretation of a question or subject, not the subject itself. The subject, or topic, of an essay might be World War II or Moby Dick; a thesis must then offer a way to understand the war or the novel.
• makes a claim that others might dispute.
• is usually a single sentence near the beginning of your paper (most often, at the end of the first paragraph) that presents your argument to the reader. The rest of the paper, the body of the essay, gathers and organizes evidence that will persuade the reader of the logic of your interpretation.

If your assignment asks you to take a position or develop a claim about a subject, you may need to convey that position or claim in a thesis statement near the beginning of your draft. The assignment may not explicitly state that you need a thesis statement because your instructor may assume you will include one. When in doubt, ask your instructor if the assignment requires a thesis statement. When an assignment asks you to analyze, to interpret, to compare and contrast, to demonstrate cause and effect, or to take a stand on an issue, it is likely that you are being asked to develop a thesis and to support it persuasively. (Check out our handout on understanding assignments for more information.)

How do I create a thesis?

A thesis is the result of a lengthy thinking process. Formulating a thesis is not the first thing you do after reading an essay assignment. Before you develop an argument on any topic, you have to collect and organize evidence, look for possible relationships between known facts (such as surprising contrasts or similarities), and think about the significance of these relationships. Once you do this thinking, you will probably have a “working thesis” that presents a basic or main idea and an argument that you think you can support with evidence. Both the argument and your thesis are likely to need adjustment along the way.

Writers use all kinds of techniques to stimulate their thinking and to help them clarify relationships or comprehend the broader significance of a topic and arrive at a thesis statement. For more ideas on how to get started, see our handout on brainstorming .

How do I know if my thesis is strong?

If there’s time, run it by your instructor or make an appointment at the Writing Center to get some feedback. Even if you do not have time to get advice elsewhere, you can do some thesis evaluation of your own. When reviewing your first draft and its working thesis, ask yourself the following :

• Do I answer the question? Re-reading the question prompt after constructing a working thesis can help you fix an argument that misses the focus of the question. If the prompt isn’t phrased as a question, try to rephrase it. For example, “Discuss the effect of X on Y” can be rephrased as “What is the effect of X on Y?”
• Have I taken a position that others might challenge or oppose? If your thesis simply states facts that no one would, or even could, disagree with, it’s possible that you are simply providing a summary, rather than making an argument.
• Is my thesis statement specific enough? Thesis statements that are too vague often do not have a strong argument. If your thesis contains words like “good” or “successful,” see if you could be more specific: why is something “good”; what specifically makes something “successful”?
• Does my thesis pass the “So what?” test? If a reader’s first response is likely to  be “So what?” then you need to clarify, to forge a relationship, or to connect to a larger issue.
• Does my essay support my thesis specifically and without wandering? If your thesis and the body of your essay do not seem to go together, one of them has to change. It’s okay to change your working thesis to reflect things you have figured out in the course of writing your paper. Remember, always reassess and revise your writing as necessary.
• Does my thesis pass the “how and why?” test? If a reader’s first response is “how?” or “why?” your thesis may be too open-ended and lack guidance for the reader. See what you can add to give the reader a better take on your position right from the beginning.

Suppose you are taking a course on contemporary communication, and the instructor hands out the following essay assignment: “Discuss the impact of social media on public awareness.” Looking back at your notes, you might start with this working thesis:

Social media impacts public awareness in both positive and negative ways.

You can use the questions above to help you revise this general statement into a stronger thesis.

• Do I answer the question? You can analyze this if you rephrase “discuss the impact” as “what is the impact?” This way, you can see that you’ve answered the question only very generally with the vague “positive and negative ways.”
• Have I taken a position that others might challenge or oppose? Not likely. Only people who maintain that social media has a solely positive or solely negative impact could disagree.
• Is my thesis statement specific enough? No. What are the positive effects? What are the negative effects?
• Does my thesis pass the “how and why?” test? No. Why are they positive? How are they positive? What are their causes? Why are they negative? How are they negative? What are their causes?
• Does my thesis pass the “So what?” test? No. Why should anyone care about the positive and/or negative impact of social media?

After thinking about your answers to these questions, you decide to focus on the one impact you feel strongly about and have strong evidence for:

Because not every voice on social media is reliable, people have become much more critical consumers of information, and thus, more informed voters.

This version is a much stronger thesis! It answers the question, takes a specific position that others can challenge, and it gives a sense of why it matters.

Let’s try another. Suppose your literature professor hands out the following assignment in a class on the American novel: Write an analysis of some aspect of Mark Twain’s novel Huckleberry Finn. “This will be easy,” you think. “I loved Huckleberry Finn!” You grab a pad of paper and write:

Mark Twain’s Huckleberry Finn is a great American novel.

You begin to analyze your thesis:

• Do I answer the question? No. The prompt asks you to analyze some aspect of the novel. Your working thesis is a statement of general appreciation for the entire novel.

Think about aspects of the novel that are important to its structure or meaning—for example, the role of storytelling, the contrasting scenes between the shore and the river, or the relationships between adults and children. Now you write:

In Huckleberry Finn, Mark Twain develops a contrast between life on the river and life on the shore.

• Do I answer the question? Yes!
• Have I taken a position that others might challenge or oppose? Not really. This contrast is well-known and accepted.
• Is my thesis statement specific enough? It’s getting there–you have highlighted an important aspect of the novel for investigation. However, it’s still not clear what your analysis will reveal.
• Does my thesis pass the “how and why?” test? Not yet. Compare scenes from the book and see what you discover. Free write, make lists, jot down Huck’s actions and reactions and anything else that seems interesting.
• Does my thesis pass the “So what?” test? What’s the point of this contrast? What does it signify?”

After examining the evidence and considering your own insights, you write:

Through its contrasting river and shore scenes, Twain’s Huckleberry Finn suggests that to find the true expression of American democratic ideals, one must leave “civilized” society and go back to nature.

This final thesis statement presents an interpretation of a literary work based on an analysis of its content. Of course, for the essay itself to be successful, you must now present evidence from the novel that will convince the reader of your interpretation.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Anson, Chris M., and Robert A. Schwegler. 2010. The Longman Handbook for Writers and Readers , 6th ed. New York: Longman.

Lunsford, Andrea A. 2015. The St. Martin’s Handbook , 8th ed. Boston: Bedford/St Martin’s.

Ramage, John D., John C. Bean, and June Johnson. 2018. The Allyn & Bacon Guide to Writing , 8th ed. New York: Pearson.

Ruszkiewicz, John J., Christy Friend, Daniel Seward, and Maxine Hairston. 2010. The Scott, Foresman Handbook for Writers , 9th ed. Boston: Pearson Education.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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Matroid Theory and A Proof of Mason’s Ultra-Log-Concavity Conjecture Using Combinatorial Atlas

This paper focuses on matroids, structures that generalize the idea and properties of vec- tor independence to different types of sets. It begins with a comprehensive introduction to matroids, providing various definitions of matroids and explaining their interrelation- ships.

The main theorem addressed in this paper is Mason’s strongest conjecture, also known as the Ultra-log Concavity property, which pertains to the number of independent sets of a particular size for a given matroid. This property was originally proved by Adiprasito, Huh, and Katz in using sophisticated Hodge theoretic techniques from algebraic geometry. Here we present a recent simpler and purely combinatorial argument of Chan and Pak. The arguments in their paper are quite general, more than what is strictly needed for applications to matroids, so we have attempted streamline it here for the sake of clarity.

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