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How to write a literary analysis essay | A step-by-step guide

How to Write a Literary Analysis Essay | A Step-by-Step Guide

Published on January 30, 2020 by Jack Caulfield . Revised on August 14, 2023.

Literary analysis means closely studying a text, interpreting its meanings, and exploring why the author made certain choices. It can be applied to novels, short stories, plays, poems, or any other form of literary writing.

A literary analysis essay is not a rhetorical analysis , nor is it just a summary of the plot or a book review. Instead, it is a type of argumentative essay where you need to analyze elements such as the language, perspective, and structure of the text, and explain how the author uses literary devices to create effects and convey ideas.

Before beginning a literary analysis essay, it’s essential to carefully read the text and c ome up with a thesis statement to keep your essay focused. As you write, follow the standard structure of an academic essay :

An introduction that tells the reader what your essay will focus on.
A main body, divided into paragraphs , that builds an argument using evidence from the text.
A conclusion that clearly states the main point that you have shown with your analysis.

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Step 1: reading the text and identifying literary devices, step 2: coming up with a thesis, step 3: writing a title and introduction, step 4: writing the body of the essay, step 5: writing a conclusion, other interesting articles.

The first step is to carefully read the text(s) and take initial notes. As you read, pay attention to the things that are most intriguing, surprising, or even confusing in the writing—these are things you can dig into in your analysis.

Your goal in literary analysis is not simply to explain the events described in the text, but to analyze the writing itself and discuss how the text works on a deeper level. Primarily, you’re looking out for literary devices —textual elements that writers use to convey meaning and create effects. If you’re comparing and contrasting multiple texts, you can also look for connections between different texts.

To get started with your analysis, there are several key areas that you can focus on. As you analyze each aspect of the text, try to think about how they all relate to each other. You can use highlights or notes to keep track of important passages and quotes.

Language choices

Consider what style of language the author uses. Are the sentences short and simple or more complex and poetic?

What word choices stand out as interesting or unusual? Are words used figuratively to mean something other than their literal definition? Figurative language includes things like metaphor (e.g. “her eyes were oceans”) and simile (e.g. “her eyes were like oceans”).

Also keep an eye out for imagery in the text—recurring images that create a certain atmosphere or symbolize something important. Remember that language is used in literary texts to say more than it means on the surface.

Narrative voice

Ask yourself:

Who is telling the story?
How are they telling it?

Is it a first-person narrator (“I”) who is personally involved in the story, or a third-person narrator who tells us about the characters from a distance?

Consider the narrator’s perspective . Is the narrator omniscient (where they know everything about all the characters and events), or do they only have partial knowledge? Are they an unreliable narrator who we are not supposed to take at face value? Authors often hint that their narrator might be giving us a distorted or dishonest version of events.

The tone of the text is also worth considering. Is the story intended to be comic, tragic, or something else? Are usually serious topics treated as funny, or vice versa ? Is the story realistic or fantastical (or somewhere in between)?

Consider how the text is structured, and how the structure relates to the story being told.

Novels are often divided into chapters and parts.
Poems are divided into lines, stanzas, and sometime cantos.
Plays are divided into scenes and acts.

Think about why the author chose to divide the different parts of the text in the way they did.

There are also less formal structural elements to take into account. Does the story unfold in chronological order, or does it jump back and forth in time? Does it begin in medias res —in the middle of the action? Does the plot advance towards a clearly defined climax?

With poetry, consider how the rhyme and meter shape your understanding of the text and your impression of the tone. Try reading the poem aloud to get a sense of this.

In a play, you might consider how relationships between characters are built up through different scenes, and how the setting relates to the action. Watch out for dramatic irony , where the audience knows some detail that the characters don’t, creating a double meaning in their words, thoughts, or actions.

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Your thesis in a literary analysis essay is the point you want to make about the text. It’s the core argument that gives your essay direction and prevents it from just being a collection of random observations about a text.

If you’re given a prompt for your essay, your thesis must answer or relate to the prompt. For example:

Essay question example

Is Franz Kafka’s “Before the Law” a religious parable?

Your thesis statement should be an answer to this question—not a simple yes or no, but a statement of why this is or isn’t the case:

Thesis statement example

Franz Kafka’s “Before the Law” is not a religious parable, but a story about bureaucratic alienation.

Sometimes you’ll be given freedom to choose your own topic; in this case, you’ll have to come up with an original thesis. Consider what stood out to you in the text; ask yourself questions about the elements that interested you, and consider how you might answer them.

Your thesis should be something arguable—that is, something that you think is true about the text, but which is not a simple matter of fact. It must be complex enough to develop through evidence and arguments across the course of your essay.

Say you’re analyzing the novel Frankenstein . You could start by asking yourself:

Your initial answer might be a surface-level description:

The character Frankenstein is portrayed negatively in Mary Shelley’s Frankenstein .

However, this statement is too simple to be an interesting thesis. After reading the text and analyzing its narrative voice and structure, you can develop the answer into a more nuanced and arguable thesis statement:

Mary Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as.

Remember that you can revise your thesis statement throughout the writing process , so it doesn’t need to be perfectly formulated at this stage. The aim is to keep you focused as you analyze the text.

Finding textual evidence

To support your thesis statement, your essay will build an argument using textual evidence —specific parts of the text that demonstrate your point. This evidence is quoted and analyzed throughout your essay to explain your argument to the reader.

It can be useful to comb through the text in search of relevant quotations before you start writing. You might not end up using everything you find, and you may have to return to the text for more evidence as you write, but collecting textual evidence from the beginning will help you to structure your arguments and assess whether they’re convincing.

To start your literary analysis paper, you’ll need two things: a good title, and an introduction.

Your title should clearly indicate what your analysis will focus on. It usually contains the name of the author and text(s) you’re analyzing. Keep it as concise and engaging as possible.

A common approach to the title is to use a relevant quote from the text, followed by a colon and then the rest of your title.

If you struggle to come up with a good title at first, don’t worry—this will be easier once you’ve begun writing the essay and have a better sense of your arguments.

“Fearful symmetry” : The violence of creation in William Blake’s “The Tyger”

The introduction

The essay introduction provides a quick overview of where your argument is going. It should include your thesis statement and a summary of the essay’s structure.

A typical structure for an introduction is to begin with a general statement about the text and author, using this to lead into your thesis statement. You might refer to a commonly held idea about the text and show how your thesis will contradict it, or zoom in on a particular device you intend to focus on.

Then you can end with a brief indication of what’s coming up in the main body of the essay. This is called signposting. It will be more elaborate in longer essays, but in a short five-paragraph essay structure, it shouldn’t be more than one sentence.

Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, protagonist Victor Frankenstein is a stable representation of the callous ambition of modern science throughout the novel. This essay, however, argues that far from providing a stable image of the character, Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as. This essay begins by exploring the positive portrayal of Frankenstein in the first volume, then moves on to the creature’s perception of him, and finally discusses the third volume’s narrative shift toward viewing Frankenstein as the creature views him.

Some students prefer to write the introduction later in the process, and it’s not a bad idea. After all, you’ll have a clearer idea of the overall shape of your arguments once you’ve begun writing them!

If you do write the introduction first, you should still return to it later to make sure it lines up with what you ended up writing, and edit as necessary.

The body of your essay is everything between the introduction and conclusion. It contains your arguments and the textual evidence that supports them.

Paragraph structure

A typical structure for a high school literary analysis essay consists of five paragraphs : the three paragraphs of the body, plus the introduction and conclusion.

Each paragraph in the main body should focus on one topic. In the five-paragraph model, try to divide your argument into three main areas of analysis, all linked to your thesis. Don’t try to include everything you can think of to say about the text—only analysis that drives your argument.

In longer essays, the same principle applies on a broader scale. For example, you might have two or three sections in your main body, each with multiple paragraphs. Within these sections, you still want to begin new paragraphs at logical moments—a turn in the argument or the introduction of a new idea.

Robert’s first encounter with Gil-Martin suggests something of his sinister power. Robert feels “a sort of invisible power that drew me towards him.” He identifies the moment of their meeting as “the beginning of a series of adventures which has puzzled myself, and will puzzle the world when I am no more in it” (p. 89). Gil-Martin’s “invisible power” seems to be at work even at this distance from the moment described; before continuing the story, Robert feels compelled to anticipate at length what readers will make of his narrative after his approaching death. With this interjection, Hogg emphasizes the fatal influence Gil-Martin exercises from his first appearance.

Topic sentences

To keep your points focused, it’s important to use a topic sentence at the beginning of each paragraph.

A good topic sentence allows a reader to see at a glance what the paragraph is about. It can introduce a new line of argument and connect or contrast it with the previous paragraph. Transition words like “however” or “moreover” are useful for creating smooth transitions:

… The story’s focus, therefore, is not upon the divine revelation that may be waiting beyond the door, but upon the mundane process of aging undergone by the man as he waits.

Nevertheless, the “radiance” that appears to stream from the door is typically treated as religious symbolism.

This topic sentence signals that the paragraph will address the question of religious symbolism, while the linking word “nevertheless” points out a contrast with the previous paragraph’s conclusion.

Using textual evidence

A key part of literary analysis is backing up your arguments with relevant evidence from the text. This involves introducing quotes from the text and explaining their significance to your point.

It’s important to contextualize quotes and explain why you’re using them; they should be properly introduced and analyzed, not treated as self-explanatory:

It isn’t always necessary to use a quote. Quoting is useful when you’re discussing the author’s language, but sometimes you’ll have to refer to plot points or structural elements that can’t be captured in a short quote.

In these cases, it’s more appropriate to paraphrase or summarize parts of the text—that is, to describe the relevant part in your own words:

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The conclusion of your analysis shouldn’t introduce any new quotations or arguments. Instead, it’s about wrapping up the essay. Here, you summarize your key points and try to emphasize their significance to the reader.

A good way to approach this is to briefly summarize your key arguments, and then stress the conclusion they’ve led you to, highlighting the new perspective your thesis provides on the text as a whole:

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

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By tracing the depiction of Frankenstein through the novel’s three volumes, I have demonstrated how the narrative structure shifts our perception of the character. While the Frankenstein of the first volume is depicted as having innocent intentions, the second and third volumes—first in the creature’s accusatory voice, and then in his own voice—increasingly undermine him, causing him to appear alternately ridiculous and vindictive. Far from the one-dimensional villain he is often taken to be, the character of Frankenstein is compelling because of the dynamic narrative frame in which he is placed. In this frame, Frankenstein’s narrative self-presentation responds to the images of him we see from others’ perspectives. This conclusion sheds new light on the novel, foregrounding Shelley’s unique layering of narrative perspectives and its importance for the depiction of character.

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Humanities 101 - Channing: Writing Analysis Papers for the Humanities

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Humanities essays

What are the humanities.

The humanities refer to subjects that study people, their ideas, history, and literature. To put that another way, the humanities are those branches of learning regarding primarily as having a cultural character.

For example, one of the UK’s academic funding bodies, the Arts & Humanities Research Board or AHRB, tends to concentrate on the following sorts of subjects: Classics, Visual Arts and Media, Modern Languages, Music and Performing Arts, Philosophy, Religious Studies, Medieval and Modern History.

Key features – primary & secondary texts

In the majority of these subjects you begin with a primary text – e.g. a play or a film or a set of historical events. You are expected to show good knowledge of the primary text and to mount a discussion of it – or of aspects of it – that is located within current critical debate about it. You are expected to use your own judgement about other people’s judgements of the primary text.

Key features – logical argument

Readers of your essay will look for an argument that is clearly expressed in a logical order. They will not expect your essay to follow a specific set structure. For example, an English Literature essay might start with a plot summary of the work being discussed, a quote from the work or a quote from critical writing on the work. The important thing is to use your starting point to say clearly what you are going to write about and why; and to make the rest of your discussion flow naturally from it

Key features – balanced discussion

This is probably the one feature that distinguishes humanities essays from other sorts of writing. This does not mean that scientific papers or social science essays aren’t balanced discussions: it means that a humanities essay is more likely to have review various opinions and interpretations.

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HUM2020: Introduction to the Humanities

sharing what is means to be human

By analyzing different creative mediums, we learn how to think creatively and critically, to reason, and to ask questions. These skills allow us to gain new insights into the human experience, and this adds to our knowledge about our world. Analysis allows us to learn about the values of different cultures, the perspectives of different people, and the variety of ways people can draw conclusions. This module will present various exercises designed for using both critical and interpretive practices that will help develop skills needed to engage in the analysis of different artistic mediums. In lieu of memorizing information on works selected by me, your instructor, each lesson will instead provide you with analytical frameworks to evaluate an artistic expression of your choice. Through this practice, you will be equipped with tools you can continue to apply as you engage the humanities beyond this course.

Module Objectives

define analytical frameworks and describe the role of analysis in exploring the humanities
identify different methods and techniques used to interpret the humanities
analyze a wide variety of creative mediums within the humanities to interpret the shared experiences of being human through time and across cultures

What is an analytical framework?

Analytical frameworks are tools that help students, teachers and scholars go beyond simply describing and/or memorizing details and information about phenomenon and move toward creating new information or a new perspective. Analytical frameworks are designed to structure a more systematic manner in the ways phenomena is approached, data is collected and organized, and conclusions are drawn.

Theories and Analytical Methods in the Humanities

Theories and analytical frameworks make it easier to draw conclusions that are based on a theoretical approach while at the same time acknowledging that there are different perspectives in the study of the humanities . By taking one analytical approach, you can formulate a conclusion while at the same time saying, ‘hey, there might be a different way to view this from a different analytical perspective.’

There are a wide variety of old and new frameworks in the humanities. Some disciplines in the humanities leans toward specific frameworks. For example, critical theory is popular in English and media studies. Hermeneutics and phenomenology is popular in religious studies. Here are a few more frameworks to explore and consider:

interpretation
aesthetic interpretation
music theory
hermeneutics
literary theory
literary criticism
historiography
design theory
critical theory
ethnography
thick description
interface theory
phenomenology
epistemology
art criticism
symbolic interactionism
functionalism

Applying Analytical Frameworks in this course

Like tools in a tool box, analytical tools are not exclusive to each other. A student or scholar can use more than one and modify and manipulate a framework as needed. The idea behind using a framework is to help the researcher define their approach, organize information, and present new information from a particular perspective.

An analytical framework strengthens the study of the humanities in the following ways:

It helps to create an explicit statement, or thesis, and permits the reader to evaluate it critically.
It connects the researcher to existing knowledge which gives a basis for the thesis and the perspective.
It forces the research to go beyond simply describing and generalizing by addressing ‘why’ and ‘how’.
It defines the limits of a thesis, and highlights the need to examine phenomena from a different framework and perspective.

In this class you will be encouraged to experiment with applying a different analytical perspective as you move through the assignments. You can learn about other perspectives by reading about the ways other students have applied theoretical perspectives in their discussion posts. The terms and concepts presented here provide academic tools to complete activities in the upcoming lessons which will address an different creative medium each week.

References and Resources

To learn more about analytical frameworks and research in the humanities, explore the links below.

Humanities and Social Sciences contrasting distinctions
Tyree Library Catalog page (for books)
Tyree Library Databases page (for articles – try Jstor)

For Discussion in Canvas

Select one of the analytical techniques used in the humanities (listed above), and use the Tyree Library book catalog or databases (Jstor is a great one) to locate a scholarly book or article about the specific technique.

Post the citation for your book or article
Make the citation a hyperlink (see directions in the discussion)
Write a minimum 150 word description of the analytical technique. Be sure to read and comment on the techniques presented by at least two of your classmates; their research might come in handy for you in one or more of the upcoming lessons.

Journal Expression

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After immersing yourself in analytical thinking, exercise your right brain by creating a mandala (or something like it). A mandala is a spiritual and/or ritual geometric configuration of symbols in the Asian religions of Hinduism and Buddhism. In typically American use, “mandala” has become a generic term for any diagram, chart or geometric pattern that represents the cosmos metaphysically or symbolically, though it originally meant to represent wholeness and a model for the organizational structure of life itself. In many ways, analysis helps to build configurations and associations within human and abstract phenomena. The basic form of most mandalas is a square with four gates containing a circle with a center point of a radial balance. To l

To learn more about mandalas and how they can be applied in design, watch this video by Jeff Durham, Curator of Himalayan Art at the Asian Art Museum in San Francisco.

To create a mandala, you can either use a ruler and compass or freehand it. Stick with curves and circles or go with angles. Just relax and let your right brain run the show. For ideas on creating a Mandala with a ruler and protractor, watch the video below:

See also: Video 2 or Video 3 and to create a mandala freehand: Video 4 , Video 5 or Video 6

Your mandala does not need to imitate the designs in the tutorials. Feel free to take liberty with your own designs. and consider the Eastern influences in mandala-like art in Saxon and Scandinavian art. In the 9th century Saxon Fuller Broach pictured below, the Saxon King Alfred is depicted in the center and he is encircled by the five senses: Sight, perceived as the dominant sense in medieval times, commands the central position with staring eyes; he is flanked by figures representing Hearing, Touch, Taste and Smell. The outer border contains human, bird, animal and plant motifs, which may represent the variety of divine creation. Similarly, Celtic and Eastern influences shape the Scandinavian Urnes style using abstract images of knotted animals in in a balanced mandala-like fashion in the 11th century brooch pictured below. Similarly, Islamic geometric decoration, which tends to avoid using figurative images, makes frequent use of geometric patterns which have developed over the centuries.

When you complete the discussion, move on to the Fiction lesson.

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