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Essay Checker: Free Online Paper Corrector

Your Best Chance for an A+ Essay. Try Our Free Essay Checker Below.

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Why Should You Use a Free Essay Checker?

The simple answer? Good grammar is necessary, but it’s not easy. You've already done countless hours of research to write the essay. You don’t want to spend countless hours correcting it, too.

You'll get a better grade

Good grammar or its absence can determine if you get a good grade or a failing one. Impress your lecturer not just with how grammatically sound your writing is, but how clear it is and how it flows.

You'll save time

Essay writing can be a long and tedious process. ProWritingAid's essay checker saves you the hassle by acting as the first line of defense against pesky grammar issues.

You'll become a better writer

Essay writing is a particular skill and one that becomes better with practice. Every time you run your essay through ProWritingAid’s essay corrector, you get to see what your common mistakes are and how to fix them.

Good Writing = Good Grades

It’s already hard to know what to write in an essay. Don’t let grammar mistakes hinder your writing and prevent you from getting a good grade. ProWritingAid’s essay checker will help you write your best essay yet. Since the checker is powered by AI, using it means that grammar errors don’t stand a chance. Give your professors something to look forward to reading with clear, concise, and professional writing.

How Does ProWritingAid’s Essay Checker Work?

Your goal in essay writing is to convey your message as best as possible. ProWritingAid's essay checker is the first step towards doing this.

Get Rid of Spelling Errors

ProWritingAid’s essay checker will show you what it thinks are spelling errors and present you with possible corrections. If a word is flagged and it’s actually spelt correctly you can always choose to ignore the suggestion.

Fix Grammar Errors

Professors aren’t fans of poor grammar because it interrupts your message and makes your essay hard to understand. ProWritingAid will run a grammar check on your paper to ensure that your message is precise and is being communicated the way you intended.

Get Rid of Punctuation Mistakes

A missing period or comma here and there may not seem that serious, but you’ll lose marks for punctuation errors. Run ProWritingAid’s paper checker to use the correct punctuation marks every time and elevate your writing.

Improve Readability

Make sure that in the grand scheme your language is not too complicated. The essay checker's built in readability report will show if your essay is easy or hard to read. It specifically zones in on paragraphs that might be difficult to read so you can review them.

What Else Can the Essay Checker Do?

The editing tool analyzes your text and highlights a variety of key writing issues, such as overused words, incohesive sentence structures, punctuation issues, repeated phrases, and inconsistencies.

You don’t need to drown your essay in words just to meet the word count. ProWritingAid’s essay checker will help to make your words more effective. You'll get to construct your arguments and make sure that every word you use builds towards a meaningful conclusion.

Transition words help to organize your ideas by showing the relationship between them. The essay checker has a built in Transition report that highlights and shows the percentage of transitions used in your essay. Use the results to add transitions where necessary.

An engaging essay has sentences of varying lengths. Don’t bore your professor with long, rambling sentences. The essay checker will show you where you need to break long sentences into shorter sentences, or add more sentence length variation.

Generally, in scholarly writing, with its emphasis on precision and clarity, the active voice is preferred. However, the passive voice is acceptable in some instances. When you run your essay through ProWritingAid’s essay checker, you get feedback on whether you 'r e using the passive or active voice to convey your idea.

There are academic specific power verbs like appraise , investigate , debunk , support , etc., that can add more impact to your argument by giving a more positive and confident tone. The essay checker will check your writing for power verbs and notify you if you have less than three throughout your essay.

It's easy to get attached to certain phrases and use them as crutches in your essays but this gives the impression of boring and repetitive writing. The essay checker will highlight your repeats and suggest contextually relevant alternatives.

Gain access to in-house blog reports on citations, how to write a thesis statement, how to write a conclusion, and more. Venture into a world of resources specific to your academic needs.

What Kinds of Papers Does ProWritingAid Correct?

No matter what you’re writing, ProWritingAid will adapt and show you where your edits are needed most.

• Argumentative
• Descriptive
• Textual Analysis
• Lab reports
• Case studies
• Literature reviews
• Presentations
• Dissertations
• Research papers

Professors and students love using ProWritingAid

If you're an English teacher, you need to take a look at this tool - it reinforces what you're teaching, highlights strengths and weaknesses, and makes it easier to personalize instruction.

Jennifer Gonzales

Only reason I managed to get an A in all my freshmen composition classes.

Chris Layton

Great tool for academic work. Easy to use and the reports and summary evaluation of your documents in several categories is very useful. So much more than spelling and grammar!

Debra Callender

Questions & Answers

1. how do i use the essay checker online tool.

You can either copy and paste your essay in the essay checker field or upload your essay from your computer. Your suggestions will show once you enter text. You’ll see a number of possible grammar and spelling issues. Sign up for free to get unlimited suggestions to improve your writing style, grammar, and sentence structure. Avoid unintentional plagiarism with a premium account.

2. Does the essay checker work with British English and American English?

The essay checker works with both British English and American English. Just choose the one you would like to use and your corrections will reflect this.

3. Is using an essay checker cheating?

No. The essay checker won’t ever write the essay for you. It will point out possible edits and advise you on changes you need to make. You have full autonomy and get to decide which changes to accept.

4. Will the essay checker auto-correct my work?

The essay writing power remains in your hands. You choose which suggestions you want to accept and you can ignore those that you don’t think apply.

5. Is there a student discount?

Students who have an eligible student email address can get 20% off ProWritingAid Premium. Email [email protected] from your student email address to access your discount.

6. Does ProWritingAid have a plagiarism checker?

Yes! ProWritingAid’s plagiarism checker will check your work against over a billion web-pages, published works, and academic papers, so you can be sure of its originality. Find out more about pricing for plagiarism checks here .

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Are you full of creative and thoughtful ideas, but losing points for grammar and punctuation mistakes in your essays? Don’t let missing commas, run-on sentences or misspellings weaken your strong papers again. Get an online proofreading tutor at Tutor.com to review your paper before you turn it in.

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Our online classroom is the perfect place to work with a tutor to proofread your papers. You can upload your paper, essay or writing assignment and review it on screen in real time with your tutor. And you can use the interactive whiteboard to brainstorm ideas and work on sections that need extra writing help. You can also use the chat feature to discuss ways to correct grammar and punctuation mistakes.

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Our expert tutors can help write or proofread any paper, in ANY subject you’re struggling with. If you are continuously having problems with grammar and punctuation, you may need to learn the basics of how to proofread a paper. Our tutors can help with that, too.

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Deadline near? No problem. Our tutors are available to review your work 24/7. Whether you have one day or one week to turn in your paper, our online proofreading tutors are ready to help you right away. All of our proofreading sessions happen in real-time in our online classroom, so you never have to email your paper somewhere and wait for a response.

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A great option if you already know what you want to write about and you’d mostly benefit from an expert admissions consultant helping you perfect your style, tone, and message.

You’re a unique person, with unique experiences and ambitions, but how do you best show this in a response to an essay prompt? With Full Essay Coaching, your expert Admissions Consultant will guide you from beginning to end and make sure your strongest attributes come through clearly and concisely.

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My consultant did an excellent job helping me tell my story. Over our first week, he provided very helpful feedback on my topic ideas and quickly identified a concept that ended up leading to a well-formed essay. He was also very helpful and encouraging throughout the process, and he provided accurate and specific feedback that helped me create an essay that felt very true to myself. Paradoxically, the essay we created together felt much more genuine than any of the attempts I had made at drafting an essay on my own beforehand!

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No. Typely is completely free and we plan on keeping it that way. We are considering some advanced features however that might be available under a premium plan.

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Following are some successful Business School admission essays (with a step-by-step detailed analysis and a summary), a recommendation letter, a resume, and a SOP reviewed by myEssayReview.com .

ESSAYS Essays from students who made it to the top B-schools

Lor sample lor that highlights strong candidacy of a client, resume technical (unreadable) to business school ready resume.

"Beyond being admitted to my dream schools with scholarship (Kellogg-70K Donald Jacobs scholarship, - Yale SOM: 20k scholarship, UCLA Anderson: 70k scholarship), I improved my writing and critical thinking abilities. Thank you, Poonam "

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"Poonam not only provided me with the best possible technical advice but also helped me boost my confidence at a point of weakness and tiredness."

Mes cuml diased dolore commet ipsuco.

Clark dimond, related to b-school application.

• 20 Tips to Craft a Powerful MBA Resume
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ESSAY ANALYSIS

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• Harvard Essay Analysis - 2023 - 24
• Stanford Essay Analysis - 2023 - 24
• Wharton Essay Analysis - 2023 - 24

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• New Zealander Got into INSEAD w/ dual scholarship

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Craft your best essay(s) and perfect your application with detailed feedback from a former admissions professional.

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How It Works

Send your College Coach a draft of all of the required admissions essays and a copy of the application form for your school of choice.

Share a list of your activities so that we can make sure you really shine on your application.

One of our College Counselors will provide a round of detailed, written feedback on your essays and complete application, ensuring that your application will stand out from the crowd!

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• One round of detailed commentary, including line-by-line edits on all of the required admissions essays for one school of your choice. Comments vary based on the essay submitted but are geared towards both content and grammar and mechanics.
• One round of detailed commentary, including line-by-line edits on each aspect of your application. We’ll provide feedback on your activities list, honors and awards, additional information section, and more.
• Access to our interactive student dashboard, including a messaging tool to easily communicate with your College Admissions Team, and an Activities List to track your academic and extracurricular achievements
• You can access the program for 180 days after purchase.

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Education: B.S. Hospitality Administration, Cornell University Ed.M. Higher Education, Harvard University Graduate School of Education Certificate in College Counseling, University of California—Los Angeles

Admissions and College Counseling Experience: Massachusetts Institute of Technology (M.I.T.) College and Career Counselor, Public and Private High Schools

Education: B.A. Anthropology, Brandeis University M.A. Applied Psychology with a Counseling and Guidance Concentration, NYU Steinhardt School of Education

Admissions and College Counseling Experience: Brandeis University International Business School Columbia University/Barnard College/Jewish Theological Seminary Dual Degree Programs Rutgers University The Pingry School College and Career Counselor

Education: B.A. in English and Psychology, Amherst College M.A. in International Education Management Middlebury Institute of International Studies

Admissions & College Counseling Experience: Senior Assistant Dean of Admission, Amherst College International College Counselor, The Princeton Review College Counselor, Harkness Institute, Mexico

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Encyclopedia brown: a story for my brother, philip seymour hoffman, first person.

The art and life of Mark di Suvero

Philip, Emily, and their dog, Tess, in the summer of 1990. Photograph by Marilyn O’Connor.

“What do you do with the old magazines when the new issues come out?” I asked the librarian.

“At the end of the year, we donate them to neighborhood schools so kids can cut them up and make collages,” she replied.

Our small public library is relatively new, sparsely filled with only the most popular items: a smattering of pregnancy and parenting books, mostly on sleep training; the latest mystery novels; DVDs on how to build your own she-shed; and a few shelves of history and religion to round it out. We live in a master-planned community filled with parks in a kid-friendly city, so the children’s section is by far the biggest part of the library.

This library is very different from the Rochester Public Library close to where I grew up in New York. I can remember our mom bringing my older brother, Phil, and me to the main branch downtown during school breaks to pass the time. The children’s room was so tucked away you had to crawl through a tiny child-size secret wooden door to get to it. That was my favorite part. The library, which opened in 1936, was massive, dark, and quiet, but inside that small room, there were tall windows where the sun splashed from the Genesee River onto the colorfully illustrated book covers. I wanted to check out dozens of books but knew that my mom would get frustrated trying to find the overdue items missing somewhere in our messy room while late fees piled up.

Phil and I loved reading. We shared a bedroom until our sister went off to college. We had bunk beds; he slept on the bottom. This way, we could each stay up reading with our own flashlight and not disturb the other—though, of course, we found plenty of other reasons to complain about this setup.

Phil loved the Encyclopedia Brown books, and he read a lot of Hardy Boys . He really enjoyed a good mystery, especially if it was funny. He had a lot of favorite movies, but I would say one of his absolute favorites, even as an adult, was The Adventure of Sherlock Holmes’ Smarter Brother (1975), with Gene Wilder, Marty Feldman, and Madeline Kahn. In one scene, Gene Wilder, playing Sherlock Holmes’s younger brother, Sigerson, is about to meet the foreign secretary, Lord Redcliff. Sigerson walks into the room alone. Checks his fly to be sure it’s closed. Spies a box of chocolates. Puts one in his mouth. He is startled, and spills the box clumsily to the floor. Just as Lord Redcliff walks in, Sigerson decides the best course of action is to hide all the chocolates in his mouth. With his mouth full and chocolate smeared all over his hands and face, he attempts to hide the empty candy box behind his back. Lord Redcliff spends the rest of the scene shuffling back and forth, peeking around to try and see what Sigerson is hiding.

Emily and Phil at seven and nine years old, 1976. Photograph courtesy of Emily Barr.

I could swear that Phil based much of his acting technique on watching Gene Wilder scenes like this over and over as a kid. The physical comedy is subtle in that the main character is unaware of his buffoonery—only the audience is in on the joke. Phil did this a lot: we would know that something was up, but the character himself was often clueless. This was true both of Phil’s comedic scenes and more dramatic ones: Sandy Lyle sharting at the party in Along Came Polly , Scotty J. trying to kiss Mark Wahlberg’s character in Boogie Nights , and the CIA agent Gust Avrakotos smashing the window in Charlie Wilson’s War . All three characters possess the same loud, obnoxious physicality. And then you see it in more nuanced ways, like when the brother in The Savages sneaks a cookie before the support group meeting is over, or when Freddie Miles jabs at the piano key in The Talented Mr. Ripley , or when Truman Capote takes tiny bites from the baby-food jars in Capote . These gestures brought his characters to life, and made us empathize and identify with their excitement, embarrassment, anger, and heartache.

Even now, when I watch Phil playing these parts in films that now capture a distant past, in roles that have become familiar to us, I can see so much of who he was. He was a cuddly person, much more so than me. He loved to sit close on a couch, walk arm in arm down the street, and hug big. We grew up like two hamsters making nests out of blankets and books. We burrowed together, especially when things felt scary or loud. We made up stories that took us away from the chaos of our house and into building forts in the woods, rowing boats together on Keuka Lake, or walking to The Brick Oven to eat pizza by ourselves like we were grown-ups.

And then there were the loud parts. My brother had a lot of loud parts, like his laughter and big gestures of annoyance. The way he would jump up and dance around when teasing you—even after you’d pleaded for him to stop, he just couldn’t help poking fun one last time. He knew it was wrong, but he was going to do it anyway, and laugh until you were laughing too. And then do it again, until you weren’t laughing, because we Hoffmans are not good at knowing how to stop. We know when to stop, we can tell the mood has shifted, but we always take things one step too far.

Shortly after Phil died, I scoured the library shelves for every periodical that even mentioned him. Early in my twenties, I’d begun saving every magazine or newspaper article Phil was ever featured in—at least the ones I knew about. I even had all his interviews on VHS. And here were the final magazine stories detailing his life cut short. At first, I just wanted to be sure I collected all the glowing obituaries reviewing the life and unexpected death of this talented young actor who mesmerized us with his art. But then I became obsessive. Even the weekly TV Guide put his name in the crossword: 15 down, twenty letters, “Oscar overdose.” I added it to my pile.

“So, these magazines will just get cut up by little kids?” I asked the librarian.

“Yes. Or recycled.”

“What if someone wanted to keep them when the library was done with them?”

“We can’t do that. It’s just too hard to keep track of requests like this.”

I didn’t want to read these articles. But I didn’t want children cutting them up in class next year. More importantly, I didn’t want one of my children to be sitting in art class and get handed one of these magazines and open it up to see their uncle Phil.

So I scooped them all up, handed her my library card, and checked them out. I took them home and went up to my room. I hid in the small space between my bed and the dresser with a pair of scissors I’d stolen from my daughter’s backpack. I sat on the floor and cut all the articles and photos of Phil out of each magazine. I tried to make the missing pages look inconspicuous. But there was no way to really hide it, especially when he was on the cover.

Magazine clippings were everywhere. Our lives had been cut into tiny pieces and gobbled up, and we spent a lot of time trying to hide it all away, including from each other. Eventually, I tucked all the clippings into an old cigar box, which I carefully placed up high on a shelf in my closet. I returned the cut-up magazines to the library, slipping them into the book deposit slot and hoping the cameras wouldn’t catch me. I imagined the librarian deciding to read The New Yorker on her lunch break and realizing that someone had ripped out this key, important article from the magazine. I walked home in the snow, thinking about the mystery I’d created for her with the missing pieces and also how Phil would think I was ridiculous for doing all this. He’d wrap his big arm around me, and we would walk a little quicker as the temperature dropped and the sun set lower in the sky. We would talk, like when we were kids, imagining the story of Encyclopedia Brown trying to solve The Case of the Vanishing Actor , which takes place in a library with a small wooden door.

Em and Phil in New York City, fall of 1987.

Emily Anne Barr is a pediatric nurse practitioner, a midwife, and a nurse scientist caring for families impacted by HIV. Her writing has appeared in the journal  AIDS and in The Perch.  When her brother died, his last gift to her was a two-year subscription to The Paris Review; she sent a version of this essay to the magazine earlier this year.

Lord Byron Was Hard to Pin Down. That’s What Made Him Great.

Two hundred years after his death, this Romantic poet is still worth reading.

“Who would write, who had anything better to do?” Byron once said. Credit... Musée Fabre/Hulton Fine Art Collection, via Getty Images

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By Benjamin Markovits

Benjamin Markovits is the author of a trilogy of novels about Lord Byron, “Imposture,” “A Quiet Adjustment” and “Childish Loves.”

• April 19, 2024

This week is the 200th anniversary of Lord Byron’s death. The most famous poet of his age (an odd phrase now) died fighting for Greek independence in the marshes of Missolonghi. “Who would write, who had anything better to do?” he once said. There was a strange contest over his body and memory: The lungs and larynx remained in Greece but friends carried the rest back to England, where huge crowds followed the funeral procession. A month after his death, his former editor burned his memoirs, worried they would damage the reputation of a superstar read around the world.

Does anyone read Byron now? He’s one of those unusual figures who have become better known for the lives they led than the books they wrote. Even some of his fans admire the letters more than the poems. It isn’t totally clear what it means to say that Byron is your favorite poet. Of the so-called Big Six Romantics, he’s the hardest to place. The hikers and the introverts read Wordsworth, the hippies love Blake, Keats is for the purists, Shelley for the political dreamers … and Byron? In spite of his fame, he lacks brand recognition. That’s partly because, halfway through his career, he decided to change the brand. “If I am sincere with myself,” he once wrote, “(but I fear one lies more to one’s self than to any one else), every page should confute, refute and utterly abjure its predecessor.”

All of which makes him a complicated sell. Academics trying to revive his reputation sometimes claim him as the anti-Romantic, a satirist who made fun of the movement’s clichés. Which is true. But he also wrote wonderful love poems, including two of his best-known lyrics, “ She Walks in Beauty ” and “ So We’ll Go No More a Roving .” Both are cleareyed about their own sentimentality, but more sad than satirical.

There are other ways of reclaiming him: as the first celebrity writer, as an early adopter of autofiction, for his sexual fluidity. He fell in love with both men and women, and slept with almost everybody, including his half sister, Augusta — which explains why his old editor, John Murray, decided to burn the memoirs.

Writers usually get famous because they touch a chord, and then keep playing it. And even if, as their work matures, they find ways to deepen the tone, it’s still recognizable; readers know what to expect from the product. And Byron touched a chord very young. His breakthrough poem — another odd phrase — was published when he was 24. “Childe Harold’s Pilgrimage,” about a moody young nobleman who travels through war-torn Europe chased by some secret sorrow, made him a household name. Fan mail flowed in; women offered themselves in assignations. (Philip Roth joked in “The Ghost Writer” that for an author to get laid in New York you need only publish a couplet.) “Childe Harold” eventually stretched to four volumes.

Movie versions of Byron’s life tend to take the Childe Harold angle, presenting him as the beautiful young nobleman and exaggerating his Gothic or camp tendencies. He’s been played by Rupert Everett and Hugh Grant. You can find those elements in his writing, too, especially in the early verse, but then a few things changed. He got married, and the marriage went badly; he left England in 1816 and didn’t return; his fame hardened, and as it hardened, he began to realize that it didn’t really fit him.

People who met Byron for the first time expected him to be someone he wasn’t. This bugged him, not just as a human being but as a writer. He asked his friend Tom Moore to tell a well-known literary critic “that I was not, and, indeed, am not even now , the misanthropical and gloomy gentleman he takes me for, but a facetious companion, well to do with those with whom I am intimate, and as loquacious and laughing as if I were a much cleverer fellow.”

Byron was writing this from Venice after his separation from his wife. It was in many ways an unhappy couple of years. Still recovering from the trauma of his marriage, he overindulged himself, sexually and otherwise. The beautiful young nobleman was growing middle-aged. “Lord Byron could not have been more than 30,” one visitor remarked, “but he looked 40. His face had become pale, bloated and sallow. He had grown very fat, his shoulders broad and round, and the knuckles of his hands were lost in fat.” Some of Byron’s reputation for scandalous living dates to his stay in Venice. But he also made another literary breakthrough, finishing one long poem, “ Beppo ,” and starting his masterpiece, written “in the same style and manner” — “ Don Juan .”

“Don Juan” would occupy him for the rest of his short life. It cost him his relationship with Murray, who disapproved of the new tone in Byron’s writing. “You have so many ‘ divine ’ poems,” Byron told him. “Is it nothing to have written a Human one?” Around the time that Shelley was writing “ To a Skylark ” (“Hail to thee, blithe Spirit!”) and Keats was working on “ Ode to a Nightingale ” (“Thou wast not born for death, immortal Bird!”), Byron in “Beppo” was advising visitors who come to Venice for the Carnival to bring ketchup or soy with them, because Venetians give up sauce for Lent. But he was making a broader point, too. Poetical truths, about birds, about nature, don’t always rank high on the list of what matters. Poets should spend more time talking about things like money and food.

Part of what his early success taught him was to be suspicious of it, which meant being suspicious of writers — of the ways they lie to themselves and their readers. Keats, for example, was guilty of “a sort of mental masturbation,” Byron said. “I don’t mean that he is indecent but viciously soliciting his own ideas into a state which is neither poetry nor anything else.” The work of Leigh Hunt was “disfigured only by a strange style. His answer was that his style was a system … and, when a man talks of system, his case is hopeless.” Experience, Byron believed, was the real source of literary value. “Could any man have written it,” he said of “Don Juan,” “who has not lived in the world?”

But experience relies on the honesty of the writer, and honesty, as Byron knew, is not a simple virtue. His own style became increasingly hard to pin down and hard to imitate — there is nobody who writes quite like him. Sometimes he lays on the devices pretty thick (“He rushed into the field, and, foremost fighting, fell”), the way you might scatter salt over a meal to add all-purpose flavor. But he can also write poetry that is unabashedly prosy: “There might be one more motive, which makes two.” What he’s particularly good at is achieving vividness without metaphor or adjective: “I have imbibed such a love for money that I keep some Sequins in a drawer to count, & cry over them once a week.” This is classic Byron, self-mocking and sincere at the same time.

The overall effect is like someone pitching knuckle balls. He seems to be just tossing lines at you, almost carelessly or without effort, but they’re always moving unpredictably, and when you try to do it yourself, you realize how hard it is to throw without spin. Two centuries later, this still seems a talent worth celebrating.

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An NPR editor who wrote a critical essay on the company has resigned after being suspended

FILE - The headquarters for National Public Radio (NPR) stands on North Capitol Street on April 15, 2013, in Washington. A National Public Radio editor who wrote an essay criticizing his employer for promoting liberal reviews resigned on Wednesday, April 17, 2024, a day after it was revealed that he had been suspended. (AP Photo/Charles Dharapak, File)

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NEW YORK (AP) — A National Public Radio editor who wrote an essay criticizing his employer for promoting liberal views resigned on Wednesday, attacking NPR’s new CEO on the way out.

Uri Berliner, a senior editor on NPR’s business desk, posted his resignation letter on X, formerly Twitter, a day after it was revealed that he had been suspended for five days for violating company rules about outside work done without permission.

“I cannot work in a newsroom where I am disparaged by a new CEO whose divisive views confirm the very problems” written about in his essay, Berliner said in his resignation letter.

Katherine Maher, a former tech executive appointed in January as NPR’s chief executive, has been criticized by conservative activists for social media messages that disparaged former President Donald Trump. The messages predated her hiring at NPR.

NPR’s public relations chief said the organization does not comment on individual personnel matters.

The suspension and subsequent resignation highlight the delicate balance that many U.S. news organizations and their editorial employees face. On one hand, as journalists striving to produce unbiased news, they’re not supposed to comment on contentious public issues; on the other, many journalists consider it their duty to critique their own organizations’ approaches to journalism when needed.

In his essay , written for the online Free Press site, Berliner said NPR is dominated by liberals and no longer has an open-minded spirit. He traced the change to coverage of Trump’s presidency.

“There’s an unspoken consensus about the stories we should pursue and how they should be framed,” he wrote. “It’s frictionless — one story after another about instances of supposed racism, transphobia, signs of the climate apocalypse, Israel doing something bad and the dire threat of Republican policies. It’s almost like an assembly line.”

He said he’d brought up his concerns internally and no changes had been made, making him “a visible wrong-thinker at a place I love.”

In the essay’s wake, NPR top editorial executive, Edith Chapin, said leadership strongly disagreed with Berliner’s assessment of the outlet’s journalism and the way it went about its work.

It’s not clear what Berliner was referring to when he talked about disparagement by Maher. In a lengthy memo to staff members last week, she wrote: “Asking a question about whether we’re living up to our mission should always be fair game: after all, journalism is nothing if not hard questions. Questioning whether our people are serving their mission with integrity, based on little more than the recognition of their identity, is profoundly disrespectful, hurtful and demeaning.”

Conservative activist Christopher Rufo revealed some of Maher’s past tweets after the essay was published. In one tweet, dated January 2018, Maher wrote that “Donald Trump is a racist.” A post just before the 2020 election pictured her in a Biden campaign hat.

In response, an NPR spokeswoman said Maher, years before she joined the radio network, was exercising her right to express herself. She is not involved in editorial decisions at NPR, the network said.

The issue is an example of what can happen when business executives, instead of journalists, are appointed to roles overseeing news organizations: they find themselves scrutinized for signs of bias in ways they hadn’t been before. Recently, NBC Universal News Group Chairman Cesar Conde has been criticized for service on paid corporate boards.

Maher is the former head of the Wikimedia Foundation. NPR’s own story about the 40-year-old executive’s appointment in January noted that she “has never worked directly in journalism or at a news organization.”

In his resignation letter, Berliner said that he did not support any efforts to strip NPR of public funding. “I respect the integrity of my colleagues and wish for NPR to thrive and do important journalism,” he wrote.

David Bauder writes about media for The Associated Press. Follow him at http://twitter.com/dbauder