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“A Beautiful Mind” Psychology Analysis, Movie Review Example
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“A Beautiful Mind”, starring Russell Crowe is a psychological drama that details the real-life experiences of brilliant mathematician John Forbes Nash. A prodigy student at Princeton University, Nash was able to do Nobel Prize Winning work as a student. In addition, John Nash is a paranoid schizophrenic.
The movie outlines his brilliance as a mathematician, which led him to teaching. The movie outlines his romantic relationship with his student, the future Alicia Nash. At the same time, John Nash became involved in what seems like a secret government code-breaking operation.
John Nash eventually cracks. The government work he believed he was doing was a product of his schizophrenia, and Nash was institutionalized. Eventually he was released after discovering that his college roommate, and best friend, Charles, was also a product of his delusions. When released, he was heavily medicated.
Eventually recognized and given his deserved Nobel Prize, the main point of the movie is how Nash was able to use his incredible mind to regain control of his normally debilitating mental disorder. This is certainly illustrated at the end of the film, when Nash asks “Charles” why the niece he frequently has with him never aged.
Keeping in mind this is a true story, this is clear proof that John Nash was able to overcome his diagnosis of schizophrenia, which is absolutely correct, and very apparent throughout John Nash’s experiences throughout the film.
John Nash perfectly fits the DSM criteria for a paranoid schizophrenic. With specific reference to Criterion A symptoms, in which only one is necessary, Nash exhibits three very clearly. He clearly has delusions, one symptom, as well as hallucinations and disorganized speech, two other symptoms (DNA Learning Center, 2013).
Looking now at Criterion B for schizophrenia, John Nash certainly exhibits this behavior as well. It cites that the disturbances in behavior interfere with interpersonal relationships such as work, romantic, or self-care. This is very apparent in John Nash’s behavior throughout the film (DNA Learning Center, 2013).
The DSM criteria for schizophrenia in section C, deals with the duration of the symptoms. They determine that a patient must experience the above symptoms for at least six months. John Nash’s hallucinations clearly lasted for years in his experiences with Charles, so naturally he fits perfectly (DNA Learning Center, 2013).
Being that the film was a realistic portrayal of John Nash, the movie very accurately portrayed schizophrenia as a whole. More specifically, Nash was portrayed as a classic paranoid schizophrenic, and Russell Crowe played this role perfectly.
John Nash received a number of different treatments throughout the movie. After receiving regular ECT treatments after his initial psychotic break, he was prescribed medication that left him heavily sedated. The medication itself is never listed, but judging by the effects portrayed and the time period, it was most likely Lithium, the first and still used treatment for schizophrenia,
As is very typical with schizophrenics, once Nash had a grasp on reality he began to stop taking his medication. This, in turn, caused yet another psychotic break, causing more ECT treatments, and more medication.
The amount of ECT used on John Nash was considered standard treatment for most Bipolar and Schizophrenic patients of the time, especially those with paranoid delusions. Though these treatments are still used today, the ethics behind them have frequently been questioned, as has their effectiveness as a management tool, rather than an actual treatment. It is only John Nash’s incredible mind that allowed him to remain as intelligent as he was after the treatments–most at the time were left as zombies, unable to have any cognitive brain function at all.
The heavy doses of psychiatric medication prescribed to John Nash was also very typical of the time period. Again, the medication was never mentioned by name, but was probably a combination of Lithium and any number of medications known as “typical antipsychotics”, such as Haldol. His sedation was very apparent when he was on these medications, and this is a very accurate depiction of the side effects of both the medications and the ECT treatment itself.
The impact John Nash’s psychiatric disorder had on his family members, and even his peers, was very apparent throughout the depiction of Nash’s psychiatric break, and subsequent “rise from the ashes”. The social consequences spanned from his work to his home life.
There was a scene in the film where John Nash was supposed to be watching his child in the bathtub. This was after he went off of his psychiatric medication. He experienced a delusion of his seemingly government handler, and became distracted. His wife came just in time to rescue the baby from drowning. This directly led to one of his sessions in a mental institution. Not only did this almost result in the death of his child, it almost completely destroyed his marriage as well.
John Nash also had a psychotic breakdown while on the campus of Princeton University, after he requested use of their library. He was granted permission, and at first was treated with apprehension, before gradually assimilating, and tutoring graduate students for free. Unfortunately, one day Charles decided to show up while he was on the campus, after he spent so much time rebuilding his reputation–and John Nash was again discredited.
Eventually, John Nash had a conversation with Charles in the movie. It was depicted that he simply used his logic to determine that Charles’ niece had never aged in the amount of time he had known her. This led him to telling Charles he knew for sure that he was not real, and that he would no longer be acknowledging either of them as real people.
Overall, “A Beautiful Mind” shows a very heartwarming and accurate story of the life of John Nash, and the adversity he had to face his entire life dealing with schizophrenia. Throughout all of his ECT treatments, medications, and doctors, John Nash was able to beat his disease using his aptly termed “beautiful mind”, calling modern psychiatric into question. Do all patients need the same treatment, or should patients be treated more individually? John Nash’s mind was almost destroyed by something meant to preserve.
John Nash should make every psychiatrist reevaluate any patient recommended for ECT treatments–and all of the pros and cons closely scrutinized–before risking a treatment that is truly irreversible.
Butcher, James. “Abnormal Psychology”. 14th ed. 2012.
“DSM-IV Criteria for Schizophrenia :: DNA Learning Center.” DNALC Blogs . N.p., n.d. Web. 20 Apr. 2013. <http://www.dnalc.org/view/899-DSM-IV-Criteria-for-Schizophrenia.html>.
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Analysis of a Beautiful Mind
How it works
- 1 Introduction
- 2 Depiction of Mental Illness
- 3 The Intersection of Genius and Madness
- 4 Societal Impact and Implications
- 5 Conclusion
Introduction
“A Beautiful Mind,” directed by Ron Howard and hitting theaters in 2001, is a drama based on the real-life story of John Nash. Nash was a math genius who battled paranoid schizophrenia. The movie, which takes its cue from Sylvia Nasar’s biography of Nash, gives us a look into both his academic triumphs and his struggles with mental illness. In this essay, I’ll dive into how the film shows mental illness, the mix of genius and madness, and what Nash’s story means for society.
By looking at these themes, we can see why the film matters and what it says about mental health in movies and real life.
Depiction of Mental Illness
One of the strongest points of “A Beautiful Mind” is how it shows paranoid schizophrenia. The movie really pulls you into Nash’s world, using visual and sound effects to make his hallucinations and delusions feel real. This helps us understand what he’s going through and makes us more empathetic. It also raises awareness about how complex living with a mental illness can be. The movie does a good job of showing the symptoms and how they affect Nash’s life, both personally and professionally. While some parts are dramatized for effect, the film mostly treats the disorder with respect.
The Intersection of Genius and Madness
“A Beautiful Mind” also tackles the idea that genius and madness go hand in hand. Nash’s amazing work in math, especially in game theory, is shown alongside his worsening mental health. This dual portrayal makes Nash a complex character and avoids saying that his achievements are just because of his illness. Instead, the film shows that Nash’s brilliance and schizophrenia exist together but aren’t directly linked. This is important for breaking down harmful stereotypes that suggest you need to be mentally ill to be exceptionally smart or creative.
Societal Impact and Implications
The movie goes beyond just Nash’s personal story to look at bigger issues about mental health in society. It shows how important support systems are, like family and institutions, in managing mental illness. Alicia Nash, his wife, is shown as a loving and supportive partner, highlighting the role of caregivers. The film also talks about how mental illness is often stigmatized in academic and work settings, making us think about our own views and prejudices. By humanizing Nash and showing his struggles, the movie calls for more empathy and understanding for people with mental health issues. This message is very relevant today, as stigma still stops many from getting the help they need.
In the end, “A Beautiful Mind” offers a touching look at John Nash’s life, giving us insights into living with paranoid schizophrenia and the link between genius and madness. The film’s respectful and empathetic take on mental illness, along with its focus on the need for support systems and challenging societal stigmas, makes it impactful. By telling Nash’s story with authenticity and care, “A Beautiful Mind” not only entertains but also educates, helping us understand mental health better. It’s an important film in the ongoing conversation about mental illness and what it means to be human.
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Discussion on the Film “A Beautiful Mind” Essay
Introduction.
The movie, A Beautiful Mind, is a thought provoking film that makes one consider what it is that truly makes a genius, how far the human mind drive us to the heights of intelligence or the bottom of despair and finally makes one consider what it truly means to overcome adversity to rise and be recognized.
Scenes in the movie such as Russell Crowes paranoid delusions, his incarceration in a mental asylum, his recovery and subsequent accomplishment of winning a Nobel peace prize are all scenes which highlight the sheer emotional quality evident in the way in which the movie attempts to portray the life of John Nash.
The scenes invoke such joy, sadness and excitement in various instances that one cannot help but feel a distinct degree of emotional attachment to the character of Nash making the film that much more vivid to both watch and remember. Overall, the story quality combined with the plot film gives the movie a timeless quality that even a dozen repetitive viewings fail to tarnish due to the sheer strength of the emotions it captures and relays to viewers.
While watching the film one cannot help but notice the touching and evocative film score that perfectly relays the emotions of the characters further strengthening the emotional connection between the film and its viewers. The film score is neither dramatic nor is too soft rather it is has a smooth tonal quality to it that draws people in, invokes a sense of nostalgia, wonderment and a sense of sorrow.
The score has a steady melody wherein the sound of violins combines with smooth bass tones to create an environment that doesn’t invoke excitement but rather a prolonged sense of contemplation. It music in the movie is almost entirely geared towards calm consideration and speaks highly of the skills of the composer in creating such a distinctive sound that people cannot help but think of both the good and bad that has happened in their lives and how they have helped to shape who they are at the present.
The background of the movie isn’t what one would normally consider exciting or for that matter overly interesting, rather, the setting itself seems to have been chosen for the way in which it closely resembles what an average person would see on a daily basis. This is an important point to consider since it provides an impetus for audiences to consider how they themselves could be placed in the exact same situation due to the similarity in settings.
It makes people consider how they would react to the Nash’s situation if they were in his shoes, if they would succeed the way he had done or if they could endure the same amount of emotional turmoil as what he endured. The background in the film doesn’t overwhelm the characters in the story, rather, its muted quality helps to bring out the emotions, pain and anguish for the viewers to see and experience.
When watching the film one cannot help but notice the sheer acting talent of Russell Crowe in his portrayal of Nash. From Nash’s eccentricities, brilliance all the way down to the paranoid delusions and schizophrenia everything is perfectly portrayed by Crowe.
Scenes such as Nash’s animated talks in the University, his portrayal as being crazy and his subsequent incarceration and the penultimate scene where he finally receives his Nobel peace prize display such power and acting talent that one cannot help but think that Crowe is John Nash. Crowe did an excellent job in portraying the anguish of a person that is realizing that his mind that is his greatest gift has now become his worst enemy.
The slow deterioration, the emotional suffering and the fear of losing one’s brilliance is perfectly captured by Crowe and this in itself is transferred to viewers which makes them pause and consider what it truly means to be brilliant, what is necessary to rise to the heights of academic accomplishment and what it truly means to lose something that makes you what you are today.
The movie itself is set in the mid to late 1900s due to the events of the movie taking place during this time. Overall, it can be stated that this particular setting is rather interesting to take note of since it displays a time where not only are social behaviors different but the way in which mental illnesses are looked upon are vastly different as well.
One of the most thought provoking scenes in the movie is the instance where Nash is sent to an insane asylum and subject to treatments such as electroshock therapy, mind numbing medications and an assortment of other practices that seem brutal by today’s standards. It is this particular setting that helps audiences consider what it meant to be “different” during this particular time in America’s history and as such helps to further strengthen the appeal of audiences to the case of John Nash.
Lastly, it must be mentioned that the film’s overall cinematography lend its storyline a very distinct flow. It non-linear method of telling a story helps the scenes to blend into to each other creating a rather riveting story progression. The film doesn’t seem hurried or overly slow rather it tells the story of the life of John Nash at a plodding pace. It is slow and deliberate in the way in which the scenes progress and as such gives time for viewers to examine different aspects of the film while truly enjoying the various emotional scenes the movie has.
Crowe, Rusell, Perf. A Beautiful Mind . Dir. Ron Howard. Universal Studios, 2001. Film.
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A Beautiful Mind
The Nobel Prize winner John Forbes Nash Jr. still teaches at Princeton, and walks to campus every day. That these commonplace statements nearly brought tears to my eyes suggests the power of "A Beautiful Mind," the story of a man who is one of the greatest mathematicians, and a victim of schizophrenia. Nash's discoveries in game theory have an impact on our lives every day. He also believed for a time that Russians were sending him coded messages on the front page of the New York Times.
"A Beautiful Mind" stars Russell Crowe as Nash, and Jennifer Connelly as his wife, Alicia, who is pregnant with their child when the first symptoms of his disease become apparent. It tells the story of a man whose mind was of enormous service to humanity while at the same time betrayed him with frightening delusions. Crowe brings the character to life by sidestepping sensationalism and building with small behavioral details. He shows a man who descends into madness and then, unexpectedly, regains the ability to function in the academic world. Nash has been compared to Newton, Mendel and Darwin, but was also for many years just a man muttering to himself in the corner.
Director Ron Howard is able to suggest a core of goodness in Nash that inspired his wife and others to stand by him, to keep hope and, in her words in his darkest hour, "to believe that something extraordinary is possible." The movie's Nash begins as a quiet but cocky young man with a West Virginia accent, who gradually turns into a tortured, secretive paranoid who believes he is a spy being trailed by government agents. Crowe, who has an uncanny ability to modify his look to fit a role, always seems convincing as a man who ages 47 years during the film.
The early Nash, seen at Princeton in the late 1940s, calmly tells a scholarship winner "there is not a single seminal idea on either of your papers." When he loses at a game of Go, he explains: "I had the first move. My play was perfect. The game is flawed." He is aware of his impact on others ("I don't much like people and they don't much like me") and recalls that his first-grade teacher said he was "born with two helpings of brain and a half-helping of heart." It is Alicia who helps him find the heart. She is a graduate student when they meet, is attracted to his genius, is touched by his loneliness, is able to accept his idea of courtship when he informs her, "Ritual requires we proceed with a number of platonic activities before we have sex." To the degree that he can be touched, she touches him, although often he seems trapped inside himself; Sylvia Nasar , who wrote the 1998 biography that informs Akiva Goldsman's screenplay, begins her book by quoting Wordsworth about "a man forever voyaging through strange seas of Thought, alone." Nash's schizophrenia takes a literal, visual form. He believes he is being pursued by a federal agent ( Ed Harris ), and imagines himself in chase scenes that seem inspired by 1940s crime movies. He begins to find patterns where no patterns exist. One night he and Alicia stand under the sky and he asks her to name any object, and then connects stars to draw it. Romantic, but it's not so romantic when she discovers his office thickly papered with countless bits torn from newspapers and magazines and connected by frantic lines into imaginary patterns.
The movie traces his treatment by an understanding psychiatrist ( Christopher Plummer ), and his agonizing courses of insulin shock therapy. Medication helps him improve somewhat--but only, of course, when he takes the medication. Eventually newer drugs are more effective, and he begins a tentative re-entry into the academic world at Princeton.
The movie fascinated me about the life of this man, and I sought more information, finding that for many years he was a recluse, wandering the campus, talking to no one, drinking coffee, smoking cigarettes, paging through piles of newspapers and magazines. And then one day he paid a quite ordinary compliment to a colleague about his daughter, and it was noticed that Nash seemed better.
There is a remarkable scene in the movie when a representative for the Nobel committee ( Austin Pendleton ) comes visiting, and hints that he is being "considered" for the prize. Nash observes that people are usually informed they have won, not that they are being considered: "You came here to find out if I am crazy and would screw everything up if I won." He did win, and did not screw everything up.
The movies have a way of pushing mental illness into corners. It is grotesque, sensational, cute, funny, willful, tragic or perverse. Here it is simply a disease, which renders life almost but not quite impossible for Nash and his wife, before he becomes one of the lucky ones to pull out of the downward spiral.
When he won the Nobel, Nash was asked to write about his life, and he was honest enough to say his recovery is "not entirely a matter of joy." He observes: "Without his 'madness,' Zarathustra would necessarily have been only another of the millions or billions of human individuals who have lived and then been forgotten." Without his madness, would Nash have also lived and then been forgotten? Did his ability to penetrate the most difficult reaches of mathematical thought somehow come with a price attached? The movie does not know and cannot say.
(Note: For Nash's autobiographical statement, go to www.nobel.se/economics/laureates/1994/nash-autobio.html)
Roger Ebert
Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.
- Judd Hirsch as Helinger
- Paul Bettany as Charles
- Jennifer Connelly as Alicia
- Russell Crowe as John Nash
- Ed Harris as Parcher
- Christopher Plummer as Dr. Rosen
Directed by
Based on the book by.
- Sylvia Nasar
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