journalistic media essay

Introductory essay

Written by the educators who created Covering World News, a brief look at the key facts, tough questions and big ideas in their field. Begin this TED Study with a fascinating read that gives context and clarity to the material.

At the newsstand, on our smartphones and while watching the evening news, we learn about faraway people and places from the journalists, stringers and correspondents who work for news agencies and other media outlets around the globe. Global news is everywhere — from the front page news read by a New Yorker on Madison Avenue to the government radio station broadcasting in Pyongyang.

However, it would be a mistake to consider this a completely new phenomenon or to overstate its pervasiveness. Many people tend to think that global news is both a recent phenomenon and one that we can credit to advances in technology. If we think of 'news' in terms of newspaper articles or television reporting, then news is only as old as the technologies of press and video, and dates back to the first newsletters that circulated in Europe in the 17th century.

But in reality, humans have shared information about current affairs within and across borders for thousands of years, starting with the news networks of the ancient Phoenicians. The historical record also describes merchants sharing political news along ancient trade routes, minstrels and other traveling artists whose fictional performances also carried information about social change, and criers in medieval town squares.

If news is not a product of modern technologies, it's nevertheless true that technological change has had a dramatic impact on how news is made and consumed: where once we had printed newsletters distributed twice a day, now we have Twitter feeds refreshed twice a minute, and carrying information from an ever-widening array of sources. We live, as media critics like Marshall McLuhan have argued, in a global village.

The trouble with this vision of 'global news' is that it's not nearly as complete as we imagine it to be. According to the World Bank, of the world's seven billion people, only 80% have access to electricity (or the gadgets like computer and televisions that depend on it), 75% have access to mobile phones, and a meager 35% to the Internet. Most people on the planet aren't connected to what we think of as the 'global media' at all. As Global Voices founder Ethan Zuckerman points out in his TED Talk, "There are parts of the world that are very, very well connected, [but] the world isn't even close to flat. It's extremely lumpy."

Just as critically, the content that makes up the 'global media' is still heavily focused on a few key centers of power. In her TED Talk, Public Radio International's Alisa Miller shares a powerful map of the news consumed by American audiences in 2008: most of it focused on the U.S., and to a lesser extent, on countries with which the U.S. has military ties. Ethan Zuckerman points out that this lack of global coverage is pervasive, whether it's at elite news outlets like The New York Times or on crowdsourced digital information platforms like Wikipedia.

Moreover, Zuckerman argues, it's not just about the stories that get made — it's about what stories we choose to listen to. Thirty years ago, Benedict Anderson made waves when he argued that political structures (like states) depend upon a set of shared values, the 'imagined community,' and that the media plays a key role in creating those values. Zuckerman, however, argues that in today's world the disconnect between what we imagine to be our community, and the community we actually live in, is a major source of global media inequality. We connect to the Internet, with its technological capacity to link up the whole world, and imagine that we live in a global village. But in practice, we spend most of our time reading news shared by our Facebook friends, whose lives and interests are close to our own. Zuckerman calls this 'imagined cosmopolitanism.'

Compounding the problem, the stories we do attend to can be heavily distorted, reducing whole countries or societies to a single stereotype or image. As author Chimamanda Ngozi Adichie explains in her TED Talk about the 'single story,' when all the tales we hear about a country follow the same pattern, we begin to imagine that this pattern is all there is know. The 'single story' can affect all of us, rich and poor: Adichie talks of her own misconceptions about Nigeria's rural poor, of her surprise at encountering the diversity of life in Mexico, and of her college roommate's reductive vision of Africa as poor and underdeveloped. The difference, she argues, is that there are simply more stories out there about powerful countries than about less powerful ones, and that makes it harder for us to reduce those societies to 'single stories' in our minds.

What can we do?

First, we can tell different stories about the places that are prone to reduction. In her TED Talk, Yemeni newspaper editor Nadia Al-Sakkaf takes us to the Yemen she lives in — where terrorism and political upheaval are real problems, but far from the whole picture. Moreover, in her account, each image can tell many stories. A woman with a veiled face can represent the role of fundamentalist Islam in Yemeni society, but she argues that a look behind the veil shows us that many of these women are holding down jobs and earning income, and in so doing, changing their role within their own families and in Yemeni society more broadly.

Second, we can find ways to invest in journalism. As Alisa Miller argues, a major obstacle to a truly global news media is the cost of production, of keeping bureaus in every country and paying for journalists to produce deep, investigative stories. The great paradox of media economics in the digital age is that the Internet makes it possible for us to consume more content, but falling advertising revenues means that each piece of content must cost a little less to produce. That pushes news outlets, even wealthy ones, in the direction of gossip and regurgitated press releases that can be produced by a reporter who hasn't left her desk.

One way to break this cycle, Ethan Zuckerman argues, is to make small and targeted investments in local journalists in the developing world. He describes a blogger training program in Madagascar that became a newsroom overnight when world media outlets needed verified content from a country undergoing revolution. He highlights the critical work of professional curators like Amira Al Hussaini at Global Voices or Andy Carvin at the Associated Press.

At the heart of these recommendations is a shift in the way we understand the mission of journalists — or rather, a return to an old way of thinking about news.

Right up until the early 20th century, all journalists were assumed to be opinion writers. Reporters went places to report, made up their own minds about a topic, and wrote an account that included not only facts, but an argument for what position readers at home should take and what political actions might follow. George Orwell's colorful and opinionated essays from South East Asia, for example, were published as reportage.

Then the Cold War started, and in the democratic West, journalists began to strive for objective impartiality, to distinguish their work from the obvious, state-sponsored propaganda of the Soviet bloc. Many critics at the time questioned whether 'true' objectivity was possible, but no major western news organization disputed that it was the ideal.

Today, we're seeing a return to the older understanding of journalism, towards an acceptance that even independent reporting carries a viewpoint, shaped by the people who produce it. Moreover, contemporary journalists are increasingly coming to see this viewpoint as a strength rather than as a weakness, and using social media to be more transparent to readers about the values they bring to stories. New York University's Jay Rosen, for example, has argued powerfully that the 'view from nowhere' advocated by 20th century western reporters is dangerous because it can lead journalists to treat 'both sides' of a story equally even when one side is telling objective falsehoods or committing crimes.

Many of the speakers in Covering World News describe their journalism — whether it is Global Voices or the Yemen Times — as having an explicit moral and political mission to change our perceptions of under-covered regions of the world.

But no speaker is more passionate on this subject than TED speaker and photojournalist James Nachtwey, who credits the activist context of the 1960s for inspiring him to enter journalism, using photography to "channel anger" into a force for social change. Nachtwey's work has brought him, at times, into partnership with non-profit aid organizations, an alliance that is increasingly common in today's media world but would surely not have fit within the 'objective' media of a half-century ago. Nachtwey sees himself as a 'witness' whose place in the story is not to be invisible, but to channel his own humane outrage at war or social deprivation in order to drive social and political change: in one case, a story he produced prompted the creation of a non-profit organization to collect donations from readers.

This kind of work is a form of 'bridge building,' a theme that emerges in many of our talks. For while there may not be one 'global media' that includes all communities equally and reaches all parts of the globe, there are many individuals whose skills and backgrounds enable them to go between the connected and less connected pockets of the world, bridging gaps and contributing to mutual understanding. That, perhaps, is the way forward for international journalism.

Let's begin our study with Public Radio International CEO Alisa Miller, an ardent advocate for a global perspective in news programming. In her TEDTalk "The news about the news," Miller shares some eye-opening statistics about the quantity and quality of recent foreign reporting by American mainstream media organizations.

Alisa Miller

How the news distorts our worldview, relevant talks.

Chimamanda Ngozi Adichie

The danger of a single story.

Ethan Zuckerman

Listening to global voices.

James Nachtwey

My wish: let my photographs bear witness.

Nadia Al-Sakkaf

See yemen through my eyes.

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Associated Press Style

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Introduction

Associated Press style provides guidelines for news writing. Many newspapers, magazines and public relations offices across the United States use AP style. Although some publications such as the New York Times have developed their own style guidelines, a basic knowledge of AP style is considered essential to those who want to work in print journalism.

This Web page is intended to provide an introduction to AP style and a summary of some AP style rules; however, the Associated Press Stylebook includes more than 5,000 entries – far more than can be covered here. For a complete guide to AP style, writers should consult the most recent edition of the Associated Press Stylebook or visit the AP Stylebook website .

The content of newspapers and other mass media is typically the result of many different writers and editors working together. AP style provides consistent guidelines for such publications in terms of grammar, spelling, punctuation and language usage. Some guiding principles behind AP style are:

• Consistency

AP style also aims to avoid stereotypes and unintentionally offensive language.

Common Style Guidelines

The Associated Press Stylebook provides an A-Z guide to issues such as capitalization, abbreviation, punctuation, spelling, numerals and many other questions of language usage. What follows are summaries of some of the most common style rules.

Abbreviations and Acronyms

Some widely known abbreviations are required in certain situations, while others are acceptable but not required in some contexts. For example, Dr., Gov., Lt. Gov., Rep., the Rev. and Sen. are required before a person’s full name when they occur outside a direct quotation. Please note, that medical and political titles only need to be used on first reference when they appear outside of a direct quote. For courtesy titles, use these on second reference or when specifically requested. Other acronyms and abbreviations are acceptable but not required (i.e. FBI, CIA, GOP). The context should govern such decisions.

As a general rule, though, you should avoid what the Associated Press Stylebook calls “alphabet soup.” Consult the Associated Press Stylebook for specific cases.

For numbered addresses, always use figures. Abbreviate Ave., Blvd., and St. and directional cues when used with a numbered address. Always spell out other words such as alley, drive and road . If the street name or directional cue is used without a numbered address, it should be capitalized and spelled out. If a street name is a number, spell out First through Ninth and use figures for 10th and higher. Here are some examples of correctly formatted addresses: 101 N. Grant St., Northwestern Avenue, South Ninth Street, 102 S. 10th St., 605 Woodside Drive.

For ages, always use figures. If the age is used as an adjective or as a substitute for a noun, then it should be hyphenated. Don’t use apostrophes when describing an age range. Examples: A 21-year-old student. The student is 21 years old. The girl, 8, has a brother, 11. The contest is for 18-year-olds. He is in his 20s.

Books, Periodicals, Reference Works, and Other Types of Compositions

Use quotation marks around the titles of books, songs, television shows, computer games, poems, lectures, speeches and works of art. Examples: Author Porter Shreve read from his new book, “When the White House Was Ours.” They sang “The Star-Spangled Banner” before the game.

Do not use quotations around the names of magazine, newspapers, the Bible or books that are catalogues of reference materials. Examples: The Washington Post first reported the story. He reads the Bible every morning.

Do not underline or italicize any of the above.

Dates, Months, Years, Days of the Week

For dates and years, use figures. Do not use st, nd, rd, or th with dates, and use Arabic figures. Always capitalize months. Spell out the month unless it is used with a date. When used with a date, abbreviate only the following months: Jan., Feb., Aug., Sept., Oct., Nov. and Dec.

Commas are not necessary if only a year and month are given, but commas should be used to set off a year if the date, month and year are given. Use the letter s but not an apostrophe after the figures when expressing decades or centuries. Do, however, use an apostrophe before figures expressing a decade if numerals are left out. Examples: Classes begin Aug. 25. Purdue University was founded May 6, 1869. The semester begins in January. The 1800s. The ’90s.

If you refer to an event that occurred the day prior to when the article will appear, do not use the word yesterday. Instead, use the day of the week. Capitalize days of the week, but do not abbreviate. If an event occurs more than seven days before or after the current date, use the month and a figure.

Newspapers use datelines when the information for a story is obtained outside the paper’s hometown or general area of service. Datelines appear at the beginning of stories and include the name of the city in all capital letters, usually followed the state or territory in which the city is located. The Associated Press Stylebook lists 30 U.S. cities that do not need to be followed by the name of a state. See states and cities below. Examples:

• DENVER – The Democratic National Convention began...
• ST. PAUL, Minn. – The Republican National Convention began...
• YOUNGSTOWN, Ohio – President Bush spoke to a group...

When writing about height, weight or other dimensions, use figures and spell out words such as feet, miles, etc. Examples: She is 5-foot-3. He wrote with a 2-inch pencil.

Use figures for any distances over 10. For any distances below 10, spell out the distance. Examples: My flight covered 1,113 miles. The airport runway is three miles long.

Always use a person’s first and last name the first time they are mentioned in a story. Only use last names on second reference. Do not use courtesy titles such as Mr., Mrs., Miss or Ms. unless they are part of a direct quotation or are needed to differentiate between people who have the same last name.

Never begin a sentence with a figure, except for sentences that begin with a year. Examples: Two hundred freshmen attended. Five actors took the stage. 1776 was an important year.

Use roman numerals to describe wars and to show sequences for people. Examples: World War II, Pope John Paul II, Elizabeth II.

For ordinal numbers, spell out first through ninth and use figures for 10th and above when describing order in time or location. Examples: second base, 10th in a row. Some ordinal numbers, such as those indicating political or geographic order, should use figures in all cases. Examples: 3rd District Court, 9th ward.

For cardinal numbers, consult individual entries in the Associated Press Stylebook. If no usage is specified, spell out numbers below 10 and use figures for numbers 10 and above. Example: The man had five children and 11 grandchildren.

When referring to money, use numerals. For cents or amounts of $1 million or more, spell the words cents, million, billion, trillion etc. Examples: $26.52, $100,200, $8 million, 6 cents.

Punctuation

Use a single space after a period.

Do not use commas before a conjunction in a simple series. Example: In art class, they learned that red, yellow and blue are primary colors. His brothers are Tom, Joe, Frank and Pete. However, a comma should be used before the terminal conjunction in a complex series, if part of that series also contains a conjunction. Example: Purdue University's English Department offers doctoral majors in Literature, Second Language Studies, English Language and Linguistics, and Rhetoric and Composition.

Commas and periods go within quotation marks. Example: “I did nothing wrong,” he said. She said, “Let’s go to the Purdue game.”

States and Cities

When the name of a state name appears in the body of a text, spell it out. State abbreviations should also be avoided in headlines where possible. States should be abbreviated when used as part of a short-form political affiliation. Examples: He was travelling to Nashville, Tenn. The peace accord was signed in Dayton, Ohio. The storm began in Indiana and moved west toward Peoria, Ill. Updated guidance to AP style notes that state names can also be abbreviated for the following purposes:

• Naming states in dateline text
• Naming states in photo captions
• Naming states in lists or tables
• Naming states in in editor's notes and credit lines

Here is how each state is abbreviated in AP style (with the postal code abbreviations in parentheses):

You will notice that eight states are missing from this list. That is because Alaska, Hawaii, Idaho, Iowa, Maine, Ohio, Texas and Utah are never abbreviated.

AP style does not require the name of a state to accompany the names of the following 30 cities:

The exact time when an event has occurred or will occur is unnecessary for most stories. Of course, there are occasions when the time of day is important. In such cases, use figures, but spell out noon and midnight . Use a colon to separate hours from minutes, but do not use :00 . Examples: 1 p.m., 3:30 a.m.

Generally, capitalize formal titles when they appear before a person’s name, but lowercase titles if they are informal, appear without a person’s name, follow a person’s name or are set off before a name by commas. Also, lowercase adjectives that designate the status of a title. If a title is long, place it after the person’s name, or set it off with commas before the person’s name. Examples: President Bush; President-elect Obama; Sen. Harry Reid; Evan Bayh, a senator from Indiana; the senior senator from Indiana, Dick Lugar; former President George H.W. Bush; Paul Schneider, deputy secretary of homeland security.

Technological Terms

Here are the correct spelling and capitalization rules for some common technological terms:

• BlackBerry, BlackBerrys
• eBay Inc. (use EBay Inc. when the word begins a sentence)
• e-book reader
• Google, Googling, Googled
• IM ( IMed, IMing ; for first reference, use instant messenger )
• iPad, iPhone, iPod (use IPad, IPhone, or IPod when the word begins a sentence)
• social media
• Twitter, tweet, tweeted, retweet
• World Wide Web, website (see the AP's tweet about the change) , Web page

• About The Journalist’s Resource
• Follow us on Facebook
• Follow us on Twitter
• Criminal Justice
• Environment
• Politics & Government
• Race & Gender

Expert Commentary

The journalistic method: Five principles for blending analysis and narrative

Columbia Journalism School's Nicholas Lemann explains a series of rules that can help journalists successfully integrate research and reporting.

Republish this article

This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License .

by The Journalist's Resource, The Journalist's Resource April 8, 2016

The intersection of knowledge and narrative, of informed journalism, is the heart of what the Journalist’s Resource project continues to explore. In the short essay below, Nicholas Lemann, a professor and dean emeritus at the Columbia Journalism School and a longtime staff writer for The New Yorker , articulates a method for journalism that integrates knowledge while preserving the art of storytelling. We reprint it here with his permission:

A central problem in the practice of journalism is that most of the time, we are trying to engage in narrative and analysis at the same time. They don’t naturally go together. Journalists more often unwittingly let the narrative distort the analysis than vice versa. What follows is an attempt at a journalistic version of the scientific method, aimed at protecting us from writing stories that are factually accurate and narratively compelling, but still fail to capture the truth of a situation.

• Awareness. On any complicated subject, beware, when you set out, of overly simple conceptions of what ‘the story’ is. Often these involve your having unwittingly accepted somebody else’s frame of reference, or having been primed to see the story in a certain way, or having mistaken correlation for causation, or having succumbed to some other form of embedded misperception. As a first step, you should always stop and ask yourself what you have bought into before you have begun.
• Forming a hypothesis. It’s healthier to admit to yourself that you have one than to go into a story with the idea that you have no presuppositions at all – that would be impossible. You should state a working hypothesis (to yourself, anyway), and then ask yourself what would prove the hypothesis false and what would be an alternate hypothesis to explain whatever it is you are investigating. As you report, you should try not just to prove but also to disprove your working hypothesis, and you should engage in a continuing process of revision of the hypothesis, if necessary. If you don’t design your reporting in such a way that if your hypothesis is flawed, you will find that out before you finish the story, then you are leaving yourself open to getting the story seriously wrong.
• Mapping the discourse. On any important issue, there is likely to be a long-running debate with a set of established compass points. Therefore the idea that you can find ‘an expert’ who can explain the issue quickly over the phone is unrealistic, and so, probably, is the idea that you can find two experts, one on each side, who between them can do justice to the subject. Instead, you should familiarize yourself with the expert discourse on the subject. You don’t need to read everything, but you need to know what the major schools of thought are, and where the debate stands at present, and you should be able to read the primary material for yourself as a way of enriching what other people tell you about it.
• Evaluating the data. Never accept a conclusion from an expert at face value. Instead, you should follow the steps that led to the conclusion, and you should make some judgment as to whether the methodology and presentation are sound. You should also find out whether somebody else has drawn a different conclusion about the same subject.
• Transparency. Journalism is not scholarship and does not generally use bibliographies or footnotes, but you should use attribution in your work in such a way that readers and colleagues can see, to the greatest extent possible, where your information came from and how you have reached your conclusions. Therefore, the use of anonymous sources should be kept to a minimum – you should always try to avoid saying something important with only the testimony of an unnamed person as proof. Even your journalistic competitors should be able to tell, from your work, how to pursue your story further.

Nicholas Lemann is the Joseph Pulitzer II and Edith Pulitzer Moore Professor of Journalism and Dean Emeritus at the Columbia University Graduate School of Journalism. 

Keywords: reporting, style, writing

About The Author

The Journalist's Resource

Free Journalism Essay Examples & Topics

A journalism essay is a type of paper that combines personal records and reports. Besides news and facts, it should contain a story. An angle that creates a unique narrative of the events you are describing is crucial. However, let’s start with the definition.

No matter how often people hear about journalism, they still might get confused about what it is. It is an act of informative writing about news stories. It can be digital and non-digital, print and non-print. Journalists strive to present information in an interesting way while staying true to the source.

If you have seen journalistic article examples, you know there are two types. News can cover “hard stories”, meaning world events and politics, and “softer stories” about celebrities, science, etc. Journalism as a profession is multidimensional in nature. It can include texts, photography, interviews, and more. Content varies between different categories, such as literary reportage and yellow journalism.

Here, our experts have combined tips about how to write a good journalistic essay. We gathered information that will be useful for starting research and completing it. Moreover, you will find journalism topic ideas. You can use them for inspiration or to practice. Finally, underneath the article you will discover some stellar journalistic essay examples written by other students.

How to Write a Journalistic Essay

In this section, you’ll find tips that can help you start writing. However, nothing is more vital than choosing an appropriate journalism essay topic beforehand.

Before picking the subject, ask yourself several questions:

• What themes do I want to explore?
• What will my story be about?
• What points do I want to make?
• What is my attitude towards the topic?

Answering these questions can allow you to improve your storytelling. What’s more, look for one that can allow you to write intimately. Personal touches and views will influence your paper immensely. With all that in mind, try our free topic generator to get more ideas.

To write an outstanding journalistic essay, you should try these tips:

• Gather facts and references first.

Collect all the information you may need for your paper. For a story in journalism, you may be required to interview people or visit a location. Most importantly, you’ll have to research online. Also, you can read stories written by other people on the Internet to gain a better perspective.

• Organize your ideas and arguments before writing.

A good story is always organized. The structure of a journalistic should represent an inverted pyramid. The most crucial facts appear on the top, less important details go further, and extra information stays on the bottom. You can reflect in your writing. Organize all your arguments before writing, sticking to a logical structure.

• Rely on storytelling.

The story should become the main focus of your work. The writing should serve it and grab the reader’s attention from the start. Think about storytelling techniques that can keep your reader interested till the very end.

• Work on your style and language.

Another essential technique to keep your work both logical and engaging is to write in short sentences. If you search for any journalistic writing examples, you’ll see that’s how journalists write. The main goal of your paper is to deliver a clear and strong message. So, working on your style is going to help you further this agenda.

21 Journalism Essay Topics

There are so many journalism topics you can write about, and it can sometimes be challenging to stick to one. If you are still unsure what to describe and explore in your paper, this section can help you make this choice.

Here are some original journalism topic ideas:

• The way race impacts the news in different states in the US.
• Super Bowl as a phenomenon is more important than the game.
• Why people refuse to believe in climate change.
• How have sports changed international politics?
• Is creative writing in high school an essential subject?
• How vital is transparency in broadcast journalism?
• Is media responsible for the Covid-19 crisis in the US?
• Journalism as a profession can help change the world.
• A privacy issue between British journalism and the royal family.
• Are social media and blogging the future of journalism?
• The role of religion and race in Hollywood.
• Why has the Chinese economy risen so much over the past decade?
• How can media help in battling poverty in developing countries?
• Can music be used as political propaganda?
• Connections between social media and depression.
• Should mobile phones be allowed in educational institutions?
• Has the Internet impacted the way how newspapers and articles are written?
• Should fake news be banned on social media?
• What are the biggest challenges of investigative journalism?
• Can reality television be viewed as a type of journalism?
• How can athletes impact social awareness?

Thank you for reading the article! We hope you will find it helpful. Do not hesitate to share this article or a list of journalism essay examples with others. Good luck with your assignment!

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