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27 Creative Writing Examples To Spark Your Imagination

With all the types of creative writing to choose from, it’s hard enough to focus on just one or two of your favorites.

When it comes to writing your own examples, don’t be hard on yourself if you hit a wall.

We’ve all done it.

Sometimes, all you need is a generous supply of well-crafted and inspirational creative writing examples.

Good thing you’re here!

For starters, let’s get clear on what creative writing is.

What Is Creative Writing?

How to start creative writing , 1. novels and novellas, 2. short stories and flash fiction, 3. twitter stories (140 char), 4. poetry or songs/lyrics, 5. scripts for plays, tv shows, and movies, 6. memoirs / autobiographical narratives, 7. speeches, 9. journalism / newspaper articles, 11. last wills and obituaries, 12. dating profiles and wanted ads, 13. greeting cards.

Knowing how to be a creative writer is impossible if you don’t know the purpose of creative writing and all the types of writing included.

As you’ll see from the categories listed further on, the words “creative writing” contain multitudes:

Novels, novellas, short stories, flash fiction, microfiction, and even nanofiction;
Poetry (traditional and free verse);
Screenplays (for theatrical stage performances, TV shows, and movies)
Blog posts and feature articles in newspapers and magazines
Memoirs and Testimonials
Speeches and Essays
And more—including dating profiles, obituaries, and letters to the editor.

Read on to find some helpful examples of many of these types. Make a note of the ones that interest you most.

Once you have some idea of what you want to write, how do you get started?

Allow us to suggest some ideas that have worked for many of our readers and us:

Keep a daily journal to record and play with your ideas as they come;
Set aside a specific chunk of time every day (even 5 minutes) just for writing;
Use a timer to help you stick to your daily writing habit ;
You can also set word count goals, if you find that more motivating than time limits;
Read as much as you can of the kind of content you want to write;
Publish your work (on a blog), and get feedback from others.

Now that you’ve got some ideas on how to begin let’s move on to our list of examples.

Creative Writing Examples

Read through the following examples to get ideas for your own writing. Make a note of anything that stands out for you.

Inspiring novel-writing examples can come from the first paragraph of a well-loved novel (or novella), from the description on the back cover, or from anywhere in the story.

From Circe by Madeline Miller

““Little by little I began to listen better: to the sap moving in the plants, to the blood in my veins. I learned to understand my own intention, to prune and to add, to feel where the power gathered and speak the right words to draw it to its height. That was the moment I lived for, when it all came clear at last and the spell could sing with its pure note, for me and me alone.”

From The Left Hand of Darkness by Ursula K. Le Guin:

“‘I’ll make my report as if I told a story, for I was taught as a child on my homeworld that Truth is a matter of the imagination…. ”

The shorter your story, the more vital it is for each word to earn its place. Each sentence or phrase should be be necessary to your story’s message and impact.

From “A Consumer’s Guide to Shopping with PTSD” by Katherine Robb

“‘“Do you know what she said to me at the condo meeting?” I say to the salesman. She said, “Listen, the political climate is so terrible right now I think we all have PTSD. You’re just the only one making such a big deal about it.”

“The salesman nods his jowly face and says, “That Brenda sounds like a real b***h.”’

From Interpreter of Maladies by Jhumpa Lahiri (collection of short stories)

“Something happened when the house was dark. They were able to talk to each other again.” (From ‘A Temporary Matter’)

Use the hashtag #VSS to find a generous sampling of short Twitter stories in 140 or fewer characters. Here are a few examples to get you started:

From Chris Stocks on January 3rd, 2022 :

“With the invention of efficient 3D-printable #solar panels & cheap storage batteries, the world was finally able to enjoy the benefits of limitless cheap green energy. Except in the UK. We’re still awaiting the invention of a device to harness the power of light drizzle.” #vss365 (Keyword: solar)

From TinyTalesbyRedsaid1 on January 2nd, 2022 :

“A solar lamp would safely light our shack. But Mom says it’ll lure thieves. I squint at my homework by candlelight, longing for electricity.” #vss #vss365 #solar

If you’re looking for poetry or song-writing inspiration, you’ll find plenty of free examples online—including the two listed here:

From “I’m Nobody! Who are you?” by Emily Dickinson

“I’m Nobody! Who are you?

Are you – Nobody – too?

Then there’s a pair of us!

Don’t tell! they’d advertise – you know!

“How dreary – to be – Somebody!

How public – like a Frog –

To tell one’s name – the livelong June –

To an admiring Bog!

From “Enemy” by Imagine Dragons

“I wake up to the sounds

Of the silence that allows

For my mind to run around

With my ear up to the ground

I’m searching to behold

The stories that are told

When my back is to the world

That was smiling when I turned

Tell you you’re the greatest

But once you turn they hate us….”

If you enjoy writing dialogue and setting a scene, check out the following excerpts from two very different screenplays. Then jot down some notes for a screenplay (or scene) of your own.

From Mean Girls by Tina Fey (Based on the book, Queen Bees and Wannabes” by Rosalind Wiseman

“Karen: ‘So, if you’re from Africa, why are you white?’

“Gretchen: ‘Oh my god, Karen! You can’t just ask people why they’re white!’

“Regina: ‘Cady, could you give us some privacy for, like, one second?’

“Cady: ‘Sure.’

Cady makes eye contact with Janis and Damien as the Plastics confer.

“Regina (breaking huddle): ‘Okay, let me just say that we don’t do this a lot, so you should know that this is, like, a huge deal.’

“Gretchen: ‘We want to invite you to have lunch with us every day for the rest of the week.’

“Cady: ‘Oh, okay…’

“Gretchen: Great. So, we’ll see you tomorrow.’

“Karen: ‘On Tuesdays, we wear pink.’”

#10: From The Matrix by Larry and Andy Wachowski

“NEO: ‘That was you on my computer?’

“NEO: ‘How did you do that?’

“TRINITY: ‘Right now, all I can tell you, is that you are in danger. I brought you here to warn you.’

“NEO: ‘Of what?’

“TRINITY: ‘They’re watching you, Neo.’

“NEO: ‘Who is?’

“TRINITY: ‘Please. Just listen. I know why you’re here, Neo. I know what you’ve been doing. I know why you hardly sleep, why you live alone and why, night after night, you sit at your computer. You’re looking for him.’

“Her body is against his; her lips very close to his ear.

“TRINITY: ‘I know because I was once looking for the same thing, but when he found me he told me I wasn’t really looking for him. I was looking for an answer.’

“There is a hypnotic quality to her voice and Neo feels the words, like a drug, seeping into him.

“TRINITY: ‘It’s the question that drives us, the question that brought you here. You know the question just as I did.’

“NEO: ‘What is the Matrix?’

Sharing stories from your life can be both cathartic for you and inspiring or instructive (or at least entertaining) for your readers.

From The Year of Magical Thinking by Joan Didion

“It was in fact the ordinary nature of everything preceding the event that prevented me from truly believing it had happened, absorbing it, incorporating it, getting past it. I recognize now that there was nothing unusual in this: confronted with sudden disaster, we all focus on how unremarkable the circumstances were in which the unthinkable occurred: the clear blue sky from which the plane fell, the routine errand that ended on the shoulder with the car in flames, the swings where the children were playing as usual when the rattlesnake struck from the ivy. ‘He was on his way home from work—happy, successful, healthy—and then, gone,’ I read in the account of the psychiatric nurse whose husband was killed in a highway accident… ”

From Angela’s Ashes by Frank McCourt:

“When I look back on my childhood I wonder how I managed to survive at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.”

From Call the Midwife: A True Story of the East End in the 1950s by Jennifer Worth:

“Nonnatus House was situated in the heart of the London Docklands… The area was densely-populated and most families had lived there for generations, often not moving more than a street or two away from their birthplace. Family life was lived at close-quarters and children were brought up by a widely-extended family of aunts, grandparents, cousins, and older siblings.

The purpose of most speeches is to inform, inspire, or persuade. Think of the last time you gave a speech of your own. How did you hook your listeners?

From “Is Technology Making Us Smarter or Dumber?” by Rob Clowes (Persuasive)

“It is possible to imagine that human nature, the human intellect, emotions and feelings are completely independent of our technologies; that we are essentially ahistorical beings with one constant human nature that has remained the same throughout history or even pre-history? Sometimes evolutionary psychologists—those who believe human nature was fixed on the Pleistocene Savannah—talk this way. I think this is demonstrably wrong…. “

From “Make Good Art” by Neil Gaiman (Keynote Address for the University of Fine Arts, 2012):

“…First of all: When you start out on a career in the arts you have no idea what you are doing.”

“This is great. People who know what they are doing know the rules, and know what is possible and impossible. You do not. And you should not. The rules on what is possible and impossible in the arts were made by people who had not tested the bounds of the possible by going beyond them. And you can.”

“If you don’t know it’s impossible it’s easier to do. And because nobody’s done it before, they haven’t made up rules to stop anyone doing that again, yet.”

10 Types of Creative Writing (with Examples You’ll Love)

A lot falls under the term ‘creative writing’: poetry, short fiction, plays, novels, personal essays, and songs, to name just a few. By virtue of the creativity that characterizes it, creative writing is an extremely versatile art. So instead of defining what creative writing is , it may be easier to understand what it does by looking at examples that demonstrate the sheer range of styles and genres under its vast umbrella.

To that end, we’ve collected a non-exhaustive list of works across multiple formats that have inspired the writers here at Reedsy. With 20 different works to explore, we hope they will inspire you, too.

People have been writing creatively for almost as long as we have been able to hold pens. Just think of long-form epic poems like The Odyssey or, later, the Cantar de Mio Cid — some of the earliest recorded writings of their kind.

Poetry is also a great place to start if you want to dip your own pen into the inkwell of creative writing. It can be as short or long as you want (you don’t have to write an epic of Homeric proportions), encourages you to build your observation skills, and often speaks from a single point of view .

Here are a few examples:

“Ozymandias” by Percy Bysshe Shelley

Nothing beside remains. Round the decay Of that colossal Wreck, boundless and bare The lone and level sands stretch far away.

The ruins of pillars and walls with the broken statue of a man in the center set against a bright blue sky.

This classic poem by Romantic poet Percy Shelley (also known as Mary Shelley’s husband) is all about legacy. What do we leave behind? How will we be remembered? The great king Ozymandias built himself a massive statue, proclaiming his might, but the irony is that his statue doesn’t survive the ravages of time. By framing this poem as told to him by a “traveller from an antique land,” Shelley effectively turns this into a story. Along with the careful use of juxtaposition to create irony, this poem accomplishes a lot in just a few lines.

“Trying to Raise the Dead” by Dorianne Laux

A direction. An object. My love, it needs a place to rest. Say anything. I’m listening. I’m ready to believe. Even lies, I don’t care.

Poetry is cherished for its ability to evoke strong emotions from the reader using very few words which is exactly what Dorianne Laux does in “ Trying to Raise the Dead .” With vivid imagery that underscores the painful yearning of the narrator, she transports us to a private nighttime scene as the narrator sneaks away from a party to pray to someone they’ve lost. We ache for their loss and how badly they want their lost loved one to acknowledge them in some way. It’s truly a masterclass on how writing can be used to portray emotions.

If you find yourself inspired to try out some poetry — and maybe even get it published — check out these poetry layouts that can elevate your verse!

Song Lyrics

Poetry’s closely related cousin, song lyrics are another great way to flex your creative writing muscles. You not only have to find the perfect rhyme scheme but also match it to the rhythm of the music. This can be a great challenge for an experienced poet or the musically inclined.

To see how music can add something extra to your poetry, check out these two examples:

“Hallelujah” by Leonard Cohen

You say I took the name in vain I don't even know the name But if I did, well, really, what's it to ya? There's a blaze of light in every word It doesn't matter which you heard The holy or the broken Hallelujah

Metaphors are commonplace in almost every kind of creative writing, but will often take center stage in shorter works like poetry and songs. At the slightest mention, they invite the listener to bring their emotional or cultural experience to the piece, allowing the writer to express more with fewer words while also giving it a deeper meaning. If a whole song is couched in metaphor, you might even be able to find multiple meanings to it, like in Leonard Cohen’s “ Hallelujah .” While Cohen’s Biblical references create a song that, on the surface, seems like it’s about a struggle with religion, the ambiguity of the lyrics has allowed it to be seen as a song about a complicated romantic relationship.

“I Will Follow You into the Dark” by Death Cab for Cutie

If Heaven and Hell decide that they both are satisfied Illuminate the no's on their vacancy signs If there's no one beside you when your soul embarks Then I'll follow you into the dark

You can think of song lyrics as poetry set to music. They manage to do many of the same things their literary counterparts do — including tugging on your heartstrings. Death Cab for Cutie’s incredibly popular indie rock ballad is about the singer’s deep devotion to his lover. While some might find the song a bit too dark and macabre, its melancholy tune and poignant lyrics remind us that love can endure beyond death.

Plays and Screenplays

From the short form of poetry, we move into the world of drama — also known as the play. This form is as old as the poem, stretching back to the works of ancient Greek playwrights like Sophocles, who adapted the myths of their day into dramatic form. The stage play (and the more modern screenplay) gives the words on the page a literal human voice, bringing life to a story and its characters entirely through dialogue.

Interested to see what that looks like? Take a look at these examples:

All My Sons by Arthur Miller

“I know you're no worse than most men but I thought you were better. I never saw you as a man. I saw you as my father.”

Arthur Miller acts as a bridge between the classic and the new, creating 20th century tragedies that take place in living rooms and backyard instead of royal courts, so we had to include his breakout hit on this list. Set in the backyard of an all-American family in the summer of 1946, this tragedy manages to communicate family tensions in an unimaginable scale, building up to an intense climax reminiscent of classical drama.

💡 Read more about Arthur Miller and classical influences in our breakdown of Freytag’s pyramid .

“Everything is Fine” by Michael Schur ( The Good Place )

“Well, then this system sucks. What...one in a million gets to live in paradise and everyone else is tortured for eternity? Come on! I mean, I wasn't freaking Gandhi, but I was okay. I was a medium person. I should get to spend eternity in a medium place! Like Cincinnati. Everyone who wasn't perfect but wasn't terrible should get to spend eternity in Cincinnati.”

A screenplay, especially a TV pilot, is like a mini-play, but with the extra job of convincing an audience that they want to watch a hundred more episodes of the show. Blending moral philosophy with comedy, The Good Place is a fun hang-out show set in the afterlife that asks some big questions about what it means to be good.

It follows Eleanor Shellstrop, an incredibly imperfect woman from Arizona who wakes up in ‘The Good Place’ and realizes that there’s been a cosmic mixup. Determined not to lose her place in paradise, she recruits her “soulmate,” a former ethics professor, to teach her philosophy with the hope that she can learn to be a good person and keep up her charade of being an upstanding citizen. The pilot does a superb job of setting up the stakes, the story, and the characters, while smuggling in deep philosophical ideas.

Personal essays

Our first foray into nonfiction on this list is the personal essay. As its name suggests, these stories are in some way autobiographical — concerned with the author’s life and experiences. But don’t be fooled by the realistic component. These essays can take any shape or form, from comics to diary entries to recipes and anything else you can imagine. Typically zeroing in on a single issue, they allow you to explore your life and prove that the personal can be universal.

Here are a couple of fantastic examples:

“On Selling Your First Novel After 11 Years” by Min Jin Lee (Literary Hub)

There was so much to learn and practice, but I began to see the prose in verse and the verse in prose. Patterns surfaced in poems, stories, and plays. There was music in sentences and paragraphs. I could hear the silences in a sentence. All this schooling was like getting x-ray vision and animal-like hearing.

This deeply honest personal essay by Pachinko author Min Jin Lee is an account of her eleven-year struggle to publish her first novel . Like all good writing, it is intensely focused on personal emotional details. While grounded in the specifics of the author's personal journey, it embodies an experience that is absolutely universal: that of difficulty and adversity met by eventual success.

“A Cyclist on the English Landscape” by Roff Smith (New York Times)

These images, though, aren’t meant to be about me. They’re meant to represent a cyclist on the landscape, anybody — you, perhaps.

Roff Smith’s gorgeous photo essay for the NYT is a testament to the power of creatively combining visuals with text. Here, photographs of Smith atop a bike are far from simply ornamental. They’re integral to the ruminative mood of the essay, as essential as the writing. Though Smith places his work at the crosscurrents of various aesthetic influences (such as the painter Edward Hopper), what stands out the most in this taciturn, thoughtful piece of writing is his use of the second person to address the reader directly. Suddenly, the writer steps out of the body of the essay and makes eye contact with the reader. The reader is now part of the story as a second character, finally entering the picture.

Short Fiction

The short story is the happy medium of fiction writing. These bite-sized narratives can be devoured in a single sitting and still leave you reeling. Sometimes viewed as a stepping stone to novel writing, that couldn’t be further from the truth. Short story writing is an art all its own. The limited length means every word counts and there’s no better way to see that than with these two examples:

“An MFA Story” by Paul Dalla Rosa (Electric Literature)

At Starbucks, I remembered a reading Zhen had given, a reading organized by the program’s faculty. I had not wanted to go but did. In the bar, he read, "I wrote this in a Starbucks in Shanghai. On the bank of the Huangpu." It wasn’t an aside or introduction. It was two lines of the poem. I was in a Starbucks and I wasn’t writing any poems. I wasn’t writing anything.

Creative Writing Examples | Photograph of New York City street.

This short story is a delightfully metafictional tale about the struggles of being a writer in New York. From paying the bills to facing criticism in a writing workshop and envying more productive writers, Paul Dalla Rosa’s story is a clever satire of the tribulations involved in the writing profession, and all the contradictions embodied by systemic creativity (as famously laid out in Mark McGurl’s The Program Era ). What’s more, this story is an excellent example of something that often happens in creative writing: a writer casting light on the private thoughts or moments of doubt we don’t admit to or openly talk about.

“Flowering Walrus” by Scott Skinner (Reedsy)

I tell him they’d been there a month at least, and he looks concerned. He has my tongue on a tissue paper and is gripping its sides with his pointer and thumb. My tongue has never spent much time outside of my mouth, and I imagine it as a walrus basking in the rays of the dental light. My walrus is not well.

A winner of Reedsy’s weekly Prompts writing contest, ‘ Flowering Walrus ’ is a story that balances the trivial and the serious well. In the pauses between its excellent, natural dialogue , the story manages to scatter the fear and sadness of bad medical news, as the protagonist hides his worries from his wife and daughter. Rich in subtext, these silences grow and resonate with the readers.

Want to give short story writing a go? Give our free course a go!

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How to Craft a Killer Short Story

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Perhaps the thing that first comes to mind when talking about creative writing, novels are a form of fiction that many people know and love but writers sometimes find intimidating. The good news is that novels are nothing but one word put after another, like any other piece of writing, but expanded and put into a flowing narrative. Piece of cake, right?

To get an idea of the format’s breadth of scope, take a look at these two (very different) satirical novels:

Convenience Store Woman by Sayaka Murata

I wished I was back in the convenience store where I was valued as a working member of staff and things weren’t as complicated as this. Once we donned our uniforms, we were all equals regardless of gender, age, or nationality — all simply store workers.

Creative Writing Examples | Book cover of Convenience Store Woman

Keiko, a thirty-six-year-old convenience store employee, finds comfort and happiness in the strict, uneventful routine of the shop’s daily operations. A funny, satirical, but simultaneously unnerving examination of the social structures we take for granted, Sayaka Murata’s Convenience Store Woman is deeply original and lingers with the reader long after they’ve put it down.

Erasure by Percival Everett

The hard, gritty truth of the matter is that I hardly ever think about race. Those times when I did think about it a lot I did so because of my guilt for not thinking about it.

Erasure is a truly accomplished satire of the publishing industry’s tendency to essentialize African American authors and their writing. Everett’s protagonist is a writer whose work doesn’t fit with what publishers expect from him — work that describes the “African American experience” — so he writes a parody novel about life in the ghetto. The publishers go crazy for it and, to the protagonist’s horror, it becomes the next big thing. This sophisticated novel is both ironic and tender, leaving its readers with much food for thought.

Creative Nonfiction

Creative nonfiction is pretty broad: it applies to anything that does not claim to be fictional (although the rise of autofiction has definitely blurred the boundaries between fiction and nonfiction). It encompasses everything from personal essays and memoirs to humor writing, and they range in length from blog posts to full-length books. The defining characteristic of this massive genre is that it takes the world or the author’s experience and turns it into a narrative that a reader can follow along with.

Here, we want to focus on novel-length works that dig deep into their respective topics. While very different, these two examples truly show the breadth and depth of possibility of creative nonfiction:

Men We Reaped by Jesmyn Ward

Men’s bodies litter my family history. The pain of the women they left behind pulls them from the beyond, makes them appear as ghosts. In death, they transcend the circumstances of this place that I love and hate all at once and become supernatural.

Writer Jesmyn Ward recounts the deaths of five men from her rural Mississippi community in as many years. In her award-winning memoir , she delves into the lives of the friends and family she lost and tries to find some sense among the tragedy. Working backwards across five years, she questions why this had to happen over and over again, and slowly unveils the long history of racism and poverty that rules rural Black communities. Moving and emotionally raw, Men We Reaped is an indictment of a cruel system and the story of a woman's grief and rage as she tries to navigate it.

Cork Dork by Bianca Bosker

He believed that wine could reshape someone’s life. That’s why he preferred buying bottles to splurging on sweaters. Sweaters were things. Bottles of wine, said Morgan, “are ways that my humanity will be changed.”

In this work of immersive journalism , Bianca Bosker leaves behind her life as a tech journalist to explore the world of wine. Becoming a “cork dork” takes her everywhere from New York’s most refined restaurants to science labs while she learns what it takes to be a sommelier and a true wine obsessive. This funny and entertaining trip through the past and present of wine-making and tasting is sure to leave you better informed and wishing you, too, could leave your life behind for one devoted to wine.

Illustrated Narratives (Comics, graphic novels)

Once relegated to the “funny pages”, the past forty years of comics history have proven it to be a serious medium. Comics have transformed from the early days of Jack Kirby’s superheroes into a medium where almost every genre is represented. Humorous one-shots in the Sunday papers stand alongside illustrated memoirs, horror, fantasy, and just about anything else you can imagine. This type of visual storytelling lets the writer and artist get creative with perspective, tone, and so much more. For two very different, though equally entertaining, examples, check these out:

Calvin & Hobbes by Bill Watterson

"Life is like topography, Hobbes. There are summits of happiness and success, flat stretches of boring routine and valleys of frustration and failure."

A Calvin and Hobbes comic strip. A little blond boy Calvin makes multiple silly faces in school photos. In the last panel, his father says, "That's our son. *Sigh*" His mother then says, "The pictures will remind of more than we want to remember."

This beloved comic strip follows Calvin, a rambunctious six-year-old boy, and his stuffed tiger/imaginary friend, Hobbes. They get into all kinds of hijinks at school and at home, and muse on the world in the way only a six-year-old and an anthropomorphic tiger can. As laugh-out-loud funny as it is, Calvin & Hobbes ’ popularity persists as much for its whimsy as its use of humor to comment on life, childhood, adulthood, and everything in between.

From Hell by Alan Moore and Eddie Campbell

"I shall tell you where we are. We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell."

Comics aren't just the realm of superheroes and one-joke strips, as Alan Moore proves in this serialized graphic novel released between 1989 and 1998. A meticulously researched alternative history of Victorian London’s Ripper killings, this macabre story pulls no punches. Fact and fiction blend into a world where the Royal Family is involved in a dark conspiracy and Freemasons lurk on the sidelines. It’s a surreal mad-cap adventure that’s unsettling in the best way possible.

Video Games and RPGs

Probably the least expected entry on this list, we thought that video games and RPGs also deserved a mention — and some well-earned recognition for the intricate storytelling that goes into creating them.

Essentially gamified adventure stories, without attention to plot, characters, and a narrative arc, these games would lose a lot of their charm, so let’s look at two examples where the creative writing really shines through:

80 Days by inkle studios

"It was a triumph of invention over nature, and will almost certainly disappear into the dust once more in the next fifty years."

Named Time Magazine ’s game of the year in 2014, this narrative adventure is based on Around the World in 80 Days by Jules Verne. The player is cast as the novel’s narrator, Passpartout, and tasked with circumnavigating the globe in service of their employer, Phileas Fogg. Set in an alternate steampunk Victorian era, the game uses its globe-trotting to comment on the colonialist fantasies inherent in the original novel and its time period. On a storytelling level, the choose-your-own-adventure style means no two players’ journeys will be the same. This innovative approach to a classic novel shows the potential of video games as a storytelling medium, truly making the player part of the story.

What Remains of Edith Finch by Giant Sparrow

"If we lived forever, maybe we'd have time to understand things. But as it is, I think the best we can do is try to open our eyes, and appreciate how strange and brief all of this is."

This video game casts the player as 17-year-old Edith Finch. Returning to her family’s home on an island in the Pacific northwest, Edith explores the vast house and tries to figure out why she’s the only one of her family left alive. The story of each family member is revealed as you make your way through the house, slowly unpacking the tragic fate of the Finches. Eerie and immersive, this first-person exploration game uses the medium to tell a series of truly unique tales.

Fun and breezy on the surface, humor is often recognized as one of the trickiest forms of creative writing. After all, while you can see the artistic value in a piece of prose that you don’t necessarily enjoy, if a joke isn’t funny, you could say that it’s objectively failed.

With that said, it’s far from an impossible task, and many have succeeded in bringing smiles to their readers’ faces through their writing. Here are two examples:

‘How You Hope Your Extended Family Will React When You Explain Your Job to Them’ by Mike Lacher (McSweeney’s Internet Tendency)

“Is it true you don’t have desks?” your grandmother will ask. You will nod again and crack open a can of Country Time Lemonade. “My stars,” she will say, “it must be so wonderful to not have a traditional office and instead share a bistro-esque coworking space.”

An open plan office seen from a bird's eye view. There are multiple strands of Edison lights hanging from the ceiling. At long light wooden tables multiple people sit working at computers, many of them wearing headphones.

Satire and parody make up a whole subgenre of creative writing, and websites like McSweeney’s Internet Tendency and The Onion consistently hit the mark with their parodies of magazine publishing and news media. This particular example finds humor in the divide between traditional family expectations and contemporary, ‘trendy’ work cultures. Playing on the inherent silliness of today’s tech-forward middle-class jobs, this witty piece imagines a scenario where the writer’s family fully understands what they do — and are enthralled to hear more. “‘Now is it true,’ your uncle will whisper, ‘that you’ve got a potential investment from one of the founders of I Can Haz Cheezburger?’”

‘Not a Foodie’ by Hilary Fitzgerald Campbell (Electric Literature)

I’m not a foodie, I never have been, and I know, in my heart, I never will be.

Highlighting what she sees as an unbearable social obsession with food , in this comic Hilary Fitzgerald Campbell takes a hilarious stand against the importance of food. From the writer’s courageous thesis (“I think there are more exciting things to talk about, and focus on in life, than what’s for dinner”) to the amusing appearance of family members and the narrator’s partner, ‘Not a Foodie’ demonstrates that even a seemingly mundane pet peeve can be approached creatively — and even reveal something profound about life.

We hope this list inspires you with your own writing. If there’s one thing you take away from this post, let it be that there is no limit to what you can write about or how you can write about it.

In the next part of this guide, we'll drill down into the fascinating world of creative nonfiction.

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Five Things I Learned in Creative Writing Class

by Melissa Donovan | May 4, 2023 | Creative Writing | 32 comments

What can you learn in a creative writing class?

People often ask me whether I think a formal education is necessary to a successful writing career. A degree certainly helps, but no, it’s not necessary. There are master writers who did not finish high school and plenty never went to college.

I want to be clear: I fully support higher education. If you pull me aside and ask whether I think you should go to college, I’m going to say, “Yes, of course you should!” I encounter plenty of writers (and other professionals) who lack confidence because they feel they need that degree to back up their abilities. That’s just not so. If you want to write, you should write, regardless of whether you have a degree.

Lessons from Creative Writing Class

Today, I thought I’d share a few lessons I learned when I took a creative writing class in college. This might provide some insight if you’re currently weighing whether to go to college or whether to study creative writing in college. This is by no means an exhaustive list; I’m going to highlight the most valuable lessons I learned — things that stuck with me and altered my life as a writer for the better. You’ll note that all of these are things you can learn outside of a classroom setting, if necessary.

1. Oh, so that’s what you mean by freewriting.

The first few days of my creative writing class, we spent ten to twenty minutes freewriting as soon as class started. About two weeks later, the instructor asked if anyone wanted to read one of their freewrites out loud. A volunteer stood up and started reading, and I realized I had been doing it wrong all along.

My freewrites were nothing more than diary entries. I simply wrote about whatever was going on in my life. But my classmate had written a mesmerizing stream-of-consciousness piece that sounded like something out of a dream. It was poetic! Oh, I thought, that’s what we’re supposed to be doing .

I had actually thought it odd that we were writing journals in class. Now it made sense! In creative writing class, I learned to freewrite every day as part of my writing practice and as a tool to generate raw material for poetry and story ideas. It had a huge impact on my writing and marked a time when my work and my writing practices went through dramatic improvements.

2. Some people work out with weights; we do writing exercises.

Writing exercises are where my technical skills saw the most progress. When you write whatever you want, whenever you want, there are aspects of the craft that inevitably escape you. Writing exercises and assignments forced me to think more strategically about my writing from a technical standpoint. It wasn’t about getting my ideas onto the page; it was about setting out to achieve a specific mission with my writing.

Many writing exercises that we did in class imparted valuable writing concepts; these were the exercises I treasured most because they helped me see my writing from various angles. Writing exercises also gave me a host of creativity methods that I use to this day to keep writer’s block at bay.

Finally, all those exercises I did back in college ultimately inspired my own book of creative writing exercises ; although the inspiration came from poetry and fiction writing courses as well as the creative writing class that I took.

3. The writing community is a treasure.

When I was in high school and a teacher would announce a quiz or a writing assignment, the students would let out a collective sigh and begrudgingly get to work. In creative writing class, when the instructor said, “Let’s do a writing exercise,” everybody got excited. We couldn’t pull out our notebooks and pens fast enough!

Here’s the thing about a creative writing class: everyone in the room wants to be there. They chose to be there. So there’s a lot of enthusiasm and passion. For the first time in my life, I found myself surrounded by people with whom I shared a common interest.

More importantly, there’s plenty of support and camaraderie. Prior to taking this class, I had shown a few pieces of my writing to friends and family, who mostly just nodded and said that it was good or that I was talented. In class, I was surrounded by other writers who were eager and interested to read what I had written, and the best part was that they offered suggestions that would make my writing even better! I can’t stress enough how warm I’ve found writers to be over the years. It’s an honor to be part of such a supportive community.

4. Nothing can replace a mentor.

In college, instructors who taught writing classes were all published authors. As a student, I had direct access to writers who had gone through all the rigors of everything that happens in the writing process : drafting, revising, submitting, publishing, and marketing.

These instructors were also extremely well versed in literature and the craft of writing (as they should be — that’s their job, after all). And there is nothing — no book, video, or article — that beats direct access to an experienced professional.

5. Right place, right time.

Perhaps the best lesson I gleaned from creative writing class was that I was in the right place at the right time. This was a feeling that came from within, a certainty that I was doing exactly what I was meant to be doing. The semester that I took a creative writing class was packed with odd coincidences and epiphanies. I was often overwhelmed with feelings of serendipity, and I stopped questioning whether I had made the right choice in pursuing creative writing as my field of study.

Alternatives to a Creative Writing Class

As I mentioned, most of these lessons can be learned outside of a creative writing class. You can discover writing techniques and strategies from books, blogs, and magazines. You can find a community and a mentor online or in local writing groups. And you can experience a sense of certainty just about anywhere.

I definitely recommend taking a creative writing class if you can, and if you’re truly dedicated to writing and intend on going to college, then it only makes sense to study it formally. However, for writers who can’t or haven’t gone to college, I say this: find another route. A creative writing class or a creative writing degree will be helpful to building a writing career, but these things are not essential.

Ready Set Write a Guide to Creative Writing

32 Comments

Hi Melissa, great post as always!

I just finished reading Natalie Goldberg’s ‘Writing Down the Bones’, in it she talks about writing practice. I also just purchased your book ‘101 Creative Writing Exercises’ and I’m loving it. But I’m still not quite getting freewriting either. I was wondering if you could tell me what I need to be doing to stop it sounding like a journal?

It takes a bit of practice if you have a hard time thinking or writing in the abstract. Instead of starting with a general freewrite, you might try a guided freewrite and work with a word or image. Instead of writing a diary-style journal, you will write about the image (or word) you have chosen. Go for something a bit on the bizarre side or choose an abstract image. The trick is to relax and let strange, obscure words and phrases come to mind, and then write those down.

Here are some suggestions for words and images to use for a guided freewrite: space, clouds, deep sea. You can also search online for abstract art and keep an image in front of you while you write. Make sure you turn off your inner editor. Don’t think about what you’re writing; just let the words flow. Good luck!

I love the idea of freewriting, but am so glad you defined it. I would have been journalling right along side you. But I write women’s fiction, so maybe that would have worked out for me in the end. My issue lately is a feeling of being uninspired. I think a creative writing class would definitely help with that.

My apprehension with taking more writing classes, in all honesty, is the subjectiveness of teachers. I have had wonderful writing experiences, but it never fails that you get that one teacher who doesn’t like your work, will never like your work. I don’t need that in my head.

My mother, also a writer, decided to get her English degree as an adult (I graduated college a semester before she did). She met up with a teacher that truly hated her writing. We have drastically different styles, so she asked me to help her. I ended up writing her papers and getting her an A.

Thanks for this post… you’ve inspired me to go write one of my own.

When I was attending community college, I had a teacher like that. Since I picked up on her bias early on, I was able to simply drop the class. She told me right to my face that she would grade me down if she didn’t agree with my opinion in a position paper. I almost reported her but decided to let it go and move on. It definitely helps to give yourself some leeway and check out your instructors before you sign on. I cannot support writing other people’s papers as that is a serious violation of every school policy. There are other ways to resolve issues with an instructor. Most schools will let you do a special withdrawal if there is a conflict like that.

Great content, Melissa. I certainly agree that you don’t need an MFA or even an undergraduate writing degree in order to be considered “a writer.” Anyone can write provided they put the time and effort in the right place. Although a few writing classes along the way can be an enormous help.

One thing I learned through a fiction writing class was that peer edits are invaluable. So often when you ask someone to edit your work you get the “it’s good” or “you misspelled something on page 9” response. What I realized in this course was that most writers want to be criticized (constructively, of course). Writers are generally driven to continually improve their craft. Peer edits are a great way to do this, and as a result I no longer feel bad when critiquing someone else’s work. It only helps them.

Thanks for the post.

I couldn’t agree more. When I was in school, feedback was the single most valuable learning experience. Many writers struggle emotionally with critiques but I never did. I just got excited that people were invested enough to help me improve my work!

Though I have not taken a creative writing class, I can relate to many of the elements on some level. Less than a year ago, I went from a small company, to solo freelancing, and after a few months joined a big company. It was nice having co-workers again. We are computer programmers and we write code. Now that I am working with other people, I get to see what they wrote and how they wrote certain things. (There wasn’t really an equivalence to freewriting, though!) When I was working by myself, I had a tendency to just do things a certain way. Now I get more experienced programmers as mentors and they would push me to look into certain ways of doing things that I wasn’t familiar with. So yeah. Many of the same elements.

I am thinking that it’s the structure, sense of community, and the immediacy of feedbacks that really help.

As much as I love being self-employed, I’m hugely grateful for over a decade of on-the-job experience working with other people. I’m pretty sure that without having been mentored by professionals in the business world, my self-employment would have been blind and amateurish. I do miss having coworkers though. Social media is wonderful, but it’s not a true replacement for that sense of community.

I love this post. As an English major, there are times when I just want to quit school and focus on writing. I feel like the constraints and expectations in college are limiting my creativity. I have not gotten enough pre-reqs out of the way in which to take a creative writing class, but I definitely will now.

The community is the best part.

I say don’t give up on college! In addition to all the things you’ll learn about writing, it will enrich you as a human being. Stick with it; you’ll be glad you did.

Fantastic list! And very true. Especially the community feel, that’s probably what I miss the most now that I’m done.

That’s definitely what I miss the most. Plus, I used to love being on campus (I went to two different schools with gorgeous campuses). I’ve thought about going back for my MFA. Maybe someday…

Good one, Melissa. I like what you said re the writing exercises. Good reminder. It’s easy to get all caught up in pumping out blog posts and ebooks and trying to get through that novel rewrite and skip those exercises. And, yes, those critiques really help. I’m amazed at times at what I don’t see that needs more clarity in my writing.

Thanks, Bill. Yes, there’s so much we can do with exercises. I use them within larger projects. For example, I can apply various fiction writing exercises to a novel that I’m writing. I’ll generate material that won’t end up in the manuscript, but it’s good for the writing muscles!

A friend of mine tells me that i am still not giving my all for writing and I should not delve into a career in writing till I reach that level.I believe I am trying whatever I can at the moment.I can only get better by writing more and with more time and effort I will grow more as a writer.But that statement of my friend creates lot of self-doubt in me whether I will make it as a writer.

Hi Peter. I don’t know your friend and am not familiar with your writing, so I can’t give you any specific feedback about how much work your writing needs, but you are correct: the more you write, the better it will get. Your writing will also improve if you read a lot. One tip I can offer is to proofread everything you write, including comments on blogs like this. Get a book or two on the craft of writing, and definitely get a second opinion (don’t limit the feedback on your writing to one person).

A million thanks to you mellisa! you see as a child i loved books and writting but lost my way in life.Now i am quiety returning to what i loved.However its difficult.I began searching the internet for advice and i found your site.I am so elated!I feel that i am now being gently held by the hand to write and with a greater understanding of what i am supposed to do.I am in my fortieth year,but i know it’s never too late.This is one of the most instructive sites i’ve found.!

Thanks so much for your kind words. I’m always thrilled when people return to writing after so many years. What a wonderful reawakening that must be. I wish you the best of luck with your writing, Jesma.

Thanks for the suggestions! I’m in the eighth grade, but my English teachers have always said that I write at an advanced high school level. I love writing, I really do. I’ve read classic and modern literature to tweak my style, and also personally studied different techniques, like the ones you’ve provided here. Unfortunately, like I said, I’m an eighth grader, so I can’t go enroll at a university for writing classes. But I’m not challenged enough with my basic English curriculum. Do you have any suggestions for me to get better?

Hi Molly. The best suggestion I can give you is simply this: read and write. Read as much as you can, and read across different forms (essays, poetry, fiction) and genres (literary, speculative, etc.). Nothing will improve your writing like reading good books, and if you can absorb a lot of literature now, then when you get to college, you’ll be leagues ahead of your peers when you take writing workshops and classes.

Good luck to you!

Thankyou so much for writing this, I really want to start a writing career but don’t know where to start, this is really helpfull! Do you mind if I ask which university you went to as I’m just about to start my finall year doing A-levels and I’m looking around at uni’s and I want to make sure I go to the right on. Thanks again!!

I chose my school based on location. It was close to home and I didn’t have to move. If you do a search online, you’ll find which universities are known for their writing programs.

Great info, Melissa. Thanks. I especially liked your explanation about freewriting. That might mean different things to different people. You described it well.

Hi Marcy. Yes, freewriting has many variations, so it can definitely mean different things to different people. Thanks!

Thanks for the tips and telling us what it’s like to be in a Creative Writing class. I’m just wondering… I’m a new university student and I took a writing class in high school and thought it was a great experience. I love writing short stories and writing poetry. But now, I’m in university, I really want to take that course but I have terrible grammar and i dont know if anyone would take it

Every university is different, but in my experience, the creative writing instructors weren’t sticklers about grammar. Having said that, if you feel your grammar could be improved, why not work on it? It will not only improve your short stories and poems, it will also benefit you in communications and probably in your career as well. But I wouldn’t worry about it too much, especially in a creative class and as a new student. That’s why you’re there: to learn.

Great article. Thanks for the explanation of freewriting. I do this sometimes before I begin a big writing task — just didn’t realize I was freewriting!

And, I couldn’t agree more about writing exercises. My entire career is essentially based on executing high-level writing exercises for clients within a scope and a deadline. It’s like writing for your life — no better way to improve your skills!

My co-workers have wondered why I also write for online magazines or enter writing contests, especially if all I ever do is write. However, I believe it’s critical to challenge yourself and continue strengthening that creative muscle. My social writing circle is practically non-existent because I am the writing mentor for colleagues, and with such a demanding job, it’s difficult to find time to talk to others about writing or where to find writing courses.

This was a refreshing read that reminded me of the importance of making those connections again. Thank you.

Thanks. I love freewriting, and it’s a great way to warm up for a writing session.

Thanks for your post Melissa, it brought a lot of good insight to the forefront of my mind–especially about freewriting.

In middle and high school I was a gifted underachiever. Then I spent my late teens and twenties exposing myself to a substantial amount of literature, life lessons, fickle pathways at community college, partying, and jobs–so many jobs. When I finally made some headway with respect to credits, getting those much desired A’s, I finally felt ready to transfer to university and make a career with my eminent computer science degree. Except my life was tumultuous at best, and I was suddenly faced with a problem new to me–crippling insomnia.

These past five years I’ve had to humbly and patiently nurture myself to health. After a lot of introspection I came to accept that my academic path in life had been more to please other people rather than thriving in that which truly excites me–writing and teaching math (tutoring people for the GED helped me realize this).

I’m finally ready to start exercizing my writing skills again. My well of life experience and creativity make generating content simple. But I’m excited to re-familiarize myself with the fundamentals–to really put in the necessary work it takes to write naturally, with clarity and beautiful simplicity as you and others do.

I don’t know exactly where my writing will bring me after university, but I will have all the space and time I need to write while living off my land in my tiny home and tending to my vegetable garden. I appreciate you and the other commenters here for your effort and insight. I’m 32 and I feel as though I’m 18 again, with my whole life ahead of me–and without the essential naivety youth provides (or at least less of it!).

Hi Mark. Thanks for sharing your writing journey with us. One of the things I love about writing is that it’s always there for us, no matter how long we’ve been away. Welcome back to the craft.

I have learned much from blogs like this one, and other writers I’ve got to know on the internet. I did not do a creative writing course as I did Science with English Literature and Mathematics as subsidiaries. I am grateful for the writers of those blogs and the authors of the many books I’ve read. Also, I am in two online critique groups that I find helpful. I take your point about people who don’t like your writing. Recently,I posted a work on one group. One critiquer suggested I cut one paragraph of description as she said it added nothing. The next critique I read told me that the critiquer loved my descriptions! You can’t please everyone.

I have been in some settings with critique groups and absolutely loved it. Nothing improved my writing faster or more than workshopping and critiques. Yes, opinions will vary, but the feedback is still interesting and can be useful.

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What Is Creative Writing? The ULTIMATE Guide!

Creative Writing Summer School in Yale - students discussing

At Oxford Royale Academy, we offer a range of summer school programmes that have become extremely popular amongst students of all ages. The subject of creative writing continues to intrigue many academics as it can help to develop a range of skills that will benefit you throughout your career and life.

Nevertheless, that initial question is one that continues to linger and be asked time and time again: what is creative writing? More specifically, what does it mean or encompass? How does creative writing differ from other styles of writing?

During our Oxford Summer School programme , we will provide you with in-depth an immersive educational experience on campus in the colleges of the best university in the world. However, in this guide, we want to provide a detailed analysis of everything to do with creative writing, helping you understand more about what it is and why it could benefit you to become a creative writer.

The best place to start is with a definition.

What is creative writing?

The dictionary definition of creative writing is that it is original writing that expresses ideas and thoughts in an imaginative way. [1] Some academics will also define it as the art of making things up, but both of these definitions are too simplistic in the grand scheme of things.

It’s challenging to settle on a concrete definition as creative writing can relate to so many different things and formats. Naturally, as the name suggests, it is all built around the idea of being creative or imaginative. It’s to do with using your brain and your own thoughts to create writing that goes outside the realms of what’s expected. This type of writing tends to be more unique as it comes from a personal place. Each individual has their own level of creativity, combined with their own thoughts and views on different things. Therefore, you can conjure up your own text and stories that could be completely different from others.

Understanding creative writing can be challenging when viewed on its own. Consequently, the best way to truly understand this medium is by exploring the other main forms of writing. From here, we can compare and contrast them with the art of creative writing, making it easier to find a definition or separate this form of writing from others.

What are the main forms of writing?

In modern society, we can identify five main types of writing styles [1] that will be used throughout daily life and a plethora of careers:

Narrative Writing
Descriptive Writing
Persuasive Writing
Expository Writing
Creative Writing

Narrative writing refers to storytelling in its most basic form. Traditionally, this involves telling a story about a character and walking the readers through the journey they go on. It can be a long novel or a short story that’s only a few hundred words long. There are no rules on length, and it can be completely true or a work of fiction.

A fundamental aspect of narrative writing that makes it different from other forms is that it should includes the key elements of storytelling. As per UX Planet, there are seven core elements of a good story or narrative [2] : the plot, characters, theme, dialogue, melody, decor and spectacle. Narrative writing will include all of these elements to take the ready on a journey that starts at the beginning, has a middle point, but always comes to a conclusion. This style of writing is typically used when writing stories, presenting anecdotes about your life, creating presentations or speeches and for some academic essays.

Descriptive writing, on the other hand, is more focused on the details. When this type of writing is used, it’s focused on capturing the reader’s attention and making them feel like they are part of the story. You want them to live and feel every element of a scene, so they can close their eyes and be whisked away to whatever place or setting you describe.

In many ways, descriptive writing is writing as an art form. Good writers can be given a blank canvas, using their words to paint a picture for the audience. There’s a firm focus on the five senses all humans have; sight, smell, touch, sound and taste. Descriptive writing touches on all of these senses to tell the reader everything they need to know and imagine about a particular scene.

This is also a style of writing that makes good use of both similes and metaphors. A simile is used to describe something as something else, while a metaphor is used to show that something is something else. There’s a subtle difference between the two, but they both aid descriptive writing immensely. According to many writing experts, similes and metaphors allow an author to emphasise, exaggerate, and add interest to a story to create a more vivid picture for the reader [3] .

Looking at persuasive writing and we have a form of writing that’s all about making yourself heard. You have an opinion that you want to get across to the reader, convincing them of it. The key is to persuade others to think differently, often helping them broaden their mind or see things from another point of view. This is often confused with something called opinionative writing, which is all about providing your opinions. While the two seem similar, the key difference is that persuasive writing is built around the idea of submitting evidence and backing your thoughts up. It’s not as simple as stating your opinion for other to read; no, you want to persuade them that your thoughts are worth listening to and perhaps worth acting on.

This style of writing is commonly used journalistically in news articles and other pieces designed to shine a light on certain issues or opinions. It is also typically backed up with statistical evidence to give more weight to your opinions and can be a very technical form of writing that’s not overly emotional.

Expository writing is more focused on teaching readers new things. If we look at its name, we can take the word exposure from it. According to Merriam-Webster [4] , one of the many definitions of exposure is to reveal something to others or present them with something they otherwise didn’t know. In terms of writing, it can refer to the act of revealing new information to others or exposing them to new ideas.

Effectively, expository writing focuses on the goal of leaving the reader with new knowledge of a certain topic or subject. Again, it is predominately seen in journalistic formats, such as explainer articles or ‘how-to’ blogs. Furthermore, you also come across it in academic textbooks or business writing.

This brings us back to the centre of attention for this guide: what is creative writing?

Interestingly, creative writing is often seen as the style of writing that combines many of these forms together in one go. Narrative writing can be seen as creative writing as you are coming up with a story to keep readers engaged, telling a tale for them to enjoy or learn from. Descriptive writing is very much a key part of creative writing as you are using your imagination and creative skills to come up with detailed descriptions that transport the reader out of their home and into a different place.

Creative writing can even use persuasive writing styles in some formats. Many writers will combine persuasive writing with a narrative structure to come up with a creative way of telling a story to educate readers and provide new opinions for them to view or be convinced of. Expository writing can also be involved here, using creativity and your imagination to answer questions or provide advice to the reader.

Essentially, creative writing can combine other writing types to create a unique and new way of telling a story or producing content. At the same time, it can include absolutely none of the other forms at all. The whole purpose of creative writing is to think outside the box and stray from traditional structures and norms. Fundamentally, we can say there are no real rules when it comes to creative writing, which is what makes it different from the other writing styles discussed above.

What is the purpose of creative writing?

Another way to understand and explore the idea of creative writing is to look at its purpose. What is the aim of most creative works of writing? What do they hope to provide the reader with?

We can look at the words of Bryanna Licciardi, an experienced creative writing tutor, to understand the purpose of creative writing. She writes that the primary purpose is to entertain and share human experiences, like love or loss. Writers attempt to reveal the truth with regard to humanity through poetics and storytelling. [5] She also goes on to add that the first step of creative writing is to use one’s imagination.

When students sign up to our creative writing courses, we will teach them how to write with this purpose. Your goal is to create stories or writing for readers that entertain them while also providing information that can have an impact on their lives. It’s about influencing readers through creative storytelling that calls upon your imagination and uses the thoughts inside your head. The deeper you dive into the art of creative writing, the more complex it can be. This is largely because it can be expressed in so many different formats. When you think of creative writing, your instinct takes you to stories and novels. Indeed, these are both key forms of creative writing that we see all the time. However, there are many other forms of creative writing that are expressed throughout the world.

What are the different forms of creative writing?

Looking back at the original and simple definition of creative writing, it relates to original writing in a creative and imaginative way. Consequently, this can span across so many genres and types of writing that differ greatly from one another. This section will explore and analyse the different types of creative writing, displaying just how diverse this writing style can be – while also showcasing just what you’re capable of when you learn how to be a creative writer.

The majority of students will first come across creative writing in the form of essays . The point of an essay is to present a coherent argument in response to a stimulus or question. [6] In essence, you are persuading the reader that your answer to the question is correct. Thus, creative writing is required to get your point across as coherently as possible, while also using great descriptive writing skills to paint the right message for the reader.

Moreover, essays can include personal essays – such as writing a cover letter for work or a university application. Here, great creativity is needed to almost write a story about yourself that captivates the reader and takes them on a journey with you. Excellent imagination and persuasive writing skills can help you tell your story and persuade those reading that you are the right person for the job or university place.

Arguably, this is the most common way in which creative writing is expressed. Fictional work includes novels, novellas, short stories – and anything else that is made up. The very definition of fiction by the Cambridge Dictionary states that it is the type of book or story that is written about imaginary characters and events not based on real people and facts. [7] As such, it means that your imagination is called upon to create something out of nothing. It is a quintessential test of your creative writing skills, meaning you need to come up with characters, settings, plots, descriptions and so much more.

Fictional creative writing in itself takes on many different forms and can be completely different depending on the writer. That is the real beauty of creative writing; you can have entirely different stories and characters from two different writers. Just look at the vast collection of fictional work around you today; it’s the perfect way to see just how versatile creative writing can be depending on the writer.

Similarly, scripts can be a type of creative writing that appeals to many. Technically, a script can be considered a work of fiction. Nevertheless, it depends on the script in question. Scripts for fictional television shows, plays or movies are obviously works of fiction. You, the writer, has come up with the characters and story of the show/play/movie, bringing it all to life through the script. But, scripts can also be non-fictional. Creating a play or movie that adapts real-life events will mean you need to write a script based on something that genuinely happened.

Here, it’s a perfect test of creative writing skills as you take a real event and use your creative talents to make it more interesting. The plot and narrative may already be there for you, so it’s a case of using your descriptive writing skills to really sell it to others and keep readers – or viewers – on the edge of their seats.

A speech is definitely a work of creative writing. The aim of a speech can vary depending on what type of speech it is. A politician delivering a speech in the House of Commons will want to get a point across to persuade others in the room. They’ll need to use creative writing to captivate their audience and have them hanging on their every word. A recent example of a great speech was the one by Sir David Attenborough at the recent COP26 global climate summit. [8] Listening to the speech is a brilliant way of understanding how creative writing can help get points across. His speech went viral around the world because of how electrifying and enthralling it is. The use of many descriptive and persuasive words had people hanging onto everything he said. He really created a picture and an image for people to see, convincing them that the time is now to work on stopping and reversing climate change.

From this speech to a completely different one, you can see creative writing at play for speeches at weddings and other jovial events. Here, the purpose is more to entertain guests and make them laugh. At the same time, someone giving a wedding speech will hope to create a lovely story for the guests to enjoy, displaying the true love that the married couple share for one another. Regardless of what type of speech an individual is giving, creative writing skills are required for it to be good and captivating.

Poetry & Songs

The final example of creative writing is twofold; poetry and songs. Both of these formats are similar to one another, relying on creativity to deliver a combination of things. Poetry can take so many forms and styles, but it aims to inspire readers and get them thinking. Poems often have hidden meanings behind them, and it takes a great deal of imagination and creativity to come up with these meanings while also creating a powerful poem. Some argue that poetry is the most creative of all creative writing forms.

Songwriting is similar in that you use creativity to come up with lyrics that can have powerful meanings while also conjuring up a story for people. The best songwriters will use lyrics that stay in people’s minds and get them thinking about the meaning behind the song. If you lack imagination and creativity, you will never be a good songwriter.

In truth, there are so many other types and examples of creative writing that you can explore. The ones listed above are the most common and powerful, and they all do a great job of demonstrating how diverse creative writing can be. If you can hone your skills in creative writing, it opens up many opportunities for you in life. Primarily, creative writing focuses on fictional pieces of work, but as you can see, non-fiction also requires a good deal of creativity.

What’s needed to make a piece of creative writing?

Our in-depth analysis of creative writing has led to a point where you’re aware of this style of writing and its purpose, along with some examples of it in the real world. The next question to delve into is what do you need to do to make a piece of creative writing. To phrase this another way; how do you write something that comes under the creative heading rather than another form of writing?

There is an element of difficulty in answering this question as creative writing has so many different types and genres. Consequently, there isn’t a set recipe for the perfect piece of creative writing, and that’s what makes this format so enjoyable and unique. Nevertheless, we can discover some crucial elements or principles that will help make a piece of writing as creative and imaginative as possible:

A target audience

All creative works will begin by defining a target audience. There are many ways to define a target audience, with some writers suggesting that you think about who is most likely to read your work. However, this can still be challenging as you’re unsure of the correct demographic to target. Writer’s Digest makes a good point of defining your target audience by considering your main motivation for writing in the first place. [9] It’s a case of considering what made you want to start writing – whether it’s a blog post, novel, song, poem, speech, etc. Figuring out your motivation behind it will help you zero in on your target audience.

Defining your audience is vital for creative writing as it helps you know exactly what to write and how to write it. All of your work should appeal to this audience and be written in a way that they can engage with. As a simple example, authors that write children’s stories will adapt their writing to appeal to the younger audience. Their stories include lots of descriptions and words that children understand, rather than being full of long words and overly academic writing.

Establishing the audience lets the writer know which direction to take things in. As a result, this can aid with things like character choices, plot, storylines, settings, and much more.

A story of sorts

Furthermore, great works of creative writing will always include a story of sorts. This is obvious for works such as novels, short stories, scripts, etc. However, even for things like poems, songs or speeches, a story helps make it creative. It gives the audience something to follow, helping them make sense of the work. Even if you’re giving a speech, setting a story can help you create a scene in people’s minds that makes them connect to what you’re saying. It’s a very effective way of persuading others and presenting different views for people to consider.

Moreover, consider the definition of a story/narrative arc. One definition describes it as a term that describes a story’s full progression. It visually evokes the idea that every story has a relatively calm beginning, a middle where tension, character conflict and narrative momentum builds to a peak and an end where the conflict is resolved. [10]

Simplifying this, we can say that all works of creative writing need a general beginning, middle and end. It’s a way of bringing some sort of structure to your writing so you know where you are going, rather than filling it with fluff or waffle.

A good imagination

Imagination is a buzzword that we’ve used plenty of times throughout this deep dive into creative writing. Every creative writing course you go on will spend a lot of time focusing on the idea of using your imagination. The human brain is a marvellously powerful thing that holds the key to creative freedom and expressing yourself in new and unique ways. If you want to make something creative, you need to tap into your imagination.

People use their imagination in different ways; some will be able to conjure up ideas for stories or worlds that exist beyond our own. Others will use theirs to think of ways of describing things in a more creative and imaginative way. Ultimately, a good imagination is what sets your work apart from others within your genre. This doesn’t mean you need to come up with the most fantastical novel of all time to have something classified as creative writing. No, using your imagination and creativity can extend to something as simple as your writing style.

Ultimately, it’s more about using your imagination to find your own personal flair and creative style. You will then be able to write unique pieces that stand out from the others and keep audiences engaged.

How can creative writing skills benefit you?

When most individuals or students consider creative writing, they imagine a world where they are writing stories for a living. There’s a common misconception that creative writing skills are only beneficial for people pursuing careers in scriptwriting, storytelling, etc. Realistically, enhancing ones creative writing skills can open up many windows of opportunity throughout your education and career.

Improve essay writing – Naturally, creative writing forms a core part of essays and other written assignments in school and university. Improving your skills in this department can help a student get better at writing powerful essays and achieving top marks. In turn, this can impact your career by helping you get better grades to access better jobs in the future.
Become a journalist – Journalists depend on creative writing to make stories that capture audiences and have people hanging on their every word. You need high levels of creativity to turn a news story into something people are keen to read or watch.
Start a blog – In modern times, blogging is a useful tool that can help people find profitable and successful careers. The whole purpose of a blog is to provide your opinions to the masses while also entertaining, informing and educating. Again, having a firm grasp of creative writing skills will aid you in building your blog audience.
Write marketing content – From advert scripts to content on websites, marketing is fuelled by creative writing. The best marketers will have creative writing skills to draw an audience in and convince them to buy products. If you can learn to get people hanging on your every word, you can make it in this industry.

These points all demonstrate the different ways in which creative writing can impact your life and alter your career. In terms of general career skills, this is one that you simply cannot go without.

How to improve your creative writing

One final part of this analysis of creative writing is to look at how students can improve. It begins by reading as much as you can and taking in lots of different content. Read books, poems, scripts, articles, blogs – anything you can find. Listen to music and pay attention to the words people use and the structure of their writing. It can help you pick up on things like metaphors, similes, and how to use your imagination. Of course, writing is the key to improving; the more you write, the more creative you can get as you will start unlocking the powers of your brain.

Conclusion: What is creative writing

In conclusion, creative writing uses a mixture of different types of writing to create stories that stray from traditional structures and norms. It revolves around the idea of using your imagination to find a writing style that suits you and gets your points across to an audience, keeping them engaged in everything you say. From novels to speeches, there are many forms of creative writing that can help you in numerous career paths throughout your life.

[1] SkillShare: The 5 Types of Writing Styles with Examples

[2] Elements of Good Story Telling – UX Planet

[3] Simile vs Metaphor: What’s the Difference? – ProWritingAid

[4] Definition of Exposure by Merriam-Webster

[5] The Higher Purpose of Creative Writing | by Terveen Gill

[6] Essay purpose – Western Sydney University

[7] FICTION | meaning in the Cambridge English Dictionary

[8] ‘Not fear, but hope’ – Attenborough speech in full – BBC News

[9] Writer’s Digest: Who Is Your Target Reader?

[10] What is a Narrative Arc? • A Guide to Storytelling Structure

Like a lightning strike, flash fiction stories can be over in an instant—radically altering the terrain of the reader’s imagination. These bite-sized stories take a lot of style, skill, and effective word choice to pull off. Many writers try to conquer the flash fiction form in their writing careers, but the short-short story requires lots of planning and editing, so if you’re not sure how to write flash fiction stories, you’re in the right place.

What is flash fiction, and how do you write it? In short, it’s a story that delivers a complete narrative, with plot , characters, and setting , in fewer than 1,500 words. As such, the form relies on an efficient use of language and storytelling , without inhibiting the story’s flow and impact.

Flash fiction delivers a complete narrative, with plot, characters, and setting, in fewer than 1,500 words.

Writing flash takes practice, but the form has produced some of the most interesting stories in our literary canon. This article will discuss how to write flash fiction stories, explore some flash fiction examples, and end with an overview of great flash fiction magazines (that maybe you’ll get published in!)

But first, let’s answer the question: What is flash fiction?

Flash Fiction Contents

Flash Fiction Word Count

A flash poetics of flash fiction stories, flash fiction examples and techniques, how to write flash fiction stories: what to leave out, how to write flash fiction stories: 4 approaches, how to publish flash fiction, what is flash fiction.

The short definition of flash fiction is any fictional story that’s under 1,500 words long. Some journals may have a different definition of flash fiction length, but most accept 1,500 words as the standard maximum word count.

What is flash fiction? Any fictional story that’s under 1,500 words long.

The form can be further subdivided based on different flash fiction word counts.

Like all definitions in literature, these aren’t strict rules, but guidelines generally followed by publishers and literary journals.

What is flash fiction, besides a bare-bones short story? Let’s examine a flash poetics of flash fiction stories.

Flash fiction must accomplish the same as fiction does: namely, a complete story with well-developed characters , a finished plot, and complex themes . The story must feel finished in under 1,500 words.

Flash fiction stories must feel finished in under 1,500 words.

Despite its brevity, flash fiction stories still need complexity. If the reader finishes the story without giving it further thought, then the story has not engaged the reader enough. The length should not inhibit the story’s value.

So, how does flash manage to be brief yet complex? Let’s explore the ways that flash minces words, with flash fiction examples to follow.

All great flash fiction stories use the following techniques. Before we look at how to write flash fiction, familiarize yourself with these techniques, as it will make your drafts much easier to write and edit.

Show, Don’t Tell

Show, don’t tell is a rule that tells writers to transmit an experience through imagery and description, rather than to state an experience plainly to the reader. It can be summarized best by this Anton Chekhov quote: “Don’t tell me the moon is shining; show me the glint of light on broken glass.”

Flash fiction example: Things I’m Holding For You by Kayleigh Shoen. Rather than state “my date was abusive,” the narrator builds a character profile through his many blunders. This results in a damning portrait of a man burdened by his own toxic masculinity, while also saying something about the narrator as well: why does she hold onto these things, despite all-but-admitting he’s a terrible person?

Writing Scene vs. Summary

In fiction writing, we classify a passage of text as being either scene or summary . A scene is a close look at an important event in the story, whereas a summary glosses over the details while presenting the most important information. In flash fiction writing, there is generally very little summary, and there should be only one or two scenes.

Flash fiction example: As the North Wind Howled by Yu Hua. There are only two scenes: when the narrator’s door is kicked down, and when they arrive at their friend’s house. Each scene forces the narrator to make certain decisions and observations, which builds the story’s mood and characterization.

The language of flash fiction is sharp, economic, and to-the-point. Flash writers are often ruthless editors, truncating their sentences and scrapping whole paragraphs.

The language of flash fiction is sharp, economic, and to-the-point.

Flash fiction example: A Telephone Conversation by Mark Twain. Though the first few paragraphs are wordy, this story cuts down on words by formatting its telephone conversations like a play. This allows Twain to juxtapose incongruous ideas next to each other, making this a finished, humorous story.

Symbolism refers to the use of concrete objects to represent abstract concepts. Most flash fiction stories have a lot of symbolism, allowing the writer to boil a wordy idea into a symbolic object.

Flash fiction example: A Haunted House by Virginia Woolf. This prose poem advances its narrative through its corporeal symbolism. From empty hands to the heartbeat of a home, the heavy symbolism of the story helps contain its concise, hyperbolic emotion.

In Media Res

Many flash pieces start in media res, which means that it starts in the middle of the story, rather than the beginning. This roundabout way of writing the plot could help crunch down on the amount of details the story needs to be effectively told.

Flash fiction example: Everyone Cried by Lydia Davis. The story begins in the middle of its moral: all adults want to be kids, sometimes. Though there isn’t a clear plot to the story, it succinctly points out the irony and duality of adulthood.

Figurative Language

Flash borrows a lot from the methods of poetry, especially in terms of figurative language and literary devices .

Flash fiction example: Sticks by George Saunders. This story abounds with metaphors, symbolism, and image-lead narrative. The reader experiences the story through a father’s psychosis as he communicates through the way he decorates a pole. Each image represents the father’s slow decline, communicating its ironies in short bursts of intense feeling.

Trusting the Reader

Because flash stories are so short, writers don’t have much time to set up the world of the story. As a result, writers might feel inclined to keep unnecessary description and worldbuilding in the story, cutting out important moments of characterization or dialogue instead. In truth, the best flash fiction stories trust the reader to understand what’s going on and to lean into the mystery of what they don’t know.

Flash fiction example: My Dead by Peter Orner. The narrator is a little hard to trust at first. Why would you drive with a stranger to visit a seance, especially if you have no one you want to contact? But the narrator’s passiveness becomes a lens to explore spirituality and self-destructive habits, finding something haunting in the gray, liminal spaces of existence.

In longer works of fiction—novels, novellas, and even short stories—the writer must include a considerable amount of detail to make the story and its characters immersive. The short word count of flash greatly hampers the amount of details the writer can include. So, whether you’re starting from scratch or trying to pare down your word, here are some things you can leave out of your story.

Deep Interiority

Interiority refers to the inner life of your protagonist . What do they think, feel, and dream about? How do they view and react to the world? Who are they when no one is looking?

Most main characters require some level of interiority, unless they’re flat characters . Nonetheless, you don’t need too much interiority in flash. Certainly, tell us when your main character has important thoughts, reactions, or traumas: the reader wants to connect with your character, after all. But the reader doesn’t need to know every thought in the protagonist’s brain: their actions and dialogue will often suffice for this.

Excess Backstory

Related to interiority is backstory. Both interiority and backstory help explain certain aspects of your story: how certain characters think or feel, and why they think and feel those things. Where interiority shows us the inner workings of a character’s mind, backstory provides the events prior to the current story that influence a character’s decisions or current situation.

It makes sense to provide backstory in novels and memoirs. In flash fiction stories, less so. The focus should be on the main scenes of the story and the actions that the character takes: these items should either explain themselves, or provoke the reader with a certain level of intrigue. Otherwise, excess backstory will simply waste words. Don’t try to explain everything: leave some things to the reader’s imagination, and only explain when it’s essential.

Moments of Inaction

Action drives the story forward. Your characters make decisions, and those decisions yield results and further actions. When your word limit is short, stick to the nouns and verbs.

In other words, we don’t need to see your character thinking too much. We don’t need to see their morning routine, either, or what they ate for breakfast. These details help build the worlds of novels and memoirs, but in flash, stick to the action, and only embellish with detail when you have the reason (and the words) to do so.

Passive Voice

These next three tips have to do with writing style . The passive voice occurs when the subject of a sentence receives the action of the verb, rather than does the verb. The passive voice is wordier than the active voice, and often less compelling.

Here’s an example:

Active: He scaled the mountain.

Passive: The mountain was scaled by him.

Sometimes you need the passive voice, especially if you want to highlight when certain things are done to your characters. But, when your protagonist is taking action, let your sentences also take action.

Excess Prepositions

A preposition is a word that directs the action of a sentence. They’re essential components of speech, and you shouldn’t avoid them entirely. But you should avoid sentence constructions that rely on prepositions when you don’t need them.

Wordy: This is the chair of my mother.

Succinct: This is my mother’s chair.

“Of” is the preposition in this sentence, but you would do much better to add an apostrophe+s to “mother.”

An adverb is a descriptive word that modifies a verb. Often, but not always, adverbs end with the suffix -ly. Sometimes, an adverb does add necessary description and detail; however, there are plenty of verbs in the English lexicon, and you will often do better to use one strong verb than a weak verb with an adverb.

For example:

Wordy: The lion roared deeply and loudly.

Succinct: The lion bellowed.

Wordy: The road ran haphazardly around the hills.

Succinct: The road zigzagged around the hills.

Verbs provide the actions of sentences, so using strong, descriptive verbs will better illustrate your story in fewer words.

In short, flash fiction has all the elements of longer stories, but with less “fluff.” So, the challenge of writing flash lies in crafting a complete story in under 1,500 words. How should you approach writing flash? Consider the following four approaches.

1. How to Write Flash Fiction: Ruthless Editing

Some writers might try starting their flash piece as a normal story, then cutting the words down. This is a common approach to writing flash, especially if your story isn’t far away from the 1,500 word mark. If you think you can cut a story down after writing it, then kill your darlings—and have fun with it!

2. How to Write Flash Fiction: Plot First

Flash stories require bones before you can put meat on them, so start with the story’s plot. With a plot-first approach, you start by writing only the details of the story, without any description or figurative language. Then, once the plot is written, you fill it with details until you hit the 1,500 word mark. This “fill in the blanks” approach allows you to keep the story to its most important details while still being complete.

3. How to Write Flash Fiction: Start with Poetry

Writing flash fiction from poetry? It’s more likely than you think! Many literary critics consider flash fiction stories to border the lines between prose and poetry, since it uses many poetic devices to convey plot. If you’re a poet as well as a fiction writer, consider writing your story’s plot in verse, then expanding that verse into a prose-poem or prose.

4. How to Write Flash Fiction: End with a Bang

For a flash story to feel “complete,” it needs to “end with a bang.” The final line(s) of the story must leave the reader thinking long after the story ends.

The end of a flash fiction story must surprise the reader in some way. Flash often offers a resolution to the story that inverts themes, uncovers ironies, or offers unexpected dualities. Take the aforementioned story Sticks by George Saunders, one of the strongest flash fiction examples out there. The final line of the story presents the irony in the father’s pole ritual, since it is an unanswered cry for help.

The end of a flash fiction story must surprise the reader.

Thinking about the ending, first, isn’t a conventional way to approach storytelling, but may work for this genre. Try it, and see what you write!

Are you ready to put your flash fiction stories to print? We’ve recently reviewed the best journals to submit fiction to, and some of these journals are also excellent publishers of flash! Take a look at the submissions requirements for the following journals which publish or specialize in flash.

Smokelong Quarterly
The Raleigh Review
Fireside Magazine
The New Yorker
Fifty Word Stories

Additionally, Flash Fiction Online and Flash Fiction Magazine both focus exclusively on the genre.

Finally, NYC Midnight often runs flash writing contests that are both fun to compete in and offer great feedback and community.

Improve Your Flash Fiction Stories with Writers.com!

Want to learn the finer details of how to write flash fiction stories? Take a look at our upcoming flash fiction courses with instructor Barbara Henning .

Sean Glatch

18 comments.

Is there such a thing as very short flash fiction completing beginning, plot and ending in less than 200 words compiled in a book with many other such writings? In between regularly working on my manuscripts, these have been refreshing for me to do. I was thinking possibly like a poetry book but of flash fiction all different subjects but with each telling a very short story with start, middle and end. I saw a movie that used them in places and began writing them myself as they are refreshing and not a lot of thought goes in them, they just flow out and somehow make sense and a story. As I said I found them enjoyable. Any market for them?

Hello Tobi,

Fiction of 200 words or under is usually called microfiction and there is a market for it. Google Bath flash fiction award, max word count 300 words. There’s also journals like Janus Literary that looks for microfiction.

Hope this helps

Loved your content Sean, very well-written and informative. Can`t wait to see more of this writing. If you don`t mind I will share this blog of yours in my social media platform. Thanks

Thanks so much, Scott! I don’t mind at all–I’m glad to help you on your writing journey and hope to help the writers you know as well.

Just now reading, learning about, and trying my hand at flash. This brief overview helps a good deal. Thanks!

You’re very welcome, Kevin — good luck writing your stories!

I’m entering my first flash fiction contest in June, so this couldn’t have come at a better time. Thanks, Sean!

I’m happy you found this helpful, Julia–good luck in the contest!

Are there any tips for writing a flash fiction collection where the stories are interlinked?

That’s a great question, Chyna! I don’t honestly know of any flash collections that do this. However, you might find some advice in our article on putting together a poetry collection—I’d imagine the same advice applies to both. See here: https://writers.com/how-to-write-a-poetry-book

Hi Chyna Love— You might want to check out Robert Scotellaro’s “Ways to Read the World: Stories in Triptych” (Scantic Books, 2022). According to a piece in “The San Franciscan” by Jayne Martin, Scotellaro is considered a front-runner for flash fiction and he likes to thread pieces together.

Very informative! Thanks for sharing. writing flash fiction might seem easy enough, but the shorter the story is, the more difficult it can be to create something compelling on a short word count.

I want to ask if what point-of-view should we use in making a flash fiction?

Any POV will work in flash! 1st and 3rd are the most commonly used, though each has benefits and drawbacks. You can learn more about POV here: https://writers.com/point-of-view

Is there any way I can write a flash fiction on youth empowerment

I teach freshman English Honors and this is so helpful! We teach narrative writing and I would love to have their short stories be Flash Fiction stories. You included what to leave out and that is vital! Thank you!

I write autobiographical Flash, I was published once in The Sun. Any other suggestions for where to submit? I read at open mics and the stories are very well received.

Great article! I was wondering if you have any advice on employing the Fichtean Curve for flash fiction. I’ve been using it in my other writing, but I’m a bit new to flash and I haven’t seen anyone talk about this specific type of outline for that medium.

Short Stories

Welcome to the University of Gloucestershire Short Story website

Here, we showcase all the work of our talented UoG students, and we also offer sixth formers and college students the chance to submit their writing to us. We’ll look at every submission, offer helpful guidance, and choose the best ones to publish on our site. At UoG, our students are mentored by professionals across the creative writing fields to hone and expand their skills in poetry, playwriting, prose, and critical writing.

We’d love to read your stories if you’re a student here at the University of Gloucestershire, or a school or college student considering a future degree in Creative Writing. We’ll read every submission, and publish the best, and we’ll try to give helpful feedback where we can. We have limited time and space so please don’t worry if you have to wait a while.

Visit the UoG Creative Writing pages for more information:

Creative Writing, BA Hons
Creative Writing, MA
Creative Writing, PhD

If you are interested in submitting your work for publication here then see our current submission status below:

Student Submissions: New UoG student submissions will be accepted from January 1st 2020.
6th form submissions: Submissions open. New stories will be accepted throughout December 2019 and January 2020.

You can find further information on submitting your work at https://uniofglos.blog/creativewriting/short-stories-submission/

STUDENT STORIES

by Thomas Bennett of John Kyrle sixth form. This was one of two stories shortlisted from our schools’ competition, July 2020. Commander Jeffrey Noble collapsed to the ground. He’d manually prised open the enormous weight of the shuttle door, designed to be moved by powerful—now broken—motors. His hand instinctively came to hover over his eyes. So long had Noble stared into the emptiness of space that the explosion of colour and light that stretched before…

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The Deadly Song

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Sinking Stress

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by Caitlin Hasson I’m sixteen years old and doing an English Literature and Language combined A-level at Cirencester college. Edward has lost his prince, his family, and his friends and now wants to take revenge in this reimagining of the Sleeping Beauty story. It was raining. It hadn’t stopped raining for three days. The battle had started three days ago, and it hadn’t stopped raining. The ground was slick with mud, dark with blood, and…

After ten years

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by James Pearson. 1986. A new beginning for some but an end for others. Cassiel doesn’t know when he begins university (again) that he would be studying the greatest explosion in history- but he is. England is a vastly different place now in 1983, with more riots ruining workers’ rights and unemployment skyrocketing- not surprising based on the corruption that occurs behind the solid aged brick of parliament. Being only two years since the system…

The Team Talk

by Harry Moore. I am H.L. Moore and I am an sports fiction author. The Team Talk is one of my finest pieces of work and will no doubt be a huge box office hit once it hits the big screen. I am soon expected to become a New York Times best selling author. My inspiration is the legendary, creative mastermind Mr Jeff Kinney. The championship playoff final, the game where you end up 170 million pounds…

by Zelma Bowers. My name is Zelma Bowers and this is the first instalment of a trilogy about mountains. This is a differing topic to my usual books because I usually stick to hills. Multi-coloured flags fly in the harsh wind. Each thread being pulled in every direction, unravelling the hard work of the local women and dancing up to the highest point on earth. Each thread taken by the wind is a prayer to…

Unknown Abyss

by Lily-Mae Harrison. Being increasingly interested in the flow of order in society, observation of how people adapt to situations has always been a point of interest of mine. But what if you flip the world on it’s head? I’m a sixth form student at Christopher Whitehead with a fascination in the dystopia genre and a passion for creative writing, with an aim to make you question. In this dystopian world, all anyone could do…

Pasta the point of no return

by Rex Daniels. My name is Rex Daniels and this is the first instalment of my pasta themed trilogy. This book explores the dangers of spaghetti and its deeper meaning throughout life. This is my first time delving into the world of pasta because I’m used to more serious topics. Vomit. Disgusting rancid barf. It’s all I can smell. It’s all I can see. It’s all I can taste. It’s all I can feel. It’s…

Salah’s Revenge

by J.C.B. Digger. I am J.C.B Digger and this here is the first introduction to my trilogy of books called “Stories of the Egyptian God”. Speaking from the view of a professional writer I believe this story is truly fascinating. Breaking news! Here we are January 31st, 2019 the last day of the Premier League transfer window, live at the Tottenham Hotspur training ground waiting for a surprise guest to complete his medical assessment and…

When we were released

by Eleanor Diamond. I am a sixth form student who studies Drama (BTEC), Classical Civilisations and combined English Language/Literature. I have mostly been interested in acting for a large portion of my life, however, writing novels or doing the odd piece of creative writing has been a hobby of mine since I first learnt to form a sentence. Four days. Those I had called friends, comrades, acquaintances, gone. For our whole lives, up until those…

by Eleanor Cottrill. ‘If only’ is a fictional dystopian piece about the possible close future and the ‘end of the world’, however it is based off both climate change and the seemingly insignificant problem of bees going into decline, a brief overview of what would happen if they were allowed to go extinct from the point of view of a teenager who loses the future that the adults around her promised her from a young…

Christmas in the Country

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by Oszey Calland. Oszey is a first year Creative Writing student at the University of Gloucestershire. He has travelled extensively and writes about a wide variety of subjects. The Simple Days of Chai and Plum Cake Mr Ramesh stepped out of the little shop into the intense heat, looking up at the bright blue sky. “Fort Cochin is getting hotter every year,” he thought. “The monsoons will come soon bringing cooling rains. The Indian Monsoon…

The Fulfilment of a Promise

by Rita Bates. RJ Bates is currently working through the Creative and Critical Writing MA. She is a morning person, conscious about eating foods that will fuel her body and mind, but will never give up drinking red wine. She enjoys a challenge, mental or physical and loves people-watching, because sometimes if lucky enough, she witnesses random acts that would otherwise go unnoticed. The Fulfilment of a Promise I loved spending time with Ashanti. She…

Natural Order

by Carlie Chabot. Carlie is a Canadian student spending a year in Cheltenham to study for an MA in Creative Writing at the University. She is currently working on a novel about the murder of a young girl and the fallout it causes in small town. It fits within the theme of Northern Ontario Gothicism, and explores death, mental health, and justice. Natural Order ‘I am deeply appreciative of spiders, and everything they do.’ …

The Undertaker’s Coffin

by Ross Turner. I write short stories, novels and poetry. I study Creative Writing at the University of Gloucestershire, and am a member of the Royal Air Force Reserves. The Undertaker’s Coffin ‘Prepare to feed,’ I say. ‘Feed.’ The six Pallbearers are lined up in three pairs. The Uncle and the younger Brother – the two shortest, and therefore the front-most pair – reach into the yawning hearse. They grasp the two nearest handles, on…

by Michael Moore. Michael is a mature student from Canada. He is currently filling his weekends teaching Computer Aided Design and 3-D modelling. he has been working at his writing for over twenty years. Bubbles She awoke to bubbles. Tickles and giggles and bubbles and bursts of frenzied fizzy feelings. As if she was about to pop right out of her skin. The tingles touched her smile and drew it wider. She was breathless, flushed,…

In Memory of Casey Philips

by Andrew Lafleche. Andrew is a University of Gloucestershire MA student in Creative and Critical Writing, studying on the distance learning programme, from Canada. He describes his work as a blend of social criticism, philosophical reflection, explicit prose, and black comedy. In 2016 he received the John Newlove Poetry Award. Please note that ‘In Memory of Casey Philips’ has adult themes including sexual assault. In Memory of Casey Philips “My uncle just moved in,” Casey…

A Look Into Creative Writing | Oxford Summer Courses

Exploring the magic of creative writing with oxford summer courses.

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Defining Creative Writing

Creative writing , as taught at Oxford Summer Courses, is the process of crafting original and imaginative works of literature, poetry, prose, or scripts. It transcends conventional writing, encouraging individuals to explore language, structure, and narrative. Whether it's a heartfelt poem, a captivating short story, or a thought-provoking novel, creative writing allows us to communicate our unique perspectives and experiences with the world.

The Magic of Imagination

Creative Writing is a catalyst that sparks our creativity and empowers us to breathe life into our ideas on the page. With Oxford Summer Courses, aspiring writers aged 16-24 can embark on an extraordinary journey of creative expression and growth. Immerse yourself in the captivating realms of Oxford and Cambridge as you explore our inspiring creative writing programs. Teleport readers to distant lands, realms of fantasy and creation, introduce them to captivating characters, and craft new worlds through the transformative art of storytelling. Discover more about our creative writing course here . Unleash your imagination and unlock the writer within.

What Are the Different Types of Creative Writing?

Creative Writing comes in many forms, encompassing a range of genres and styles. There are lots of different types of Creative Writing, which can be categorised as fiction or non-fiction. Some of the most popular being:

Biographies
Fiction: novels, novellas, short stories, etc.
Poetry and Spoken word
Playwriting/Scriptwriting
Personal essays

At Oxford Summer Courses, students have the opportunity to delve into these various types of Creative Writing during the Summer School.

The Benefits of Creative Writing with Oxford Summer Courses

Engaging in Creative Writing with Oxford Summer Courses offers numerous benefits beyond self-expression. By joining our dedicated Creative Writing summer school programme, you would:

Foster self-discovery and gain a deeper understanding of your thoughts, emotions, and personal experiences.
Improve your communication skills, honing your ability to express yourself effectively and engage readers through refined language and storytelling abilities.
Enhance empathy by exploring diverse perspectives and stepping into the shoes of different characters, broadening your understanding of the world around you.
Gain new skills for further education or work, expanding your repertoire of writing techniques and abilities to enhance your academic or professional pursuits.
Nurture your creativity, encouraging you to think outside the box, embrace unconventional ideas, and challenge the status quo, fostering a life-long mindset of innovation and originality.

Embracing the Journey

To embark on a journey of creative writing, embrace curiosity, take risks, and surrender to the flow of imagination. Write regularly, read widely, embrace feedback from tutors and peers at Oxford Summer Courses. Begin to experiment with styles and genres, and stay persistent in your course of action. The path of creative writing requires dedication, practice, and an open mind. Join us as we provide tips to help you start your creative writing journey and unleash your full creative potential under the guidance of industry professionals.

Creative Writing is a remarkable voyage that invites us to unleash our imagination, share our stories, and inspire others. It offers countless personal and professional benefits, nurturing self-expression, empathy, and creativity. So, grab a pen, open your mind, and embark on this enchanting journey of creative writing with Oxford Summer Courses. Let your words paint a vivid tapestry that captivates hearts and minds under the guidance of experienced tutors from Oxford and Cambridge. Join us as we explore the magic of creative writing and discover the transformative power it holds within through the renowned Oxford Summer Courses summer school.

Ready to study Creative Writing? Apply now to Oxford Summer Courses and join a community of motivated learners from around the world. Apply here .

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Discover the enchantment of creative writing with Oxford Summer Courses. Unleash your imagination, explore different genres, and enhance your communication skills. Nurture self-expression, empathy, and creativity while gaining valuable writing techniques.

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Short Story Writing for Students and Teachers

What Is a Short Story?

The clue is in the title!

Short stories are like novels only…well…shorter! They contain all the crucial elements of fully developed stories except on a smaller scale.

In short story writing, you’ll find the key story elements such as characterization, plot development, themes explored, etc., but all within a word count that can usually be comfortably read in one sitting.

Short stories are just one of many storytelling methods; like the others, they help us derive meaning from our world.

How Do Short Stories Differ From Novels?

The reduced scale of a short story explains most of the differences the form has with longer forms such as novels.

Short stories usually have a tighter focus on a single main character and rarely shift between perspectives the way we often find in longer works of fiction.

Space is of the essence in this form, so long passages of exposition are usually avoided and the story starting at the last possible moment.

In purely numerical terms, short stories can be anywhere between about 1,000 to around 20,000 words or so, though many would consider even 10,000 too long.

A short novel clocks in at around 60,000 words, with word counts between 20-60,000 words being taken up by that red-headed stepchild of prose, the novella.

THE STORY TELLERS BUNDLE OF TEACHING RESOURCES

short story writing | story tellers bundle 1 | Short Story Writing for Students and Teachers | literacyideas.com

A MASSIVE COLLECTION of resources for narratives and story writing in the classroom covering all elements of crafting amazing stories. MONTHS WORTH OF WRITING LESSONS AND RESOURCES, including:

How to Write a Short Story

Good storytelling is an art. But, luckily it’s a craft too and, like any craft, the skills and techniques can be learned by anyone.

In this article, we’ll first take a look at some ways to kickstart the short story writing process, before taking a look at some of the structural considerations essential for students to understand before they write their short stories.

We’ll also explore some simple practical activities that will help students to draw on their creative resources and personal experiences to help bring their stories to life.

Finally, we’ll look at some general tips to help students put a final polish on their masterpieces before they share them with the world.

How t o begin a story

short story writing | short story writing guide | Short Story Writing for Students and Teachers | literacyideas.com

Create a Dramatic Question

The first thing a student needs to do when writing a short story is to create a dramatic question. Without a dramatic question, readers will have no motivation to read on as there will be no story .

This dramatic question can take many forms, but as it will be the driver of the plot, it will be the single most important element of the story.

Take the movie Rocky as an example. In it, an aging journeyman boxer, Rocky Balboa, answers two dramatic questions:

1. Will Rocky find love?

2. Can he become the Heavyweight Champion of the World?

Often the dramatic question is of this will she/won’t she type. But, whatever form it takes, there must be some obstacles put in the way of answering it.

These obstacles can come in the form of an external obstacle, such as an antagonist or a negative environment, or the form of an internal obstacle, such as heartbreak or grief.

This is the conflict that creates the crucial element of suspense necessary to engage the reader’s interest.

Whatever form a student’s dramatic question takes, it will provide the plot impetus and how the student will explore their story’s theme.

Practice Activity: Identify the Dramatic Question

It is good practice for students to attempt to identify the dramatic question any time they read a book or watch a movie. Ask the students to think of some classic or popular books and movies that they are already familiar with. Can they extract the major dramatic question from each?

Find Inspiration in the World Around

One of the most common complaints from students, when asked to write a short story, is that they don’t know what to write about. This is the age-old curse of writer’s block.

Figuring out what to write about is the first hurdle students will need to overcome. Luckily, the inspiration for stories lies everywhere. We just need to help students to know where to look.

As writers, students must learn to see the world around them with the freshness of the eyes of a young child. This requires them to pay close attention to the world around them; to slow things down enough to catch the endless possibilities for stories that exist all around.

Luckily, we have the perfect activity to help our students to do this.

Practice Activity: Breathe Life into the Story

We can find stories and the details for our stories everywhere.

Students need to tune their ear to the fragments of stories in snatches of overheard daily conversations. They need to pay enough attention to catch their own daydreaming what-ifs on the bus to school or to keep an eye out for all those little human interest stories in the local newspaper.

Once the living details of life are noticed, students need to capture them quickly by recording them in a journal. This journal will become a great resource for the student to dip into for inspiration while writing their stories.

Those half-heard conversations, those anecdotes of street life witnessed through a bus window, the half-remembered dreams scribbled down while gulping down a rushed breakfast. All these can provide jumping-off points and rich detail for a student’s short story.

Outline and Prepare

Preparation is important when writing a short story. Without a doubt. There is, however, a very real danger of preparation becoming procrastination for our student writers.

Students must learn to make their preparation time count. The writing process is much more productive if students invest some time in brainstorming and organizing their ideas at the start.

To organize their short story, students will need to understand the basic elements of structure described in the next section, but the following activity will first help them to access some of the creative gold in their imaginations. The discipline of structure can be applied afterward.

Practice Activity: Dig for Nuggets

For this activity, give each student a large piece of paper, such as a leaf from an artist’s sketchbook, to brainstorm their ideas. Employing a large canvas like this encourages more expansive thinking.

Instruct students to use colored pens to write sentences, phrases, and fragments, even doodles. Anything that helps them to dump the contents of their mind onto the paper. This is all about sifting through the rubble for those nuggets of gold. Students shouldn’t censor themselves, but instead, allow their mind’s free reign.

To help your students get started, you can provide them with some prompts or questions as jumping-off points. For example:

What is your basic premise?
What is the story about?
Who are your main characters?
Where is your story set?

Encourage students to generate their own questions too by allowing their minds ample room to roam. Generating new questions in this way will help them gather momentum for the telling of their tale.

SHORT STORY WRITING STRUCTURE

Even getting off to a great start, students often find themselves in difficulties by the middle of their story, especially if they haven’t achieved a firm grasp of structure yet.

The main elements students will need to master are plot, theme, and character development.

In this section, we’ll take a look at each of these in turn.

short story writing | structuring a short story 1 | Short Story Writing for Students and Teachers | literacyideas.com

Plot refers to the events of the story. This is the what of the tale. It’s useful for students to understand the arc of the plot in five sections: exposition, rising action, climax, falling action, and resolution.

Exposition: This is the introductory part of your story. It should introduce the reader to the central characters and orientate them to the setting.

Rising Action: Here the student begins by introducing the central dramatic question which will be the engine of the story. A series of obstacles must be placed in the way of the main character that will increase suspense and tension as the story moves forward toward the climax.

Climax: The climax is the dramatic high point of the story. This is where interest peaks and the emotions rise to their most intense.

Falling Action: Now the conflict is resolving and we are being led out to the story’s end.

Resolution: The central dramatic question has been answered, usually in either a happy or tragic manner, and many loose ends are tied up.

Practice Activity: Instruct students to use the five-part plot structure above to map an outline for their tale before writing .

If the plot consists of the series of events that constitute the story, then the theme refers to what those events mean.

The theme of a story is the underlying message of the story.

What is the ‘big idea’ behind all the action of the plot? This is open to a certain amount of interpretation on the part of the reader, but usually, a little reflection by the student writer will reveal what the events of the plot mean to them.

If, as described in the introduction, stories are how we derive meaning from the world, the theme will reveal the writer’s perspective on things.

Practice Activity: Organize students into groups and ask them to list their Top 5 movies or books of all time. Instruct them to briefly outline the main plot points using the plot structure above. When they’ve completed that, instruct the students to discuss what they think the main themes of each of the works of fiction were.

A COMPLETE UNIT ON TEACHING STORY ELEMENTS

short story writing | Story Elements Teaching Unit | Short Story Writing for Students and Teachers | literacyideas.com

☀️This HUGE resource provides you with all the TOOLS, RESOURCES , and CONTENT to teach students about characters and story elements.

⭐ 75+ PAGES of INTERACTIVE READING, WRITING and COMPREHENSION content and NO PREPARATION REQUIRED.

Character Development IN SHORT STORY WRITING

short story writing | character development short story writing | Short Story Writing for Students and Teachers | literacyideas.com

No doubt about it, characterization is essential to the success of any short story. Just how important characterization is will depend on whether the story is plot-driven or action-driven.

In the best writing, regardless of genre or length, the characters will be at least plausible. There is a lot that students can do to ensure their stories are populated with more than just cardboard cutouts.

One effective way to do this is to reveal a character through their actions. This is the old show, don’t tell trick at work.

A good short story writer will allow the character to reveal their temperament and personality through their actions.

For example, instead of merely describing a character as putting a mug on the table, perhaps they bring it down with a thud that betrays their anger.

Another great way to reveal character is in the use of dialogue. How characters speak to each other in a story can reveal a lot about their status, mood, and intent, etc.

Our students must learn to draw complex characters. Archetypes may serve us well in some contexts, but archetypes are not real people. They are caricatures. If our students want to people their fictional world with real people, they need to create complex, even contradictory characters, just like you and I are.

If their characters are too consistent, they are too predictable. Predictability kills suspense, which in turn kills the reader’s interest.

Practice Activity: Reveal Mood through Action

For this simple activity, provide the students with a list of emotions. Now, challenge the students to concoct a short scene where a character performs an action or actions that reveal the chosen mood.

To start, you might allow the students a paragraph in which to reveal the emotion. You might reduce this to just a sentence or two as they get better at it. Remind students that they need to show the emotion, not tell it!

HOW TO POLISH AND REFINE A SHORT STORY

Now students have already had a look at how to begin and how to structure a story, we’ll take a look at a few quick tips on how they can polish their stories generally – especially during the editing process.

Write Convincing Dialogue:

For students, investing time in learning how to write great dialogue is time well spent.

Not only is well-written dialogue great for revealing character, but it will break up intimidating walls of text too.

Dialogue is a great way to move the story forward and to provide subtle exposition.

As mentioned earlier, journals are the perfect place to dump interesting snatches of conversation that become a valuable resource for writing convincing dialogue – except, of course, if you are passing through North Korea or the like!

Vary Sentence Length:

When finished with their first drafts, encourage students to read their work out loud when editing and rewriting.

Often, students will be surprised to realize just how regular the rhythm of their sentences has become.

Like musicians, writers have chops. It’s easy to fall back on the same few favored structures time and again. Students can do a lot to spice up their writing simply by varying sentence lengths.

Shorter sentences are pacier and punchier while longer sentences can slow things down, calming the reader, then, boom!

Varying sentence length throughout a story prevents the writing from becoming stale and monotonous.

Punctuation:

As with varying sentence length above, the rhythm of a story can be altered through the choice of punctuation.

Students can think of punctuation as musical notation marks. It’s designed to help the reader understand the composer’s intention for how it is to be read and interpreted.

Students should understand punctuation as an imperfect but effective tool. Its use affects not only the work’s rhythm but also the meaning.

It is well worth the student’s time to perfect their use of punctuation.

To Conclude

There are a lot of moving parts to short stories.

From the nuts and bolts of grammar and punctuation to crafting a plot and exploring big thematic ideas, mastering the art of short story writing takes time and lots of practice.

With so much ground to cover, it’s impossible to address every aspect in a single unit of work on short story writing.

Be sure to offer students opportunities to see the short story in action in the work of accomplished writers, as well as opportunities to practice the various aspects of short story writing mentioned above.

Draw attention to writing best practices when they appear even in work unrelated to the short story.

Lots of time and plenty of practice might just reveal a latter-day O. Henry or Edgar Allen Poe sat in one of the desks right in front of you.

SHORT STORY WRITING CHECKLIST BUNDLE

SHORT STORY WRITING VIDEO TUTORIAL

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Write a short note on Creative writing?
Creative writing is an invigorating way to express thoughts, feelings, and ideas in a manner that goes beyond factual reporting or professional instruction. It involves creating engaging narratives, descriptive pieces, poetry, or even a personal diary. The process often starts with brainstorming or freewriting, followed by multiple stages of ...
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CNF pioneer Lee Gutkind developed a very system called the "5 R's" of creative nonfiction writing. Together, the 5 R's form a general framework for any creative writing project. They are: Write about real life: Creative nonfiction tackles real people, events, and places—things that actually happened or are happening.
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In this article, I'll take you through the process of writing a short story, from idea conception to the final draft. How to write a short story: 1. Know what a short story is versus a novel. 2. Pick a simple, central premise. 3. Build a small but distinct cast of characters. 4.
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Create a Dramatic Question. The first thing a student needs to do when writing a short story is to create a dramatic question. Without a dramatic question, readers will have no motivation to read on as there will be no story.. This dramatic question can take many forms, but as it will be the driver of the plot, it will be the single most important element of the story.