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BA (Hons) Drama and Creative Writing

Key Details

Why you should choose us

In the UK for Drama, Dance and Cinematics

The Complete University Guide 2024

In the UK for Creative Writing

The Guardian University Guide 2023

For graduate prospects in Drama,Dance and Cinematics

Course Overview

This unique degree unites UEA’s strengths in creative writing and in drama to give you an exhilarating immersion in writing and performance. 

You will have the opportunity to study all kinds of creative writing, with a particular focus on writing for theatre, cinema, television, and radio. Alongside, you'll be exploring the contemporary practice, criticism, and history of dramatic writing and performance. Your writing will be enriched by an awareness of theatrical and literary traditions from around the globe. 

You’ll take practical drama modules, and you’ll have full access to our professionally equipped 200-seat Drama Studio. This comprehensive grounding in acting, directing, and all other aspects of stagecraft will enable you to graduate as a writer with an instinctive feel for the world of theatre and performing arts.  

Our BA Drama and Creative Writing is ranked 6th for Creative Writing by  'The Guardian University Guide 2023'.

You'll gain a thorough grounding in writing for stage and screen, which will be complemented by opportunities to develop your skills in non-dramatic writing, too. Your stage and screen writing will be improved by getting to grips with the ins-and-outs of theatrical performance, while you become better able to analyse dramatic language by writing it yourself. 

At the heart of your degree are scriptwriting masterclasses with practising writers, where you’ll discover the formats, conventions, and techniques of writing for different   dramatic genres and media. You’ll learn by writing scenes and short scripts, offering critiques of each other’s work, and by working closely with other Drama students. 

In your second and third years, you'll be able to develop your craft as a writer by taking workshops in prose or poetry, working closely with our world-famous creative writing colleagues.  

Throughout your degree, you will gain hands-on experience by participating in production and practical project work. You’ll have the keys to our professionally equipped 200-seat Drama Studio, giving you the chance to control everything in your own productions. You’ll also have access to performance and placement opportunities, including a creative industries internship in your second year, which involves a work placement in a drama-producing organisation or environment.  

You’ll encounter an astonishing array of drama and a wealth of performance styles, from naturalism to Noh theatre. You’ll engage with major theoretical and directorial approaches, from Aristotle to Boal, from live art to physical theatre. And you can examine the use of theatre and performance – by the state, by political activists, and by theatre and performance practitioners – to solidify or challenge structures of power. 

You’ll benefit from our highly regarded student run Minotaur Theatre Company, which gives you the chance to gain additional performance, technical and scriptwriting experience, as well as exciting chances to share your writing at events such as New Writing Live. Find out more about life in the School of Literature, Drama, and Creative Writing on our Instagram @uealdc. 

Placement Year and Study Abroad

You have the option to apply to study abroad for one semester of your second year. Studying abroad is a wonderfully enriching life experience – you will develop confidence and adaptability, and will have the chance to deepen your understanding of drama and writing while learning about another culture. At UEA, you will also be surrounded throughout your degree by the many students we welcome from around the world to study with us. 

For further details, visit the  Study Abroad section  of our website.  

Study and Modules

Your first-year module Scriptwriting and Performance sets up a conversation between writing, doing, and thinking, which continues throughout your degree. You’ll experiment with a wealth of new techniques in dramatic writing while also taking advantage of developmental acting exercises. In addition, you'll start to hone your creative writing across a range of literary forms in the module Creative Writing: Autumn Semester. You’ll develop your performance and technical skills further on the Applied Drama and Technical Skills module. You’ll then encounter rich traditions of dramatic writing in the Introduction to World Dramatic Literatures module, exploring how contemporary writers are reimagining or contesting older traditions. You’ll  unite theory and practice in Theatre: Theory and Performance. Your practical work on the stage culminates in the module on modern British theatre. 

Compulsory Modules

Scriptwriting and performance, introduction to world dramatic literatures, applied drama and technical skills, theatre: theory and performance, postwar british drama, creative writing: autumn semester.

Whilst the University will make every effort to offer the modules listed, changes may sometimes be made arising from the annual monitoring, review and update of modules. Where this activity leads to significant (but not minor) changes to programmes and their constituent modules, the University will endeavour to consult with students and others. It is also possible that the University may not be able to offer a module for reasons outside of its control, such as the illness of a member of staff. In some cases optional modules can have limited places available and so you may be asked to make additional module choices in the event you do not gain a place on your first choice. Where this is the case, the University will inform students.

Teaching and Learning

Teaching  You'll begin your development as a writer in workshops focussed on scriptwriting led by a member of our world-famous creative writing team. Your Drama tutors combine a wealth of practical experience in all kinds of performance with deep academic knowledge of the history, theory, and contemporary practice of theatre. Practical workshops in technical theatre and performance will underpin your development on the stage. You'll get to grips with plays in drama seminars – where you might find yourself workshopping parts for performance in order better to understand them!

Independent Learning  You'll spend time doing everything from reading plays and writing your own scripts to rehearsing parts for the stage, at the same time as benefitting from student-run theatre company, Minotaur, where you can gain even more experience in practical performance or get a chance to turn your own original scripts into productions. 

Assessment  Our BA Literature and Drama modules do not have written exams (apart from one technical theatre test). As a Creative Writer, in the first year you'll be led through a series of writing exercises and discussions to help you produce a short, complete script. The technical theatre skills you're developing will be assessed through tasks such as making a 3D model of a set, designing a costume, or placing mics on a soundstage. Your performance work will be graded, and so will the rehearsals for your end-of-year production, capturing your development in the round. 

Feedback  You're given constant feedback on your practical work, helping you to deepen your craft as a performer. You'll receive feedback on your writing from your tutors and your peers in workshops. Feedback on assessed work will be returned within 20 working days (after it has been carefully marked and moderated). As your first year does not count toward your overall degree result, it's the perfect moment to experiment and take risks.  

In your second year, you’ll extend and refine your scriptwriting skills in the Creative Writing: Scriptwriting modules, where you learn how to write for stage/radio and film/television. Alongside this you’ll have an opportunity to tackle poetry or prose writing in a dedicated workshop, and an array of opportunities for practical dramatic work. For example, you can take an internship, engage in outreach work, take modules to build your performance skills for stage and screen, or take an innovative module on the director, the actor, and the script. You can also choose to study journalism or publishing, or choose modules in literary, film or cultural criticism.  

Optional A Modules

Shakespeare (pre-1789), feminist theatres, political theatre, experiments in performance, optional b modules, scriptwriting: tv/film, scriptwriting: screen and stage, scriptwriting: stage/radio, optional c modules, creative writing: poetry (aut), technical theatre, literature studies semester abroad (spring), creative writing: prose fiction (aut), the writing of journalism (aut), performance skills: the actor and the text, practical film making and performance, drama outreach project, optional d modules, the writing of history, the short story (aut), reading and writing contemporary poetry, romanticism 1780-1840, making it public: publishing, audience, & creative enterprise, critical theory and practice, seventeenth-century writing: renaissance and revolution (pre-1789), empire and after: globalizing english, contemporary fiction, victorian writing, medieval writing (pre-1789), literature and philosophy, european literature, reading and writing in elizabethan england (pre-1789), eighteenth-century writing (pre-1789).

Teaching  Your creative work will now be taken to the next level through the 'workshopping' process (pioneered in the UK by UEA), where you'll get feedback on your writing from your peers under the direction of one of our creative writing tutors, and learn the art of offering constructive critique of your peers’ writing too. You'll concentrate intensively on scriptwriting (for the stage, radio, TV, and film), and will also have the chance to get to grips with prose or poetry. You'll have a wealth of opportunities to make your own theatre with the support of our staff, experimenting with different directorial theories, developing skills in devising plays, discovering radical performance modes, or delving into political theatre (e.g. Feminist Theatres or Queer Theatre). If you choose to produce work for the screen, you'll be supported by a well-regarded independent filmmaker.  

Independent Learning  As you make theatre and performance work with greater confidence, you'll naturally work with greater independence as both a writer and a performer. This might mean deepening your collaborations with your peers or making solo projects that showcase your development as a writer.  

Assessment  Your creative writing will flourish as you produce more substantial scripts for stage, radio, or screen (c.20-30 minutes in length), and, if you wish, pieces of prose (e.g. a 1250-word short story or longer 2000-word narrative), or a portfolio of poetry. You can try your hand at devised performances and write reflective pieces to understand better your own creative processes. You might write essays on books or plays. You'll continue to be assessed on your practical drama work in all its forms, whether that's acting, directing, filmmaking, technical theatre, or on your collaborative work with an external organisation.

Feedback  Your creative work will be deepened by your immersion in the workshop environment, where you receive feedback from your peers and learn to give feedback on their work, an enormously valuable skill in many careers. Your practical work is constantly enriched by your drama tutors' feedback during rehearsals, and you'll continue to receive advice on 'formative' writing, too, from both your literature and drama tutors. 

By your third year you will have found your voice as a playwright or screenwriter. The keystone of this year is your Creative Writing Dissertation where, with one-to-one support from your supervisor, you’ll produce a substantial piece of writing, which in most cases will take the form of a script for stage, screen, or radio. Alongside this you can choose from a range of options, either throwing yourself into the third year Drama Production, pursuing an individual drama project, focusing intensively on dramatic literature (via modules on drama and literature, or contemporary drama and film), broadening out into other literary realms, taking a prose or poetry workshop, or studying creative work in the media industries.  

WRITING TELEVISION DRAMA

Creative writing dissertation (spr), creative writing dissertation (aut), creative writing: scriptwriting, drama projects, drama production (year 3), drama and literature: the question of genre, special topic in drama, the italian renaissance: translating love, death and adventure (pre-1789), literature dissertation: (pre-1789) (spr), feminist writing, shakespeare's dramatic worlds (pre-1789), the art of murder, the art of emotion: literature, writing and feeling, literature dissertation: post-1789 (aut), writing consciousness: style and modernist fiction, literature dissertation: (pre-1789) (aut), urban visions: the city in literature and visual culture, literature dissertation: post-1789 (spr), children's literature, ghosts, haunting and spectrality, the business of books (pre-1789).

Teaching  Your journey as a writer culminates in your creative writing dissertation, in which you'll work one-on-one with a member of our creative writing team as you plan, develop, and write a more extended project. You can choose to spend the whole first semester of your third year working as part of a near-professional theatre company in our Drama Production module, where you'll be led by a member of our core Drama teaching team and mentored by professionals in stage management, costume design, set building, movement, and marketing. Or, if you'd prefer, you can pursue a solo venture in our Drama Project, where you'll be supervised to create an individual performance or film of your devising.

Independent Learning  You'll spend much of your own time writing in the forms that have come to matter to you the most. You'll either collaborate with drive and passion with your peers in the third-year production or bring together everything you've learnt across the degree by working independently on a Drama Project (supervised by a member of our Drama team or a relevant industry professional). 

Assessment  In your Creative Writing Dissertation, you’ll produce a substantial piece of work that truly reflects the writer you’ve become, whether that’s a 60-page script, or a collection of stories or poems. You’ll also write a reflective self-commentary on your creative process. If you choose the intensive Drama Production module, your rehearsal and technical work will be continuously assessed by the drama tutor who's leading the whole project, and your final performance will be marked, and that mark moderated by an external examiner. You might write academic essays, reflections on your performances, or pieces of creative-critical writing, where you fuse critical with imaginative writing.

Feedback  For your Creative Writing Dissertation, you'll work one-on-one with a member of our creative team, receiving regular feedback on your progress. As well as constant advice on your practical drama work as it develops, you'll receive full written feedback on your work in either the Drama Production or Drama Project modules, as well as regular feedback on formative written work for all your modules. 

Entry Requirements

A Level – BBB

BTEC L3 Extended Diploma – DDM

UEA are committed to ensuring that Higher Education is accessible to all, regardless of their background or experiences. One of the ways we do this is through our contextual admissions schemes .  

Applications from students whose first language is not English are welcome. We require evidence of proficiency in English (including writing, speaking, listening and reading):  

IELTS: 6.5 overall (minimum 5.5 in all components) for year 1 entry 

We also accept a number of other English language tests. Review  our English Language Equivalencies  for a list of example qualifications that we may accept to meet this requirement.

If you do not yet meet the English language requirements for this course, INTO UEA offer a variety of English language programmes which are designed to help you develop the English skills necessary for successful undergraduate study:  

Pre-sessional English at INTO UEA   

Academic English at INTO UEA   

Additional Information or Requirements

UEA are committed to ensuring that Higher Education is accessible to all, regardless of their background or experiences. One of the ways we do this is through our contextual admissions schemes.  

If you do not have an A-Level or equivalent qualification in one of the subjects listed above,  once you have submitted your UCAS form we may then contact you to ask you to submit a short analysis of a passage of a literary text in support of your application.

We welcome and value a wide range of alternative qualifications.  If you have a qualification which is not listed here, please contact us via Admissions Enquiries .

If you do not meet the academic requirements for direct entry, you may be interested in one of our   Foundation Year programmes

Important note

Once enrolled onto your course at UEA, your progression and continuation (which may include your eligibility for study abroad, overseas experience, placement or year in industry opportunities) is contingent on meeting the assessment requirements which are relevant to the course on which you are enrolled.

International Requirements 

We accept many international qualifications for entry to this course. View our International Students pages for specific information about your country.

Fees and Funding

Tuition Fees  

View our information for Tuition Fees.  

Scholarships and Bursaries 

We are committed to ensuring that costs do not act as a barrier to those aspiring to come to a world leading university and have developed a funding package to reward those with excellent qualifications and assist those from lower income backgrounds. View our range of Scholarships for eligibility, details of how to apply and closing dates. 

Course Related Costs

View our information about Additional Course Fees.  

How to Apply

Apply for this course through the  Universities and Colleges Admissions Services (UCAS ), using UCAS Hub. 

UCAS Hub is a secure online application system that allows you to apply for full-time undergraduate courses at universities and colleges in the United Kingdom.

Your application does not have to be completed all at once.  Register or sign in to UCAS  to get started. 

Once you submit your completed application, UCAS will process it and send it to your chosen universities and colleges. 

The Institution code for the University of East Anglia is  E14. 

View our guide to applying through UCAS for useful tips, key dates and further information:  

How to apply through UCAS  

Employability

After the course.

Some graduates go into careers in film, drama, radio, and scriptwriting, as writers, developers, agents, casting directors, or artistic directors of their own companies. Recent graduates from our drama degrees include the actor Matt Smith (famous for his portrayal of Doctor Who and his leading role in The Crown), the presenter of the Radio 1 Breakfast Show, Greg James, and the playwright Tom Morton-Smith (whose 2015 play Oppenheimer was performed by the Royal Shakespeare Company). For others, this degree is a stepping-stone towards careers in the arts, media, publishing, politics, charities, and NGOs, teaching, and the commercial sector.  Our Careers Service is here to support you in launching your career by advising with CV writing, internships, and much more. Every year we run an event, Working with Words, which gives current students the chance to meet and hear from successful UEA alumni from across the creative industries.   UEA also has its own in-house student publishing project, Egg Box, along with many other exciting initiatives that give you opportunities to turn your love of writing and performance into a foundation for your future career. 

A degree at UEA will prepare you for a wide variety of careers. We've been ranked 1st for Job Prospects by StudentCrowd in 2022.

uea online creative writing course

Examples of careers you could enter include:  

Scriptwriting  

Theatre and film  

Journalism  

Media  

Teaching  

Publishing  

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Drama and Creative Writing starting September 2023 for 3 years

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MA Creative Writing Prose Fiction

University of east anglia uea, different course options.

  • Key information

Course Summary

Tuition fees, entry requirements, university information, similar courses at this uni, key information data source : idp connect, qualification type.

MA - Master of Arts

Subject areas

Narrative Prose Writing

Course type

Our course will transform you as a writer, giving you a surer sense of the technical and emotional complexes that underpin any act of writing.

You’ll study the craft of prose fiction with an internationally excellent cohort of other writers, and you’ll be taught by an outstanding and committed faculty – which includes Andrew Cowan, Naomi Wood and Tessa McWatt, to name a few – alongside internationally recognised visiting writers – recent examples include Tsitsi Dangarembga, Margaret Atwood, Ali Smith, Caryl Phillips and Preti Taneja.

We will challenge you to explore your notions about writing and being a writer, provoking you into play, experimentation and risk, with the intention of making you the best writer you can be.

After this intensive year, you’ll leave the course confident of technique and craft, as well as your own voice. It’s no wonder that our students’ success is unparalleled, with many of our graduates going on to publish their own work – with others moving into publishing, journalism or teaching.

The MA Prose Fiction at UEA is the oldest and most prestigious Creative Writing programme in the UK. Solely focused on the writing of fiction, we take a rigorous and creative approach to enable you to develop your ideas, voice, technique and craft.

You’ll experience an intensive immersion in the study of writing prose fiction. You will take core creative modules but can also choose from a wide range of critical modules, and benefit from our proven strengths in modernism and creative-critical studies, among others.

Graduates of our MA Creative Writing Prose Fiction have enjoyed extraordinary success in terms of publications and prizes. Our alumni include Nobel Laureate Sir Kazuo Ishiguro, Baileys Women’s Prize-winner Naomi Alderman, Emma Healey and Tash Aw. The continuing success of our graduates means we are fortunate in being able to attract the best writers from around the world – writers like you.

While you are at UEA, the focus will very much be on exploring your creative potential, in a highly supportive and well-resourced environment.

In 2011, UEA’s Creative Writing programme was awarded the Queen’s Anniversary Prize for Higher and Further Education in recognition of our continuing excellence in delivering innovative courses at a world-class level.

UK fees Course fees for UK students

For this course (per year)

International fees Course fees for EU and international students

Bachelors (Hons) degree - 2.1 or equivalent preferred in any subject. Candidates are required to submit a portfolio of writing for assessment of between 3000 and 5000 words with their application. This could be part of a novel in progress or a piece or pieces of short fiction.

The University of East Anglia (UEA) is a world-renowned university known for its high standard across both taught and research postgraduate courses. Based in Norwich, in the county of Norfolk, the university has an excellent international reputation for the high standard of its research output. UEA is home to over 17,000 students, of which around 25% are postgraduate students. UEA is part of one of the biggest research communities in Europe... more

MA Creative Writing (Non-Fiction)

Full time | 1 year | 23-SEP-24

MA Creative Writing Crime Fiction (Part Time)

Part time | 2 years | 23-SEP-24

MA Creative Writing (Non-Fiction) (Part time)

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University of east anglia uea: creative writing (non-fiction).

Institution
Department
Web
Email [email protected]
Telephone 01603 591515
Study type Taught

Literary non-fiction is changing in exciting ways, and this is your chance to be a part of it.

Our best modern writers have been experimenting with new forms and subjects. Nature-writing, the personal essay, biography, food journalism, art criticism and memoir are all part of the intellectually stimulating emerging mix.

If you want to develop your own non-fiction writing in any of these genres or one of your own, this MA programme is for you. You’ll study on one of the only dedicated non-fiction MA courses in the UK at the country’s leading university for the teaching of creative writing. This enables you to graduate with the best grounding possible for a successful and fulfilling literary career.

About This Course

This is one of very few courses in the UK that gives you the opportunity to concentrate exclusively on writing non-fiction. Our students come from extremely varied backgrounds, and in the past have included barristers, a zoologist, actors, doctors, teachers, a Master of Wine and an asparagus farmer!

The age range is diverse, too: from people in their early twenties to those in their sixties and seventies. Students come from all parts of the globe, but all are united in their desire and commitment to writing non-fiction. The diversity of students and the range of their interests is one of the great strengths of the course, as is its collegiate atmosphere: you’ll learn as much constructively critiquing your peers’ writing as you will writing your own pieces.

Some people come with a project in mind, others have no specific idea about what they want to write. Either approach is fine – the course gives you the opportunity to develop an existing project and to experiment with different subjects and voices. Your time at UEA offers you a unique opportunity to focus on your writing in a stimulating and supportive environment.

We encourage you to take advantage of UEA’s and Norwich’s vibrant literary culture. You will also have the opportunity to meet some of the UK’s leading agents and publishers.

We publish an anthology of our students’ writing each year and distribute it to a key list of editors, agents and critics.

Course details are subject to change. You should always confirm the details on the provider's website: www.uea.ac.uk

Full-Time, 1 years starts Sep 2024

Level RQF Level 7
Entry requirements

DEGREE CLASSIFICATION 2:1.
DEGREE SUBJECT Literary or related subejct. ADDITIONAL ADDITIONAL REQUIREMENTS Applicants must also submit a sample of biographical writing or creative non-fiction (a maximum of 3000 words).

Location University of East Anglia
Norwich Research Park
Norwich
NR4 7TJ
Channel Islands 9975 GBP for Whole course
England 9975 GBP for Whole course
Northern Ireland 9975 GBP for Whole course
Scotland 9975 GBP for Whole course
Wales 9975 GBP for Whole course
International 21200 GBP for Whole course

Part-Time, 2 years starts Sep 2024

uea online creative writing course

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Online Courses

Online courses: creative writing.

Stanford Continuing Studies' online creative writing courses make it easy to take courses taught by instructors from Stanford’s writing community. Thanks to the flexibility of the online format, these courses can be taken anywhere, anytime—a plus for students who lead busy lives or for whom regular travel to the Stanford campus is not possible. These courses are open to all adults, and we encourage all levels of writers to enroll.

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uea online creative writing course

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uea online creative writing course

Introduction

There are lots of online creative writing courses to choose from. But, choosing the best online creative writing course for you can be challenging. This is because value is hard to compare as so many courses offer differing levels of expertise, tutor access and duration. Some will just be better than others. It may also be unclear what level of course you should choose.

This guide will help you choose the best online creative writing course by defining exactly what you want to achieve as well as offering guidance on trusted brands, on- vs offline and cost.

First, get a piece of paper or open a new document on your computer – and be ready to start making notes!

What do you want to achieve?

This may sound obvious, but there are so many courses available with particular focuses, that it’s easy to choose the wrong one.

First, write down what you are. For example:

  • A complete beginner with no formal training
  • An early career writer
  • A lover of crime writing
  • A professional writer (journalism, marketing)
  • A ghostwriter.

Write down what you want to get out of your online creative writing course. Get really specific with what you want to achieve, from the emotional to the tangible.

For example:

  • Are you a new writer looking for the foundational skills to get started?
  • Do you have an established writing hobby and are looking for particular skills to build on your existing expertise?
  • Do you just love learning and want to have some fun?
  • Are you looking for feedback on your writing?
  • Do you want to end up with a finished novel by the end?
  • Do you want to feel like you’ve achieved something by the end of the course?
  • Do you want to meet other people who are doing what you’re doing?
  • Do you have a particular project that you need help with?
  • Do you want to make money from writing and publishing?
  • Are you a freelance writer who wants to develop better business writing skills?
  • Are you a marketing professional who wants to improve your brand storytelling skills?
  • Do you want to become proficient in a particular genre (for example: general fiction , crime , memoir , historical fiction , creative non-fiction , poetry , scriptwriting , etc.)

Add as many as occur to you to your list. This will guide you to specific courses that meet your specific needs. Companies will also use language in their marketing and this may resonate with your emotional desires: achievement, satisfaction, community etc.

First, you must define what level you are at. This can be more complex than it at first seems: for example, you may be an intermediate writer of one genre, but new to another.

  • No writing experience at all
  • Some writing experience, especially professional
  • You may have taken a course
  • You may have done lots of online research
  • You may have self-published your own work
  • You may have had a book published or be working on a finished manuscript that is in discussion with publishers
  • You may already have an established career with multiple published books.

Add the answer to your list.

NCW Academy offers courses for writers at different stages of their career, for example: Kickstart Your Poetry (Beginner) and Develop Your Poetry (Intermediate) .

Course topic

Have you defined precisely what course you need to do in order achieve what you want?

There may not be a specific course for your exact needs, but start specific and get broader. A fiction writing course might be appropriate for crime writers or sci-fi writers alike, but if you want to write either of the latter, you may find specific courses for you.

Look at your objectives. If you could create your dream course, what would it be called?

  • Epic feminist steampunk for beginners
  • Young adult period romance
  • Vampire novels for Stephen King fans

While there may not be a specific course for these, you will have an idea of what you want (sci-fi, YA, horror respectively) and you will certainly know what you don’t want – which can stop you from picking the wrong course.

For example, we have courses in the following genres:

  • General fiction
  • Crime fiction
  • Screenwriting
  • Creative non-fiction
  • Romantic fiction

Course format

It is essential that the creative writing course you choose is delivered in a format that suits your situation. Courses come in two main formats, for example:

  • Self-paced courses
  • Guided courses.

Self-paced courses don’t have a face-to-face or ‘live’ element, though they may contain video lectures or sessions. As the description suggests, self-paced courses allow you to fit the course into your schedule, around work, children or other commitments. Explore examples of self-paced creative writing courses here .

Guided courses are usually led by a tutor and include a ‘real time’ or ‘live’ element such as webinars, seminars and/or workshops. This live element will tend to complement writing exercises and studying that happens in between sessions. For example, our 12-18-week online tutored courses include two weeks of exercises, followed by a feedback and discussion session with the course tutor. Guided courses tend to be in terms or semesters like schools and universities so you may not be able to start/finish with the flexibility of a self-paced course.

Do you have the time and flexibility to attend sessions at a fixed time? What are those fixed times?

Check your objectives. Write down how you want to do your course.

The amount of tutor time relates to the format point above.

Tutor time is frequently what makes a course cost more or less. The business model for many providers (such as Masterclass) is: create assets once and you can sell them a thousand times; all money over your setup costs is all profit. Online courses like this include no live sessions such as webinars, no access to tutors and no 1-2-1 feedback. This may be in line with what you want to achieve and therefore perfect for you.

Some courses have no tutor, they are simply information, guidance and exercises.

Tutored (recorded)

Some courses will include audio/video materials that feature a tutor.

Tutored (no 1-2-1 access)

Many courses include live sessions (for example lectures) but do not offer 1-2-1 access to the tutor.

Tutored (shared access)

There are courses where the tutor will host online sessions with everyone on the course, allowing people to ask questions.

Tutored (1-2-1 access)

Some courses, in addition to writing and exercises, will include 1-2-1 sessions which allow students to discuss their writing for a set period (usually 30-60 minutes).

Many of the tutor courses will include feedback, or the option to pay for specific feedback – usually in the form of a written report. If you have chosen a course with 1-2-1 time you will be able to discuss your written feedback with them.

Check your objectives. How much contact time – and of what type – do you need to ensure you get what you want?

Other formats

It is also worth considering other learning formats, such as mentorship. Look at your objectives, would mentorship suit you better? For example, have you been on web-based courses without tutor feedback and self-published one or more books? Do you need specific guidance on your projects or skills? If so, mentorship may be a better solution. Read more about how mentoring works .

Workshops can also offer a great way to learn. You can explore our workshops here to see what kinds of things on offer.

There are also some fun-looking writers retreats available for those who have the budget to stay at a venue and immerse themselves in courses with tutors and fellow writers.

Course location

This article is about online creative writing courses, but, depending on your objectives, a location-based in-person course may suit you as multiple options exist.

For example, is the course:

  • In-the-flesh, location-based
  • A combination of the two.

By choosing an online course you are widening your choices significantly. Even if you live in a big city, there is a larger choice of online courses – and this has been accelerated by the COVID pandemic, when demand for everything to be available online exploded.

However, you may still prefer a location-based course if your objective is to meet people or even ‘get me out of the house’.

If you do decide to take a location-based course, check how long it will take you to get to as this may influence your decision.

Add your preference to your list.

Course ‘home’

Where is the course based? This is important because it is easy to end up signing up for a course in another country (that speaks the same language). For example, if you are in the UK, you may not want to take a US-based course. Again, this will be guided by your objectives. For example: you might be a UK writer wanting to break into the US market or a US expat in the UK looking to study a US course. While the differences in language, style and a nation’s publishing industries may be small, they may be meaningful depending on your needs.

Conversely, the course’s home might not be relevant to your objectives. For example, a screenwriting or poetry course might be internationally universal.

Who created the course?

The online learning industry has exploded in recent years. But not all courses are created equal. Great writers may not be great teachers. And not all course vendors will have access to high-level expertise with which to build a great creative writing course.

As such it is important to see who created the course and how it’s delivered, for example many published writers offer courses but may lack the didactic skills and technology to deliver a course which truly helps different types of student get what they need to improve. Similarly, there are e-learning businesses who do not specialise in or understand creative writing or the publishing industry, and have invited an inappropriate person to create the course.

When researching courses, ensure that the provider matches the level of expertise you need and that they are credible in the area you need. For example, don’t take a poetry course from a crime writer.

To ensure students get a valuable and enjoyable learning experience, National Centre for Writing worked with the University of East Anglia’s School of Literature, Drama and Creative Writing to build our online tutored courses . This delivers the expertise of both teaching and writing – and at the highest level.

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This relates to the above point: you need to ensure that the tutor has the expertise you need, and that they are a good educator.

Is the tutor authoritative in the area you need? We italicise this as there are lots of talented writers, but they may not have the specific expertise you need, so ensure that the tutor has relevant expertise. How can you know this? Most course providers will have a section on tutor with a biography that includes what they’ve written and/or their academic credentials. You may decide that academic credentials are more likely to yield better learning that a celebrity writer with published works under their belt. Again this will depend on your objectives – a university lecturer may know less about the cut and  thrust of getting published than a published author, while a published author may have no idea how to teach, coach or mentor.

Generally, the more of a beginner you are, the more you should favour academia over publishing: a teacher will know how to support beginners, while a published writer may have valuable insights for more experienced writers.

If you want a course which includes tutor interaction you might also consider chemistry: do you think you will get on well with the tutor. Of course it’s unlikely that you’ll have the opportunity to meet the tutor(s) ahead of time, but the course provider may have audio, video or blogs with the tutor so you can decide whether you’re likely to get on with them. Are they friendly, down-to-earth, domineering, opinionated, supportive etc.?

There are many aspects of time that are important to consider when choosing an online course. This relates to the ability of a course to deliver what you want as well as its relative value.

  • What is the course duration? For example, is it a one, two or three-month course?
  • How much time will it take to complete the various elements of the course? For example, are there two hours of exercises to complete each week?
  • How much tutor time (if relevant) do you get? For example, a one-hour lecture each fortnight; a one-hour lecture and 30-minutes of 1-2-1 time
  • How many hours of video/audio tutelage is there?

As you research courses, make a note not only of the course duration, but of the total time you need to complete it, as well as the amount of contact time you will have with tutors. This will help ensure:

  • You will get what you want from the course
  • It is good value.

Cost, value and your budget

It is hard to compare course value across different providers as there is no uniformity of products. For example, a 12-week course from one provider might include 12 hours of exercises, while a 6-week course from another might include 24 hours of exercises.

Refer to the Time section above to work out exactly what you get for your money.

While time is a key consideration when it comes to the value of your creative writing course, for example quality. Lots of poor-quality assets or more time with a lower-quality tutor may not be as valuable as a smaller amount of time with better assets/tutors. Similarly, don’t choose a cheaper course if it’s less relevant than a more relevant, more expensive one. For example, you may be better off choosing a crime writing course than a generic fiction one if that’s your objective.

Bestselling US epic fantasy author Brandon Sanderson runs a writing course at Brigham Young University, Utah that focuses on fantasy and science fiction. Many of his lectures are available for free on YouTube, but this isn’t good value if you want to learn how to write crime fiction.

Create a shortlist of courses that look relevant first, then assess which is the best value. Include quality, expertise level, total time and access in your assessment.

Course output

Is there something in particular you want to create on the course?

This is worth noting as some courses specify that you will write a complete short story or even a whole novel.

Credibility

How do you know if a creative writing course will be any good? Even before a time of internet scams, there were fly-by-night businesses promising the world and delivering Hell. As such it is important that the course provider is reputable. While recognisable brands can be a safer bet, there may be great providers you haven’t heard of.

While researching online creative writing courses, look out for:

  • Tutors with academic/commercial credentials – including university links (for example, our online tutored courses have been created in partnership with the University of East Anglia). Research the tutor on YouTube or they might have done podcasts (as many of our tutors have).
  • Providers with links to publishing (for example book publishers and not-for-profits such as National Centre for Writing)
  • Reviews around the web (including Google reviews)
  • Testimonials and case studies on the website from people who have taken the course
  • Well-established, longstanding and trusted brands.

Other things to consider

  • Some providers of creative writing courses offer access to online communities to help students stay in touch and deliver peer support
  • Many providers use off-the-shelf online teaching platforms and some will be better than others. Find out which platform a provider uses and research whether people like it or not. For example, Obby, Teachable, Thinkific and Baluu are four examples of good quality platforms.

It is also important that the provider helps you to use the platform, for example, this is the video guide to our platform, Teachable.

How is your list coming on? Hopefully you have built a picture of:

  • Who you are and what you want to achieve
  • The topic and format of the course you need – from length to amount and types of tutor time
  • How to check that a provider will deliver high-quality tutors and assets.

While you’re hear, why not check out our courses, workshops and mentoring .

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Earning A Master’s In Creative Writing: What To Know

Sheryl Grey

Updated: Nov 1, 2023, 1:51pm

Earning A Master’s In Creative Writing: What To Know

Do you want to create written work that ignites a reader’s imagination and even changes their worldview? With a master’s in creative writing, you can develop strong storytelling and character development skills, equipping you to achieve your writing goals.

If you’re ready to strengthen your writing chops and you enjoy writing original works to inspire others, tell interesting stories and share valuable information, earning a master’s in creative writing may be the next step on your career journey.

The skills learned in a creative writing master’s program qualify you to write your own literary works, teach others creative writing principles or pursue various other careers.

This article explores master’s degrees in creative writing, including common courses and concentrations, admission requirements and careers that use creative writing skills. Read on to learn more about earning a master’s degree in creative writing.

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What Is a Master’s in Creative Writing?

A master’s in creative writing is an advanced degree that helps you develop the skills to write your own novel, poetry, screenplay or nonfiction book. This degree can also prepare you for a career in business, publishing, education, marketing or communications.

In a creative writing master’s degree program, you can expect to analyze literature, explore historical contexts of literary works, master techniques for revising and editing, engage in class workshops and peer critiques, and write your own original work.

Creative writing master’s programs usually require a thesis project, which should be well-written, polished and ready to publish. Typical examples of thesis projects include poetry collections, memoirs, essay collections, short story collections and novels.

A master’s in creative writing typically requires about 36 credits and takes two years to complete. Credit requirements and timelines vary by program, so you may be able to finish your degree quicker.

Specializations for a Master’s in Creative Writing

Below are a few common concentrations for creative writing master’s programs. These vary by school, so your program’s offerings may look different.

This concentration helps you develop fiction writing skills, such as plot development, character creation and world-building. A fiction concentration is a good option if you plan to write short stories, novels or other types of fiction.

A nonfiction concentration focuses on the mechanics of writing nonfiction narratives. If you plan to write memoirs, travel pieces, magazine articles, technical documents or nonfiction books, this concentration may suit you.

Explore the imagery, tone, rhythm and structure of poetry with a poetry concentration. With this concentration, you can expect to develop your poetry writing skills and learn to curate poetry for journals and magazines.

Screenwriting

Screenwriting is an excellent concentration to explore if you enjoy creating characters and telling stories to make them come alive for television or film. This specialization covers how to write shorts, episodic serials, documentaries and feature-length film scripts.

Admission Requirements for a Master’s in Creative Writing

Below are some typical admission requirements for master’s in creative writing degree programs. These requirements vary, so check with your program to ensure you’ve met the appropriate requirements.

  • Application for admission
  • Bachelor’s degree from an accredited institution
  • Transcripts from previous education
  • Writing samples
  • Letters of recommendation
  • Personal statement or essay

Common Courses in a Master’s in Creative Writing

Story and concept.

This course focuses on conceptualizing, planning and developing stories on a structural level. Learners study how to generate ideas, develop interesting plots, create outlines, draft plot arcs, engage in world-building and create well-rounded characters who move their stories forward.

Graduate Studies in English Literature

Understanding literature is essential to building a career in creative writing. This course prepares you to teach, study literature or write professionally. Expect to discuss topics such as phonology, semantics, dialects, syntax and the history of the English language.

Workshop in Creative Nonfiction

You’ll study classic and contemporary creative nonfiction in this course. Workshops in creative nonfiction explore how different genres have emerged throughout history and how previous works influence new works. In some programs, this course focuses on a specific theme.

Foundations in Fiction

In this course, you’ll explore how the novel has developed throughout literary history and how the short story emerged as an art form. Coursework includes reading classic and contemporary works, writing response essays and crafting critical analyses.

MA in Creative Writing vs. MFA in Creative Writing: What’s the Difference?

While the degrees are similar, a master of arts in creative writing is different from a master of fine arts in creative writing. An MA in creative writing teaches creative writing competencies, building analytical skills through studying literature, literary theory and related topics. This lets you explore storytelling along with a more profound knowledge of literature and literary theory.

If you want your education to take a more academic perspective so you can build a career in one of many fields related to writing, an MA in creative writing may be right for you.

An MFA prepares you to work as a professional writer or novelist. MFA students graduate with a completed manuscript that is ready for publishing. Coursework highlights subjects related to the business of writing, such as digital publishing, the importance of building a platform on social media , marketing, freelancing and teaching. An MA in creative writing also takes less time and requires fewer credits than an MFA.

If you want to understand the business of writing and work as a professional author or novelist, earning an MFA in creative writing might be your best option.

What Can You Do With a Master’s in Creative Writing?

Below are several careers you can pursue with a master’s in creative writing. We sourced salary data from the U.S. Bureau of Labor Statistics.

Postsecondary Creative Writing Teacher

Median Annual Salary: $74,280 Minimum Required Education: Ph.D. or another doctoral degree; master’s degree may be accepted at some schools and community colleges Job Overview: Postsecondary teachers, also known as professors or faculty, teach students at the college level. They plan lessons, advise students, serve on committees, conduct research, publish original research, supervise graduate teaching assistants, apply for grants for their research and teach subjects in their areas of expertise.

Median Annual Salary: $73,080 Minimum Required Education: Bachelor’s degree in English or a related field Job Overview: Editors plan, revise and edit written materials for publication. They work for newspapers, magazines, book publishers, advertising agencies, media networks, and motion picture and video production companies. Editors work closely with writers to ensure their written work is accurate, grammatically correct and written in the appropriate style for the medium.

Median Annual Salary: $55,960 Minimum Required Education: Bachelor’s degree in journalism or a related field Job Overview: Journalists research and write stories about local, regional, national and global current events and other newsworthy subjects. Journalists need strong interviewing, editing, analytical and writing skills. Some journalists specialize in a subject, such as sports or politics, and some are generalists. They work for news organizations, magazines and online publications, and some work as freelancers.

Writer or Author

Median Annual Salary: $73,150 Minimum Required Education: None; bachelor’s degree in creative writing or a related field sometimes preferred Job Overview: Writers and authors write fiction or nonfiction content for magazines, plays, blogs, books, television scripts and other forms of media. Novelists, biographers, copywriters, screenwriters and playwrights all fall into this job classification. Writers may work for advertising agencies, news platforms, book publishers and other organizations; some work as freelancers.

Technical Writer

Median Annual Salary: $79,960 Minimum Required Education: Bachelor’s degree Job Overview: Technical writers craft technical documents, such as training manuals and how-to guides. They are adept at simplifying technical information so lay people can easily understand it. Technical writers may work with technical staff, graphic designers, computer support specialists and software developers to create user-friendly finished pieces.

Frequently Asked Questions (FAQs) About a Master's in Creative Writing

Is a master’s in creative writing useful.

If your goal is to launch a career as a writer, then yes, a master’s in creative writing is useful. An MA in creative writing is a versatile degree that prepares you for various jobs requiring excellent writing skills.

Is an MFA better than an MA for creative writing?

One is not better than the other; you should choose the one that best equips you for the career you want. An MFA prepares you to build a career as a professional writer or novelist. An MA prepares you for various jobs demanding high-level writing skills.

What kind of jobs can you get with a creative writing degree?

A creative writing degree prepares you for many types of writing jobs. It helps you build your skills and gain expertise to work as an editor, writer, author, technical writer or journalist. This degree is also essential if you plan to teach writing classes at the college level.

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Sheryl Grey is a freelance writer who specializes in creating content related to education, aging and senior living, and real estate. She is also a copywriter who helps businesses grow through expert website copywriting, branding and content creation. Sheryl holds a Bachelor of Arts in Mass Communications from Indiana University South Bend, and she received her teacher certification training through Bethel University’s Transition to Teaching program.

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    Ohio University
   
  Jul 02, 2024  
OHIO University Undergraduate Catalog 2023-2024    
OHIO University Undergraduate Catalog 2023-2024 [Archived Catalog]

Major code BA5232

College of Arts and Sciences   English Department   Ellis 201 Athens, OH 45701 Fax: 740.593.2832 [email protected] www.ohio.edu/cas/english/

Dr. Carey Snyder , contact person [email protected]

Program Overview

In the English – Creative Writing major, you will engage with genres of fiction, nonfiction, and poetry from the inside out, by generating and revising your own work as well as exploring closely how published work uses the techniques of craft. All creative writing students participate in workshops led by nationally recognized writers which focus on understanding and constructing different literary forms; to achieve these goals, workshops emphasize the study of texts by established writers as well as students’ experimentation with their own creative process. The major is also flexible enough to match your own interests and goals: you can fulfill up to 12 of the required hours in the major with courses focusing on literature, rhetoric, or literary theory, or by combining these with apprenticeship or internship experiences. To ensure a solid foundation in the skills and knowledge that employers and graduate schools expect from any English graduate, the English – Creative Writing major includes the English Core in analysis, research, and literary history. 

Admissions Information

Freshman/first-year admission.

Enrollment in an English major entails no requirements beyond University admission requirements.

Change of Program Policy

For students currently enrolled at Ohio University, transferring into an English major requires a 2.0 GPA. Students choosing to transfer into the English  – Creative Writing major should contact the director of undergraduate studies in the English department for assistance. Students who wish to add an English major in addition to another major program should seek assistance from the director of undergraduate studies; students with a second major outside the College of Arts and Sciences will be responsible for meeting the degree requirements of both the English – Creative Writing major and the College of Arts and Sciences.

External Transfer Admission

For students currently enrolled at institutions other than Ohio University, transferring into an English major entails no requirements beyond University admission requirements. Students should contact the director of undergraduate studies in the English Department for assistance.

Opportunities Upon Graduation

After a curriculum that emphasizes critical thinking and analytical reading as well as multiple genres of writing, English – Creative Writing students enjoy the same wide variety of opportunity upon graduation that other English majors have. Many of our graduates go on to graduate programs, not only M.A. or M.F.A. programs in Creative Writing but also programs in Information Science or Education. Others work in publishing, web content development, grant-writing and community organizing, advertising, or other creative industries. Having invested in developing their own creativity as well as in the well-rounded education that this degree requires, English – Creative Writing students can face the unexpected challenges of the 21 st -century job market with confidence.

Potential employers for those who hold a degree in Creative Writing include, but are certainly not limited to, newspaper and magazine organizations, the entertainment industry, government agencies, institutions of higher education, public and private K-12 schools, publishing companies, marketing agencies, non-profit organizations, businesses, etc.

Browse through dozens of internship opportunities and full-time job postings for Ohio University students and alumni on Handshake , OHIO’s key resource for researching jobs, employers, workshops, and professional development events.

Requirements

Universitywide graduation requirements.

Ohio University requires the completion of a minimum of 120 semester hours for the conferral of a bachelor’s degree. This program can be completed within that 120-hour requirement. For more information on the minimum hours requirement and other universitywide requirements, please review the  Graduation Requirements – Universitywide    page.

Liberal Arts and Sciences Distribution Requirement

View the College and Liberal Arts and Sciences Distribution Requirements   .

English Hours Requirement

For a B.A. degree with a major in English - Creative Writing , a student must complete a total of 42 semester credit hours in ENG coursework.

Intercultural Foundations

Complete the following course:

  • ENG 1100 - Crossing Cultures with Text Credit Hours: 3

Literary Reading

Complete one of the following courses:

  • ENG 2010 - Introduction to Prose Fiction and Nonfiction Credit Hours: 3
  • ENG 2020 - Introduction to Poetry and Drama Credit Hours: 3

British or American Literature I

  • ENG 2510 - British Literature I Credit Hours: 3
  • ENG 2530 - American Literature I Credit Hours: 3

British or American Literature II

  • ENG 2520 - British Literature II Credit Hours: 3
  • ENG 2540 - American Literature II Credit Hours: 3

Intercultural Breadth

Complete one course from the following:

  • ENG 3240 - Jewish American Literature Credit Hours: 3
  • ENG 3250 - Women’s Literature Credit Hours: 3
  • ENG 3260 - Queer Literature Credit Hours: 3
  • ENG 3270 - Queer Rhetorics and Writing Credit Hours: 3
  • ENG 3370 - Black Literature to 1930 Credit Hours: 3
  • ENG 3380 - Ethnic American Literature Credit Hours: 3
  • ENG 3390 - Black Literature from 1930 to the Present Credit Hours: 3
  • ENG 3450 - Intercultural Adaptations: Answering the Anglo-American Literary Canon Credit Hours: 3
  • ENG 3550 - Global Literature Credit Hours: 3
  • ENG 3850 - Writing About Culture and Society Credit Hours: 3
  • ENG 4660 - International Authors Credit Hours: 3

Writing and Research

  • ENG 3070J - Writing and Research in English Studies Credit Hours: 3

Senior Seminar

  • ENG 4600 - Topics in English Studies Credit Hours: 3
  • ENG 4640 - British Authors Credit Hours: 3
  • ENG 4650 - American Authors Credit Hours: 3

Creative Writing Workshops

Complete three of the following workshops with at least one intermediate or advanced workshop:

  • ENG 3610 - Creative Writing: Fiction Credit Hours: 3
  • ENG 3620 - Creative Writing: Poetry Credit Hours: 3
  • ENG 3630 - Creative Writing: Nonfiction Credit Hours: 3

Intermediate:

  • ENG 3950 - Creative Writing Workshop: Nonfiction II Credit Hours: 3
  • ENG 3960 - Creative Writing Workshop: Fiction II Credit Hours: 3
  • ENG 3970 - Intermediate Creative Writing Workshop: Poetry Credit Hours: 3
  • ENG 4860 - Advanced Workshop in Fiction Credit Hours: 3
  • ENG 4870 - Advanced Workshop in Poetry Credit Hours: 3
  • ENG 4880 - Advanced Workshop in Nonfiction Credit Hours: 3

Creative Writing Form and Theory

  • ENG 4810 - Form and Theory of Literary Genres: Fiction Credit Hours: 3
  • ENG 4820 - Form and Theory of Literary Genres: Poetry Credit Hours: 3
  • ENG 4830 - Form and Theory of Literary Genres: Nonfiction Credit Hours: 3

Major Electives

Complete three additional ENG courses for at least nine hours excluding ENG 2800   , ENG 3***J, ENG 4510   , ENG 4520   , ENG 4911   , and ENG 4912   . Six hours may be at the 2000-level or higher; three hours must be at the 3000-level or higher.

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Department of English

M.f.a. creative writing.

English Department

Physical Address: 200 Brink Hall

Mailing Address: English Department University of Idaho 875 Perimeter Drive MS 1102 Moscow, Idaho 83844-1102

Phone: 208-885-6156

Email: [email protected]

Web: English

Thank you for your interest in the Creative Writing MFA Program at the University of Idaho: the premier fully funded, three-year MFA program in the Northwest. Situated in the panhandle of Northern Idaho in the foothills of Moscow Mountain, we offer the time and support to train in the traditions, techniques, and practice of nonfiction, poetry, and fiction. Each student graduates as the author of a manuscript of publishable quality after undertaking a rigorous process of thesis preparation and a public defense. Spring in Moscow has come to mean cherry blossoms, snowmelt in Paradise Creek, and the head-turning accomplishments of our thesis-year students. Ours is a faculty of active, working writers who relish teaching and mentorship. We invite you in the following pages to learn about us, our curriculum, our community, and the town of Moscow. If the prospect of giving yourself three years with us to develop as a writer, teacher, and editor is appealing, we look forward to reading your application.

Pure Poetry

A Decade Working in a Smelter Is Topic of Alumnus Zach Eddy’s Poems

Ancestral Recognition

The region surrounding the University of Idaho is the ancestral land of both the Coeur d’Alene and Nez Perce peoples, and its campus in Moscow sits on unceded lands guaranteed to the Nez Perce people in the 1855 Treaty with the Nez Perce. As a land grant university, the University of Idaho also benefits from endowment lands that are the ancestral homes to many of the West’s Native peoples. The Department of English and Creative Writing Program acknowledge this history and share in the communal effort to ensure that the complexities and atrocities of the past remain in our discourse and are never lost to time. We invite you to think of the traditional “land acknowledgment” statement through our MFA alum CMarie Fuhrman’s words .

Degree Requirements

Three years to write.

Regardless of where you are in your artistic career, there is nothing more precious than time. A three-year program gives you time to generate, refine, and edit a body of original work. Typically, students have a light third year, which allows for dedicated time to complete and revise the Creative Thesis. (48 manuscript pages for those working in poetry, 100 pages for those working in prose.)

Our degree requirements are designed to reflect the real-world interests of a writer. Students are encouraged to focus their studies in ways that best reflect their artistic obsessions as well as their lines of intellectual and critical inquiry. In effect, students may be as genre-focused or as multi-genre as they please. Students must remain in-residence during their degrees. Typically, one class earns you 3 credits. The MFA requires a total of 54 earned credits in the following categories.

12 Credits : Graduate-level Workshop courses in Fiction, Poetry, and/or Nonfiction. 9 Credits: Techniques and Traditions courses in Fiction, Poetry, and/or Nonfiction 3 Credits : Internships: Fugue, Confluence Lab, and/or Pedagogy 9 Credits: Literature courses 12 Credits: Elective courses 10 Credits: Thesis

Flexible Degree Path

Students are admitted to our program in one of three genres, Poetry, Fiction, or Nonfiction. By design, our degree path offers ample opportunity to take Workshop, Techniques, Traditions, and Literature courses in any genre. Our faculty work and publish in multiple genres and value the slipperiness of categorization. We encourage students to write in as broad or focused a manner as they see fit. We are not at all interested in making writers “stay in their lanes,” and we encourage students to shape their degree paths in accordance with their passions. 

What You Study

During your degree, you will take Workshop, Techniques, Traditions, and Literature courses.

Our workshop classes are small by design (typically twelve students or fewer) and taught by core and visiting MFA faculty. No two workshop experiences look alike, but what they share are faculty members committed to the artistic and intellectual passions of their workshop participants.

Techniques studios are developed and taught by core and visiting MFA faculty. These popular courses are dedicated to the granular aspects of writing, from deep study of the poetic image to the cultivation of independent inquiry in nonfiction to the raptures of research in fiction. Such courses are heavy on generative writing and experimentation, offering students a dedicated space to hone their craft in a way that is complementary to their primary work.

Traditions seminars are developed and taught by core and visiting MFA faculty. These generative writing courses bring student writing into conversation with a specific trajectory or “tradition” of literature, from life writing to outlaw literature to the history of the short story, from prosody to postwar surrealism to genre-fluidity and beyond. These seminars offer students a dynamic space to position their work within the vast and varied trajectories of literature.

Literature courses are taught by core Literature and MFA faculty. Our department boasts field-leading scholars, interdisciplinary writers and thinkers, and theory-driven practitioners who value the intersection of scholarly study, research, humanism, and creative writing.

Award-Winning Faculty

We teach our classes first and foremost as practitioners of the art. Full stop. Though our styles and interests lie at divergent points on the literary landscape, our common pursuit is to foster the artistic and intellectual growth of our students, regardless of how or why they write. We value individual talent and challenge all students to write deep into their unique passions, identities, histories, aesthetics, and intellects. We view writing not as a marketplace endeavor but as an act of human subjectivity. We’ve authored or edited several books across the genres.

Learn more about Our People .

Thesis Defense

The MFA experience culminates with each student writing and defending a creative thesis. For prose writers, theses are 100 pages of creative work; for poets, 48 pages. Though theses often take the form of an excerpt from a book-in-progress, students have flexibility when it comes to determining the shape, form, and content of their creative projects. In their final year, each student works on envisioning and revising their thesis with three committee members, a Major Professor (core MFA faculty) and two additional Readers (core UI faculty). All students offer a public thesis defense. These events are attended by MFA students, faculty, community members, and other invitees. During a thesis defense, a candidate reads from their work for thirty minutes, answers artistic and critical questions from their Major Professor and two Readers for forty-five minutes, and then answer audience questions for thirty minutes. Though formally structured and rigorous, the thesis defense is ultimately a celebration of each student’s individual talent.

The Symposium Reading Series is a longstanding student-run initiative that offers every second-year MFA candidate an opportunity to read their works-in-progress in front of peers, colleagues, and community members. This reading and Q & A event prepares students for the third-year public thesis defense. These off-campus events are fun and casual, exemplifying our community centered culture and what matters most: the work we’re all here to do.

Teaching Assistantships

All students admitted to the MFA program are fully funded through Teaching Assistantships. All Assistantships come with a full tuition waiver and a stipend, which for the current academic year is roughly $15,000. Over the course of three years, MFA students teach a mix of composition courses, sections of Introduction to Creative Writing (ENGL 290), and additional writing courses, as departmental needs arise. Students may also apply to work in the Writing Center as positions become available. When you join the MFA program at Idaho, you receive teacher training prior to the beginning of your first semester. We value the role MFA students serve within the department and consider each graduate student as a working artist and colleague. Current teaching loads for Teaching Assistants are two courses per semester. Some members of the Fugue editorial staff receive course reductions to offset the demands of editorial work. We also award a variety of competitive and need-based scholarships to help offset general living costs. In addition, we offer three outstanding graduate student fellowships: The Hemingway Fellowship, Centrum Fellowship, and Writing in the Wild Fellowship. Finally, our Graduate and Professional Student Association offers extra-departmental funding in the form of research and travel grants to qualifying students throughout the academic year.

Distinguished Visiting Writers Series

Each year, we bring a Distinguished Visiting Writer to campus. DVWs interface with our writing community through public readings, on-stage craft conversations hosted by core MFA faculty, and small seminars geared toward MFA candidates. Recent DVWs include Maggie Nelson, Roger Reeves, Luis Alberto Urrea, Brian Evenson, Kate Zambreno, Dorianne Laux, Teju Cole, Tyehimba Jess, Claire Vaye Watkins, Naomi Shihab Nye, David Shields, Rebecca Solnit, Gabrielle Calvocoressi, Susan Orlean, Natasha Tretheway, Jo Ann Beard, William Logan, Aisha Sabatini Sloan, Gabino Iglesias, and Marcus Jackson, among several others.

Fugue Journal

Established in 1990 at the University of Idaho, Fugue publishes poetry, fiction, essays, hybrid work, and visual art from established and emerging writers and artists. Fugue is managed and edited entirely by University of Idaho graduate students, with help from graduate and undergraduate readers. We take pride in the work we print, the writers we publish, and the presentation of both print and digital content. We hold an annual contest in both prose and poetry, judged by two nationally recognized writers. Past judges include Pam Houston, Dorianne Laux, Rodney Jones, Mark Doty, Rick Moody, Ellen Bryant Voigt, Jo Ann Beard, Rebecca McClanahan, Patricia Hampl, Traci Brimhall, Edan Lepucki, Tony Hoagland, Chen Chen, Aisha Sabatini Sloan, sam sax, and Leni Zumas. The journal boasts a remarkable list of past contributors, including Steve Almond, Charles Baxter, Stephen Dobyns, Denise Duhamel, Stephen Dunn, B.H. Fairchild, Nick Flynn, Terrance Hayes, Campbell McGrath, W.S. Merwin, Sharon Olds, Jim Shepard, RT Smith, Virgil Suarez, Melanie Rae Thon, Natasha Trethewey, Philip Levine, Anthony Varallo, Robert Wrigley, and Dean Young, among many others.

Academy of American Poets University Prize

The Creative Writing Program is proud to partner with the Academy of American Poets to offer an annual Academy of American Poets University Prize to a student at the University of Idaho. The prize results in a small honorarium through the Academy as well as publication of the winning poem on the Academy website. The Prize was established in 2009 with a generous grant from Karen Trujillo and Don Burnett. Many of our nation’s most esteemed and celebrated poets won their first recognition through an Academy of American Poets Prize, including Diane Ackerman, Toi Derricotte, Mark Doty, Tess Gallagher, Louise Glück, Jorie Graham, Kimiko Hahn, Joy Harjo, Robert Hass, Li-Young Lee, Gregory Orr, Sylvia Plath, Mark Strand, and Charles Wright.

Fellowships

Centrum fellowships.

Those selected as Centrum Fellows attend the summer Port Townsend Writers’ Conference free of charge. Housed in Fort Worden (which is also home to Copper Canyon Press), Centrum is a nonprofit dedicated to fostering several artistic programs throughout the year. With a focus on rigorous attention to craft, the Writers’ Conference offers five full days of morning intensives, afternoon workshops, and craft lectures to eighty participants from across the nation. The cost of the conference, which includes tuition, lodging, and meals, is covered by the scholarship. These annual scholarship are open to all MFA candidates in all genres.

Hemingway Fellowships

This fellowship offers an MFA Fiction student full course releases in their final year. The selection of the Hemingway Fellow is based solely on the quality of an applicant’s writing. Each year, applicants have their work judged blind by a noted author who remains anonymous until the selection process has been completed. Through the process of blind selection, the Hemingway Fellowship Fund fulfills its mission of giving the Fellow the time they need to complete a substantial draft of a manuscript.

Writing in the Wild

This annual fellowship gives two MFA students the opportunity to work in Idaho’s iconic wilderness areas. The fellowship fully supports one week at either the McCall Outdoor Science School (MOSS), which borders Payette Lake and Ponderosa State Park, or the Taylor Wilderness Research Station, which lies in the heart of the Frank Church River of No Return Wilderness Area. Both campuses offer year-round housing. These writing retreats allow students to concentrate solely on their writing. Because both locations often house researchers, writers will also have the opportunity to interface with foresters, geologists, biologists, and interdisciplinary scholars.

Program History

Idaho admitted its first class of seven MFA students in 1994 with a faculty of four: Mary Clearman Blew, Tina Foriyes, Ron McFarland (founder of Fugue), and Lance Olsen. From the beginning, the program was conceived as a three-year sequence of workshops and techniques classes. Along with offering concentrations in writing fiction and poetry, Idaho was one of the first in the nation to offer a full concentration in creative nonfiction. Also from its inception, Idaho not only allowed but encouraged its students to enroll in workshops outside their primary genres. Idaho has become one of the nation’s most respected three-year MFA programs, attracting both field-leading faculty and students. In addition to the founders of this program, notable distinguished faculty have included Kim Barnes, Robert Wrigley, Daniel Orozco, Joy Passanante, Tobias Wray, Brian Blanchfield, and Scott Slovic, whose collective vision, rigor, grit, and care have paved the way for future generations committed to the art of writing.

The Palouse

Situated in the foothills of Moscow Mountain amid the rolling terrain of the Palouse (the ancient silt beds unique to the region), our location in the vibrant community of Moscow, Idaho, boasts a lively and artistic local culture. Complete with independent bookstores, coffee shops, art galleries, restaurants and breweries, (not to mention a historic art house cinema, organic foods co-op, and renowned seasonal farmer’s market), Moscow is a friendly and affordable place to live. Outside of town, we’re lucky to have many opportunities for hiking, skiing, rafting, biking, camping, and general exploring—from nearby Idler’s Rest and Kamiak Butte to renowned destinations like Glacier National Park, the Snake River, the Frank Church River of No Return Wilderness Area, and Nelson, BC. As for more urban getaways, Spokane, Washington, is only a ninety-minute drive, and our regional airline, Alaska, makes daily flights to and from Seattle that run just under an hour.

For upcoming events and program news, please visit our calendar .

For more information about the MFA program, please contact us at:  [email protected]

Department of English University of Idaho 875 Perimeter Drive MS 1102 Moscow, ID 83844-1102 208-885-6156

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Creative Writing Graduate Programs

Poetry students with Visiting Writer Frank Bidart.

About the Program and Placement Record

  • Faculty Research Areas
  • Teaching Assistantships

Creative Writing M.A.

  • Admission Requirements
  • Degree and Graduation Requirements
  • Master's Essay
  • Master's Thesis

Creative Writing Ph.D.

  • Doctoral Dissertation
  • Foreign Language Requirement
  • Ph.D. Comprehensive Examination

One of the first universities in the country to offer a Ph.D. in Creative Writing, Ohio University continues as home to a thriving, widely respected graduate program with concentrations in poetry, fiction, and creative nonfiction.

Small by design, our graduate program offers a comprehensive curriculum, an award-winning faculty and the intimacy of small classes.

Placement Record

Over the past three years, seven of our nine graduating creative writing Ph.D. students have landed tenure-track jobs, post-doctorates, or prestigious visiting writer posts. Our MA graduates go on to study in the top MFA and Ph.D. programs.

  • English M.A. Placements
  • English Ph.D. Placements

Students in the Creative Writing M.A. and Ph.D. programs enjoy:

  • Graduate stipends, up to $15,000 per year, with opportunities to teach a wide range of courses, including creative writing workshops
  • Generous graduate student travel funding
  • Editorial fellowships on New Ohio Review , Quarter after Eight , and Brevity
  • Opportunities to interact with distinguished visiting writers

M.A. candidates complete two years of study and write a thesis of creative work in their genre. Doctoral candidates complete five years of study, comprehensive exams, a major critical essay, and a creative dissertation.

Literary Journals

The department and its students publish three literary journals:

  • New Ohio Review , a national literary journal
  • Quarter After Eight , a prose journal edited by graduate students
  • Sphere , an undergraduate journal

Annual Events

The department hosts several annual events including an ambitious Spring Literary Festival that brings five nationally distinguished writers to campus for three-days of readings, craft talks, and student discussion. Recent visitors have included Tony Hoagland, Kathryn Harrison, Barry Lopez, Francine Prose, Peter Ho Davies, Kim Addonizio, David Shields, Robert Hass, Charles Simic, Yusef Komunyakaa, and Marilynne Robinson.

Visiting writers engage with our program year-round as well, appearing in both undergraduate and graduate classes, meeting one-on-one with select students, and offering evening readings in the intimate Galbreath Chapel.

In addition to a regular Dogwood Bloom reading series for our graduate students, the creative writing program hosts an annual Writers' Harvest benefit reading for the Southeastern Ohio Food Bank?s Second Harvest, a food distribution program serving Athens, Hocking, Perry, Vinton, Jackson, Gallia, Meigs, Morgan and Washington counties.

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Master of Fine Arts in Creative Writing

Program overview.

Named one of the “Five Innovative/Unique Programs” creative writing programs by The Atlantic , the master of fine arts in creative writing is one of two programs offered by UNLV’s Creative Writing International Program with genre concentrations in fiction, literary nonfiction, and poetry. By providing an innovative curriculum and fostering an educational environment where students can perfect their art, our graduates become globally-engaged writers that demonstrate socially-engaged and active writing practices.

Program Outcomes

Students receive a strong theoretical foundation in their selected genre concentration, as well as an appreciation for the art and theory across various genres, thereby expanding their creative abilities. Moreover, they develop a nuanced understanding of canonical contexts and the historical evolution of literature, which provides valuable insights into new writing. Through exposure to international writing and literary translation, students cultivate a practical appreciation for diverse linguistic traditions beyond English, enriching their creative perspectives. 

A high percentage of our graduates have widely published fiction, literary nonfiction, journalism, and poetry with mainstream presses, indie presses, and nationally esteemed venues such as:

  • W. W. Norton & Company
  • Grove Press
  • The Best American Poetry
  • McSweeney’s
  • The New York Times
  • The Los Angeles Times

Program Structure

Our students follow a three-year course of study that includes writing workshops, genre forms courses, literature classes, a residency abroad, completion of a literary translation, and completion of a book-length manuscript that meets the standard of publishable works. Students also have the opportunity for teacher training and practical experience in literary publishing.

Additionally, our department, in partnership with the Black Mountain Institute, offers the Doctorate of Philosophy in English with a Creative Dissertation, supported by a graduate assistantship combined with the Black Mountain Institute fellowship.

Program Funding

All MFA students are fully funded by UNLV and the Black Mountain Institute (BMI) for three years of study towards their degrees. 

  • Graduate Assistantships of $21,000/year 
  • Opportunities for additional funding from BMI
  • In-state tuition 
  • Student health insurance.

Duties for the Graduate Assistantship are 20 hours per week, usually fulfilled through a combination of teaching, tutoring in the Writing Center, and working for English Department or Black Mountain Institute publications.

Our Faculty

Maile chapman, ph.d..

Maile Chapman

Wendy Chen, Ph.D.

Headshot of Wendy Chen

Claudia Keelan

Claudia Keelan headshot

Roberto Lovato

RL Profile

David Morris, MFA

David Morris

Douglas A. Unger

Douglas A. Unger

The MFA Student Experience

The UNLV creative writing program offers a supportive and immersive experience to its students. From day one, students become part of a vibrant community of writers where creativity thrives and collaboration flourishes. Whether students aspire to publish their writing, pursue further study, or embark on diverse career paths within the literary world, UNLV provides the resources, support, and community they need to thrive and succeed.

Activities and Events With the Black Mountain Institute

The UNLV Department of English has a longstanding relationship with the Beverly Rogers, Carol C. Harter Black Mountain Institute (BMI). This allows our students to receive opportunities to engage in creative and literary activities with visiting BMI fellows in socially meaningful literary events for the city of Las Vegas and its greater community. Recent BMI fellows and national and international award-winning visitors include:

  • Percival Everett
  • Melissa Febos
  • Layli Long Soldier
  • Jaquira Díaz
  • Nana Kwame Adjei-Brenyah

See the Black Mountain Institute's website for more information.

Academic and Literary Journals

The creative writing concentration helps students develop their writing craft and critical thinking skills through a workshop setting and literature courses. It equips them with professional skills for various industries and prepares them for graduate studies in English and creative writing.

Founded by M.F.A. alumna Kat Kruse in 2010, Neon Lit is a completely student-run reading series featuring writing of students currently in the Creative Writing programs at UNLV. Events are held on the last Friday of each month usually at the Writer’s Block, an independent bookstore and community center in downtown Las Vegas. See Neon Lit’s website and YouTube Channel for more information.

Writing Series

Breakout writers series.

The “Breakout Writers Series” or Emerging Writers Series features writers just emerging on the literary scene. Writers who visit and read for this series are chosen entirely by the students in the M.F.A. and Ph.D. programs.

Alumni Reading Series

The yearly Alumni Reading Series celebrates the literary successes of graduates of the program. Recent alumni readers include Marianne Chan, Jean Chen Ho, Clancy McGilligan, Alissa Nutting, Juan Martínez, Sasha Steensen, and Mani Rao.

Admission Requirements

  • Fiction: 20-30 pages
  • Literary nonfiction: 20-30 pages
  • Poetry: 10-15 pages
  • A letter of application to the Graduate Committee detailing a statement of purpose and reasons for choosing UNLV
  • Official transcripts from all previously attended colleges or universities 
  • Two letters of recommendation

Applicants must choose the International Focus subplan, unless they have already been accepted to the Peace Corps Master's International Partnership program.

International Applicants

Each year, our program admits several international writers with high competency in writing in English that immensely contribute to our literary community. Our diverse student body fosters a rich exchange of ideas and perspectives, creating a dynamic learning environment that prepares graduates for success in the global literary landscape. Furthermore, UNLV's creative writing program values inclusivity and encourages applicants from diverse backgrounds and life experiences to contribute to the vibrant tapestry of voices within our community.

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    Postsecondary Creative Writing Teacher. Median Annual Salary: $74,280. Minimum Required Education: Ph.D. or another doctoral degree; master's degree may be accepted at some schools and community ...

  19. Program: English—Creative Writing Major (B.A.)

    In the English - Creative Writing major, you will engage with genres of fiction, nonfiction, and poetry from the inside out, by generating and revising your own work as well as exploring closely how published work uses the techniques of craft. ... you can fulfill up to 12 of the required hours in the major with courses focusing on literature ...

  20. 30+ Best Free Online Creative Writing Courses

    Website: Free Online Screenwriting Course . 6. Creative Writing Course - The Crafty Writer. This is a free online creative writing course from The Crafty Writer and run by Fiona Veitch Smith, who is an author, freelance journalist, editor, playwright, screenwriter and writing teacher.

  21. BA (Hons) English Literature with Creative Writing 2025/26

    On our renowned undergraduate course which brings together English Literature and creative writing, your creativity and your literary training will invigorate each other. Based in Norwich, England's first UNESCO City of Literature, you'll hone your craft as a writer across a variety of literary forms and genres (including prose, poetry, and script) on bespoke creative writing modules, while ...

  22. MA Creative Writing Poetry 2024/25

    Fees and Funding. Tuition fees for the Academic Year 2024/25 are: UK Students: £9,975 (full time) International Students: £21,200 (full time) If you choose to study part-time, the fee per annum will be half the annual fee for that year, or a pro-rata fee for the module credit you are taking (only available for Home students).

  23. M.F.A. Creative Writing

    For more information about the MFA program, please contact us at: [email protected]. Department of English. University of Idaho. 875 Perimeter Drive MS 1102. Moscow, ID 83844-1102. 208-885-6156. The Master of Fine Arts Creative Writing program at the University of Idaho is an intense, three-year course of study that focuses on the ...

  24. Creative Writing Graduate Programs

    English Ph.D. Placements. Students in the Creative Writing M.A. and Ph.D. programs enjoy: Graduate stipends, up to $15,000 per year, with opportunities to teach a wide range of courses, including creative writing workshops. Generous graduate student travel funding. Editorial fellowships on New Ohio Review, Quarter after Eight, and Brevity.

  25. Master of Fine Arts in Creative Writing

    Program Overview. Named one of the "Five Innovative/Unique Programs" creative writing programs by The Atlantic, the master of fine arts in creative writing is one of two programs offered by UNLV's Creative Writing International Program with genre concentrations in fiction, literary nonfiction, and poetry.By providing an innovative curriculum and fostering an educational environment where ...