elie wiesel night essay

Themes and Analysis

By elie wiesel.

'Night' is a short and incredibly impactful novel that uses direct language and avoids metaphors and other figures of speech to tell its story.

Article written by Emma Baldwin

B.A. in English, B.F.A. in Fine Art, and B.A. in Art Histories from East Carolina University.

Wiesel depicts his experiences in the Holocaust through the eyes of Eliezer who conveys the terrors of what he endured and saw. Readers will likely note reoccurring themes of faith, silence, and inhumanity, as well as symbols that include corpses, fire, and night. 

Night Themes 

Faith .

Throughout the novel, Elie is forced to question his faith in God. When God does not step in and stop the horrors around him, Elie has to consider that his faith may have been wrong all along. He learned that God demands sacrifice but is, in the end, compassionate and loving, that’s far from what he learned firsthand during his experiences in the novel, Night . Despite the fact that Eliezer says he’s lost his faith several times, Wiesel includes religious allusions and figurative language that suggest that that’s not completely true. By the end of the novel, while his understanding of the world and religion has shifted, he’s not completely without faith. 

Silence/Indifference 

This is one of the primary themes in the novel, and one that can be found in Wiesel’s other works as well as lectures. Elie is constantly bothered by the silence of God and the silence of other men and women in Europe throughout the novel.

There are numerous examples of indifference throughout the novel. Elie notes the village’s indifferent reaction when Moishe returns with news of what he’s seen, the German people’s ability to ignore what’s going on right in front of their faces, and of course, the Nazi soldier’s indifference to the lives they were destroying. One of the most telling scenes comes towards the end of the novel when the prisoners are running toward Gleiwitz and are being shot down by guards if they paused for even a moment. 

Inhumanity 

Indifference and silence go hand in hand with inhumanity in Night. It’s impossible to read this novel and not walk away feeling horrified by the inhuman practices promoted and carried out by the Nazi regime. Eliezer has trouble making sense of the world after seeing some of the terrible things that happened inside and outside the camps. One such scene comes after he’s arrived with his father and they walk past a pit in which S.S. soldiers are burning the bodies of children.

Additionally, the prisoner on prisoner violence and hate is another aspect of the inhuman environment Eliezer had to endure. The men in his camps were so desperate they turned on one another, even sons on fathers. This is seen quite clearly at the end of the novel when the prisoners beat Eliezer’s father and effectively end his life. 

Analysis of Key Moments in Night

• Elie studies with Moishe the Beadle. Moishe is expelled from Sighet. 
• Moishe returns and tells everyone what he saw and experienced. 
• German soldiers come to Sighet and place restrictions of Jews living there. 
• Eliezer and his family are moved into a ghetto
• Eliezer and his family are transported to Birkenau on cattle cars. 
• Elie is separated from his mother and sisters . 
• The men are taken to Auschwitz. 
• Elie is given number r A-7713. 
• Everyone goes to Buna. 
• Elie is beaten and has his gold crown removed. 
• Elie watches a young boy executed. 
• Elie’s father barely passes inspection. 
• The death march begins from Buna to an abandoned village and then Gleiwitz. 
• Everyone gets on a train to Buchenwald and very few survive the journey. 
• Elie’s father dies of dysentery and a beating from the other men. 
• Elie is liberated from the camp. 

Style, Tone, and Figurative Language in Night

Throughout Night, Wiesel writes about Elie’s experiences in a detached tone. He uses short sentences and clear words to report on what Elie saw and what he felt. Wiesel was trying to put his experiences into words, in a way that accurately represented them but allowed him to keep some distance from the character of Eliezer. The text is sparse, with very few complex passages or examples of figurative language. Elie Wiesel chose to speak directly to the reader in a way that could not be misunderstood.

Often, Wiesel does take a step back from a terrible scene, talking around it rather than directly describing it. For example, when he speaks about an S.S. guard shooting a prisoner. 

The tone in the novel is serious throughout . There are no light or happy moments. Even when the novel concludes and the camp has been liberated, Elie concludes the novel with a striking scene of loss and sorrow with Eliezer standing in front of a mirror. 

Analysis of Symbols in Night

Night .

One of the most obvious and important symbols in the novel is night. By naming the novel “night” and pushing themes of religious doubt, it’s important to consider Genesis and the passages regarding God’s creation of the earth. First, the Bile says, there was “darkness upon the face of the deep.” It’s this darkness, with the absence of God, that Eliezer lives through. Light is absent from some of the most important scenes in the novel, such as when Eliezer’s father is talking to him about the deportation of the Jews and when they arrive at Birkenau/Auschwitz. 

Fire is a symbol of death and destruction in Night. It is used by the Nazis to destroy evidence of their genocide. It first appears in a horrifying passage when Madame Schächter cries out “ Fire! Look at the flames! Flames everywhere ,” when the train arrives in Birkenau. When the train pulls in, Eliezer can smell burning flesh immediately. This is something that haunts the rest of the novel. The fire is an ever-present reminder of the deaths waiting for those able to escape the initial threat of the crematorium. 

Corpses 

Corpses appear throughout the novel, bringing into the light the true extent of the horrors the Nazi regime perpetrated on the Jewish people. Eliezer is forced to witness deaths and sees piles of bodies. The image of a corpse also appears at the end of the novel when Eliezer looks at himself in the mirror and thinks that he looks more than a corpse than he does a living person. It’s a symbol for the death of who he was, the strength of his faith, and the loss of the 11 million who did in the Holocaust . 

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Emma Baldwin, a graduate of East Carolina University, has a deep-rooted passion for literature. She serves as a key contributor to the Book Analysis team with years of experience.

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Elie Wiesel

Ask litcharts ai: the answer to your questions.

At the start of the memoir, it's 1941 and Eliezer is a twelve-year-old Jewish boy in the Hungarian town of Sighet. He's deeply religious and spends much of his time studying the Torah (the Bible) and the Talmud and praying. His parents and sisters run a shop in the town, and his father is highly respected in the Jewish community. Eliezer begins to study the Cabbala, the book of Jewish mysticism, with an immigrant named Moché the Beadle . When the Hungarian police deport all of the foreign Jews, Moché is sent away, but he returns with a terrible and fantastic tale: the Gestapo stopped the train and slaughtered the deported Jews. Moché escaped with a leg wound and has come to warn the Jews of Sighet to leave. The Jews of the town can't believe what Moché is saying, and think he's gone mad.

The war continues through 1943. In 1944, the Jews of Sighet still don't really believe Hitler intends to exterminate them. Eliezer wants his father to relocate the family to Palestine, but his father says he's too old to start again. The Fascists come to power in Hungary and German soldiers enter the country. Before long, German officers are living in Sighet and then arresting the Jewish leaders of the town. Soon, the Hungarian police round the Jews up into two ghettoes. Next, they force the Jews like cattle onto trains headed to an unknown destination.

The Jews travel on the train for several days, during which time one Jewish woman goes mad and screams about fire. The train arrives at Birkenau, the gateway to the Auschwitz concentration camp, where the passengers can see chimneys belching fire and can smell burned flesh. The women are immediately separated from the men, and Eliezer never sees his mother or his younger sister again (they are immediately sent to the gas chamber). A Nazi SS doctor separates those who are going to be killed immediately from those who will work. Eliezer sticks close to his father. That first night in the camp, he witnesses babies and children thrown into a great fire in a burning ditch. Eliezer's faith in a just God is shattered.

More separations occur, but Eliezer and his father stay together. All the prisoners are tattooed with a number, and this becomes their identity. They are told they must work or they will be burned in the crematoria. They spend three weeks at Auschwitz before marching to another concentration camp, Buna. Here, Eliezer and his father spend their days working in an electrical equipment warehouse. Their Kapo (the prisoner conscripted to wield power over other prisoners) occasionally goes berserk and beats people, including Eliezer and his father. The SS doctor appears again to weed out another batch of people for the furnaces. Eliezer has a scare when his father is chosen, but his father manages to convince someone that he can still work. While at Buna, Eliezer continues to rebel against the idea of a just God. After being forced to witness the slow hanging death of a child, he ceases to believe in God, altogether.

With the front lines of the war getting closer, the prisoners at Buna are evacuated on a long, nightmare death march to a camp called Gleiwitz. People die continuously along the way as the SS forces them to run for hours and hours in the snow, shooting people who fall behind. Upon arriving at Buna, a young Jewish violinist plays pieces of a Beethoven concerto. By morning the violinist has died. The survivors of the march are kept without food and water for several days, more are separated from the rest to be killed, and the remaining prisoners are crammed onto trains in open-roofed cattle cars. The train ride is endless. The Jews have nothing to eat but snow, and people die left and right. When they pass through a German town, some German workers toss scraps of bread in the car to watch the starving prisoners fight to the death. More people lie down in the snow and die when the train at last arrives at another concentration camp: Buchenwald. Eliezer's father grows feverish, contracts dysentery, and begins to waste away. Doctors won't help, the camp doesn't want to waste food on sick people, and Eliezer can only offer his own rations to his father, who is soon delirious. The night before Eliezer's father passes away, an SS officer beats the dying man on the head. Eliezer is unable to cry or mourn. He spends another two and a half months at Buchenwald in a daze before the Nazis begin another prisoner evacuation. This time there is an armed uprising among the prisoners and the remaining SS flee. American tanks arrive, followed by food, although Eliezer gets food poisoning and spends two weeks in the hospital, near death. When he looks at his face in the mirror for the first time since he left the village of Sighet, he sees a vision he will never forget: the face of a corpse.

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The Story of ‘Night’

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By Rachel Donadio

• Jan. 20, 2008

This fall, Elie Wiesel’s “Night” was removed from the New York Times best-seller list, where it had spent an impressive 80 weeks after Oprah Winfrey picked it for her book club. The Times’s news survey department, which compiles the list, decided the Holocaust memoir wasn’t a new best seller but a classic like “Animal Farm” or “To Kill a Mockingbird,” which sell hundreds of thousands of copies a year largely through course adoptions. Indeed, since it appeared in 1960, “Night” has sold an estimated 10 million copies — three million of them since Winfrey chose the book in January 2006 (and traveled with Wiesel to Auschwitz).

But “Night” had taken a long route to the best-seller list. In the late 1950s, long before the advent of Holocaust memoirs and Holocaust studies, Wiesel’s account of his time at Auschwitz and Buchenwald was turned down by more than 15 publishers before the small firm Hill & Wang finally accepted it. How “Night” became an evergreen is more than a publishing phenomenon. It is also a case study in how a book helped created a genre, how a writer became an icon and how the Holocaust was absorbed into the American experience.

Raised in an Orthodox family in Sighet, Transylvania, Wiesel was liberated from Buchenwald at age 16. In unsentimental detail, “Night” recounts daily life in the camps — the never-ending hunger, the sadistic doctors who pulled gold teeth, the Kapos who beat fellow Jews. On his first day in the camps, Wiesel was separated forever from his mother and sister. At Auschwitz, he watched his father slowly succumb to dysentery before the SS beat him to within an inch of his life. Wiesel writes honestly about his guilty relief at his father’s death. In the camps, the formerly observant boy underwent a profound crisis of faith; “Night” was one of the first books to raise the question: where was God at Auschwitz?

Working as a journalist in his mid-20s, Wiesel wrote the first version of “Night” in Yiddish as “Und di Velt Hot Geshvign” (“And the World Remained Silent”) while on assignment in Brazil. But it wasn’t until he returned to Paris and met François Mauriac, a noted Catholic novelist and journalist, that “Night” took the shape we know today. Mauriac urged Wiesel to rewrite the book in French and promised to write a preface. Still, “it was rejected by the major publishers,” Wiesel recalled in a recent interview, “although it was brought to them by François Mauriac, the greatest, greatest writer and journalist in France, a Catholic, a Nobel Prize-winner with all the credentials.” Les Éditions de Minuit brought it out in 1958, but it sold poorly.

The American response was similarly tepid. Georges Borchardt, Wiesel’s longtime literary agent and himself a Holocaust survivor, sent the French manuscript to New York publishers in 1958 and 1959, to little effect. “Nobody really wanted to talk about the Holocaust in those days,” Borchardt said. “The Diary of Anne Frank,” published in the United States in 1952, had been a huge success, but it did not take readers into the horror of the camps. Although “Night” had sophisticated literary motifs and a quiet elegance, American publishers worried it was more a testimonial than a work of literature. “It is, as you say, a horrifying and extremely moving document, and I wish I could say this was something for Scribner’s,” an editor there wrote to Borchardt. “However, we have certain misgivings as to the size of the American market for what remains, despite Mauriac’s brilliant introduction, a document.” Kurt Wolff, the head of Pantheon, also turned “Night” down. Although it had qualities “not brought out in any other book,” Pantheon had “always refrained from doing books of this kind,” meaning books about the Holocaust, he wrote to Borchardt.

Finally, in 1959, Arthur Wang of Hill & Wang agreed to take on “Night.” The first reviews were positive. Gertrude Samuels, writing in the Book Review, called it a “slim volume of terrifying power.” Alfred Kazin, writing in The Reporter, said Wiesel’s account of his loss of faith had a “particular poignancy.” After the Kazin review, the book “got great reviews all over America, but it didn’t influence the sales,” Wiesel said.

The trial of Adolf Eichmann in 1961 brought the Holocaust into the mainstream of American consciousness. Other survivors began writing their stories — but with higher visibility came the first glimmerings of criticism. In a roundup of Holocaust literature in Commentary in 1964, the critic A. Alvarez said “Night” was “beyond criticism” as a “human document,” but called it “a failure as a work of art.” Wiesel, he argued, had failed to “create a coherent artistic world out of one which was the deliberate negation of all values.”

By the early ’70s, the Holocaust had become a topic of study in universities, spurred in part by the rise of “ethnic studies” more generally and a surge of interest in Jewish history after Israel’s dramatic military victory in the Israeli-Arab wars of 1967 and 1973. Wiesel, who had moved to New York in the mid-’50s, began lecturing regularly at the 92nd Street Y in Manhattan and teaching at the City University of New York. (Since 1976 he has taught at Boston University.)

Although his books were all reviewed respectfully, some critics questioned Wiesel’s role as a self-appointed witness. “His personal project has been to keep the wounds of Auschwitz open by repeatedly pouring the salt of new literary reconstructions upon them, and thus to prevent the collective Jewish memory — and his own — from quietly letting the wounds heal,” Leon Wieseltier, now the literary editor of The New Republic, wrote in Commentary in 1974. Reviewing Wiesel’s novel “The Oath,” about a pogrom, Wieseltier criticized Wiesel for “turning history into legend.” His characters were “archetypes of the varieties of Jewish pain,” Wieseltier wrote, so “what remains is ... a kind of elaborate superficiality which does justice neither to the author’s intentions nor to his terrible subject matter.”

In 1978, President Carter appointed Wiesel to a commission that eventually created the Holocaust Museum. In Wiesel’s mind, the “real breakthrough” that brought “Night” into wide view came in 1985, when he spoke out against President Reagan’s planned visit to the Bitburg military cemetery in Germany, where SS members were buried. While Reagan was awarding him a Congressional Gold Medal at the White House, Wiesel told him: “That place, Mr. President, is not your place. Your place is with the victims of the SS.” The next day, Wiesel’s words were on front pages worldwide. (Reagan still made the trip.)

Wiesel was awarded the Nobel Peace Prize the following year. The Nobel committee called Wiesel “a messenger to mankind,” teaching “peace, atonement and human dignity.” Wiesel’s “commitment, which originated in the sufferings of the Jewish people, has been widened to embrace all repressed peoples and races.” By the late ’90s, “Night” was a standard high school and college text, selling around 400,000 copies a year.

Yet some critics have homed in on the very qualities that have helped “Night” find a broad readership. Some have criticized Wiesel for universalizing — and even Christianizing — Jewish suffering. In “The Holocaust in American Life” (1999), the historian Peter Novick cites crucifixion imagery in “Night” as evidence of the “un-Jewish” or Christian tenor to much Holocaust commemoration. Others have suggested Wiesel may have revised the book to appeal to non-Jewish readers. In a 1996 essay, Naomi Seidman, a Jewish studies professor at Berkeley’s Graduate Theological Union, detected strong notes of vengeance in the Yiddish version. In the final scene, after the camp has been liberated, Wiesel writes of young men going into Weimar “to rape German girls.” But there’s no mention of rape in the subsequent French or English translations. Wiesel said his thinking had changed between versions. “It would have been a disgrace to reduce such an event to simple vengeance.”

To Lawrence L. Langer, an eminent scholar of Holocaust literature and a friend of Wiesel’s, what sets “Night” apart is a moral honesty that “helps undermine the sentimental responses to the Holocaust.” To Langer, “Night” remains an essential companion — or antidote — to “The Diary of Anne Frank.” That book, with its ringing declaration that “I still believe that people are really good at heart,” is “easy for teachers to teach,” Langer said, but “from the text you don’t know what happened when she died of typhus, half-starved at Bergen-Belsen.” Wiesel takes a similar view. “Where Anne Frank’s book ends,” he said, “mine begins.”

Rachel Donadio is a writer and editor at the Book

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by Elie Wiesel

Night essay questions.

Using examples from the text, what does Wiesel convey about human nature in the concentration camps? Where does he (if at all) draw the line between humanity and barbarism?

Early on, Eliezer indicates that it does not take much for a complete breakdown of civility to ensue. Even as the Jews are deported from Sighet, Eliezer reveals, couples began to openly copulate in the train car. As more and more time is spent in the camps, Eliezer describes a situation in which man turns into beast. This is best exemplified in which the guards throw bread into the train car and fighting ensues, to the point at which hunger is more important to the body that relationships are to the mind, and a man kills his own father for the piece of bread. As Eliezer describes: "Men were hurling themselves against each other, trampling, tearing at and mauling each other. Beasts of prey unleashed, animal hate in their eyes. An extraordinary vitality possessed them, sharpening their teeth and nails" (pg. 101). Eliezer does not shy away from describing himself as a beast: "I fought my way to the coffee cauldron like a wild beast" (pg. 106).

Discuss Eliezer’s struggle with faith throughout the book. What is his relationship with God in the beginning, and what is it by the end of his time in the concentration camps?

At the beginning, Eliezer is very devout, and he devotes his studies to mystic teaching and to prayer. While he never fully carries a disbelief in God, throughout this time in the concentration camps he comes to resent God, and to mistrust him. Rather than deny his existence, Eliezer instead turns to interrogating God's motives. He foreshadows this transformation at the start of the book, saying, "In the beginning there was faith—which is childish; trust—which is vain; and illusion—which is dangerous." (Forward). After time spent in the camps, Eliezer questions God: "What are You, my God? I thought angrily. How do You compare to this stricken mass gathered to affirm to You their faith, their anger, their defiance? What does Your grandeur mean, Master of the Universe, in the face of all this cowardice, this decay, and this misery? Why do you go on troubling these poor people's wounded minds, their ailing bodies?" (pg. 66.)

Throughout the piece, Eliezer sometimes separates his mind and his body. When are some examples of this, and what does he convey by describing himself in these ways?

The strongest example of when Eliezer separates himself from his body is during the death march in the snow, in which he describes his body as something that merely anchors him, acting against his desire to be free of pain and suffering. As he states: "I was putting one foot in front of the other, like a machine. I was dragging this emaciated body that was still such a weight. If only I could have shed it! Though I tried to put it out of my mind, I couldn't help thinking that there were two of us: my body and I. And I hated that body" (pg. 85). Another moment that conveys this separation of mind and body is when both his mind and his body are afraid of a blow to the head similar to the one that a guard had dealt his father: "I didn't move. I was afraid, my body was afraid of another blow, this time to my head" (pg. 111).

Though there are many images of prisoners struggling to live, there are also more unnerving ones of prisoners becoming so apathetic that their will to die is stronger. To what does Eliezer attribute this apathy, and how does he describe prisoner’s “will to live"?

Eliezer frequently attributes death of the prisoners not only to dire circumstances and the struggle for survival, but also to moments of apathy in which prisoners simply give up. More often than not, Eliezer attributes the loss of the will to live to two principal factors: the complete disbelief in God, and the knowledge that one's family has perished. The earliest evidence of this is the incident of Akiba Drumer, in which Eliezer lies to him and tells him that his family is well:

"'The only thing that keeps me alive,' [Drumer] kept saying, 'is to know that Reizel and the little ones are still alive. Were it not for them, I would give up.' One evening, he came to see us, his face radiant. 'A transport just arrived from Antwerp. I shall go to see them tomorrow. Surely they will have news …' He left. We never saw him again. He had been given the news. The real news"(pg. 45). When Eliezer believes that his father, who looks weakened and frozen after the march, may be dead, he says, "Suddenly, the evidence overwhelmed me: there was no longer any reason to live, any reason to fight" (pg. 99).

Discuss Eliezer and his father’s evolving relationship throughout the piece. At one point is there a role reversal—when does this happen, and how does Eliezer cope with it?

Throughout Night, Weisel describes how the trials of the concentration camp effectively switch the roles of father and son over time. The father-and-son relationship is first strained when Eliezer immediately understands the immediacy of the deportation threat and asks his father to "sell everything, liquidate everything, and to leave." Before even being deported, Eliezer's father refuses to get an immigration pass to Palestine, citing his age: "I am too old my son...too old to start a new life...too old to start from scratch in a distant land" (pg. 9). At the beginning of the piece, this is where the age difference between Eliezer and his father appears to be the widest; thereafter, the hardships narrow this chasm until, by the end of the piece, there is almost a complete temporal switch.

While there are indeed some instances in which Weisel's father looks out for his son (including giving him extra rations of bread) by the end, Eliezer begins to take on more and more responsibility for his father, until the pressure of having his father rely on him becomes almost unbearable. After the march through the snow, Eliezer's father develops dysentery and relies completely on his son for survival. The last word on his father's lips is "Eliezer." Eliezer feels numb to his father's death and feels guilty for being somehow grateful for his father's passing:"I did not weep, and it pained me that I could not weep. But I was out of tears. And deep inside me, if I could have searched the recesses of my feeble conscience, I might have found something like: Free at last!" (pg. 112.)

Night Questions and Answers

The Question and Answer section for Night is a great resource to ask questions, find answers, and discuss the novel.

Night, Chapter 2

From the text:

"There are eighty of you in the car," the German officer added. "If anyone goes missing, you will all be shot, like dogs."

What becomes elies main goal

In chapter three Elizer's main goal was for himself and his father to be selected for work and thus stay alive. They achieve this goal by lying to authorities and looking healthy enough to work.

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Study Guide for Night

Night study guide contains a biography of Elie Wiesel, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

• About Night
• Night Summary
• Character List

Essays for Night

Night essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Night by Elie Wiesel.

• Silent Night
• The Motivation in Night
• The Gospel According to Mark and Night: Would St. Mark Call Night a 'Religious Book'?
• NIght and the Problem of Evil
• The Changing Nature of the Relationship Between Elie and His Father in Night

Lesson Plan for Night

• About the Author
• Study Objectives
• Common Core Standards
• Introduction to Night
• Relationship to Other Books
• Bringing in Technology
• Notes to the Teacher
• Related Links
• Night Bibliography

Wikipedia Entries for Night

• Introduction
• Film and television
• Video games

Home — Essay Samples — Environment — Night — Silence In Night By Elie Wiesel

Silence in Night by Elie Wiesel

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Published: Mar 19, 2024

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Table of contents

Introduction, the depths of human suffering, the power of words, the weight of silence, the international community's silence, the responsibility of bearing witness.

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Night by Elie Wiesel: Essay Topics & Samples

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In this article, we’ve gathered everything you need to create an outstanding Night essay: topics, the most insightful questions, valuable prompts, and useful examples.

Night by Elie Wiesel Essay Topics

• The transformation of Eliezer’s personality throughout the book. Describe the main character’s personality at the beginning of the book. What were the boy’s interests? How did he perceive the world living in Sighet? Examine how the concentration camp changed Eliezer’s attitude towards life.
• The significance of family ties in Night by Elie Wiesel. Analyze the relationship between Eliezer and his father . In your opinion, are family ties a powerful or a destructive force for the main character? State your position and support it with good examples.
• Night : just a title or a powerful symbol? Does night itself symbolize anything in the book? If yes, what? What role does the symbol of the night play for the comprehension of the entire story? To make your essay more dynamic, consider inserting relevant quotes from the book.
• The religious context in Night, a novel by Elie Wiesel. Investigate Eliezer’s attitude towards God . Compare and contrast his perception of divine powers in the beginning and at the end of the book. What factors influenced the transformation of the main character’s worldview?
• Did Eliezer become a stronger or a weaker person? Analyze Eliezer’s transformation . Did the obstacles he went through make him feel weaker or stronger? Present your point of view and support it with valid arguments and appropriate evidence from the text.
• Is there a life after the concentration camp? “From the depths of the mirror, a corpse was contemplating me” (Eliezer, Night ). How do you think Eliezer’s life will look like after the camp? Is there any chance he will be able to get back to everyday life?
• Eliezer’s relief after his father’s death: a betrayal or a normal reaction? Why do you think Eliezer felt like he got rid of the burden after his father passed away? Should the main character be ashamed about it? Analyze how the trials Eliezer went through transformed his attitude towards his dad.
• Hell on Earth. Describe the Nazi’s inhuman actions toward the deported Jews. What were the Nazi’s intentions? After Eliezer witnessed the tourers in the concentration camp, did he lose faith in God? Or did he only started questioning God’s justice and kindness?
• The unexpected interpretation of the symbol of fire. The fire is the central symbol Elie Wiesel includes in his book. Analyze its meaning and significance. Compare and contrast the role of the fire in Night and the Bible. Why do you think the author interprets fire in quite an unusual way?
• The significance of Night by Elie Wiesel for the audience of the 21 st century. Think about the lessons the modern readers could learn from this book. Will you suggest reading it to your children? In your opinion, can Night become outdated and irrelevant one day?

Night by Elie Wiesel: Essay Samples

In case you lack the inspiration to compose your Night essay, we collected the most insightful samples. Read their summaries, choose the one you most liked, and create your outstanding piece of writing!

• Father-Son Relationships in Eliezer Wiesel’s Book “Night” Are you about to write an essay on the evolution of the relationship between Eliezer and his father? Take a look at this example! You will find an analysis of the family ties and a bunch of crucial quotes.
• Jews’ Suffering in “Night” by Elie Wiesel Literature Analysis The given essay sample explores the trials the Jews were forced to go through during the Holocaust. Also, you will find some insights into Eliezer’s struggle to maintain his faith in God. Check it out!
• Events in the Concentration Camps: “Night” by Elie Wiesel This essay gives a general overview of the events that occurred to Eliezer and his fellow Jews in several concentration camps. Also, the author focuses on the effect of hardships on the relationship between Eliezer and his father.
• Eliezer and His Father in Elie Wiesel’s Night How did Eliezer change his attitude towards his father as the plot progresses? Curious about the reasons for the main character’s personality transformation? Read this essay and grasp the answers to all of your questions!
• Elie’s Life in “Night” by Elie Wiesel The following essay will take you into a long journey of Eliezer’s life, starting from Sighet and ending in the hospital in front of the mirror. Are you ready to feel compassion towards the main character? Check this essay out!
• Elie Wiesel’s “Night” – Eliezer’s Faith in God Eliezer’s relationship with God takes a separate storyline in the book. Do you want to investigate it? Take a look at this essay!
• Family Relationship in ”Night” by Elie Wiesel At the beginning of the book, Eliezer’s family is an exemplary one in Sighet. But how do the family ties shift throughout the story? Do they weaken or strengthen? Read this sample and figure it out!
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Night by Elie Wiesel is a tragic story of a Jewish teenager that won’t let any reader stay indifferent. The novel is based on real-life events experienced by the author. Thus, Elie Wiesel’s Night is autobiographical, yet how much of the story is fiction remains unclear. It’s known as a...

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